kottke.org posts about TV
A streaming services savings tip from the Nomadico newsletter that I was not aware of:
I’m going to add Apple TV at home after watching only part of Severance on a United flight, but I’ll likely subscribe in Mexico where it’s 28% cheaper than the USA. You can play this arbitrage game with most of the streaming services — I once got HBO on sale for $5 a month. In Mexico you can get the highest tier of Netflix for the price of the middle tier stateside, a 39% monthly savings (with a better studio movie selection too). Shop around if moving around. In Turkey, for example, the highest tier of Netflix with 4K hi-def is less than US$10 per month. Try regional gift cards, signing up while in another country, or using a good VPN for the first transaction.
Anyone else tried this?
Konnichiwa! I’m back from Japan and finally getting over my jetlag, which took much longer than I expected. Here’s a list of all the things I’ve been reading, watching, listening to, and experiencing over the past few months.1 Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Deacon King Kong by James McBride. This was my first time reading anything by McBride and maybe I have a new favorite author? I love everything about this story and the way he tells it. (A+)
The Da Vinci Code. One of my go-to comfort movies. “Scientific” art history detective story? Yes, please. (A)
Watch video on YouTube.
One Battle After Another. Great. Especially Sean Penn. And it reminded me of a Wes Anderson movie for some reason? Like one that he would have made had he followed the Bottle Rocket path instead of the Rushmore Path. (A+)
Meredith Dairy Marinated Sheep & Goat Cheese. All cheese is delicious, but this one particularly so. (A)
Fantastic Four. It was ok? Aside from a few things, I’m having trouble getting excited about post-Infinity Saga Marvel. There was just a special alchemy about that whole arc that is proving impossible to reproduce. (B)
The Age of Innocence by Edith Wharton. Fantastic right from the first page. Sharp writing about social mores, reminded me of Middlemarch & Price and Prejudice in that respect. One of my all-time favorites, I think. (A+)
The Gilded Age (season three). Still enjoying the hell out of this show. Total suspension of disbelief is a must. (A-)
Mission: Impossible. I haven’t seen this in maybe 20 years and I guess it holds up? Not my favorite of the series though. (B+)
Watch video on YouTube.
Tinker, Tailor, Soldier, Spy. Great spy thriller. Gary Oldman is fantastic in this. Cold War? Spies? Britain? I will pretty much watch as many of this type of movie as you can make. (A)
Leaving America. This is a 12-part podcast on the logistics, benefits, and challenges of leaving the United States. Oh, no reason. (B+)
The Fellowship of the Ring (and TT & ROTK) by J.R.R. Tolkien. It’s been a while since I’ve read The Lord of the Rings books and wow, are they long. There’s entirely too much “and they travelled from here to there” logistics that drag on over several pages and descriptions of hilltops & ancient landmarks that you only hear about once. But Andy Serkis narrating the audiobook? So good. (A-)
The Lord of the Rings trilogy. After each audiobook, I watched the extended version of the corresponding film. My general feeling after 65+ hours of audiobook and 12+ hours of movie is that the books are too long and the movies too short. An 18-hour mini-series — perhaps three seasons of six episodes each? — seems like the sweet spot. (A)
Star Trek: Strange New Worlds (season three). Maybe didn’t enjoy this quite as much as the previous two season, but I love spending time with these people and look forward to doing more of that when season four drops. (B+)
Jaws. Got to see this in the theater when they released it for the 50th anniversary. Spielberg had such a strong style right from the jump. (A-)
Paradise. Just fine. But I feel like there are better apocalyptic shows out there. (B)
Downton Abbey: The Grand Finale. It was so nice to head to the theater to nestle myself into the low-stakes world of Downton Abbey for 2 hours. (B+)
Watch video on YouTube.
Daft Punk Fortnite. Love anything with Daft Punk. (A)
The Heaven & Earth Grocery Store by James McBride. Right after finishing Deacon King Kong, I did something I almost never do: started in on a different book from the same author. Loved this one too. (A+)
Tron: Ares. It was a loud NIN music video on a huge screen, what’s not to like? Jared Leto was fine, but there were probably better casting options here that the audience would have been more excited about. And the direction could have been stronger…Gillian Anderson and Greta Lee were both surprisingly meh. (B+)
Watch video on YouTube.
Tron: Ares soundtrack. Better than the movie. (A-)
Total Recall. First time! Maybe a little too Verhoeven/B-movie for me. (C+)
Cars. I’ve seen this movie several times and what I noticed this time around is how incredibly expressive the cars are. You can just tell they worked very hard on that aspect of the animation. (A-)
Shopkeeping by Peter Miller. This was recommended from a couple of different vectors — pretty sure one was Robin Sloan. Lots of resonance to my work here and how I think about it (and want to think about it). (A-)
Japan. Absolutely loved it. (A+)
Iyoshi Cola. Craft colas are often disappointing, but this one was absolutely delicious. Wish I could get it in the States for less than $14 a can. (A)
teamLab Borderless. Some of this was too “built for Instagram” but a couple of the rooms (the one where it felt like the whole room was moving & the cathedralish one with the light strings) were great. (A-)
The Sumida Hokusai Museum. Had to make the pilgrimage here. (A-)
In Praise of Shadows by Jun’ichirō Tanizaki. Read this book about Japanese aesthetics while visiting Japan — it provided an interesting context. (B+)
Hokusai at Creative Museum Tokyo. Fantastic show…there were hundreds and hundreds of prints and drawings that showed his evolution and influence. (A+)
Okunoin Cemetery. Had one of the strongest senses of place I have ever experienced. (A)
Konbini. The Japanese convenience stores really are as appealing as you’ve heard. (A-)
Awakening Your Ikigai by Ken Mogi. Perhaps a little over-simplifying when it comes to Japanese culture, but I appreciated the message of having a purpose. (B)
Sho-Chan Okonomiyaki. When I got to Hiroshima, I knew I had to try their version of okonomiyaki, so I went to Okonomimura, a multi-story building crammed with okonomiyaki restaurants. I picked one and had one of the most surprising meals of my trip. So good. (A)
Blue Planet Sky. I spent a lot of time sitting in this room by James Turrell. (A)
Kanazawa Phonograph Museum. Lovely little museum, and a good opportunity to observe how successful inventions move from technology to culture/fashion/commerce. (A)
Princess Mononoke. I saw this in the theater on my last full day in Tokyo; they recently released a 4K remaster. Absolutely breathtaking. (A+)
Butch Cassidy and the Sundance Kid. Redford and Newman are both total smokeshows in this. And I’d forgotten how goofy this movie is. (B+)
Watch video on YouTube.
A House of Dynamite. A very tough watch, but I thought this was fantastic as a tour of some of the different kinds of people who hold the fate of every single person on the planet in their hands every damn day. They’re tired, stressed, distracted, at cross-purposes with themselves, set in their ways, more celebs than leaders, and mediocre. And none of them have ever seen Dr. Strangelove? (A)
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
Watch video on YouTube.
So I’ve been watching Breaking Bad creator Vince Gilligan’s Pluribus on Apple TV and this review from Inkoo Kang resonated with me (emphasis mine):
Millions of offscreen casualties aside, it’s clear that Gilligan is aiming for a lighter — and stranger — outing than his two previous series. (For all that “Pluribus” delights in eerie atmospherics, the Southwestern sunniness keeps things from getting too dark.) The uncanny scenarios he conjures are a source of humor, intrigue, and genuine unease. But the show never adds up to more than the sum of its parts. Carol makes for a maddeningly tunnel-visioned protagonist — one with a shocking lack of curiosity about the entity that’s overtaken the Earth, or even about what the infected do all day when they’re not offering to cater to her whims. Her one-note sullenness means that Seehorn, who was heartbreaking as the repressed Kim on “Saul,” is squandered as the lead of her own show. The contentment and coöperativeness of the hive mind are similarly tough to dramatize.
It was somewhere around the middle of episode two when I started asking myself if I was supposed to care about Carol and what was going to happen to her, which is never a good sign. I like plenty of shows with unlikable protagonists (like Succession & Seinfeld) but I often can’t get past stubborn & incurious ones — it just seems fake to me and breaks my willing suspension of disbelief.
The show has a 99% rating on Rotten Tomatoes. Pluribus fans, what am I missing here? The premise is good and I want to like it. Presumably many of the critics have seen the whole season and so maybe it picks up as it goes on?
Operation Space Station is a two-part PBS documentary series on the International Space Station. Here’s a very short teaser trailer:
Watch video on YouTube.
A synopsis:
The size of a football field, the International Space Station hurtles around Earth at 17,000 mph, shielding its astronauts from the most hostile environment humans have ever endured. After 25 years of continuous human presence in space, astronauts and Mission Control insiders reveal the most terrifying moments aboard this remarkable orbiting laboratory, where a single mistake could prove fatal. From ammonia leaks, meteor strikes, and docking disasters, to spacewalk horrors, potentially lethal showers of space junk, and the moment the entire ISS backflipped out of control, follow life-or-death dramas unfolding 250 miles above our planet — and the human ingenuity and teamwork that save the day.
(via installer)
Watch video on YouTube.
High Horse: The Black Cowboy is a three-part documentary about the culture of Black cowboys & cowgirls and their erasure from the history of the western United States.
From executive producer Jordan Peele and Monkeypaw Productions, the pop culture and historical documentary confronts and reclaims the Wild West while revealing the story of the Black cowboy — a history that has largely been untold. It rides into the forgotten corners of history, shattering myths and celebrating the Black cowboys, farmers, jockeys, musicians, and rodeo champions who built the West — and now takes back their place in the saddle, sitting high atop the horse.
High Horse: The Black Cowboy starts streaming Nov 20th on Peacock.
Watch video on YouTube.
A two-hour version of the music played in the Wellness Center in Severance. “Please try to enjoy each listening session equally.” See also Severance: Music To Refine To.
✅ Added to my Underscore collection.
Watch video on YouTube.
On May 22, 1981, for the finale of the show’s 12th season, Mister Rogers visited Sesame Street. With apologies to the Avengers, this has to be the greatest crossover event in history.
In the episode, Rogers agrees to judge a race between Big Bird and Mr. Snuffleupagus, a character that no one on the show but Big Bird has seen. When BB tells his friends he met Mister Rogers, they don’t believe him, including Mr. Snuffleupagus! Later, BB & MR have a conversation about what’s real and what’s make-believe. Here’s more on the episode from the Neighborhood Archive and the Muppet Wiki.
Mr. Rogers comes to visit Big Bird at his nest. Big Bird wonders if Mr. Rogers is really here, because no one believed him before. Mr. Rogers observes that sometimes it’s hard to distinguish between fantasy and reality, and suggests that they both pretend some more. Big Bird imagines a teddy bear riding a race car, and realizes that he can’t touch him — except in his imagination. Mr. Rogers, on the other hand, is real. They both share a hug.
A couple of weeks later, Big Bird visited the Neighborhood of Make-Believe on Mister Rogers’ Neighborhood. There’s no good clip of this on YT, but you can see some of the footage here and the full episode on Mister Rogers’ official site.
Watch video on YouTube.
Big Bird didn’t visit Mr. Rogers directly (in the real world) because of the two shows’ differing views on make-believe:
Caroll Spinney agreed to appear in the episode as Big Bird after some dialogue with Fred Rogers; when Spinney originally received the script for the show he saw it required him to remove the costume and discuss the inner-workings of the Big Bird puppet. Spinney protested, as he didn’t believe in ruining the illusion of Big Bird for the children. Rogers agreed, but only under the stipulation that Big Bird’s appearance was restricted to the fantasy segments of the “Neighborhood of Make-Believe,” as he didn’t believe in perpetuating the deceitful blur of real and pretend to children that occurred when presenting the character as real in the “real world.”
While Sesame Street Unpaved mentions that Rogers understood Spinney’s concern over showing the children how Big Bird works, Spinney said at some of his book signings (promoting his autobiography, The Wisdom of Big Bird) that he and Fred Rogers argued over the phone for roughly twenty minutes over whether or not to have him tell the kids how he performs Big Bird.
And then there’s this, included here because I ran across it on YouTube: Arsenio Hall gifts Fred Rogers a very fly jacket.
Watch video on YouTube.
Antonio Scurati’s 2018 “documentary novel” M: Son of the Century was a worldwide bestseller about the early political career of Benito Mussolini and the rise of fascism in post-WWI Italy. Director Joe Wright (Pride and Prejudice, Darkest Hour) has adapted the book into an 8-part TV series called Mussolini: Son Of The Century. Here are a pair of trailers:
Watch video on YouTube.
Watch video on YouTube.
One commenter on this YT video says “it’s Cabaret meets Clockwork Orange, meets Metropolis…” I stumbled across this via Carla Sinclair, who writes:
It is, unsurprisingly, violent and gritty, highlighting Benito Mussolini’s rise to power that began in the year 1919, when he founded the National Fascist Party in Italy. But it’s also beautifully shot, with military and fight scenes stunningly choreographed to electronic music by Tom Rowlands of the Chemical Brothers. At times it feels like an intense musical — without the song and dance.
If you’re in the US, you can stream Mussolini: Son Of The Century on Mubi — four of the episodes are available so far and the new ones debut on Wednesdays.
Christian Marclay debuted his 24-hour film The Clock 15 years ago. The film is made up of thousands of clips from movies and TV shows that show timepieces or otherwise make reference to the time of day. I’ve seen chunks of it in a few museums & galleries and it’s wonderful.
Using this extraordinary minute-by-minute timeline of nearly all the scenes that make up The Clock, one person is attempting to reverse engineer the entire film. It’s not The Clock, but it’s A Clock. Here are a couple of excerpts:
Says the creator:
So, when I stumbled upon this Fandom Wiki, where the mysterious user ElevenFiftyNine had seemingly started the task of listing all the movies in The Clock, I couldn’t help myself; I started remaking the whole thing from scratch.
So, since I can’t really say this is The Clock, it is my best attempt at making a Clock, by following the excellent effort by ElevenFiftyNine.
A ten-minute excerpt is free on the website but you need to join the Patreon to watch the entire work-in-progress. According to their most recent update, the film is finished but the final version isn’t online quite yet; October 15th is the release date.
BTW, here’s the creator’s definition of “finished”:
I spoke some months ago about what 100% means for this project, and it is not that it is a fully perfect copy of Marclay’s work. The information available online is incomplete, and new information might appear in the future. For now, 100% means that all available information, is in a Clock.
And incredibly, they have never actually seen The Clock in person:
Unfortunately I have never had a chance to see The Clock, as it is only visible when exhibited at a museum. This is increasingly a rare occurrence, and even then, apparently the queues when it is on show, are monstrous. Never mind that it might be anywhere in the world!
Aside from the clips, I haven’t watched any of this yet, but it is a very tempting alternative to waiting for a rare showing somewhere I happen to be.
Watch video on YouTube.
Today I learned that the opening theme song for the original Iron Chef TV program was adapted from a song composed by Hans Zimmer, who has done scores for films like Interstellar, Dune, Blade Runner: 2049, Inception, and Dunkirk. Perhaps even weirder, the name of the theme song is “Show Me Your Firetruck”. (The song is from Zimmer’s score for the movie Backdraft.)
Well, it’s been awhile since I’ve done one of these but I’m gonna skip the apologies and get right into it. Here’s a list of what I’ve been reading, watching, listening to, and experiencing over the past several months. Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Dinosaur. It’s a huge pigeon on the High Line — what else do you need to know? (A-)
The Ministry of Time by Kaliane Bradley. Entertaining and engaging. It’ll make a good TV series. (B+)
Bill and Ted’s Excellent Adventure. I hadn’t seen this in several years but I still knew all the words. (A-)
Watch video on YouTube.
My Brilliant Friend (season four). If there’s one thing I’ve watched in the past several years that I wish had gotten more attention from viewers, critics, and awards panels, it’s this wonderful show. (A+)
Pirates of the Caribbean: The Curse of the Black Pearl. Johnny Depp’s Jack Sparrow might be the most perfectly cast role in the history of cinema. Great story too. This movie surprised me when I saw it in the theater in 2003 and it’s still in the top tier of action/adventure movies. (A)
Andor (season one). A rewatch to prep for season two. I didn’t understand what the fuss was about this show the first time around, but this second viewing was a revelation. Andor is easily the best Star Wars thing since Empire. (A+)
Galleria Borghese. As previously discussed, the Bernini sculptures were a highlight of the summer. (A+)
Caravaggio 2025. Fantastic exhibition. (A)
The vivid blue color of the Mediterranean. (A+)
La Vita è Un Mozzico. We waited for an hour for sandwiches and it was probably worth it? (A)
Black Doves. British spy thriller? Keira Knightley? Ben Whishaw? Twist my arm. (B+)
Captain America: Brave New World. I’m sorry Sam Wilson / Anthony Mackie, there’s a “we have the Avengers at home” vibe here that’s hard to shake. (B)
Watch video on YouTube.
Music to Refine To: A Remix Companion to Severance. I love this album; one of my favorite things of the past several months. (A+)
Mickey 17. It was fine? I was distracted while watching it in the theater, which is never a good sign. My favorite Bong Joon Ho film is still Snowpiercer. (B)
Amy Sherald: American Sublime. Absolutely fantastic. (A+)
The French Dispatch. This has quietly become a favorite of mine among Anderson’s films. (A)
The Royal Tenenbaums. However, this is still my favorite. (A+)
Watch video on YouTube.
Paris Is Burning. Classic documentary of a bygone NYC era & a subculture that is now both flourishing and threatened. (A-)
Star Trek: Strange New Worlds (season two). I love these characters, always the sign of a good Trek. The crossover episode with Lower Decks was delightful even though I’ve not watched any of the animated series yet. The musical episode I liked less (not a showtunes guy) but I appreciated the experimentation. Bring on the Muppet episode. (A)
Severance (season two). Perhaps not as good as the first season — there was a lot in the mid-season episodes that didn’t land for me. Still, I always watched when a new episode dropped. (A-)
Watch video on YouTube.
Army of Shadows. Part of the unplanned resistance film festival I’ve been screening for myself recently. Not quite as good as I remembered it, but it’s nice to watch something that doesn’t just lay everything out on a platter for you so you can emote properly. (A-)
Best in Show. So many lines from this that I use in my daily life. (A-)
The 99% Invisible Breakdown: The Power Broker. This is such a good series with fantastic guests about a legendary book. Who knew that Roman Mars was such a gigglepuss though? (A)
Johnny English. I didn’t find this quite as delightful as my family does. I prefer Mr. Bean. (B+)
Paddington in Peru. Not quite the magic of the first two, but entertaining. (B)
Indiana Jones and the Last Crusade. I have likely said this before, but while Raiders is likely the best Indy movie, Last Crusade is my favorite (probably due to Tom Stoppard’s heavy rewrite of the script). (A+)
Star Wars: The Return of the Jedi. It’s interesting to watch the original trilogy having seen so many subsequent movies & TV series.
Ocean’s Twelve. The dancing lasers scene is completely ridiculous. (A)
Watch video on YouTube.
Wallace & Gromit: Vengeance Most Fowl. Well, I wasn’t expecting a critique of AI and the role of technology in society from this animated feature, but maybe I should have? (B+)
A Complete Unknown. Liked this more than I thought I would. (A-)
Pride and Prejudice by Jane Austen. Just a wonderful book — witty and fun. (A)
The Devil in the White City by Erik Larson. Fantastic book. Listen to the audiobook version if you can — Scott Brick’s narration elevates the story. (A)
A Quiet Place: Day One. I only watched this because I was on a plane. (B)
Severance (season one). After watching the second season, I rewatched season one. There was apparently much I missed the first time around. (A-)
Watch video on YouTube.
Black Bag. Soderbergh is always worth watching, especially when he dips into Ocean’s Eleven territory — although this was more serious. (A-)
A Minecraft Movie. The first half was tolerable, enjoyable even. And then not so much. (C+)
Star Wars: Revenge of the Sith. Watched this in the theater for the 20th anniversary. There are some good bits in here, but some of the acting really stinks. Folks in the theater cheered when Anakin slaughtered the younglings, which is probably some sort of meme that I don’t want to know about. (B+)
Watch video on YouTube.
Sinners. I loved this movie. (A+)
Thunderbolts*. Thought I would like this more than I did. (B)
Mission: Impossible – The Final Reckoning. The last scene is a masterclass in not having the faintest idea how to end a movie. (B+)
Andor (season two). Only a slight dip from season one. Overall, the series was a brilliant look at radicalization, the messiness of rebellion, and the oppressive flatness of authoritarianism. (A+)
There There by Tommy Orange. Devastating. (A-)
The Fear of Never Landing. Good album to chill out to by Marconi Union, who previously brought you the most relaxing song in the world. (A-)
Novocaine. This was bad. (D+)
Glass Onion. More Benoit Blanc mysteries please — I love watching Daniel Craig and his CSI: KFC accent chewing scenery. (A-)
The Gorge. Half of this was great and the other half was just another pseudo-horror action thing. (B-)
Martyr! by Kaveh Akbar. Marvelous. (A)
Andor: The Rogue One Arc. This fan edit of Rogue One in the style of a three-episode Andor arc is as Gilroy-esque a cut as you’re ever going to get. (A-)
Mission: Impossible – Rogue Nation. I had been kinda ambivalent about the M:I movies, but Fallout converted me, so now I’m slowly making my way back through the back catalog. (B+)
Via Carota. Best meal I’ve had in a long time. The tagliatelle was better than any pasta dish I had during my trip to Rome — it’s true, don’t @ me! And the roast chicken was perfect. (A+)
V for Vendetta. Underrated. (A-)
The Last Samurai by Helen DeWitt. I’m going to tell you the embarrassing truth: I thought this was about actual samurai and perhaps related to the Tom Cruise movie. It is very much not. I gave it a real shot but ended up abandoning it about halfway through. (C)
Spider-Man: Into the Spider-Verse. Still a marvel of animated creativity. (A)
The Phoenician Scheme. Didn’t vibe with this at all. (B-)
Downhill mountain biking. This is giving me so much life right now. (A+)
Wallace & Gromit: A Matter of Loaf and Death. Not my favorite W&G but still. (B+)
F1. Like Top Gun: Maverick crossed with Ford v Ferarri but Cruise and Bale played the aging outsider role much better than Pitt. Is Pitt even a good actor or is he just extremely charismatic? (B+)
Superman. I thought it was fine but didn’t like it as much as others seemed to. Better than anything Zach Snyder did for DC though. (B)
Watch video on YouTube.
Shōgun. Rewatch with my son. Just an incredible show all the way around. (A+)
The Last of Us (season two). This show was always fighting an uphill battle with me — I don’t like zombie media and I dislike characters (Ellie!) who wouldn’t survive/thrive in the situations that they’re in with their personalities & characteristics. And I finally won. (C+)
The Handmaid’s Tale (season six). *sigh* No idea why I started watching (and then finished) this season; I’m a sucker for closure I guess. (C)
Nintendo Switch 2. I bought this to play Kart with my kids and also for a better Fortnite experience. So far, so good. (B+)
Mario Kart World. I haven’t played a ton of this, but it’s good so far. Free roam mode is pretty fun. I’ve gotta write up my Kart wishlist sometime…Nintendo only checked off one or two items in World. (B+)
Sargent and Paris. Caught this on the very last day of the show and hoo boy was it crowded. (A- for the show, C+ for the crowds)
Let God Sort Em Out. Need to listen to this one a few more times but I’m liking it so far. (B+)
Right now, I’m watching Star Trek: Strange New Worlds season three, listening to Deacon King Kong on audiobook (fantastic, a lock for an A+), rewatching Wandavision, and picking at Is a River Alive? by Robert Macfarlane.
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
An article about The Quintessential Urban Design of ‘Sesame Street’ with a bunch of photos? This is extremely up my alley. One of the show’s big influences when it began was Jane Jacobs’ landmark book, The Death and Life of Great American Cities, which informed the set design:
“Even if you hadn’t read Jane Jacobs, that book was so huge that it was in the air,” said Benjamin Looker, who is the author of “A Nation of Neighborhoods” and an associate professor of American studies at Saint Louis University.
The show’s creators, he said, were “assimilating some of the popular notions that she put into play about the value of the sidewalk and street life.”
On Sesame Street, the stoop, the outdoor-dining space in front of Hooper’s convenience store, and Elmo’s wide-open window blur the boundaries between public and private space, fostering neighborly interactions between characters.
Street noises in the background and neighbors hollering through windows signal to viewers that this block is not a wealthy one. The streetscape, Mr. Looker said, “is an extension of people’s homes.”
A friend shared that they recently visited the Sesame Street set and that is something I would very much like to do someday.
Like many others, I became a little obsessed with Andor over the past few months. I was lukewarm on the first season when it came out, but a pre-s02 rewatch completely changed my tune — I think it’s one of the best things I’ve ever seen on television. Season 2 was almost as good and the whole thing together was really affecting, thought-provoking, and just marvelously well-done.
Watch video on YouTube.
In this interview with conservative NY Times’ columnist Ross Douthat, series creator Tony Gilroy nails why the show was so interesting:
The five years that I have been given are extremely potent. You have the Empire really closing down, really choking, really ramping up. The emperor is building the Death Star.
They are closing out corporate planets and absorbing them into the state. They are imperialistically acquiring planets and taking what they want. The noose is tightening dramatically.
There still is a Senate. There are senators that are speaking out impotently.
The Senate has been all but completely emasculated by the time this five-year tranche is over.
And there are revolutionary groups, rebellious groups, and people who are acting rebelliously, who wouldn’t even know how to describe themselves as part of any movement. There is a completely wide spectrum of unaffiliated cells and activists that are rising independently across the galaxy.
At the same time, you have a group of more restrained politicians who are trying to make an organized coalition of a rebellion on a place called Yavin, which will end up being the true end of the true victory of the Rebel Alliance.
I wanted to do a show all about the forgotten people who make a revolution like this happen — on both sides — and I want to take equal interest and spend as much time understanding the bureaucrats and the enforcers of the rebellion. I think one of the fascinating things about fascism is that, when it’s done coming after the people whose land it wants and who it wants to oppress and whoever it wants to control, by the time it gets rid of the courts and the justice and consolidates all its power in the center, it ultimately eats its young. It ultimately consumes its own proponents.
The rest of the interview is very much worth a read as well, particularly the bits where, for example, Douthat presses Gilroy on Andor being a “left-wing show”, Gilroy says no, Douthat scoffs, and, sensing Douthat is telling on himself, Gilroy fires back, “Do you identify with the Empire? Do you identify with the Empire?” And Gilroy continues later:
You could say: Why has Hollywood for the last 100 years been progressive or been liberal? I think it’s much larger. I’ll go further and say: Why does almost all literature, why does almost all art that involves humans trend progressive?
Let’s stick with Hollywood. Making a living as an actor or as a writer or a director — without the higher degree of empathy that you have, the more aware you are of behavior and all kinds of behavior, the better you’re going to be at your job. We feed our families by being in an empathy business. It’s just baked in. You’re trying to pretend to be other people. The whole job is to pretend to be other, and what is it like to look from this? People may be less successful over time at portraying Nazis as humans, and that may be good writing or bad writing, and there may be people that have an ax to grind. But in general, empathy is how I feed my family. And the more finely tuned that is, the better I am at my job.
That is what actors do: I’m going on Broadway, I’m playing a villain for six months. I got to live in that. I’m playing the slave, I’m playing the fisherman, I’m playing the nurse, I’m the murderer — you have to get in there. You have to live lives through other people. I think that the simple act of that transformation and that process automatically gives you what I would describe as a more generous and progressive point of view. It just has to.
Like I said, well worth a read/listen. (via sippey)
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Diego Luna is guest-hosting Jimmy Kimmel Live this week and for his first monologue, the Mexico native spoke about immigration and what he’s experienced and observed in the US and LA during his time here.
Diego steps in as our first guest host of the summer and talks about how much Los Angeles means to him, the very important immigration issues happening here and across the United States right now, the authoritarian policies of Donald Trump, his son being born in LA, finding community here, the importance of immigrants and the amazing things they bring to America, how unfair it is that they are living in fear, the violence and separating of families being unacceptable, and he encourages everyone to call their representatives and let them know how they feel about it, and support organizations like Public Counsel and Kids in Need of Defense.
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Premiering this Friday June 27 on the PBS, an episode of the series American Masters on Hannah Arendt, historian, philosopher, and one of the 20th century’s most influential political thinkers.
Hannah Arendt came of age in Germany as Hitler rose to power, before escaping to the United States as a Jewish refugee. Through her unflinching capacity to demand attention to facts and reality, Arendt’s time as a political prisoner, refugee and survivor in Europe informed her groundbreaking insights into the human condition, the refugee crisis and totalitarianism.
Her major works, The Origins of Totalitarianism (1951), The Human Condition (1958), Eichmann in Jerusalem: A Report on the Banality of Evil (1963), On Revolution (1963) and Crises of the Republic (1972) remain among the most important and most-read treatises on the development and impact of totalitarianism and the fault lines in American democracy.
The PBS site has a few clips from the documentary to whet your appetite.
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George Wendt, who played lovable barfly Norm Peterson on Cheers for 11 seasons, died yesterday at the age of 76. Here’s an 18-minute supercut of every time Norm entered the bar. I loved Cheers when I was a kid; I’ve seen every episode multiple times (though not for many years) and of course Norm was a favorite. 🍺💞
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Ok it’s not one hour of Zemo dancing, but I’ll take it. And the YT comments are better:
“Many Bothans died to bring us this beat.”
“Sir, we have located the Rebel bass.”
This isn’t the first time this song has appeared on Andor — it’s an “intergalactic hit” called Niamos! written for the show by composer Nicholas Britell, who lives in this galaxy and was also responsible for the Succession theme song. (via @moleitau.bsky.social)
Filmmakers Ken Burns, Sarah Botstein and David Schmidt have made a 12-hour documentary series on the Revolutionary War that will debut on PBS in November 2025. Here’s a preview (YouTube, Bluesky):
From the press release:
An expansive look at the virtues and contradictions of the war and the birth of the United States of America, the film follows dozens of figures from a wide variety of backgrounds. Viewers will experience the war through the memories of the men and women who experienced it: the rank-and-file Continental soldiers and American militiamen (some of them teenagers), Patriot political and military leaders, British Army officers, American Loyalists, Native soldiers and civilians, enslaved and free African Americans, German soldiers in the British service, French and Spanish allies, and various civilians living in North America, Loyalist as well as Patriot, including many made refugees by the war. The American Revolution was a war for independence, a civil war, and a world war. It impacted millions – from Canada to the Caribbean and beyond. Few escaped its violence. At one time or another, the British Army occupied all the major population centers in the United States – including New York City for more than seven years.
An interesting thing about this series that sets it apart from some of his others is the star-studded cast: “Tom Hanks, Meryl Streep, Morgan Freeman, Samuel L. Jackson, Michael Keaton, Paul Giamatti, Jeff Daniels, Mandy Patinkin, Claire Danes, Ethan Hawk, Josh Brolin…” These aren’t narrators; they’re playing actual characters in the series (Giamatti reprises his role as John Adams and Claire Danes plays Abigail):
Our cast list has never been surpassed by Hollywood or any streaming service. [No one could afford to] film all the people who have read for us, but they’ve all generously done SAG minimum: Tom Hanks, Meryl Streep, Liev Schreiber, Laura Linney, Sir Kenneth Branagh, Damian Lewis, Matthew Rhys — and that’s [just] a third.
In this recent interview, a charmingly shoeless Burns shares his team’s philosophy when working on projects like The American Revolution:
Watch video on YouTube.
Given his and his team’s past few projects, including The US and the Holocaust & The Vietnam War, it will be interesting to see how the Revolution is presented and how the film is received.
In a recent episode of The Simpsons, Bart becomes a DJ and KDO favorites The Hood Internet wrote the music and did all of Bart’s mixes. They also made a ending credits remix of some of the most memorable Simpsons songs, including See My Vest, Mr. Plow, Do the Bartman, We Do (the Stonecutters song), Dr. Zaius, and The Monorail Song:
Watch video on YouTube.
(via @unlikelywords.bsky.social)
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I am still stinge watching my way through the second season of Strange New Worlds, but the third season of the show premieres sometime this summer, so I’d better finish it up before then. Anyway, I love this show and crew and the trailer looks appropriately kooky and wacky so let’s goooo!
Using paint in water to simulate clouds or smoke, Rudy Willingham created these magical scenes of characters from Severance (Instagram).
Willingham also created this cool animated zoetrope record with dancing Severance characters.
Disney has uploaded the first three episodes of season one of Andor to YouTube:
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No idea how long they will be up or if they’re visible outside of the US. I started an Andor rewatch last week and I am finding it more enjoyable and interesting than I did the first time around. The writers obviously did their research on how fascism, dictatorships, and rebellions work — in almost every scene, you observe characters reacting and interacting with the constraints of bureaucratic totalitarianism. Very interesting to watch in this political moment. (via @rebeccablood.bsky.social)
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Whoa, HBO has made a third installment of Eyes on the Prize, the landmark series on the American Civil Rights Movement. The trailer is above and you can watch the six-part series on HBO or Max right now.
The first two series, which are amongst the best television ever aired, covered events from 1954–1965 (part one) and 1965–1985 (part two). Eyes on the Prize III covers significant events from 1977-2015, including:
- Community activists in the South Bronx and Philadelphia fighting for fair housing and healthcare during the Carter administration
- Reaganomics and the AIDS crisis
- How the criminal justice system affected the Black community from 1989-1995 in Washington DC and South Central Los Angeles (the LA Uprising).
- The Million Man March in 1995.
- The environmental movement (1982-2011)
- “The complexities of affirmative action policies and how a changing demographic landscape affected school desegregation in new ways.”
- The soaring police brutality of the Obama years.
- The birth of the Black Lives Matter movement.
Featured participants include Angela Davis, Al Sharpton, congressman Kweisi Mfume, Kimberlé Crenshaw, Al Gore, Black Lives Matter co-founders Alicia Garza and Patrisse Cullors, and dozens of other activists, scholars, and politicians.
In a review for the Hollywood Reporter, Daniel Fienberg writes:
Eyes on the Prize III is, as the title suggests, a formal sequel to Eyes on the Prize II, a six-hour exploration of the “aftermath” of the Civil Rights Movement that makes it very clear that the movement has never ended, just as its real concerns were never fully resolved. It’s an emotional, inspiring and righteously angry series of vignettes that looks backward, while very clearly intending to reflect upon and instigate conversations about our fraught current moment.
The series isn’t perfect, but it’s utterly essential, sometimes feeling disheartening for the immediacy of that necessity.
In a post on Bluesky, Fienberg says “nothing you could watch this week is better”.
Watch video on YouTube.
I don’t know about you, but I’m ready to watch an earnest show about an ultimately successful revolution against a fascist government. It will be interesting to see in this political climate whether Disney+ is the place to watch such a thing.
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Apple TV+ is streaming an 8-hour remix of the Severance theme by ODESZA that is perfect music for your innie to refine macrodata to. The workday-long video is a 23-minute mix that’s looped and set to footage from the show. Legit adding this to the work music rotation. (via @margarita.bsky.social)
Hey look at this, a media diet post that’s not months and months since the last one! Phew, it’s a been a long-ass six weeks since the beginning of the year, hasn’t it? Here’s a list of what I’ve been reading, watching, listening to, and experiencing to help get me through the days.
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Nosferatu (2024). Not usually a fan of horror movies, but I liked this a lot. Great acting and cinematography. (A-)
Shōgun by James Clavell. This took a bit to get fully into, but I was riveted for the last 600-800 pages, even though I knew what was going to happen from having seen the TV show. So much more delicious detail in the book though. A great reading experience. (A)
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September 5. Loved this. Solid journalism thriller in the vein of Spotlight, The Post, and All the President’s Men. (A)
Silo (season two). In agreement with many other viewers that the middle of the season was not all that compelling, but the final two episodes were great. (B+)
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Not Like Us. For whatever reason, I ignored the Drake/Kendrick feud, so I got to this late but wow. “Hey, hey, hey, hey, run for your life…” (A)
Arca Tulum. Eating at this sort of restaurant should yield exclamations like “I’ve never tasted anything quite like this”. I thought this at least three times at Arca. But also: a pile of rocks is not the ideal plate for messy food. (A-)
Aldo’s. This is a Mexican gelato chain and they had a Biscoff-flavored gelato that was so good that I went back for it three more times. (A)
Antojitos La Chiapaneca. This is the only restaurant I ate at twice in Tulum — their al pastor tacos are so good. (A)
The Serviceberry by Robin Wall Kimmerer. A quick read but very relevant to what’s happening in the world right now. In keeping with the theme, I left the book at my hotel for someone else to read. (B+)
Janet Planet. A little too contemplative for me. (B)
Abruzzo. Mario Carbone created the menu for this Italian place at the Newark Airport. I had the penne vodka and I think it was the best thing I have ever eaten at an airport? Is it insane that I kinda want to plan a trip with an EWR connection so that I can have it again? P.S. the Tripadvisor reviewers haaaated this place. (A)
Reservation Dogs (season three). I reviewed Res Dogs in the last media diet post (“I enjoyed the first season more than the subsequent two”) but I’d like another crack at it. The last three episodes of the show were fantastic, especially the hospital breakout and Elora meeting her dad. (A+)
Flow. Reminded me strongly of Studio Ghibli’s films, but this wonderful animated movie is also uniquely its own thing. (A+)
The Bends. My usual Radiohead fare tends towards Kid A and In Rainbows, but I’ve been listening to The Bends a lot lately and appreciating the less polished rockiness of it. (A-)
Wool. Since the book (more or less) covers the events of the first two seasons of the TV series, I read half of it after season one and the other half after the latest season. And…I think the TV series is much better? (B-)
Watch video on YouTube.
Thelma. A gem of a film, like Mission Impossible crossed with About Schmidt (or maybe The Bucket List). June Squibb is *fantastic* in the lead role. (A)
The Great British Bake Off (2024). Overall I enjoyed this season — they recruited a selection of talented bakers and the changes they’ve made (e.g. getting away from stunt bakes). But I found the semifinal and final difficult to watch because one of the contestants forgot he was supposed to be entertaining on television and totally lost his composure. (B+)
GNX. I also reviewed this in the last media diet post but I’ve continued to listen and I think GNX may have moved past DAMN. as my favorite Kendrick album? (A+)
Watch video on YouTube.
Hundreds of Beavers. Super fun and inventive…this is like an animated movie with video game elements made with live-action actors. If you’re the sort of person who loves movies like Monty Python and the Holy Grail, you’ll probably love this movie. (B+)
Orbital by Samantha Harvey. A reviewer complained that the final third of the book took on the style of a writing exercise and I agree. (B)
Bill & Ted’s Excellent Adventure. I must have watched this 50 times on VHS as a teenager — I can still recite every line. (A)
Alligator Bites Never Heal. Love this album. (A)
The Penguin. Colin Farrell is unrecognizable (and great) as Oz, and Cristin Milioti is a chillingly fantastic Sofia Falcone. The first few episodes were really strong but I felt it slipped a bit as the season went on. (A-)
I’m also in progress on Severance season two and Kaliane Bradley’s The Ministry of Time — but more on those next time.
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
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Season two of Severance is underway and while the first episode didn’t have an opening title sequence, the second episode debuted a new sequence. The season one intro was inducted straight into the Unskippable Intros Hall of Fame and season two’s intro is just as good. Once again, the titles were done by Oliver Latta, who was found by Severance producer Ben Stiller via his Instagram account.
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Oh this is just delightful: for the opening of his documentary film on the history of music on SNL he co-directed with Oz Rodriguez, Questlove produced what the NY Times calls “a high-speed, six-minute DJ mix of SNL music highlights”. So. Good.
From the same piece in the Times, Questlove explains how it came about:
It’s impossible for me to phone anything in, even if I wanted to. I just wanted to throw the ultimate D.J. gig and hook you in from the gate. It started off small, and it couldn’t stop.
In the beginning, I was just going in five-year intervals — what’s the three strongest moments between ‘75 and ‘80? — and do it that way. But I’m so programmed as a D.J. it’s physically impossible for me to gather a group of songs together and not start — that’s my version of improvisation. And once you put, like, 17 songs together, you have a conversation with yourself: “OK, are we really doing this?”
My producers said: “It’ll never happen! The clearance, the clearance!” This is the first time that I realized my diplomatic position in music. People say, “Ahmir, you might be the next Quincy Jones, because your whole thing is more social than creative, knowing the right people, knowing who’s who.” There were at least 19 situations in which I had to come hat in hand to said person, and mind you, this is for two seconds — Michael Bolton singing “Love Is a Wonderful Thing” just once.
He got every clearance except for Luciano Pavarotti:
The only outright no that I couldn’t fix was that Luciano Pavarotti was going to be part of the Bobby McFerrin-Busta Rhymes mash-up. But it was too much to explain to his estate, and I couldn’t go to Italy and whatever. It could have been brilliant, Bobby McFerrin and Pavarotti going toe to toe.
The film premieres tonight on NBC and will be available on Peacock starting tomorrow.
Update: According to Questlove’s Instagram post, the musical montage was edited by John MacDonald, Coordinating Producer of The Tonight Show. (via @solace.bsky.social)
Update: The YouTube video is now barely watchable — 2/3s of the screen is blurred. You’ll have to watch the film on Peacock to get the full experience.
Watch video on YouTube.
In his ongoing series Cartoon Evolution, Dave Lee looks at how the character of Bugs Bunny has changed and evolved since his debut in 1938 as an unnamed rabbit in Porky’s Hare Hunt. It didn’t take long for the character to find its stride. From Wikipedia:
While Porky’s Hare Hunt was the first Warner Bros. cartoon to feature what would become Bugs Bunny, A Wild Hare, directed by Tex Avery and released on July 27, 1940, is widely considered to be the first official Bugs Bunny cartoon. It is the first film where both Elmer Fudd and Bugs, both redesigned by Bob Givens, are shown in their fully developed forms as hunter and tormentor, respectively; the first in which Mel Blanc uses what became Bugs’ standard voice; and the first in which Bugs uses his catchphrase, “What’s up, Doc?” A Wild Hare was a huge success in theaters and received an Academy Award nomination for Best Cartoon Short Subject.
You can explore more of Lee’s Cartoon Evolutions, including The Simpsons, Donald Duck, Winnie the Pooh, Super Mario (not strictly a cartoon), and James Bond (not at all a cartoon).
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