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What if the Busy Busy Town Richard Scarry wrote about was Silicon Valley circa 2015? Meet the fine citizens of Business Town. Great stuff, but did someone forget to credit Ruben Bolling’s comic strip Richard Scarry’s 21st Century Busy Town Jobs for the inspiration?
The American Museum of Natural History’s research library has an online exhibit of bird illustrations taken from the book Extraordinary Birds. (via @kellianderson)
Stephen Biesty is a illustrator for books who draws “illustrations that are unrivaled for their ambitious scope and attention to detail”. I love this but somehow I hadn’t seen any of his apparently quite popular books. Many of them appear to be out of print, but there are some available on Amazon: Stephen Biesty’s Incredible Cross-Sections, Stephen Biesty’s Incredible Everything, and Into the Unknown.
Looking through these illustrations and also thinking about Richard Scarry’s books, I’m reminded of the intricate cross-sections from Wes Anderson’s movies. For instance, the boat from The Life Aquatic:
Biesty’s first book with this illustration style came out in 1992, the same year a 23-year-old Anderson shot his first short film, Bottle Rocket. But the director’s first real use of the cross-section didn’t happen until The Royal Tenenbaums in 2001, and even then it wasn’t explicit…but the tour of the Tenenbaum house definitely felt detailed in the same way as Biesty’s intricate cross-sectional drawings. I’m not the first person to draw parallels between Anderson’s work and Scarry, but I wonder if Biesty is somewhere in there too. (via @aaroncoleman0)
Along with imagining Mary Poppins as one of Doctor Who’s Time Lords, one of my favorite literary alternate realities is imagining Hermione Granger as the main character of the Harry Potter books. In 2011, Sady Doyle wrote a review of the books as if Rowling had focused on Hermione.
In Hermione, Joanne Rowling undermines all of the cliches that we have come to expect in our mythic heroes. It’s easy to imagine Hermione’s origin story as some warmed-over Star Wars claptrap, with tragically missing parents and unsatisfying parental substitutes and a realization that she belongs to a hidden order, with wondrous (and unsettlingly genetic) gifts. But, no: Hermione’s normal parents are her normal parents. She just so happens to be gifted. Being special, Rowling tells us, isn’t about where you come from; it’s about what you can do, if you put your mind to it. And what Hermione can do, when she puts her mind to it, is magic.
Ditto for the whole “Chosen One” thing. Look: I’ve enjoyed stories that relied on a “Chosen One” mythology to convince us that the hero is worth our time. I liked Buffy the Vampire Slayer as much as anyone. But it’s hard to deny that “Chosen Ones” are lazy writing. Why is this person the hero? Because everyone says he’s the hero. Why does everyone say he’s the hero? Because everyone says so, shut up, there’s magic.
And more recently, Daniel Dalton had a more overtly feminist and humorous take.
It was clear that she was the one who was protecting Harry and Ron, and this was never more evident than when she revealed she could control time.
She’d been using her Time-Turner to attend twice the number of classes, but she agreed to use it to help Harry save his godfather, even though it meant she’d never be able to use it again.
She’d given up her greatest power for her best friend, because helping people made her feel good.
And though she hoped he understood the sacrifice she was making by letting her education slide, she knew he didn’t. Because men.
Over the past year or so, I’ve been rereading the books and rewatching the movies with my kids through the Hermione-as-hero lens. And I’ve noticed that even without altering the story as Doyle and Dalton do, Hermione is by far the smartest, most loyal, and bravest young witch or wizard at Hogwarts. Harry has his moments but the kid had a rough and abusive childhood and so his principal talent is getting angry and doing stupid impulsive shit. Mainly, he’s manipulated by Voldemort and Dumbledore into doing exactly what they want him to do, and he plays the part splendidly. On the other hand, Hermione is an amazing witch and has a real choice as to how she wants to apply her considerable talents. And she chooses goodness, friendship, and doing the right thing over comfort, power, and even her own family, every time. (via @djacobs)
As an addendum to his 2013 book, The Wes Anderson Collection, Matt Zoller Seitz has written a book on Anderson’s latest film, The Grand Budapest Hotel.
This supplementary, one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel, with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film’s conception, the wide variety of sources that inspired it — from author Stefan Zweig to filmmaker Ernst Lubitsch to photochrom landscapes from turn-of-the-century Middle Europe — personal anecdotes about the making of the film, and other reflections on his filmmaking process.
Here’s an interview with Seitz on the book and Inhabiting Wes Anderson’s Universe. This new book will look good next to The Wes Anderson Collection and The Making of Fantastic Mr Fox on my bookshelf.
Update: Martin Venezky is the designer of the book and has shared some spreads from the book. Looks gorgeous.
Paul Cronin’s book of conversations with filmmaker Werner Herzog is called Werner Herzog - A Guide for the Perplexed. On the back cover of the book, Herzog offers a list of advice for filmmakers that doubles as general purpose life advice.
1. Always take the initiative.
2. There is nothing wrong with spending a night in jail if it means getting the shot you need.
3. Send out all your dogs and one might return with prey.
4. Never wallow in your troubles; despair must be kept private and brief.
5. Learn to live with your mistakes.
6. Expand your knowledge and understanding of music and literature, old and modern.
7. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it.
8. There is never an excuse not to finish a film.
9. Carry bolt cutters everywhere.
10. Thwart institutional cowardice.
11. Ask for forgiveness, not permission.
12. Take your fate into your own hands.
13. Learn to read the inner essence of a landscape.
14. Ignite the fire within and explore unknown territory.
15. Walk straight ahead, never detour.
16. Manoeuvre and mislead, but always deliver.
17. Don’t be fearful of rejection.
18. Develop your own voice.
19. Day one is the point of no return.
20. A badge of honor is to fail a film theory class.
21. Chance is the lifeblood of cinema.
22. Guerrilla tactics are best.
23. Take revenge if need be.
24. Get used to the bear behind you.
I bet this is some of the stuff you learn at Herzog’s Rogue Film School:
The Rogue Film School is not for the faint-hearted; it is for those who have travelled on foot, who have worked as bouncers in sex clubs or as wardens in a lunatic asylum, for those who are willing to learn about lockpicking or forging shooting permits in countries not favoring their projects. In short: for those who have a sense of poetry. For those who are pilgrims. For those who can tell a story to four year old children and hold their attention. For those who have a fire burning within. For those who have a dream.
The English translation of the fourth volume of Karl Ove Knausgaard’s epic My Struggle is coming out in April.
At eighteen years, old Karl Ove moves to a tiny fisherman’s village in the far north of the arctic circle to work as a school teacher. No interest in the job itself, his intention is to save up enough money to travel while finding the space and time to start his writing career. Initially everything looks fine. He writes his first few short stories, finds himself accepted by the hospitable locals, and receives flattering attention from several beautiful local girls. But as the darkness of the long arctic nights start to consume the landscape, Karl Ove’s life takes a darker turn.
It looks like an alternate translation of the book will be out in the UK in March in case you want to get a head start on everyone else. Or there’s always Norwegian lessons…the sixth and final volume was published in Norway in 2011.
Responsive web design is a technique used by web builders where the design adapts to different screen sizes. Designer Joe Harrison has built a page with responsive logos for several well-known brands, including Coca-Cola, Nike, Disney, and Levi’s. If you resize the page, you can see the logos change. Here’s how the Disney logo looks as your browser window gets smaller (from L to R):
As the browser gets smaller, the logos lose detail and become more abstract. By the time you get to the smallest screen width, you’re down to just the Disney “D” or Nike swoosh or Heineken red star, aka the bare minimum you need to render the logo recognizable, if only on a subconscious or emotional level. Which reminds me of Scott McCloud’s discussion of iconic abstraction (and The Big Triangle) in Understanding Comics, which is still one of the best books on design and storytelling I’ve ever read. Here’s a bit of the relevant passage:
Defining the cartoon would take up as much space as defining comics, but for now, I’m going to examine cartooning as a form of amplification through simplification. When we abstract an image through cartooning, we’re not so much eliminating details as we are focusing on specific details. By stripping down an image to its essential “meaning”, an artist can amplify that meaning in a way that realistic art can’t.
The reason why those particular logos work responsively is because they each have abstract representations that work on that meaningful emotional level. You see that red Levi’s tag or Nike swoosh and you feel something.1 I think companies are having to design logos in this way more frequently. Contemporary logos need to look good on freeway billboards, on letterhead, as iOS icons, and, in the case of the Facebook, Twitter, or Pinterest logos, affixed to tiny tweet/like/pin buttons. (via ministry of type)
I’ve talked about this elsewhere, but in designing the “identity” for kottke.org (such as it is), having an abstract logo identifying element has been an important part of the process. I wanted to have an element (currently the blue gradient) that if you saw it and recognized it, you had a reaction to it on a emotional level. Here’s what I wrote about an older kottke.org design: “The yellow-green thing at the top is a tag. Like the red tag on Levi’s jeans or even the red stripe on Prada shoes. It’s small, out of the way, but when you see it on something, you know exactly what you’re holding in your hands.” It’s my favorite design trick and likely influenced by Understanding Comics more than I realize. ↩
From Martin Ford, a book due out in May called Rise of the Robots: Technology and the Threat of a Jobless Future.
Artificial intelligence is already well on its way to making “good jobs” obsolete: many paralegals, physicians, and even — ironically — computer programmers are poised to be replaced by robots. As technology continues to accelerate and machines begin taking care of themselves, fewer jobs will be necessary. Unless we radically reassess the fundamentals of how our economy and politics work, this transition could create massive unemployment and inequality as well as the implosion of the economy itself.
See also Humans Need Not Apply. (via Tyler Cowen, who thinks highly of Ford’s writing on automation and jobs)
Once again, Steven Soderbergh kept track of every book, TV show, movie, play, and short story he read or watched in 2014. A sampling: Girls, True Detective, Gone Girl, 2001 (3 times), Dr. Strangelove, Olive Kitteridge, My Struggle: Book One, Boardwalk Empire, and his black & white version of Raiders of the Lost Ark (twice).
Here are his lists for 2013 (House of Cards, Koyaanisqatsi), 2012 (This is Spinal Tap, The Lady in the Lake), 2011 (Cave of Forgotten Dreams, Senna), 2010 (Mad Men, Where Good Ideas Come From), and 2009 (Breaking Bad, Slap Shot). (via @khoi)
The Morning News has announced the competitors in their annual Tournament of Books. The ToB features 16 of the best works of fiction published in 2014 pitted against each other in a NCAA Tournament-style contest. It’s great fun…I was a judge a few years ago. Books competing this year include All the Light We Cannot See by Anthony Doerr, David Mitchell’s The Bone Clocks, and An Untamed State by Roxane Gay.
On a strong recommendation from Meg, I have been reading Peter Gray’s Free to Learn: Why Unleashing the Instinct to Play Will Make Our Children Happier, More Self-Reliant, and Better Students for Life. Gray is a developmental psychologist and in Free to Learn he argues that 1) children learn primarily through self-directed play (by themselves and with other children), and 2) our current teacher-driven educational system is stifling this instinct in our kids, big-time.
I have a lot to say about Free to Learn (it’s fascinating), but I wanted to share one of the most surprising and unsettling passages in the book. In a chapter on the role of play in social and emotional development, Gray discusses play that might be considered inappropriate, dangerous, or forbidden by adults: fighting, violent video games, climbing “too high”, etc. As part of the discussion, he shares some of what George Eisen uncovered while writing his book, Children and Play in the Holocaust.
In the ghettos, the first stage in concentration before prisoners were sent off to labor and extermination camps, parents tried desperately to divert their children’s attention from the horrors around them and to preserve some semblance of the innocent play the children had known before. They created makeshift playgrounds and tried to lead the children in traditional games. The adults themselves played in ways aimed at psychological escape from their grim situation, if they played at all. For example, one man traded a crust of bread for a chessboard, because by playing chess he could forget his hunger. But the children would have none of that. They played games designed to confront, not avoid, the horrors. They played games of war, of “blowing up bunkers,” of “slaughtering,” of “seizing the clothes of the dead,” and games of resistance. At Vilna, Jewish children played “Jews and Gestapomen,” in which the Jews would overpower their tormenters and beat them with their own rifles (sticks).
Even in the extermination camps, the children who were still healthy enough to move around played. In one camp they played a game called “tickling the corpse.” At Auschwitz-Birkenau they dared one another to touch the electric fence. They played “gas chamber,” a game in which they threw rocks into a pit and screamed the sounds of people dying. One game of their own devising was modeled after the camp’s daily roll call and was called klepsi-klepsi, a common term for stealing. One playmate was blindfolded; then one of the others would step forward and hit him hard on the face; and then, with blindfold removed, the one who had been hit had to guess, from facial expressions or other evidence, who had hit him. To survive at Auschwitz, one had to be an expert at bluffing — for example, about stealing bread or about knowing of someone’s escape or resistance plans. Klepsi-klepsi may have been practice for that skill.
Gray goes on to explain why this sort of play is so important:
In play, whether it is the idyllic play we most like to envision or the play described by Eisen, children bring the realities of their world into a fictional context, where it is safe to confront them, to experience them, and to practice ways of dealing with them. Some people fear that violent play creates violent adults, but in reality the opposite is true. Violence in the adult world leads children, quite properly, to play at violence. How else can they prepare themselves emotionally, intellectually, and physically for reality? It is wrong to think that somehow we can reform the world for the future by controlling children’s play and controlling what they learn. If we want to reform the world, we have to reform the world; children will follow suit. The children must, and will, prepare themselves for the real world to which they must adapt to survive.
Like I said, fascinating.
Khoi Vinh is coming out with a book soon called How They Got There: Interviews With Digital Designers About Their Careers. It is, as Tyler Cowen would say, self-recommending. Vinh explains a bit more:
You can read terrific profiles of many of these folks elsewhere, but the conversations that I conducted with them are both narrower and more in-depth. They focus squarely on how these folks discovered their callings in the design profession, how they got their first big breaks, how they put together successful careers in digital media. There are some wonderful, insightful, brilliant, hilarious and amazing stories captured here.
Basically, this is the book that I wish that I could have had handy when I was just starting out, when I was trying to figure out how to get from A to B career-wise. Even better, what I found when I was writing it was that the conversations were so interesting that I felt newly inspired myself. I think you’ll feel similarly.
Forget the book (I mean, it looks great), but Khoi, where do you find the time for everything? Three kids, two or three side projects, regular blogger, startup VP…you’re almost as productive these days as Beyonce is.
Update: How They Got There is now out and available for purchase.
Steven Brill has written a book about the making of the Affordable Care Act called America’s Bitter Pill: Money, Politics, Backroom Deals, and the Fight to Fix Our Broken Healthcare System.
America’s Bitter Pill is Steven Brill’s much-anticipated, sweeping narrative of how the Affordable Care Act, or Obamacare, was written, how it is being implemented, and, most important, how it is changing — and failing to change — the rampant abuses in the healthcare industry. Brill probed the depths of our nation’s healthcare crisis in his trailblazing Time magazine Special Report, which won the 2014 National Magazine Award for Public Interest. Now he broadens his lens and delves deeper, pulling no punches and taking no prisoners.
Malcolm Gladwell has a review in the New Yorker this week.
Brill’s intention is to point out how and why Obamacare fell short of true reform. It did heroic work in broadening coverage and redistributing wealth from the haves to the have-nots. But, Brill says, it didn’t really restrain costs. It left incentives fundamentally misaligned. We needed major surgery. What we got was a Band-Aid.
I haven’t read his book yet, but I agree with Brill on one thing: the ACA1 did not go nearly far enough. Healthcare and health insurance are still a huge pain in the ass and still too expensive. My issues with healthcare particular to my situation are:
- As someone who is self-employed, insurance for me and my family is absurdly expensive. After the ACA was enacted, my insurance cost went up and the level of coverage went down. I’ve thought seriously about quitting my site and getting an actual job just to get good and affordable healthcare coverage.
- Doctors aren’t required to take any particular health insurance. So when I switched plans, as I had to when the ACA was enacted, finding insurance that fit our family’s particular set of doctors (regular docs, pediatrician, pediatric specialist that one of the kids has been seeing for a couple of years, OB/GYN, etc.) was almost impossible. We basically had one plan choice (not even through the ACA marketplace…see next item) or we had to start from scratch with new doctors.
- Many doctors don’t take the ACA plans. My doctor doesn’t take any of them and my kids’ doc only took a couple. And they’re explicit in accepting, say, United Healthcare’s regular plan but not their ACA plan, which underneath the hood is the exact same plan that costs the same and has the same benefits. It’s madness.
- The entire process is designed to be confusing so that insurance companies (and hospitals probably too) can make more money. I am an educated adult whose job is to read things so they make enough sense to tell others about them. That’s what I spend 8+ hours a day doing. And it took me weeks to get up to speed on all the options and pitfalls and gotchas of health insurance…and I still don’t know a whole lot about it. It is the most un-user-friendly thing I have ever encountered.
The ACA did do some great things, like making everyone eligible for health insurance and getting rid of the preexisting conditions bullshit, and that is fantastic…the “heroic work” mentioned by Gladwell. But the American healthcare system is still an absolute shambling embarrassment when you compare it to other countries around the world, even those in so-called “developing” or “third world” countries. And our political system is just not up to developing a proper plan, so I guess we’ll all just limp along as we have been. Guh.
I hate the word “Obamacare” and will not use it. It’s a derisive term that has been embraced for some reason by ACA/Obama supporters. It needlessly politicizes an already over-politicized issue. ↩
Book 1 of Karl Ove Knausgaard’s epic My Struggle is now available in English as an audiobook. This was by far my favorite book of 2014…the first 50 pages punched me in the gut about 10 times and the rest did not disappoint. After a bit of a break to recover, I am looking forward to tackling Book 2 & Book 3 in the next couple of months. (via @tylercowen)
I know nothing about this book or its author (Kevin Murrell, Director of Britain’s National Museum of Computing), but something called Early Home Computers is pretty much self-recommending. Amazon has an excerpt.
If they were considered at all by the average person, computers were thought to be impressive, mysterious, awe-inspiring and frightening in equal measure. Press coverage of the time typically described new computers as ‘electronic brains’ and they were often depicted as cartoon machines with faces and arms. Despite the best efforts of engineers explaining their inventions, most people knew more about malevolent computers like HAL from Kubrick’s film 2001 - A Space Odyssey, than the real thing.
In the UK there was at least one well-known benevolent computer: ERNIE. Electronic Random Number Indicating Equipment, or ERNIE for short, was a special-function computer designed to generate random numbers as part of the government’s Premium Bond saving scheme. Each month the computer would produce a random batch of bond numbers and the winning bondholders would be awarded cash prizes. ERNIE became so well known in the popular imagination that winners would write personally to thank him!
Presumably home computers were also benevolent…I like that idea. (via russell davies)
Update: See also Digital Retro.
This book tells the story behind 40 classic home computers of an infamous decade, from the dreams and inspiration, through passionate inventors and corporate power struggles, to their final inevitable demise. It takes a detailed look at every important computer from the start of the home computer revolution with the MITS Altair, to the NeXT cube, pehaps the last serious challenger in the personal computer marketplace.
Wonderful piece on Laura Hillenbrand, author of Seabiscuit and Unbroken. Hillenbrand has suffered from chronic fatigue syndrome for more than 25 years and can barely leave her own house, but she has turned her illness into an advantage in some ways.
Somehow, through the dizziness and disorientation, Hillenbrand has managed to produce two of the most critically and commercially successful nonfiction books in recent decades. “Seabiscuit” and “Unbroken” have together sold more than 10 million copies, and the hardcover edition of “Unbroken” remained on The Times’s best-seller list for 185 continuous weeks, which by some accounts is the fourth-longest reign of all time. In fact, the hardcover was so successful that Hillenbrand’s publisher, Random House, waited nearly four years before releasing a paperback edition this summer; since then, the paperback has held the top position on The Times’s list every week except one. Sallye Leventhal, the book buyer for history and politics at Barnes & Noble, told me that Hillenbrand’s commercial success is unparalleled. “There are other phenomenal best sellers, but not this phenomenal,” she said. “Not with this velocity, year after year after year.”
What’s startling to consider is that Hillenbrand has done this with little access to the outside world. She is cut off not only from basic tools of reporting, like going places and seeing things, but also from all the promotional machinery of modern book selling. Because of the illness, she is forced to remain as secluded from the public as the great hermetic novelists. She cannot attend literary festivals, deliver bookstore readings or give library talks and signings. Even the physical act of writing can occasionally stymie her, as the room spins and her brain swims to find words in a cognitive haze. There have been weeks and months — indeed, sometimes years — when the mere effort to lift her hands and write has been all that she can muster. “In the middle of working on ‘Unbroken,’” she told me, “I went just off a cliff and became very suddenly totally bedridden — I didn’t get out of the house for two years.” To function as an author, Hillenbrand has been forced to develop a unique creative process. Everything in her working life is organized around the illness: the way she reads, the way she thinks about language, even the way she describes familiar places. When Hillenbrand writes about the “rough, rasping tremor” of the Pacific and the “smoky brown oval” of Pimlico, her readers feel closer to the ocean and the racetrack than Hillenbrand is ever likely to be again.
After you read that, check out Hillenbrand’s piece on her illness written for the New Yorker in 2003.
Quora is giving their best writers an interesting care package: an anthology of the site’s best writing from 2014.
But why isn’t this an actual book that you can buy in stores, etc.? Seems like a great way to introduce the non-SV part of the world to Quora. (via @pieratt)
Richard Rhodes, who wrote two of my favorite nonfiction books ever (The Making of the Atomic Bomb and Dark Sun), is coming out with a new book in February. Hell and Good Company is a history of the Spanish Civil War.
The Spanish Civil War (1936-1939) inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause-defending democracy from fascism at a time when Europe was darkening toward another world war-and the brutality of the conflict drew from them some of their best work: Guernica, For Whom the Bell Tolls, Homage to Catalonia, The Spanish Earth.
The war spurred breakthroughs in military and medical technology as well. New aircraft, new weapons, new tactics and strategy all emerged in the intense Spanish conflict. Indiscriminate destruction raining from the sky became a dreaded reality for the first time. Progress also arose from the horror: the doctors and nurses who volunteered to serve with the Spanish defenders devised major advances in battlefield surgery and front-line blood transfusion. In those ways, and in many others, the Spanish Civil War served as a test bed for World War II, and for the entire twentieth century.
When I went to the Poptech conference 10 years ago, one of the talks featured one of the world’s largest books, a book of photographs of Bhutan. The book used to fetch $10,000 a copy, but Amazon now sells it for just under $300. Something is fishy though…many of the vendors selling the book are shipping it for only $3.99, which seems unlikely for a book that weighs 133 pounds. (via cory)
Update: Long story short, there were two versions of this book made: the big one and a smaller one that’s only a foot and a half tall. That Amazon link used to go to the big book but it’s the little one now. Make sense? Anyway, here’s a link to the big one if you want to buy it for $5,824.34 with free shipping. (thx everyone)
Kazuo Ishiguro wrote his excellent novel, The Remains of the Day, in only four weeks (more or less).
So Lorna and I came up with a plan. I would, for a four-week period, ruthlessly clear my diary and go on what we somewhat mysteriously called a “Crash”. During the Crash, I would do nothing but write from 9am to 10.30pm, Monday through Saturday. I’d get one hour off for lunch and two for dinner. I’d not see, let alone answer, any mail, and would not go near the phone. No one would come to the house. Lorna, despite her own busy schedule, would for this period do my share of the cooking and housework. In this way, so we hoped, I’d not only complete more work quantitively, but reach a mental state in which my fictional world was more real to me than the actual one.
If you’ve read The Hobbit and the Lord of the Rings trilogy (and/or watched the movies1) but didn’t delve into the appendices or, shudder, The Silmarillion, this is the video for you. It explains about the Gods who created Middle Earth, what wizards are (not men, but angels), and the specialness of Men and Elves.
I saw all three of The Hobbit movies and the last one really isn’t worth watching. Jackson never gets close to making us care about Thorin or the dwarves. Bilbo, played wonderfully by Martin Freeman, should have been the focus…which he was, to a greater extent, in the second movie (which was the best of the three by a wide margin). The problem is, The Hobbit isn’t so much a story about Bilbo as it is a story told *by* Bilbo. Anyway. ↩
At the NY Times, Nicholas Blechman weighs in with his picks for the best book covers of 2014.
Dan Wagstaff, aka The Casual Optimist, picked 50 Covers for 2014.
From Jarry Lee at Buzzfeed, 32 Of The Most Beautiful Book Covers Of 2014.
Paste’s Liz Shinn and Alisan Lemay present their 30 Best Book Covers of 2014.
And from much earlier in the year (for some reason), Zachary Petit’s 19 of the Best Book Covers of 2014 at Print.
Wait, how did I miss this…Hilary Mantel’s excellent pair of novels about Thomas Cromwell & Henry VIII, Wolf Hall and Bring Up the Bodies, are being turned into a six-part BBC miniseries. Outstanding! Noted Shakespearian actor Mark Rylance will play Cromwell with Homeland’s Damian Lewis as Henry VIII.
BBC One will be airing the show in Britain in January while American audiences without access to BitTorrent will have to wait until PBS airs it in April.
Wow, the art of making marbled paper, a short film from 1970. Charmingly British, just like the film about the Teddy Grays candy factory or the putter togetherer of scissors. Super cool how the inks are placed on a water bath, swirled expertly to make patterns, and then transferred to the paper.
Also of note: the segment on the conservation of old books starting at around 9:55…I never knew they took them apart like that to dunk the pages in water! Sadly, the Cockerell Bindery ceased operation in the late 1980s with the death of Sydney Cockerell and its contents were sold at auction. (thx, matt)
Photographer Noah Kalina (of Everyday fame) keeps a blog of his purchases from Amazon called Amazon Primed. Recently documented purchases include a Weber grill and a shoulder mount for a camera. Now Kalina has turned his blog into a book published by Amazon.
The 100 Greatest Console Video Games: 1977-1987 is a recent book chronicling the best games from the first golden era in console video games, from the Intellivision1 to the Atari 2600 to the Nintendo.
My older cousins from Minneapolis had an Intellivision. And cable. And MTV. And scrambled The Movie Channel which you could kind of make out every few seconds. Which to a country bumpkin like me was certainly sufficiently advanced technology. Anyway, I loved playing Tron: Deadly Discs, Pitfall!, and Kool-Aid Man on the Intellivision whenever I was over. ↩
My favorite book when I was a kid was Cloudy With a Chance of Meatballs by Judi and Ronald Barrett.1 So I was excited when the kids brought home a book from the library from the same authors that I hadn’t seen before: Old MacDonald Had An Apartment House. The story is about an apartment building super who starts growing food and raising livestock in vacant apartments as the increasingly alarmed tenants move out. Totally awesome 70s hippie energy crisis stuff. It didn’t click that I had actually read (and loved!) this book as a kid until we reached this page:
Love that page. Hot and cold running sweet potato vines.
I still have my 1970s-era copy that I read with my kids. It’s delicate though, so I bought them their own copy to read on their own too. The upsetting part is there are minor differences in the text (but not drawings) of the two books. And the new phrasing is worse…no idea why they’d change it.↩
Oh, this is great. The butchers, farmers, doctors, and children’s book librarians of Richard Scarry’s original Busy, Busy Town give way to the non-lending officer, one-percenter service provider, fart-sound app maker, and lowly immigrant in Tom the Dancing Bug’s 21st century Busy Town.
For his recently released book Wild Life, Brad Wilson shot photos of all kinds of animals on a black background, resulting in unusually expressive portraits.
Reminds me of Jill Greenberg’s monkey portraits…expressive in the same way.
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