21 Things That Kept Me Going In 2020
For the past few years, I’ve been keeping track of everything I read, watch, listen to, and experience in my media diet posts. As a media diet wrap-up, here’s the most compelling content & experiences from 2020, stuff that helped stimulate and sustain me in a year of isolation and pandemic.
Portrait of a Lady on Fire. This was the final movie I saw in a theater before the pandemic hit; I chose well. Not a week has gone by this year that I didn’t think about some aspect or another of this film.
You’re Wrong About. By far my favorite episodic podcast. The joy with which the hosts delight each other with insights and humorous asides is the engine that drives the show. Literally my only complaint: I wish they hadn’t changed the theme music.
The Queen’s Gambit. Seems like everyone watched this miniseries this fall and I loved it just as much as anyone.
The Rain Vortex at Singapore’s Changi Airport. An enchanting oasis in the middle of an airport indicative of Singapore’s incorporation of natural elements into urban spaces.
MASS MoCA. For my birthday, I treated myself with a road trip to this superb museum. The Sol LeWitt, James Turrell, and Jenny Holzer exhibitions alone were worth the trip. I sorely miss museums.
Ted Lasso. Mister Rogers’ Neighborhood + Major League. Who knew you could make radical empathy funny? Everyone I’ve recommended this show to has loved it.
The Land That Never Has Been Yet from Scene on Radio. An essential series on American democracy. Like, do we even have one? It’s hard to choose, but the episode on how the libertarianism of the contemporary Republican Party was the result of a deliberate campaign by just a few people that increasingly came to dominate American politics is my favorite.
Carol. I remember liking this back when it came out, but my rewatch a couple of months ago was a revelation. A remarkable, sparkling film.
Caste by Isabel Wilkerson. Wilkerson has a gift for finding new ways for her readers to think about entrenched systems and behaviors.
Devs. This show got neglected a little in the end-of-year lists because of an early-in-the-pandemic release, but it was one of my top 2-3 shows this year.
The Great. I really enjoyed this Hulu show as I watched it and it’s grown in my esteem in the months since. It’s one of the first shows I recommend when friends ask what I’ve been watching lately. Huzzah!
Nintendo Switch. To distract themselves from the pandemic, did America spend more hours playing video games or watching TV? I did both. Mario Kart 8, Super Mario 35, Rocket League, Fortnite, Minecraft, Among Us, and all the old NES games were popular in our household this year.
Conversations with Friends by Sally Rooney. I found reading difficult for most of the year — I only finished three books in the past 10 months. But this one I couldn’t put down; finished it in two days.
Exhalation by Ted Chiang. Perfect little stories expertly told. Don’t miss the endnotes, where Chiang reveals where the ideas for each of his stories came from.
AirPods Pro. The best augmented reality device yet devised — the music feels like it’s actually in your head more seamlessly than ever before.
Little Women. Fantastic casting, performances, and direction. Waiting patiently for whatever Gerwig does next.
My Brilliant Friend (season 2) & Normal People. I didn’t think anyone could effectively adapt either of these authors, but somehow the shows nearly equalled the books.
The Splendid and the Vile by Erik Larson. Everything from Larson is great and this book about the Battle of Britain and the triumph of leadership resonated throughout this pandemic year.
Future Nostalgia. I listened to this more than anything else in 2020. Also notable because IMO there are no skippable songs on this album.
Tomidaya shoyu ramen. This tiny ramen shop in the Little Tokyo section of Saigon is supposed to closely resemble Japan shops. One of the best bowls I’ve ever had.
The Mandalorian. I was lukewarm on season one but loved season two. Of all the recent Star Wars things, this show best channels the sometimes goofy/campy magic that made the original movie so compelling.
The image above is an overhead view of my home office, where all the kottke.org magic happens.
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