A group of Berlin residents has put forward a proposal to turn all of central Berlin (an area larger than Manhattan) into a car-free zone. What would that mean in practice? Adele Peters at Fast Company explains:
As in other cities, “car free” doesn’t literally mean that no cars could enter the area, but private car use would dramatically drop. Special permits would be given to emergency vehicles, garbage trucks, taxis, commercial and delivery vehicles (though many deliveries in Berlin already happen on cargo bikes), and residents with limited mobility who depend on cars. Others would be able to use a car, likely through a car-sharing program, up to 12 times a year to run longer errands. But most people, most of the time, would walk, bike, or take public transportation.
That sounds amazing and reasonable. There are five main goals the plan is trying to achieve for Berliners: better quality of life (walkable vibrant streets), better health (less pollution & noise), space for people (not vehicles), less climate impact, and street safety:
Berlin’s streets must become safer. There are still too many traffic deaths and injuries in Berlin. Especially the weakest must be protected: pedestrians and cyclists. Children and senior citizens in particular should be able to feel safe on Berlin’s streets; otherwise their mobility will be restricted because the risk or fear of an accident is too great.
The city is currently considering whether to turn the proposal into a law. This would be amazing to see in Berlin (and in some American cities too).
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This game from Tom Watson is great fun: you’re presented with a succession of people, places, and things with associated dates that you have to correctly place in chronological order, like so:
All the data is pulled from Wikipedia and it gets harder as you go along because the gaps in time between dates already on the timeline get shorter. Did the discovery of radium happen before or after Queen Victoria’s death? Was Jane Austen born before or after the American Revolution? I know everyone is all about Wordle right now, but this game is much more my speed (and I can’t stop playing). (via waxy)
Update: For fans of this, there are at least two board games that are similar: Chronology and Timeline.
You may have also noted that the data is a little…wrong in places. The dangers of building a game based on a non-structured dataset. Think of it as an unintentional “hard mode”. (thx @bobclewell & peter)
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“Recent” is increasingly becoming a lie with these media diet posts…the last one I did was back on Sept 13, right before my life went to hell in a handcart for a couple of months.1 So let’s get to it: a list of short reviews of all the movies, books, music, TV shows, podcasts, and other things I’ve enjoyed (or not) in the last few months of 2021 (as well as a few 2022 items). As usual, don’t pay too much attention to the letter grades — they are subjective and inconsistent. Oh and some of this stuff might have already popped up in my end-of-2021 review, but I’ll try and say something different about them here.
The Great British Baking Show. I already covered this in the last media diet (and the year-end review), but I wanted to include it here as well because it’s become a real favorite. Rahul 4eva! (A)
Project Hail Mary. After my whole family read this and couldn’t stop talking about it, I had to read it too. And……it was alright. I guess I don’t quite get the acclaim for this book — reminded me of a sci-fi Da Vinci Code. Looking forward to the movie being better. (B)
The French Dispatch. Maybe my favorite Wes Anderson movie since The Royal Tenenbaums? (A)
The Hunger Games. I watched all four movies in this series because I needed something familiar and also mindless to switch my brain off. (B+)
Ted Lasso (season two). Not quite as good as the first season and definitely not as beloved because they had some new ground to cover, but I enjoyed the season as a whole. And put me down as a fan of the Coach Beard Rumspringa episode. (A-)
Izakaya Minato. I don’t exactly know what it was about this meal, but I’m still thinking about it more than 3 months later. Really fresh, clean, creative food. (A)
Magnus on Water. Amazing cocktails, great service, and the outdoor seating area was just right. (A-)
The Lost Daughter. Gah, so good! Olivia Colman, Dakota Johnson, and Jessie Buckley are all fantastic and the direction and cinematography (all those tight, almost suffocating shots) were just great. Gonna be thinking about this one for awhile. (A+)
Therapy. I’ve got more to say about this at some point, but I’ve been seeing a therapist since September and it’s been really helpful. (A)
Shang-Chi and the Legend of the Ten Rings. I enjoyed this quite a bit, more than Black Widow or The Eternals (haven’t seen latest Spidey yet). (B+)
Shang-Chi and the Legend of the Ten Rings soundtrack. Really, really good — been blasting this in the car a lot lately. (A)
Dune. Felt good to see a serious blockbuster in the theater again. And to be able to rewatch it on HBO Max a couple of weeks later. (A-)
Ravine. I’ve only played this a couple of times with the kids, but it got high marks all around for fun and quick rounds. (B+)
The Power of the Dog. A slow burn with a great payoff. Wonderful cast & direction. (A)
No One Is Talking About This by Patricia Lockwood. I loved the first half of this book — lots of pithy observations about social media. (B+)
Don’t Look Up. Everyone is comparing this to Dr Strangelove and while it’s not quite on that level, it certainly does some of the same things for climate change that DS did for nuclear war. (A)
When We Cease to Understand the World by Benjamin Labatut. A super interesting mix of historical fact and narrative fiction about the swift technological changes that took place in the early 20th century that altered history in small and large ways. (A-)
Wingspan. Bought this game after reading Dan Kois’ review and our family has been enjoying it. (B+)
Pirates of the Caribbean. Still fun. I remember being very skeptical before seeing this for the first time back when it came out, but as soon as Jack Sparrow stepped off his sinking ship right onto the dock, I knew it was going to be good. (A-)
Clear and Present Danger. I don’t actually remember watching much of this…must have switched off my brain too much. (-)
Spies in Disguise. I read the plot synopsis of this on Wikipedia and I still don’t remember watching any of it. I think the kids liked it? (-)
The Courier. Solid spy thriller starring Benedict Cumberbatch. Based on a true story. (B+)
Finch. Charming but nothing much actually happens? (B)
Eternals. Now that the Infinity Saga is done, I’m not sure how much interest I’m going to have in some of these new characters & storylines. (B)
Mad Max Fury Road. Seventh rewatch? Eighth? I just plain love this movie. (A)
No Time to Die. I am not really a James Bond fan but I liked this one. (B+)
Succession (season three). This got off to a bit of a slow, meandering start, but the last few episodes were just fantastic. (A)
Omicron variant. You think you’re out but they keep pulling you back in. (F-)
Swimming with bioluminescent plankton. Thought the water was going to glow as I swam through it, but it was more like sparkly fireworks. Magical. (A)
Xolo Tacos. We stumbled in here for dinner after nothing else looked good and were rewarded with the best tacos on Holbox. The carne asada taco might be the best taco I’ve had in years and we ended up ordering a second round. (A)
Beautiful World, Where Are You by Sally Rooney. I liked this one slightly less than her first two novels. But only slightly. (A-)
Free Guy. Fun entrant into the video game movie genre. (B+)
Hacks. It was fine but ultimately didn’t understand why so many people on my timeline were raving about this. (B+)
NY Times Crossword app. I’ve never been much for crossword puzzles, but the Times app does all the fiddly work (e.g. of finding the current clue’s boxes, etc.) for me so I’ve been enjoying dipping my toe into the Monday and Tuesday puzzles. But the Minis and Spelling Bee are where it’s at for me. (B+)
The Hunt for Red October. Still a great thriller. (A-)
Avatar: The Last Airbender. After watching The Legend of Korra, the kids and I went back to watch Avatar. The first season and a half is kinda uneven, but overall we really liked it. The beach episode has to be one of the weirdest things I’ve ever seen on television and the one where Aang is hallucinating from the lack of sleep made my kids laugh so hard I thought they were going to pass out. (A-)
The Matrix Resurrections. I am someone who didn’t dislike the second and third Matrix movies as much as everyone else seemed to, and so it is with this one as well. Wish I could have seen this in the theater, but Omicron. (A-)
The Wrong Trousers. The last five minutes is still maybe the best chase scene in movie history. (A)
Preview of the next media diet: I am enjoying the hell out of Lauren Groff’s Matrix, want to read The Lost Daughter, just started the last season of The Expanse, listening to the audiobook version of Exhalation, want to check out Station Eleven on HBO Max, and plan on watching Pig, Drive My Car, and Licorice Pizza. Oh, and I need to dig into the second seasons of The Great and For All Mankind. And more GBBO! We’ll see how much of that I actually follow through on…
Past installments of my media diet are available here.
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In Plato’s allegory of the cave (part of his The Republic), the reader/listener is asked to imagine people trapped in a cave whose only experience of the outside world is observing shadows cast by people outside the cave, which becomes their reality. In this clip from the TV show Legion narrated by Jon Hamm, Plato’s allegory is extended to our present age, where we’re mediated by devices and social media algorithms into individualized shadowy caves of our own.
Now, what if instead of being in a cave, you were out in the world — except you couldn’t see it because you trusted that the world you saw through the prism was the real world. But there’s a difference. You see, unlike the allegory of the cave where the people are real and the shadows are false, here other people are the shadows, their faces, their lives.
(via open culture)
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I like Paul Ford. He’s a pal even.1 But here’s my problem with Paul Ford, professionally: there are so many good lines and observations in the things that he writes that it’s difficult to do the absurdly simple thing I need to do in my work here, i.e. pick the “best” selection of a piece of writing to get you to click through and read the rest of it. This is a problem even for his short pieces, like A Grand Unified Theory of Buying Stuff from Wired. Here goes:
The problem is that certain kinds of stuff simply attract more stuff. The home is an obvious one: It craves sofas, sweaters, buffet cabinets, chandeliers. Computers are another; they grow USB tendrils. Smartphones beget earbuds, cloud backups, and music service subscriptions. I am jealous of the people who make it work with an Eames chair, a fancy ottoman, some nice art books, and multigenerational inherited wealth. Their iPads are so empty, just a few apps, whereas I have 60 terabytes of storage spread across a variety of blinking devices because I download large data sets for fun.
But also: “I often trick myself into thinking that the road to less stuff might be paved with more stuff.”
And: “The supply chain is fractal: Zoom in on your stuff and there’s more stuff, ad infinitum.”
Ok maybe just go read the whole short thing.
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Perhaps intuiting our shared love and fond remembrance of school engineering competitions (egg drop! toothpick bridge!), Spencer Wright alerted me to the latest issue of The Prepared, specifically this bit about a competition to design toothpick towers that can withstand simulated earthquakes. Wright writes:
I’m a big fan of egg drop contests, in which teams make some kind of contraption that lets a raw egg fall — and not break — from a high height. Well, Sojo University’s Department of Architecture holds a seismic loading competition, in which teams of high schoolers build toothpick towers that stay standing when shaken by a simulated earthquake. The towers fail in delightful ways — some lean slowly, some topple all at once, some twist up over a period of minutes before collapsing on themselves. The full 2021 competition (which was live streamed!) can be seen in this video, though highlights of the 2010 competition are perhaps more fun to watch.
I’ve embedded the 2010 competition highlight video above…it’s a fun watch. (via the prepared)
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In this clever simulation, bouncing balls obeying the laws of physics somehow arrange themselves, mid-chaos, into neat patterns. This is immensely satisfying.
Spoiler: the trick here is a pair of simulations stitched together, like a physics Texas Switch: “Each sequence is obtained by joining two simulations, both starting from the time in which the balls are arranged regularly. One simulates forward in time, one backwards.”
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In a convocation address delivered at Howard University in March 1995, Toni Morrison noted that before fascist movements arrive at a “final solution” (the euphemism used by Nazi leaders to refer to the mass murder of Jews), there are preceding steps that they use to advance their agenda. From an excerpt of that speech published in The Journal of Negro Education:
Let us be reminded that before there is a final solution, there must be a first solution, a second one, even a third. The move toward a final solution is not a jump. It takes one step, then another, then another.
Morrison then continued, listing the pathway to fascism in ten steps:
- Construct an internal enemy, as both focus and diversion.
- Isolate and demonize that enemy by unleashing and protecting the utterance of overt and coded name-calling and verbal abuse. Employ ad hominem attacks as legitimate charges against that enemy.
- Enlist and create sources and distributors of information who are willing to reinforce the demonizing process because it is profitable, because it grants power and because it works.
- Palisade all art forms; monitor, discredit or expel those that challenge or destabilize processes of demonization and deification.
- Subvert and malign all representatives of and sympathizers with this constructed enemy.
- Solicit, from among the enemy, collaborators who agree with and can sanitize the dispossession process.
- Pathologize the enemy in scholarly and popular mediums; recycle, for example, scientific racism and the myths of racial superiority in order to naturalize the pathology.
- Criminalize the enemy. Then prepare, budget for and rationalize the building of holding arenas for the enemy — especially its males and absolutely its children.
- Reward mindlessness and apathy with monumentalized entertainments and with little pleasures, tiny seductions, a few minutes on television, a few lines in the press, a little pseudo-success, the illusion of power and influence, a little fun, a little style, a little consequence.
- Maintain, at all costs, silence.
As I have said before, you can see many of these steps playing out right now in America, orchestrated by a revitalized and emboldened right-wing movement that has captured the Republican Party. Jason Stanley, a scholar of fascism, recently wrote of Morrison’s speech:
Morrison’s interest was not in fascist demagogues or fascist regimes. It was rather in “forces interested in fascist solutions to national problems”. The procedures she described were methods to normalize such solutions, to “construct an internal enemy”, isolate, demonize and criminalize it and sympathizers to its ideology and their allies, and, using the media, provide the illusion of power and influence to one’s supporters.
Morrison saw, in the history of US racism, fascist practices — ones that could enable a fascist social and political movement in the United States.
Writing in the era of the “super-predator” myth (a Newsweek headline the next year read, “Superpredators: Should we cage the new breed of vicious kids?”), Morrison unflinchingly read fascism into the practices of US racism. Twenty-five years later, those “forces interested in fascist solutions to national problems” are closer than ever to winning a multi-decade national fight.
See also Umberto Eco’s 14 Features of Eternal Fascism and Fighting Authoritarianism: 20 Lessons from the 20th Century. (via jason stanley)
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The US Mint has started shipping a quarter featuring poet & activist Maya Angelou on it.
A writer, poet, performer, social activist, and teacher, Angelou rose to international prominence as an author after the publication of her groundbreaking autobiography, “I Know Why the Caged Bird Sings.” Angelou’s published works of verse, non-fiction, and fiction include more than 30 bestselling titles. Her remarkable career encompasses dance, theater, journalism, and social activism.
The front of the Angelou quarter features a portrait of George Washington (a slaveowner, I feel it is important to note) that is different from the usual image on regular quarters. The new image was sculpted by Laura Gardin Fraser in 1931:
In 1931, Congress held a competition to design a coin to honor the 200th anniversary of George Washington’s birth. The original competition called for the obverse of the coin to feature a portrait of George Washington, based on the famed life-mask bust by French sculptor Jean-Antoine Houdon. The reverse was to feature a design that was to be “national” in nature.
Laura Gardin Fraser submitted a design that features a right-facing portrait of George Washington on the obverse, while the reverse shows an eagle with wings spread wide. In a 1932 letter to recommend Fraser’s design, the U.S. Commission of Fine Arts (CFA) wrote to (then) Treasury Secretary Andrew W. Mellon:
“This bust is regarded by artists who have studied it as the most authentic likeness of Washington. Such was the skill of the artist in making this life-mask that it embodies those high qualities of the man’s character which have given him a place among the great of the world…Simplicity, directness, and nobility characterize it. The design has style and elegance…The Commission believes that this design would present to the people of this country the Washington whom they revere.”
While her design was popular, it was not chosen. Instead, Secretary Mellon ultimately selected the left-facing John Flannigan design, which has appeared on the quarter’s obverse since 1932.
The Angelou quarter is the first in a series of quarters featuring notable American women:
Beginning in 2022 and continuing through 2025, the Mint will issue five quarters in each of these years. The ethnically, racially, and geographically diverse group of individuals honored through this program reflects a wide range of accomplishments and fields, including suffrage, civil rights, abolition, government, humanities, science, space, and the arts. The additional honorees in 2022 are physicist and first woman astronaut Dr. Sally Ride; Wilma Mankiller, the first female principal chief of the Cherokee Nation and an activist for Native American and women’s rights; Nina Otero-Warren, a leader in New Mexico’s suffrage movement and the first female superintendent of Santa Fe public schools; and Anna May Wong, the first Chinese American film star in Hollywood, who achieved international success despite racism and discrimination.
The Angelou quarter will start circulating later this month and early next month — look for it in your change soon!
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