An expansive look at the virtues and contradictions of the war and the birth of the United States of America, the film follows dozens of figures from a wide variety of backgrounds. Viewers will experience the war through the memories of the men and women who experienced it: the rank-and-file Continental soldiers and American militiamen (some of them teenagers), Patriot political and military leaders, British Army officers, American Loyalists, Native soldiers and civilians, enslaved and free African Americans, German soldiers in the British service, French and Spanish allies, and various civilians living in North America, Loyalist as well as Patriot, including many made refugees by the war. The American Revolution was a war for independence, a civil war, and a world war. It impacted millions – from Canada to the Caribbean and beyond. Few escaped its violence. At one time or another, the British Army occupied all the major population centers in the United States – including New York City for more than seven years.
An interesting thing about this series that sets it apart from some of his others is the star-studded cast: “Tom Hanks, Meryl Streep, Morgan Freeman, Samuel L. Jackson, Michael Keaton, Paul Giamatti, Jeff Daniels, Mandy Patinkin, Claire Danes, Ethan Hawk, Josh Brolin…” These aren’t narrators; they’re playing actual characters in the series (Giamatti reprises his role as John Adams and Claire Danes plays Abigail):
Our cast list has never been surpassed by Hollywood or any streaming service. [No one could afford to] film all the people who have read for us, but they’ve all generously done SAG minimum: Tom Hanks, Meryl Streep, Liev Schreiber, Laura Linney, Sir Kenneth Branagh, Damian Lewis, Matthew Rhys — and that’s [just] a third.
In this recent interview, a charmingly shoeless Burns shares his team’s philosophy when working on projects like The American Revolution:
Given his and his team’s past few projects, including The US and the Holocaust & The Vietnam War, it will be interesting to see how the Revolution is presented and how the film is received.
Ok so I’ve watched the trailer for the new Wes Anderson movie, The Phoenician Scheme, a couple of times and I still don’t know what it’s actually about? But from the looks of things, it is more of the same for people who like that sort of thing, which is lucky for me.
Also, Michael Cera might be the most Wes Anderson-coded actor that’s never before been in a Wes Anderson movie.
I am still stinge watching my way through the second season of Strange New Worlds, but the third season of the show premieres sometime this summer, so I’d better finish it up before then. Anyway, I love this show and crew and the trailer looks appropriately kooky and wacky so let’s goooo!
In a stage production that premiered last year in London, Steve Coogan played four roles (Dr. Strangelove, Captain Mandrake, President Muffley, and Major TJ Kong) in an adaptation of Stanley Kubrick’s Dr. Strangelove. The play was adapted for the stage by Armando Iannucci and Sean Foley. A filmed version of the play is currently playing in theaters…here are some trailers and clips from that:
The play’s run has ended and I don’t know if it will be restaged elsewhere, but like I said above, a filmed version is showing in theaters and you can look for tickets near you.
P.S. In the original version, Peter Sellers was supposed to play the same four characters as Coogan does in the play but was reluctant to play Major Kong. In the end, Sellers sprained his ankle and couldn’t play Kong in the cramped airplane set, but he still played Mandrake, Muffley, and Strangelove. (via @fritinancy.bsky.social)
Shopping for Superman, guides viewers through a 50-year journey revealing the origin story of their friendly neighborhood comic shops and the people fighting to keep their doors open.
Since it began, the retail comics industry has contracted by over 75% with more shops closing every month.
After five years of diminished sales, a global pandemic, and the digitization of retail shopping dominating most markets, Shopping for Superman asks the question, “Can our local comic shops be saved?”
Shopping for Superman, does more than explain the history of retail comic book shops. Its underlying narrative reveals how shops directly influenced comic book publishing to cultivate some of the most daring and controversial materials ever committed to print.
Through the evolution of comics, bolstered by shop owners, local communities gained access to safe spaces for individuals having a crisis of identity, a place that promoted literacy and critical thinking in areas where those things are scarce.
Audiences will see, first-hand, just how necessary their support will be in keeping these shops open and available for future generations.
I recently rewatched Glass Onion and had a couple thoughts about it.
1. Before settling in to watch, I’d remembered that Edward Norton’s mega-billionaire character Miles Bron bore some resemblance to Elon Musk, but I’d forgotten that the whole plot of the movie revolves around what a blustering dope, what a dumb charlatan, what a dim-witted con man Bron/Musk is. As we endure this political moment dominated by halfwit flimflammers, witnessing Bron’s downfall orchestrated by a gay detective and a Black woman was surprisingly cathartic.
2. I love films like this! Like Knives Out, Glass Onion is stacked with acting talent, helmed by a great writer/director, funny & dramatic, and, crucially, doesn’t take itself too seriously. There’s a sense that everyone is having a good time, with a wink at the audience. And they’re just flat-out fun to watch. Is there a name for movies like this? A micro-genre? The type of movie you could imagine Muppets being a part of without too many changes?
I’d include movies like the Ocean’s series, Lucky Logan, some of Wes Anderson’s films, perhaps Kenneth Branagh’s Hercule Poirot trilogy, and maybe even Mike White’s The White Lotus series. Like, what do we call these winking prestige ensemble dramedy thrillers? (Surely we can’t call them “winking prestige ensemble dramedy thrillers”.) And what other films would you include?
Whoa, HBO has made a third installment of Eyes on the Prize, the landmark series on the American Civil Rights Movement. The trailer is above and you can watch the six-part series on HBO or Max right now.
The first two series, which are amongst the best television ever aired, covered events from 1954–1965 (part one) and 1965–1985 (part two). Eyes on the Prize III covers significant events from 1977-2015, including:
Community activists in the South Bronx and Philadelphia fighting for fair housing and healthcare during the Carter administration
Reaganomics and the AIDS crisis
How the criminal justice system affected the Black community from 1989-1995 in Washington DC and South Central Los Angeles (the LA Uprising).
The Million Man March in 1995.
The environmental movement (1982-2011)
“The complexities of affirmative action policies and how a changing demographic landscape affected school desegregation in new ways.”
The soaring police brutality of the Obama years.
The birth of the Black Lives Matter movement.
Featured participants include Angela Davis, Al Sharpton, congressman Kweisi Mfume, Kimberlé Crenshaw, Al Gore, Black Lives Matter co-founders Alicia Garza and Patrisse Cullors, and dozens of other activists, scholars, and politicians.
Eyes on the Prize III is, as the title suggests, a formal sequel to Eyes on the Prize II, a six-hour exploration of the “aftermath” of the Civil Rights Movement that makes it very clear that the movement has never ended, just as its real concerns were never fully resolved. It’s an emotional, inspiring and righteously angry series of vignettes that looks backward, while very clearly intending to reflect upon and instigate conversations about our fraught current moment.
The series isn’t perfect, but it’s utterly essential, sometimes feeling disheartening for the immediacy of that necessity.
In a post on Bluesky, Fienberg says “nothing you could watch this week is better”.
I don’t know about you, but I’m ready to watch an earnest show about an ultimately successful revolution against a fascist government. It will be interesting to see in this political climate whether Disney+ is the place to watch such a thing.
Back in June, I posted about the 4K restoration of Akira Kurosawa’s Seven Samurai coming out in theaters; here’s the trailer:
I just checked and the 4K version appears to be out on streaming and 4K Blu-ray. The 4K Blu-ray is available from the Criterion Collection and includes a bunch of extra goodies: two audio commentaries, a making-of documentary, “a two-hour conversation between director Akira Kurosawa and filmmaker Nagisa Oshima”, and a documentary looking at the samurai traditions and films that helped shape Kurosawa’s masterpiece.
As for streaming, here’s the situation:
There’s a version on Max that might or might not be the recently restored 4K version. I’ve played the beginning and the titles are nice & crisp and there’s no dust & scratches. But the description doesn’t say anything about 4K and you need to subscribe to their top-tier service to get 4K streaming anyway, so who knows. It might just be a 1080p restoration — which still looks really good, to be clear. (Note: Max’s support team confirms that their version isn’t 4K. Boo. Thx @nabil-boutaleb.bsky.social.)
Apple TV appears to have Criterion’s 4K restoration — the listing shows the “4K” icon and Criterion links directly to it from their page. And the trailer is for the 4K restoration.
Amazon may also have the 4K version, but there’s no “4K” icon on their listing. But Criterion does link directly to it from their page.
Streaming services should be better about telling viewers exactly what they are getting. I know most people don’t care and the streamers just want to push content to eyeballs, but this is Seven Samurai we’re talking about here!
Anyway, if there are any big film/streaming nerds out there who can help me sort this out, let me know! I’d love to be as accurate as possible even if Max & Amazon don’t care. (Tbh, this kinda makes me want to buy a 4K Blu-ray player and go back to physical media…)
The console looks a lot like the original, but it’s bigger. In the video, the Joy-Con controllers are black with colored accents, and they attach to the side of the console instead of sliding on and off. The Joy-Cons appear to snap on quite easily — leaks have suggested they could be attached via magnets.
It looks like there’s going to be a new Mario Kart game (huzzah!) and the Switch 2 will play Switch games, although “certain Nintendo Switch games may not be supported on or fully compatible with Nintendo Switch 2”. As for what Nintendo hasn’t revealed at this time, it’s a long list — and The Verge has some questions:
Perhaps the most glaring omission in the Switch 2 reveal was the fact that Nintendo didn’t say anything about how powerful the new console is. We can see that the console is bigger, but what’s the screen size? Is it OLED or LCD? Is the screen resolution still 720p? Is 4K resolution supported?
Though visible for a few brief moments, the reveal video showed off the Switch 2’s new dock. What’s the docked resolution? Is it just a charging shell, or is it still required for TV play? Can you dock the Switch 2 in the original Switch dock, or will it support all the super-portable third-party docks?
Very excited for the Switch 2, but I’ll admit I will be slightly less enthused if it doesn’t support 4K resolution while docked.
Spanning four decades, the series opens with the shocking disappearance of Jean McConville, a single mother of ten who was abducted from her home in 1972 and never seen alive again.
Telling the story of various Irish Republican Army (IRA) members, Say Nothing explores the extremes some people will go to in the name of their beliefs, the way a deeply divided society can suddenly tip over into armed conflict, the long shadow of radical violence for all affected, and the emotional and psychological costs of a code of silence.
Veteran Republican Marian Price intends to sue Disney+ after she was depicted shooting Jean McConville in one of the most notorious murders of the Troubles, a law firm has said.
Mrs McConville was abducted, murdered and secretly buried by the IRA in 1972, becoming one of the disappeared.
Her body was eventually found more than 30 years later at a beach in County Louth in the Republic of Ireland.
Ms Price, 70, also known by her married name Marian McGlinchey, has denied any involvement.
Sleepy Skunk’s end-of-the-year movie trailer mashups are always worth a look. This year’s installment got me wondering how many of these movies I’ve actually seen — not that many, I don’t think. (via @rands)
Hmm. I don’t know. I haven’t liked Superman in a movie since the early 80s. What do you think? Does Superman even make sense as a contemporary superhero?
A teaser trailer for the third season of The White Lotus is out and the release date has been revealed: February 16, 2025. Parker Posey? Walton Goggins? Yes, please. But I’ve got a love/hate relationship with this show (I couldn’t get through the first season but thought the second season was great), so I’m feeling cautiously optimistic.
They audition all-comers: an uproarious business in which weird randoms show up with a tendency to destroy others by using a flame-thrower or rocket-launcher for no reason at all while the production is being explained to them.
They end up performing the play all over the city, “this is Shakespeare on a billion dollar budget,” not sticking to the amphitheater. The trailer looks great.
A 15th century polymath of soaring imagination and profound intellect, Leonardo da Vinci created some of the most revered works of art of all time, but his artistic endeavors often seemed peripheral to his pursuits in science and engineering. Through his paintings and thousands of pages of drawings and writings, Leonardo da Vinci explores one of humankind’s most curious and innovative minds.
The trailer for the series is above and there are several extended clips available on the website and on YouTube.
Premiering this Friday (Nov 22) on FX is a short documentary from The New York Times called Weight of the World about GLP-1 drugs. Here’s the synopsis:
As GLP-1 drugs like Ozempic soar in popularity for weight loss, this film follows three people on their own GLP-1 journeys and explores how decades of diet culture and society’s relentless pursuit of thinness paved the way for their rise.
In 2015, the BBC & PBS adapted the first two books of Hilary Mantel’s excellent Wolf Hall trilogy into a six-episode miniseries called Wolf Hall, starring Mark Rylance as Thomas Cromwell and Damian Lewis as Henry VIII. Now they’ve made a second miniseries that covers the events of the third book, The Mirror and the Light. Here’s a trailer and synopsis:
The TV sequel picks up in May 1536 after the beheading of Anne Boleyn and follows the last four years of Thomas Cromwell’s life, completing his journey from self-made man to the most feared and influential figure of his time. These are years when Henry’s regime is severely tested by religious rebellion at home, traitors plotting abroad and the threat of invasion. Cromwell must deftly navigate the moral complexities that accompany the exercise of power in this bloody time; he’s caught between his desire to do what’s right and his instinct to survive. The question is: how long can anyone survive under Henry’s brutally mercurial gaze?
Wolf Hall: The Mirror and the Light premieres in the UK on BBC One on Nov 10 but Americans have to wait until March 23, 2025 to watch it on PBS.
Somehow, I missed that the teaser trailer for season two of the excellent The Last of Us premiered almost a month ago. I guess both I and the world have been busy with other things and also keeping tabs on the entire interest and media landscape is just not something that’s possible.
The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, and introduces Abby (Kaitlyn Dever).
And that “the season is expected to span seven episodes”.
The trailer for season two of Silo, which starts on Apple TV+ on November 15. It doesn’t reveal much but I am excited to watch the new season! (No spoilers please from folks who have read the books.)
These solidly middlebrow shows like Silo, The Diplomat, and The Gilded Age are some of my favorites to watch these days because they are well-produced with quality actors but don’t tax the viewer (ok, me…they don’t tax me) as much as more serious fare like Shōgun, My Brilliant Friend, Severance, or Chernobyl (all of which I love to bits but sometimes feels like eating your vegetables, if you know what I mean). But a good media diet is a varied media diet and stuff like Silo is really hitting the spot for me right now.
The food documentary series Chef’s Table returns with chefs & culinary experts from Italy, China, Cambodia, and the US who all work in the medium of the noodle. Here’s the trailer for Chef’s Table: Noodles:
Separated is the newest documentary film from Errol Morris. Based on Jacob Soboroff’s 2020 book Separated: Inside an American Tragedy, the film probes the inhumane family separation and immigration policies of the Trump administration. From a review in The Guardian:
The Trump administration’s southern border policy began with the dream of a wall in the desert and ended with the nightmare of family separation: children torn from their parents and loaded en masse into wire-mesh cages. It was inhumane treatment, which was precisely the point. The White House’s intention was to use terror as a deterrent and effectively write every parent’s worst fear into law. “When you have that policy, people don’t come,” Donald Trump said blithely. “I know it sounds harsh, but we have to save our country.”
Errol Morris’s forensic, procedural documentary walks us through the bureaucratic backrooms to show how the policy was hatched and implemented. It explains how its principal authors — Trump adviser Stephen Miller and attorney general Jeff Sessions — junked the pre-existing catch-and-release scheme (which had allowed migrants to remain in the country until their immigration hearing) in favour of a bold new tactic of forced separation and mass imprisonment. If Separated lacks the rueful exuberance that typifies much of Morris’s early work (The Thin Blue Line, The Fog of War, even last year’s John le Carré film), that is entirely understandable. The material is sobering and the mountain of evidence needs unpicking. The film-maker handles his brief with the cold, hard precision of an expert state prosecutor.
“Harm to children was part of the point,” says Jonathan White, a committed public servant who saw his department, the Office of Refugee Resettlement, hijacked by a blatantly inhumane strategy that the Trump administration implemented for its deterrent potential. “They believed it would terrify families into not coming.” White isn’t exactly a whistleblower, although he comes across as no less courageous in describing a dictated-from-the-top family separation scheme for which he had a front-row seat.
And here’s an interview with Morris & Soboroff about the film:
For his second term, Trump and his team are planning a blockbuster sequel to these inhumane crimes entirely in the open: deporting up to 20 million people (undocumented immigrants, documented immigrants, and political opponents) with a minimum of due process, which will require a massive increase in the scale of the police state and concentration camps. That’s 6% of the US population. We don’t know if they will succeed but they will try. Those are the stakes.
Music By John Williams is a documentary film about the legendary composer who did the scores for Star Wars, Jaws, Indiana Jones, Jurassic Park, Close Encounters, Superman, E.T., Home Alone, Schindler’s List — seriously, one person composed all these?! — Saving Private Ryan, Harry Potter, Lincoln, etc. etc. etc. Oh, and the Olympic Fanfare and Theme that NBC uses for the Olympics.
For his first movie since 2019’s Parasite, filmmaker Bong Joon-ho is coming out with a sci-fi dark comedy film called Mickey 17. The trailer is above and the synopsis from Wikipedia is:
Wanting to get out of Earth, Mickey Barnes signs up to be an “expendable”: a disposable employee where after one iteration dies, a new body is regenerated with most of their memories intact. After one of his “multiples”, Mickey 17, unintentionally survived a human expedition to colonize the ice world Niflheim, he goes head-to-head with a new multiple, Mickey 18.
Mickey 17 will be out in theaters in late January. I found the trailer for this from Aaron Stewart-Ahn, who says:
David Zaslav’s Warner Bros has been trying to bury Bong Joon-ho’s sci-fi follow up to Parasite for over a year now, refused to let it play Cannes, and is now dumping it in January. Rumors are Robert Pattinson’s weirdo performance also bothered them which to me means it must be friggin’ awesome.
Per Wikipedia, production wrapped in late 2022 so yeah, it sounds like they didn’t know what to do with it.
Apollo 13: Survival is a documentary film that uses original footage and interviews to tell the story of NASA’s Apollo 13 mission, what went wrong, and how the astronauts returned safely to Earth. It’s now playing on Netflix.
I love My Brilliant Friend — it’s one of my all-time favorites and might be the best show you’re not watching. I agree completely with Clare Thorp’s description of it as “criminally underrated”.
As the trailer above shows, the previous two lead actors (who were excellent) have been replaced by older ones, a change I’m a little apprehensive about, but everything else about the show has been pitch perfect so I’m gonna trust the process. From an NPR piece on the new season:
“This child is you, when you were a child,” Maiorino recalled her friend Alessia saying about the novel’s titular protagonist and sometimes antagonist Lila. Like Lila and her friend Lenù, Maiorino is from Naples and stayed in the south, while her friend left to study in the north of the country, get married and have children.
Art has now truly imitated life for Maiorino, who plays Lila in the fourth season of the series.
New episodes of My Brilliant Friend started airing on HBO last night and will drop every Monday for the next 10 weeks. Go check it out!
Saturday Night is a forthcoming movie directed by Jason Reitman about the premiere of Saturday Night Live.
At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television — and culture — forever. Directed by Jason Reitman and written by Gil Kenan & Reitman, Saturday Night is based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live. Full of humor, chaos, and the magic of a revolution that almost wasn’t, we count down the minutes in real time until we hear those famous words…
According to Wikipedia, Succession’s Nicholas Braun (Cousin Greg) plays both Andy Kaufman and Jim Henson in the film. (via @ernie.tedium.co)
I was among the minority of viewers who enjoyed the first season of Amazon’s Lord of the Rings series The Rings of Power, so I was excited to watch this extended trailer for the show’s second season. It seems to give away a little too much of the story for my taste (even though we all knew where it was going), but I am definitely pumped for season two.
Sauron has returned. Cast out by Galadriel, without army or ally, the rising Dark Lord must now rely on his own cunning to rebuild his strength and oversee the creation of the Rings of Power, which will allow him to bind all the peoples of Middle-earth to his sinister will.
Well, the teaser trailer answers almost no questions about the second season of Severance, so job well done with the teasing there lads. Here’s one thing though: the season starts on January 17, 2025 on Apple TV+. Oh, and this:
In season two, Mark and his friends learn the dire consequences of trifling with the severance barrier, leading them further down a path of woe.
Season 2 reunites its ensemble cast of stars including Emmy Award nominee Adam Scott, Britt Lower, Tramell Tillman, Zach Cherry, Jen Tullock, Michael Chernus, Dichen Lachman, Emmy Award winner John Turturro, Academy Award winner Christopher Walken and Academy and Emmy Award winner Patricia Arquette, and welcomes new series regular Sarah Bock.
✅ Teased
✅ Interest piqued
✅ New event created in my calendar for Jan 17
✅ And a stick of butter
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