When you think about TV shows about the workplace, The Office is likely top of mind. So, cutting an intro to new workplace darling Severance to match the visual style of The Office intro with The Office theme song was going to happen eventually...and here it is. Nicely done.
After hearing a buzz from my social circle about Severance on Apple+, I've been catching up on it for the past couple of weeks. Here's the series synopsis:
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
I'm going to reserve judgment on the show for my next media diet post, but let's talk about the opening credits sequence by Oliver Latta. It's fantastic, an instant addition to the Unskippable Intros Hall of Fame. Mashable talked to Latta about his process and you can see a few behind the scenes images at Behance. And check out Latta's other animations...you can definitely see where some of the imagery in the title sequence came from.
Now, back to the Unskippable Intros Hall of Fame. For me, the opening title sequences that I never ever push the "skip intro" button on are Succession (that music!), Stranger Things (again, that music!), Halt and Catch Fire, The Wire, The Simpsons (gotta catch that couch gag), Transparent, Six Feet Under, Doctor Who, Game of Thrones, and The Muppet Show. What would you add to the mix?
Update: Composers of TV themes lament the rise of the "skip intro" button.
Yet there's one thing that annoys softly spoken Britell: the "Skip intro" facility on streaming services, which was brought in five years ago and lets viewers bypass a show's opening credits. "I am very against it," says Britell. "TV theme music is incredibly important. It's almost a show's DNA identifier. It serves as an overture to bring you in and sets the tone. I think that formal entrée is crucial."
Robust words from the man whose Emmy-winning, earwormy Succession work, with its gothic strings, cascading piano and skittering beats, is helping to revive TV theme tunes.
Update: From the excellent Art of the Title, an interview with Latta and designer Teddy Blanks on the Severance opening credits.
