Inspired by the symmetry and color palettes of Wes Anderson’s movies, the Instagram account Accidentally Wes Anderson has been collecting and featuring photos from folks all over the world that wouldn’t look out of place in The Royal Tenenbaums or The Grand Budapest Hotel. The creators have turned it into a new book called Accidentally Wes Anderson, which features many of the best contributions from the account. It sounds like it’s kind of a travel book, a visually oriented Atlas Obscura.
Now, inspired by a community of more than one million Adventurers, Accidentally Wes Anderson tells the stories behind more than 200 of the most beautiful, idiosyncratic, and interesting places on Earth. This book, authorized by Wes Anderson himself, travels to every continent and into your own backyard to identify quirky landmarks and undiscovered gems: places you may have passed by, some you always wanted to explore, and many you never knew existed.
And while we’re here, I picked out a few of my recent favorites from their Instagram:
In Cubed, Rubik covers more than just his journey to inventing his eponymous cube. He makes a case for always being an amateur-something he has always considered himself to be. He discusses the inevitability of problems during any act of invention. He reveals what it was like to experience the astonishing worldwide success of an object he made purely for his own play. And he offers what he thinks it means to be a true creator (hint: anyone can do it). Steeped in the wisdom and also the humility of a born inventor, Cubed offers a unique look at the imperfect science of creation.
Even the structure of the book is odd. From a review of the book in the NY Times by Alexandra Alter:
“On the way to trying to understand the nature of the cube, I changed my mind,” Rubik said. “What really interested me was not the nature of the cube, but the nature of people, the relationship between people and the cube.”
Reading “Cubed” can be a strange, disorienting experience, one that’s analogous to picking up and twisting one of his cubes. It lacks a clear narrative structure or arc β an effect that’s deliberate, Rubik said. Initially, he didn’t even want the book to have chapters or even a title.
“I had several ideas, and I thought to share this mixture of ideas that I have in my mind and leave it to the reader to find out which ones are valuable,” he said. “I am not taking your hands and walking you on this route. You can start at the end or in the middle.”
I’ve never learned how to solve one without consulting a book, but like many people who grew up in the 80s, I’ve always been captivated by the Rubik’s Cube. It’s both simple and endlessly complex and can somehow be solved in under 3.5 seconds now. It’s exactly the type of thing that could only have been invented by an amateur in his spare time and who still wonders about it almost 50 years later. (via austin kleon)
I moved away from NYC more than four years ago, and I still think about Xi’an Famous Foodsall the time. I miss going there and pondering the make-up of the mind-bendingly delicious sauces they ladled out onto their hand-pulled noodles β “What the hell is in here that makes it taste so good?” Xi’an is one of my favorite restaurants, but with the pandemic and all, the last time I ate there was nearly an entire year ago. So it’s not an understatement to say that I’m overjoyed to see that they are coming out with a cookbook: Xi’an Famous Foods: The Cuisine of Western China, from New York’s Favorite Noodle Shop .
CEO Jason Wang divulges the untold story of how this empire came to be, alongside the never-before-published recipes that helped create this New York City icon. From heavenly ribbons of liang pi doused in a bright vinegar sauce to flatbread filled with caramelized pork to cumin lamb over hand-pulled Biang Biang noodles, this cookbook helps home cooks make the dishes that fans of Xi’an Famous Foods line up for while also exploring the vibrant cuisine and culture of Xi’an.
Lemme just highlight the most important part of that paragraph: never-before-published recipes. YESSSSS. The cookbook is coming out next week, but you can pre-order it now from Bookshop.org and Amazon.
Alas, The Original Series’s inconsistent typography did not survive the stylistic leap into the 1970s. To make up for it, The Motion Picture’s title card introduces a new font, with some of the curviest Es known to sci-fi. It also follows an emerging seventies trend: Movie names beginning with STAR must have long trailing lines on the opening S.
A Promised Land is a forthcoming memoir from Barack Obama that he says is “an honest accounting of my presidency, the forces we grapple with as a nation, and how we can heal our divisions and make democracy work for everybody”. Here’s the official description of the book:
In the stirring, highly anticipated first volume of his presidential memoirs, Barack Obama tells the story of his improbable odyssey from young man searching for his identity to leader of the free world, describing in strikingly personal detail both his political education and the landmark moments of the first term of his historic presidency β a time of dramatic transformation and turmoil.
Obama takes readers on a compelling journey from his earliest political aspirations to the pivotal Iowa caucus victory that demonstrated the power of grassroots activism to the watershed night of November 4, 2008, when he was elected 44th president of the United States, becoming the first African American to hold the nation’s highest office.
Reflecting on the presidency, he offers a unique and thoughtful exploration of both the awesome reach and the limits of presidential power, as well as singular insights into the dynamics of U.S. partisan politics and international diplomacy.
First and foremost, I hoped to give an honest rendering of my time in office β not just a historical record of key events that happened on my watch and important figures with whom I interacted but also an account of some of the political, economic, and cultural crosscurrents that helped determine the challenges my administration faced and the choices my team and I made in response. Where possible, I wanted to offer readers a sense of what it’s like to be the president of the United States; I wanted to pull the curtain back a bit and remind people that, for all its power and pomp, the presidency is still just a job and our federal government is a human enterprise like any other, and the men and women who work in the White House experience the same daily mix of satisfaction, disappointment, office friction, screwups, and small triumphs as the rest of their fellow citizens. Finally, I wanted to tell a more personal story that might inspire young people considering a life of public service: how my career in politics really started with a search for a place to fit in, a way to explain the different strands of my mixed-up heritage, and how it was only by hitching my wagon to something larger than myself that I was ultimately able to locate a community and purpose for my life.
You can even listen to Obama read the excerpt in an embedded audio player.
Histories of Black America have almost always been written by individuals, usually men. But why not a community of writers chronicling the history of a community? Keisha and I assembled a community of eighty Black writers and ten Black poets who represented some of the best Black recorders of Black America at its four-hundred-year mark. Though the project was conceived in late 2018, most of the pieces were written in 2019. We wanted the community to be writing during the four hundredth year. We wanted FOUR HUNDRED SOULS to write history and be history, a diary entry in the history of letters when Black America symbolically turned four hundred years old.
In different ways and forms, eighty writers each chronicled five years of Black America’s history in succession, amounting to four hundred years. They related that history, those five years, to our time. The volume’s first writer, Pulitzer Prize-winning creator of the 1619 Project, journalist Nikole Hannah-Jones, writes from August 20, 1619 to August 19, 1624. The volume’s final writer, Black Lives Matter co-founder Alicia Garza, writes from August 20, 2014 to August 19, 2019. All 90 contributors are leaders in their fields. I can’t wait to introduce all of them. The lineup is beyond belief.
FOUR HUNDRED SOULS has ten sections, each spanning forty years. Each section concludes with a poem that recaptures forty years of the history in verse. Sometimes history is best captured by poets β as these ten Black poets show. Indeed, the lives of Black Americans have been nothing short of poetic.
I appreciated this list of 21 Books for a Better You in the 21st Century from Kelli MarΓa Korducki, filled with books that help the self without necessarily being quote-unquote self-help books. Here are a few selections I found interesting:
The Body Is Not an Apology by Sonya Renee Taylor. “Taylor argues that our personal bodily hang-ups β and the beauty standards that inform them β are manifestations of internalized inequality. By lending credence to unjust strictures, our self-hate inadvertently perpetuates oppression.”
Quiet by Susan Cain. “In a culture that rewards ‘being bold’ and ‘putting yourself out there,’ Quiet proposes that the most effective leaders aren’t necessarily the biggest personalities.”
How to Do Nothing by Jenny Odell. “Part love letter to the burnout generation, part anti-Capitalist manifesto, Odell proposes a mass reclamation of attention β our most precious, and precarious, resource β to soothe our existential overload.”
The Life-Changing Magic of Tidying Up by Marie Kondo. “In an age of accumulation fueled by one-click consumerism, Kondo’s ‘konmari’ offers a simple formula for relief from the burden of clutter β literally and, perhaps, existentially.”
Looking both east and west, in bulletins from the past and from far afield, Oliver Burkeman introduces us to an unusual group of people who share a single, surprising way of thinking about life. Whether experimental psychologists, terrorism experts, Buddhists, hardheaded business consultants, Greek philosophers, or modern-day gurus, they argue that in our personal lives, and in society at large, it’s our constant effort to be happy that is making us miserable. And that there is an alternative path to happiness and success that involves embracing failure, pessimism, insecurity, and uncertainty β the very things we spend our lives trying to avoid. Thought-provoking, counterintuitive, and ultimately uplifting, The Antidote is the intelligent person’s guide to understanding the much-misunderstood idea of happiness.
I’ve read The Antidote twice; I’ve learned a lot from it and it inspired me to delve deeper into some of the people and philosophies he features. I think reading it, in a significant and long-term way, actually has made me happier.
Because the ISS was in a weightless environment with fluctuating light, many of the images astronauts typically capture utilize a flash, which Miller, who generally photographs using a very low shutter speed, wanted to avoid. “The first problem you run into is you can’t use a tripod in space because it just floats away, and the station itself is going 17,500 miles an hour. Just because of the size and the speed, there’s a harmonic vibration to it,” he notes. To combat the constant quivering, Nespoli constructed a stabilizing bipod and shot about 135 images with a high shutter speed, before sending the shots to Miller for aesthetic editing.
From Ted Chiang’s collection of stories, Exhalation, comes Anxiety Is the Dizziness of Freedom, published online for the first time. In the story, devices called “prisms” allow people to talk to their alternate reality selves, but only for a limited time.
Every prism β the name was a near acronym of the original designation, “Plaga interworld signaling mechanism” β had two LEDs, one red and one blue. When a prism was activated, a quantum measurement was performed inside the device, with two possible outcomes of equal probability: one outcome was indicated by the red LED lighting up, while the other was indicated by the blue one. From that moment forward, the prism allowed information transfer between two branches of the universal wave function. In colloquial terms, the prism created two newly divergent timelines, one in which the red LED lit up and one in which the blue one did, and it allowed communication between the two.
I read Exhalation several months ago; every story was fantastic, but this was one of my favorites.
On two consecutive weekends in late August (Aug 20-22 & Aug 27-29), the Oklahoma Contemporary museum will be livestreaming a reading of Emily Wilson’s excellent translation of The Odyssey. Wilson herself will be joined in reading the entire book by folks like actress Bebe Neuwirth, singer-songwriter Leslie Feist, writer Rebecca Nagle (who I’ve been listening to on the fascinating and infuriating This Land podcast), Oklahoma City mayor David Holt, and several other folks.
The exact schedule is TBD, but the event will be streamed on YouTube and Facebook. Check back here for details closer to the date. (thx, sarah)
Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.
Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape.
Shel Silverstein’s The Giving Tree is a famously divisive children’s book because the story can be interpreted as an abusive relationship between a greedy boy and a tree he takes advantage of. Playing off of that interpretation, Topher Payne rewrote the ending of the book so that the tree is still generous, but only up to a point: The Tree Who Set Healthy Boundaries.
“And while we’re on the subject,” the tree said, grabbing him by the collar of his shirt. “I recognize friendships evolve over time, and we may not see each other as often because you don’t have time for your tree friends. But we used to be real tight. Now it feels like I only see you when you need something. How do you think that makes me feel?”
The Boy took a long breath. He felt a sour rumble in his stomach. Because he realized he hadn’t considered his friend’s feelings. “I bet it makes you feel bad,” said the Boy.
Last year, Craig Mod walked 620 miles from Tokyo to Kyoto along the NakasendΕ historic highway and along the way he stopped at kissaten (or kissa), old-school Japanese cafes known for their pizza toast. Mod wrote about his quest late last year for Eater and has now turned a fuller account of the journey into a gorgeous book called Kissa By Kissa.
Those kissaten β or kissa β served up toast. I ate that toast. So. Much. Toast. Much of it pizza toast. If you buy this book, you’ll learn more than you ever dared to know about this variety of toast available all across Japan. It’s a classic post-war food staple. Kissa by kissa, and slice by thick slice of beautiful, white toast, I took a heckuva affecting and long walk. This book is my sharing with you, of that walk, the people I met along the way, and the food I ate.
Kickstarter is an excellent way to run a crowdfunding campaign. But if you already have a community built up, and have communication channels in place (via a newsletter, for example), and already run an online shop, then Kickstarter can be unnecessarily cumbersome. Kickstarter’s 10% fee is also quite hefty. By leaning on Shopify’s flexible Liquid templating system and reasonable CC processing fees, an independent publisher running a campaign can save some ~$7,000 for every $100,000 of sales by using Craigstarter instead of Kickstarter. That’s materially meaningful, especially in the world of books.
Well, this is a hell of a book review by NY Times critic Dwight Garner about Isabel Wilkerson’s Caste (which I am starting the second it comes out tomorrow).
A critic shouldn’t often deal in superlatives. He or she is here to explicate, to expand context and to make fine distinctions. But sometimes a reviewer will shout as if into a mountaintop megaphone. I recently came upon William Kennedy’s review of “One Hundred Years of Solitude,” which he called “the first piece of literature since the Book of Genesis that should be required reading for the entire human race.” Kennedy wasn’t far off.
I had these thoughts while reading Isabel Wilkerson’s new book, “Caste: The Origins of Our Discontents.” It’s an extraordinary document, one that strikes me as an instant American classic and almost certainly the keynote nonfiction book of the American century thus far. It made the back of my neck prickle from its first pages, and that feeling never went away.
I told more than one person, as I moved through my days this past week, that I was reading one of the most powerful nonfiction books I’d ever encountered.
The Claudia Kishi Club is a short documentary by Sue Ding about the impact of the Claudia Kishi character from The Baby-Sitters Club book series on a group of Asian-American creatives. They read the books when they were kids and in the film, they reflect on the importance of Claudia in shaping their perceptions of themselves in an era where Asian-American characters were rare in books, movies, and TV.
The six people interviewed in the film are novelist Sarah Kuhn, YA author CB Lee, Naia Cucukov (executive producer of the Netflix series The Babysitter’s Club), comic book artist & author Yumi Sakugawa, blogger Phil Yu, and Gale Galligan (author of The Baby-Sitter’s Club graphic novels, which my daughter loves).
From director Marjane Satrapi, who made the acclaimed animated film Persepolis, comes Radioactive, a film about Marie Curie, who was the first woman to win a Nobel Prize, the first person to win two Nobel Prizes, and the only person to ever win Nobel Prizes in two different scientific disciplines. Curie is played by Rosamund Pike and the film is based on a graphic novel of the same name by Lauren Redniss, a finalist for the National Book Award.
This video provides a quick overview of the history of policing in America through the lens of race, from the slave patrols in the South to the violent and discriminatory policing of Black migrants in the North in the midst the Great Migration. At its conclusion, historian Khalil Gibran Muhammad, author of The Condemnation of Blackness, asks a very direct question:
And so the question that has to be asked in the wake of George Floyd β and I think this question is being asked and answered by more white people than I’ve seen in my lifetime is β do white people in America still want the police to protect their interests over the rights and dignity and lives of Black and, in too many cases, brown, Indigenous, and Asian populations in this country?
Linguist William Lutz, former editor of the Quarterly Review of Doublespeak, went on CSPAN in 1989 to promote his book, Doublespeak. The video above is a 7-minute distillation of his thoughts on what he calls “language designed to mislead while pretending not to”. (Watch Lutz’s full interview here.)
Doublespeak is not the product of carelessness or sloppy thinking. Indeed, most doublespeak is the product of clear thinking and carefully designed and constructed to appear to communicate when in fact it doesn’t. It is language designed not to lead but mislead. It is language designed to distort reality and corrupt thought… In the world created by doublespeak, if it’s not a tax increase, but rather “revenue enhancement” or “tax base broadening”, how can you complain about higher taxes? If it’s not acid rain, but rather “poorly buffered precipitation”, how can you worry about all those dead trees?
A caste system is an artificial construction, a fixed and embedded ranking of human value that sets the presumed supremacy of one group against the presumed inferiority of other groups on the basis of ancestry and often immutable traits, traits that would be neutral in the abstract but are ascribed life-and-death meaning in a hierarchy favoring the dominant caste, whose forebears designed it. A caste system uses rigid, often arbitrary boundaries to keep the ranks apart, distinct from one another and in their assigned places.
Throughout human history, three caste systems have stood out. The lingering, millenniums-long caste system of India. The tragically accelerated, chilling and officially vanquished caste system of Nazi Germany. And the shape-shifting, unspoken, race-based caste pyramid in the United States. Each version relied on stigmatizing those deemed inferior to justify the dehumanization necessary to keep the lowest-ranked people at the bottom and to rationalize the protocols of enforcement. A caste system endures because it is often justified as divine will, originating from sacred text or the presumed laws of nature, reinforced throughout the culture and passed down through the generations.
Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people β including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others β she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.
The Warmth of Other Suns is one of my favorite books I’ve read in the past decade, so I’m very much looking forward to her new one.
From the creators the Daily Overview website that showcases beautiful & educational satellite imagery of Earth, comes a new book about the Earth’s changing landscape. Overview Timelapse: How We Change the Earth is a book of satellite imagery that shows how landscapes change over time due to things like volcanic eruptions, climate change, population growth, and massive construction projects.
With human activity driving this transformation faster than ever, visible signs can now be seen across the planet. With more than 250 new, mesmerizing images such as sprawling cities and the patterns created by decades of deforestation, this book offers a fresh perspective of change on Earth from a larger-than-life scale.
Here’s a layout from the book that shows the construction of the Beijing Daxing International Airport over the course of several years:
The US spends more than any other nation, nearly $4 trillion, on healthcare. Yet, for all that expense, the US is not ranked #1 β not even close.
In Which Country Has the World’s Best Healthcare? Ezekiel Emanuel profiles 11 of the world’s healthcare systems in pursuit of the best or at least where excellence can be found. Using a unique comparative structure, the book allows healthcare professionals, patients, and policymakers alike to know which systems perform well, and why, and which face endemic problems. From Taiwan to Germany, Australia to Switzerland, the most inventive healthcare providers tackle a global set of challenges β in pursuit of the best healthcare in the world.
In his ranking of 11 countries profiled, China and the United States are, respectively, dead last and second-to-last in providing health care for their citizens. In the case of the United States at least, that failure is on display with our response to the Covid-19 pandemic.
For Slate’s 2015 podcast series The History of American Slavery, Andrew Kahn created an interactive visualization of the 20,000+ voyages that made up the Atlantic slave trade that lasted 315 years. A video of the interactive map is embedded above.
As we discussed in Episode 2 of Slate’s History of American Slavery Academy, relative to the entire slave trade, North America was a bit player. From the trade’s beginning in the 16th century to its conclusion in the 19th, slave merchants brought the vast majority of enslaved Africans to two places: the Caribbean and Brazil. Of the more than 10 million enslaved Africans to eventually reach the Western Hemisphere, just 388,747 β less than 4 percent of the total β came to North America. This was dwarfed by the 1.3 million brought to Spanish Central America, the 4 million brought to British, French, Dutch, and Danish holdings in the Caribbean, and the 4.8 million brought to Brazil.
Roughly 400,000 enslaved Africans were brought to the United States before the practice was banned in 1808. The ban was mostly (but not entirely) enforced and yet in 1860, the population of enslaved persons was almost 4 million in the South. That’s because the 1808 ban, according to Ned & Constance Sublette’s book The American Slave Coast: A History of the Slave-Breeding Industry, was a form of trade protectionism that protected the forced breeding of enslaved peoples by American slaveowners. From a review of the book:
In fact, most American slaves were not kidnapped on another continent. Though over 12.7 million Africans were forced onto ships to the Western hemisphere, estimates only have 400,000-500,000 landing in present-day America. How then to account for the four million black slaves who were tilling fields in 1860? “The South,” the Sublettes write, “did not only produce tobacco, rice, sugar, and cotton as commodities for sale; it produced people.” Slavers called slave-breeding “natural increase,” but there was nothing natural about producing slaves; it took scientific management. Thomas Jefferson bragged to George Washington that the birth of black children was increasing Virginia’s capital stock by four percent annually.
Here is how the American slave-breeding industry worked, according to the Sublettes: Some states (most importantly Virginia) produced slaves as their main domestic crop. The price of slaves was anchored by industry in other states that consumed slaves in the production of rice and sugar, and constant territorial expansion. As long as the slave power continued to grow, breeders could literally bank on future demand and increasing prices. That made slaves not just a commodity, but the closest thing to money that white breeders had. It’s hard to quantify just how valuable people were as commodities, but the Sublettes try to convey it: By a conservative estimate, in 1860 the total value of American slaves was $4 billion, far more than the gold and silver then circulating nationally ($228.3 million, “most of it in the North,” the authors add), total currency ($435.4 million), and even the value of the South’s total farmland ($1.92 billion). Slaves were, to slavers, worth more than everything else they could imagine combined.
You can read more about the economics of slavery in this post from 2016, including how American banks sold bonds that used enslaved persons as collateral to international investors. (via open culture)
Many people only know of Parks through sanitized stories in school textbooks, documentaries, and the top results on Google: that she was a tired old seamstress who quietly (and almost accidentally) ignited the Montgomery bus boycott by not wanting to move from her seat. But Parks was a political radical who had a long history of fighting for civil rights. Here is Parks’ great niece Urana McCauley on how involved and passionate she was:
One of the things that people don’t understand about my aunt is that she was an activist her whole life and she started questioning things at a young age. I think part of it was her upbringing with her grandfather, Sylvester Edwards. He would sit up at night with a shotgun β in case the KKK might come by and try to kill them β and talk to her about black resistance and the key figures in it: Crispus Attucks, Harriet Tubman, Marcus Garvey. That laid the foundation for my aunt to feel like, “This isn’t right. I should be doing something and becoming an activist.” Her whole life became dedicated to change.
In 2013, political science professor Jeanne Theoharis published a biography called The Rebellious Life of Mrs. Rosa Parks about Parks’ decades of activism.
Presenting a powerful corrective to the popular iconography of Rosa Parks as the quiet seamstress who with a single act birthed the modern civil rights movement, scholar Jeanne Theoharis excavates Parks’s political philosophy and six decades of activism. Theoharis masterfully details the political depth of a national heroine who dedicated her life to fighting American inequality and, in the process, resurrects a civil rights movement radical who has been hidden in plain sight far too long.
Her “life history of being rebellious,” as she put it, comes through decisively in the recently opened Rosa Parks Collection at the Library of Congress. It features previously unseen personal writings, letters, speech notes, financial and medical records, political documents, and decades of photographs.
There, we see a lifelong activist who had been challenging white supremacy for decades before she became the famous catalyst for the Montgomery bus boycott. We see a woman who, from her youth, didn’t hesitate to indict the system of oppression around her. As she once wrote, “I talked and talked of everything I know about the white man’s inhuman treatment of the negro.”
Parks was a seasoned freedom fighter who had grown up in a family that supported Marcus Garvey and who married an activist for the Scottsboro boys. She joined the Montgomery chapter of the NAACP in 1943, becoming branch secretary. She spent the next decade pushing for voter registration, seeking justice for black victims of white brutality and sexual violence, supporting wrongfully accused black men, and pressing for desegregation of schools and public spaces. Committed to both the power of organized nonviolent direct action and the moral right of self defense, she called Malcolm X her personal hero.
In this video for NPR, Gene Demby summarizes the history of housing segregation in America and how it’s a factor for current differences in health (poorer), wealth (much less), education (underfunded), and policing (much more aggressive) for Black communities in US cities.
If you look at the way housing segregation works in America, you can see how things ended up this way. Once you see it, you won’t be able to unsee it.
When you’re talking about housing policy in America, Kimberly Jones’ Monopoly analogy starts to sound a lot less metaphorical and more literal: if Black people cannot buy houses or can only buy houses on certain streets, they will not be able to build wealth like others can.
The federal government pursued two important policies in the mid-20th century that segregated metropolitan areas. One was the first civilian public housing program which frequently demolished integrated neighborhoods in order to create segregated public housing.
The second program that the federal government pursued was to subsidize the development of suburbs on a condition that they be only sold to white families and that the homes in those suburbs had deeds that prohibited resale to African-Americans. These two policies worked together to segregate metropolitan areas in ways that they otherwise would never have been segregated.
Update: This is excellent: you can explore the maps created by the federal government’s Home Owners’ Loan Corporation at Mapping Inequality by the University of Richmond’s Digital Scholarship Lab.
These grades were a tool for redlining: making it difficult or impossible for people in certain areas to access mortgage financing and thus become homeowners. Redlining directed both public and private capital to native-born white families and away from African American and immigrant families. As homeownership was arguably the most significant means of intergenerational wealth building in the United States in the twentieth century, these redlining practices from eight decades ago had long-term effects in creating wealth inequalities that we still see today.
Author, curator, and activist Kimberly Drew has published This Is What I Know About Art, a book aimed at young adults about her experience studying art history in school and then working in the art world. In a piece for Teen Vogue, Drew outlined why she wrote the book.
For far too long, people across the globe have suffered due to the direct effects of colonialism, patriarchy, state violence, and so much more, but it is our art and creativity that have helped us to communicate our collective rage. Art has helped us build bridges intergenerational so that we do not feel alone β and so we can make sure that we do not forget our own history.
And from the introduction to the book:
I am not your typical art historian. I am not your typical activist. I am still learning what art and protest mean to me. And so, this book is more about my journey through art toward activism. This book is about discovery, confusion, and progress.
I love how she ties “discovery, confusion, and progress” together here β a powerfully messy combination for growth.
As he does every year, Bill Gates has shared his reading list for this summer. This time around, he’s included more than his usual five picks and many of the recommendations have a connection to the ongoing pandemic.
This book is partly a memoir and partly a guide to processing trauma. Eger was only sixteen years old when she and her family got sent to Auschwitz. After surviving unbelievable horrors, she moved to the United States and became a therapist. Her unique background gives her amazing insight, and I think many people will find comfort right now from her suggestions on how to handle difficult situations.
For years, I was a skeptic about meditation. Now I do it as often as I can β three times a week, if time allows. Andy’s book and the app he created, Headspace, are what made me a convert. Andy, a former Buddhist monk, offers lots of helpful metaphors to explain potentially tricky concepts in meditation. At a time when we all could use a few minutes to de-stress and re-focus each day, this is a great place to start.
Gates also recommended some TV shows and movies β Netflix’s Pandemic but also Ozark. He read Cloud Atlas recently β I wonder if he’s seen the movie by the Wachowskis (which is underrated IMO)?
Designer Jim Malloy has reimagined the books of Dr. Seuss for the coronavirus age by altering the titles & cover illustrations and changing the author to “Dr. Fauci”. You can check out the results on Instagram and in this Instagram Story. (via print)
The AIGA has announced the winners of its annual 50 Books / 50 Covers competition for books published in 2019. The competition recognizes excellence in both book design and book cover design β some of the winners placed in both categories. You’ll notice there are not a lot of books here that you’d find on the front table of the bookstore β the winners tend to be from smaller publishers and/or academic in nature and/or about art or design. For lists containing more mainstream books, check out the lists from the NY Times, Buzzfeed, and Lithub.
I recently came across this quote from Kirkpatrick Sale’s 1980 book Human Scale and it succinctly relates a fundamental truth about the purpose of cities.
Cities are meant to stop traffic. That is their point. That is why they are there. That is why traders put outposts there, merchants put shops there, hoteliers erected inns there. That is why factories locate there, why warehouses, assembly plants and distribution centers are established there. That is why people settle and cultural institutions grow there. No one wants to operate in a place that people are just passing through; everyone wants to settle where people will stop, and rest, and look around, and talk, and buy, and share.
Cities, in short, should be an end, not a means. Rationally one wants to have traffic stop there, not go through, one wants movement within it to be slow, not fast.
Sale goes on to list four ways in which cities should think about slowing traffic down:
Cities should not try to move people to facilities but provide facilities where the people are.
Cities should be small enough so that inter-community trips, when necessary, could be managed either on foot, by bike, or with some simple subway or trolley system.
Cities should attempt to slow down the flow of traffic, particularly with plenty of squares and plazas and parks, places where wheeled vehicles are forced to halt, endpoints that invite stopping and resting.
Cities should try to bring home and workplace back together.
Update: Some alert readers let me know that Kirkpatrick Sale is a left-wing secessionist, which has brought him and his various organizations into contact & cooperation with racist hate groups and white supremacist organizations. I’m not going to link to it, but he’s written some stuff recently about how the Confederacy and slavery weren’t so bad (with tired arguments like white slave owners treating their slaves well) for an organization dedicated to exploring the “Southern tradition”. The white Southern tradition, mind you β there are no black voices or faces represented on their site as far as I can tell. I will leave it as an exercise for the reader as to whether that changes how you feel about his views on how to fix cities.1 (thx, edward & @paulbeard)
But “by the time we arrived,” Captain Warner wrote in his memoirs, “the boys had set up a small commune with food garden, hollowed-out tree trunks to store rainwater, a gymnasium with curious weights, a badminton court, chicken pens and a permanent fire, all from handiwork, an old knife blade and much determination.” While the boys in Lord of the Flies come to blows over the fire, those in this real-life version tended their flame so it never went out, for more than a year.
On Twitter, Bregman shared how he came to learn about this story:
As a proper investigative journalist, I started Googling. Search terms: ‘Kids shipwrecked’. ‘Real-life Lord of the Flies’ etc. After a while, I came across a blog that told this story.
Wow, I thought. If this really happened, then why isn’t it a super famous story? The article did not provide sources. After a couple of hours, I discovered that it came from a book by the anarchist Colin Ward from 1988. He cited an Italian politician Susanna Agnelli.
From a second-hand bookshop in the UK, I ordered her 1986 book, got it two weeks later, and found the story on page 94. But again: same details, same wording, no source. At that point I started to think that it probably didn’t happen.
Here’s a photo of the six boys with Peter Warner, the sea captain who rescued them:
After the rescue, Warner hired the boys as crew members and they worked with him for years. you can read more about Bregman and his new book in this related article.
Update: You may have noticed that Bregman’s piece is told from the perspective of the discoverer of a good story and the sea captain who rescued the boys, and there’s actually relatively little from the boys themselves. Tongan writer Meleika Gesa-Fatafehi wrote a pairof threads on Twitter about how problematic it is that a story about six indigenous schoolboys became one about two white men. First of all, the story was not unknown or forgotten:
I’ve been told many stories about (both) my people getting lost by sea and being stuck on either a boat or Island. But I remember this one significantly because the boys were stuck on ‘Ata. I remember it being called the rock Island.
The local culture that the boys grew up in is essential to the story, particularly w/r/t the lesson Bregman wants to assign to it:
Tongans are taught to share from the beginning. You’re also taught to treat everyone like family. You’re taught to survive together not “Everyman to himself”. It’s hard to exist without community. So when one person is ill or hurt, it’s an automatic reaction to help
To heal and to use knowledge passed down to you. This is seen in every aspect of how the boys survived. They created a community, a small family and worked together.
The white boys of LotF cannot relate because of the very fact they are rich white school boys who aren’t from an Island nation.
LotF isn’t what would happen amongst Tongans because of the value system we have. This is true for every Island nation.
Filmmaker Taika Waititi had this to say about a possible film adaptation:
Personally, I think you should prioritize Polynesian (Tongan if possible!) filmmakers as to avoid cultural appropriation, misrepresentation, and to keep the Pasifika voice authentic.
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