kottke.org posts about video
In this video, Patrick Hicks tells the story of the development of the classic educational video game The Oregon Trail and how Prince (you know, the genius musical artist) was one of the first people in the world to play the very first version of the game.
The basic story is that a college history major (Don Rawitsch) teamed up with two friends (Bill Heinemann and Paul Dillenberger), both of whom were math majors and had some programming experience, to make a computer game to liven up the history class that Rawitsch was student teaching. While developing the game, Heinemann & Dillenberger tested it out with some kids at the high school at which they were student teaching…and one of those kids was Prince Rogers Nelson.
Paul would later say that he heard about Prince before he even met him. One of the other teachers told him, “There’s this kid here who basically is running his own business. He’s this amazing musician who plays all these instruments and writes his own songs.” And then later, Paul realized that that was Prince.
But listen to Hicks tell the whole thing…it’s a good story. And if you want to hear a lot more of the story, here’s Gaming Historian’s feature-length documentary (the Prince anecdote is at ~24:00).
You can play the familar 1980s version of the The Oregon Trail online.
This is a three-hour, high-quality recording of thunderstorms in the distance in the Slovakian countryside. The rest of the channel is loaded of similar (and similarly long) atmospheric videos: thunderstorms, blizzards, rain, wind & fog, winter storms, etc.
The most recent videos are prominently labeled “No AI” because there are so many AI-generated videos like these on YT that are just kinda lifeless and juiced with keywords to show up as related videos.
I love 2005’s Pride and Prejudice, starring Keira Knightly & Matthew Macfadyen and directed by Joe Wright. So I really enjoyed Danny Boyd’s video essay about the great cinematography in the film.
Pride & Prejudice isn’t a movie I’ve exactly seen a 100 times in my life. And believe me, I like a good romcom. But when I finally sat myself down, put on the 4K disc, and paid attention, I could not believe the level of craft on display here. The cinematography of this movie is insane. Some of the closest to my own personal tastes as I’ve ever found. So today, I want to talk about how director Joe Wright created some of the best extended tracking shots, ones, long takes, that I’ve ever seen.
A lovely contemplative short video featuring Toshiyuki Ueno of the Japanese fashion brand Visvim talking about craftsmanship.
We want to make things that people will get attached to and will use for a long time. And that’s at the core of our creating process. It’s simple and not that complicated.
He continues:
I think about how people grow attached to things over time as they use them, and how those things add to its allure over time.
“Those things” is a little ambiguous without the context of the video…he means the wear that develops from use and how people grow attached to those “imperfections”. See also wabi-sabi.
I always learn so much from Evan Puschak’s videos about art. In this one, he takes a look at the work of Mary Cassatt, who, unlike many of her male peers, used the flattened perspective of Impressionism to reveal the thoughts and feelings of her subjects.
Like Manet, she’s dispensing with traditional modeling and perspective. In fact, her choice of a mirror as background is a brilliant way to literally and figuratively foreground the deceptive nature of perspective. Like Degas, she’s exploring the changing effects of artificial light on flesh and fabric. And she’s experimenting with off-kilter viewing angles.
But Cassat isn’t just adopting these techniques for the sake of it. She’s putting them to work in service of her deeper interest in psychology. She realizes that by not allowing the viewer to get drawn into the narrative space opened up by perspective, this new style of painting actually makes it possible to depict the subtle psychology of everyday life, a psychology uncontaminated by allegory or sentimentality. The trick was to combine the immediacy of Manet’s methods with a meticulous observation of posture, gesture, expression, and activity.
I believe I have featured login.jp_ here before — they pair electronic music with different locations around Japan to highlight the Japanese experience. For their latest video, they had English DJ & producer Bonobo play some downtempo ambient electronica in a Shinjuku dyeing workshop.
Standing on a street corner in the middle of Shinjuku, Fujiya Senkobo has preserved one of these techniques, known as hikizome or brush dyeing, for over 70 years. Dyeing is a traditional local industry in Shinjuku dating back to the Taisho period, and about 40 dyeing workshops still exist in Shinjuku Ward today. Composing patterns in his mind and dyeing extended fabrics with a brush, Takatoshi Nakamura, the third generation owner, states that staying sharp and maintaining perfect physical health are essential in hikizome, where mistakes are simply not permitted.
Wes Anderson steps into the mobile Criterion Closet to select some films that he enjoys.
One unsurprising thing about this video: Anderson says he has his own Criterion closet at home with all of the Criterion films. That’s maybe a $40-50K investment? (He probably gets them free from Criterion tho.) I wonder how many films he watches a day? Two? Three? If Soderbergh’s yearly watch/read lists are any indication, it’s probably in that ballpark.
One surprising thing about this video: I was expecting Anderson to go for Kurosawa, Tati, Truffaut, Welles, and some other of his big influences but instead selected family friendly fare suitable for a trip. The man has a wide array of influences. Here’s the full list:
The 39 Steps (Alfred Hitchcock, 1935)
The Red Shoes (Michael Powell and Emeric Pressburger, 1948)
Heaven Can Wait (Ernst Lubitsch, 1943)
Design for Living (Ernst Lubitsch, 1933)
The Lady Eve (Preston Sturges, 1941)
Stagecoach (John Ford, 1939)
Flow (Gints Zilbalodis, 2024)
Tootsie (Sydney Pollack, 1982)
Charulata (Satyajit Ray, 1964)
I love seeing Flow on there. What a great little film.
See also Wes Anderson Talks Up Some of His Favorite Movies in a Parisian Video Store and this delightful video from 20 years ago or so featuring Anderson and Jason Schwartzman picking out music & movies in a Borders:
Uruguayan birder Juan Pablo Culasso, who was born blind, has been recording and collecting bird songs for more than two decades.
I think that because I’m blind, I enjoy birds differently. Bird songs are my way of appreciating and understanding this world.
Culasso is aided in his quest by his incredible sense of of hearing:
Culasso is blind, but his hearing is so acute (he has absolute pitch) he can identify over 3,000 components of birdsong and differentiate among more than 700 species in his native South America (he’s Uruguayan). Ten years ago, he won a $45,000 prize in a National Geographic competition by accurately identifying 15 random bird calls.
You can find dozens and dozens of his recordings on Spotify. Filmmaker Johnny Holder made a 22-minute documentary film that features Culasso called Sonora; you can watch it on Vimeo. (via the kid should see this)
This is fun: Red Bull took over one of the karting tracks at Silverstone (home of the British Grand Prix), put 100 regular folks in karts, positioned four-time F1 champ Max Verstappen at the back of the pack, and gave him 75 minutes (or 30 laps) to pass everyone. Spoiler alert: he only needed 35 minutes. (And yes, his kart was the same speed as everyone else’s…you can see it in the straights later in the race.)
They had F1’s lead commentator Alex Jacques call the race and used a feature called Proximity Chat, where Alex, Max, and whoever Max was fixing to pass did a three-way live voice chat. They should implement this in F1 (only half kidding).1
I guess this is part of an occasional KDO series about normal folks competing against world class athletes; previous installments include The Worst NBA Player Is Way Better Than You, Soccer: 55 vs. 2, All for One and One for All (three expert fencers vs 50 amateurs), and Olympic Gold Medalist Dominates the 100m at Her Kid’s Sports Day Event.
And perhaps this fits here as well, tangentially: “Earlier this year I made a bet with Craig Mod. He felt sure that robots would soon be able to play basketball better than humans.” Hmm!
The gang from Craighill explains the origins and uses of three seemingly small design details that show up everywhere: pips, nubs, and the very useful union of pips and nubs. You’ve seen pips on dice and dominos, nubs are used for Braille text, and the pips/nubs combo is used for locks or stops that can be released under pressure. Craighill even has a pips + nubs category in their online store. (thx, rion)
Scottish trials rider and mountain biker Danny MacAskill, who I first featured on the site more than 17 years ago, recently took his Santa Cruz eMTB north of the Arctic Circle to Narvik, Norway. He rode three different mountains and the result is this incredibly beautiful video, backed by a Max Cooper soundtrack. As one of the commenters notes, MacAskill makes a relatively heavy eMTB seem extraordinarily playful.
As a mountain biker myself, some of that looks insanely fun but the narrow steep stuff looks insanely insane. Makes me want an eMTB, which I suppose is the whole point of the video.
Project Hail Mary is already on my list of movies that I can just throw on in the backround while I do a bit of work or puttering around. (Not sure whether that’s an endorsement or not…I like the movie!) Anyhoo, if you get tired of the movie, you can watch Rocky sleep for 2+ hours with the PHM soundtrack playing in the background.
From Deep Down History, an entertaining hour-long explainer video on the Bayeux Tapestry.
This video tells the Tapestry’s story in full, using Charles Stothard’s early colour reproduction, presented here as a seamless scroll for the first time. We follow Harold Godwinson’s fateful journey from Edward the Confessor’s court to Normandy, his later seizure of the Crown, and William the Conqueror’s invasion. Beyond its political messaging, the Tapestry is also bursting with medieval history, including jokes, fascinating technical details, and a warning for those who break their promises…
Completed within a decade or two of the events which it depicts, the tapestry is back in the news & public consciousness because it’s back in England for the first time since it was made and on display at the British Museum.
From NTS, this is a two-hour mix of jazz music featured in the books of Haruki Murakami.
‘Somewhere along the line Coltrane’s soprano sax runs out of steam. Now it’s McCoy Tyner’s piano solo I hear, the left hand carving out a repetitious rhythm and the right layering on thick, forbidding chords. Like some mythic scene, the music portrays somebody’s — a nameless, faceless somebody’s — dim past, all the details laid out as clearly as entrails being dragged out of the darkness. Or at least that’s how it sounds to me. The patient, repeating music ever so slowly breaks apart the real, rearranging the pieces. It has a hypnotic, menacing smell, just like the forest’ —Kafka On The Shore
The playlist features tracks by Ornette Coleman, Coltrane, Dizzy, the Bill Evans Trio, Monk, Mingus, and Miles Davis. Some of the video’s comments:
I had just prepared a light meal and hit play on this playlist when the telephone began to ring.
about to make my morning matcha, a spring breeze is flowing through the open windows, the air smells of optimism
Early morning, sun shining to balcony, having espresso and writing.
Studying the day before the exam with a bittersweet optimism while playing this and holding on to my hopes
Canned cold beer, windows open on a warm summer night, just after finishing a simple dinner of rice and salmon and sitting next to my cat
See also Classical Music from Murakami Novels. Both of these are going straight into my Underscore collection.
At the beginning of a clip from this podcast episode of Conan O’Brien Needs a Friend with Matt Groening, Conan talks about one of his favorite things they did on The Simpsons:
It’s a phenomenon that the Simpsons did so beautifully, which is — and we did this with Homer a lot — but Homer is not the smartest guy in the world, but if it’s funny for him to have a certain knowledge of something or turn a phrase, suddenly he has it.
And one of my favorites of that is he’s sitting around the table and Lisa’s despondent. Something didn’t go well for her and she doesn’t think she’s going to get to go to a good school now. And she’s sitting at the table and she said, “Oh no, now I’ll never get to go to an Ivy League school. I’ll have to go to Vasser.” Which is just this like — by the way, my wife went to Vasser, it’s a very good school. But it was just this thing where in Lisa’s little world, oh my god, I’ve been I’ve been ruined. I’ll have to go to Vasser. And Homer like slams a table and says, “There’ll be no Vasser bashing in this house.”
I loved this about the show too. And it was part of a general thing the writers did where sometimes characters would play against type. So Marge became reckless, Homer was smart/sensitive, Bart was organized, and Lisa was a giggly little girl. Those moments helped make the show and when, after the epic run in the early-to-mid 90s, the show became almost exclusively about how dumb & crass Homer was, it was much less rich and entertaining. (thx, mark)
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