kottke.org posts about Art
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I love the look of this black & white animated video made by Anthony Dickenson from thousands of hand-painted frames for Rival Consoles’ song Soft Gradient Beckons. Stick around after the song ends for a behind-the-scenes look at how it was made.
If I plan too much, it’s often disappointing. It’s much nicer if I just let it go the way it wants to go. But obviously sometimes it just doesn’t work and, you know, that’s okay. Sometimes, the mistakes are the bits that really reveal kind of new techniques. I love these little moments of imperfection. Otherwise, you know, you might as well just build it in AI.
The skateboard dolly! (via colossal)
I am totally smitten with the intricate drawings of Japanese artist Shunshun. It’s worth clicking through to see them in detail. Here’s a look at his process:
Watch video on YouTube.
You can follow Shunshun on Instagram.
Watch video on YouTube.
Wanting to get away from manufactured perfection, artist Wang Mansheng makes his own paint brushes.
Manufactured things are, you know, have a certain form. Like a manufactured brush; they’re all really fine. The factory trying to make as fine as they could, but when you use it, all the lines come out smooth and beautiful. But sometimes, I think it’s too perfect, because I really love the rough surface of a rock or the big tree trunk.
Wang’s work is currently on display at The Huntington near LA in San Marino, CA.
Ah, this is awesome: Great Art Explained is one of my favorite YouTube channels and there’s a book version coming out in the fall.
Art can be thrilling, and resonate on a deep personal level. It is how you view the work, place it in context and understand its history that makes an artwork truly come alive.
A fresh approach to a classic subject, James Payne’s no-nonsense analysis sheds new light on 30 masterpieces from around the globe and reveals what makes them truly timeless works of art.
Each chapter delves into not only the art itself but also the artist’s life, as well as the work’s place in their wider oeuvre; in other words, what makes it “great.”
You can preorder Great Art Explained from Bookshop or Amazon.
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In a collaboration with the National Gallery of Art, Evan Puschak made a video about 16th-century Dutch artist (and all-around polymath) Joris Hoefnagel, who painted some of the first dedicated and detailed images of insects in the world. His paintings were so accurate that if he’d lived 200 years later, you would have called him a naturalist.
I love how some of the caterpillars in the last image are crawling along the “frame” of the painting — that strikes me as a modern flourish.
From The Marvelous Details of Joris Hoefnagel’s Animal and Insect Studies:
These watercolors served as sources for a series of 52 prints engraved by Hoefnagel’s teenage son, Jacob. That series, Archetypes and Studies, offered the earliest printed images of dozens of species.
The relatively cheap prints enabled little beasts to multiply and crawl out into the world. They inspired a broader interest and study of nature which continues today.
Some of Hoefnagel’s insect images are on display at the NGA in the Little Beasts exhibition, which runs through Nov 2, 2025.
Watch video on YouTube.
Watch video on YouTube.
The fantastic art history YouTube channel Great Art Explained has a great two-episode series on Jackson Pollock.
In Part One of my film I look at how, post World War Two, the art scene shifted from Paris to New York. How America was searching for “The Great American painter”, and why he is so loved and hated at the same time. I look at just what Abstract Expressionism means, how we can “read it”, and I look at the myths surrounding Pollock and modern art itself. I also look at his influences ranging from Mexican sand Painting, to the Regionalist art movement, to Picasso and the modernists.
In Part Two of my film I look at how fame affected Jackson Pollock, and how alcohol destroyed his relationships. I look at the science behind why we are so affected by his work, and I also look at a lesser known story, of how art became an unlikely player in the Cold War and the global contest of ideas. How Abstract Expressionism was enlisted as an unknowing agent in a shadowy propaganda war, bankrolled by the CIA, to sell the story of freedom… and capitalism.
This is a thoughtful piece from artist & illustrator Christoph Niemann about how he’s come to use AI (tactically, sparingly) in his work: Sketched Out: An Illustrator Confronts His Fears About A.I. Art.
Creating art is a nonlinear process. I start with a rough goal. But then I head into dead ends and get lost or stuck. The secret to my process is to be on high alert in this deep jungle for unexpected twists and turns, because this is where a new idea is born. I can’t make art when I’m excluded from the most crucial moments.
But also:
When I first learned about computer tools in art school, I was elated. All of a sudden I was able to set type, draw animations, create clean vector graphics. Since then, I’ve experimented with every new digital tool available. Despite my wariness of AI, I’ve found some good uses for it.
Something as seemingly simple as “Fill a 10x20 document with circles of random sizes between 1 and 2 inches without using a repeating pattern” would take days using traditional digital tools. Now, by using ChatGPT to code a script, I can have different versions in minutes.
(thx, andy)
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I love this interactive video at Design Ah! Exhibition Neo at Tokyo Node. The display introduces the audience to a series of simple hand gestures, followed by some outcomes of their performance, e.g. a squeezing motion leading to soapy spray on a window or toothpaste on a toothbrush. This looks like it would be super fun in person.
The exhibition is a real-life version of Design Ah!, a Japanese show about design for kids.
Set to catchy music, Japanese Hiragana characters danced across the screen for a few minutes. Then came a line animation wordlessly designing and redesigning a parking lot. Next was stop motion. Electronic devices came apart. As the camera zoomed out, the individual parts lined up into a grid.
We didn’t know what we were watching, but we were transfixed. Everyone from the adults to the one-year-old had their eyes glued to the TV.
I’m in Rome with my family to celebrate a milestone. We went to the Borghese Gallery this morning and I got to see my favorite sculpture, Bernini’s Ratto di Proserpina. A masterpiece. The photos both do and do not do it justice — so grateful to get to see it in person.
I love this gorgeous woodblock print from Hasui Kawase, View of Azalea Garden from Mt. Fuji. Hasui was a significant influence on Studio Ghibli & Hayao Miyazaki.
After all, the influence of Kawase on Ghibli, Miyazaki and his team of genius illustrators and animators is plain to see, and Miyazaki himself has previously stated his deep admiration for the legendary painter. The ability of Kawase to capture natural beauty alongside the human experience plays a significant part in Miyazaki’s love for Kawase, and it finds its way into several of the best Studio Ghibli films.
The likes of My Neighbour Totoro, Spirited Away and Princess Mononoke all feature landscapes that are highly reminiscent of Kawase’s woodblock print style. Whether in the lush forests or beautiful countryside settings, it’s clear that Miyazaki was always keen on paying his respects to one of his favourite artists.
Here are a few more of Hasui’s hundreds of works:
You can find a large catalog of Hasui’s work here, at Wikimedia Commons, and at Flickr.
Whoa, look at the interior of this new Japanese restaurant in NYC called Shirokuro — all of the surfaces (floors, chairs, walls, counters, etc.) are painted to look like a 2-dimensional drawing. From Colossal:
“Shirokuro” translates to “white-black.” The New York Times shares that proprietor James Lim was inspired by an immersive, 2D restaurant he visited ten years ago in Korea, and he envisioned one of his own, now open in the East Village. To make the interior pop, he invited his friend, real estate agent and artist Mirim Yoo, to transform the space into an all-encompassing environment.
Here’s what it looks like with people and other non-b&w objects:
This reminds me of Alexa Meade’s work — it would be amazing to see a collab where Meade does up the servers (or guests) for a performance piece.
P.S. I want these 2-D Nikes. (via colossal)
I was reminded the other day of what a curated treasure trove of art 20x200 is. So I took a spin through their archive and pulled out some favorites. First up are these Always Choose Happy prints from Amos Kennedy (I also like his Book Lovers Never Go to Bed Alone prints):
I don’t think I’ve ever seen this solar eclipse photo from Carleton Watkins before. Wow:
Taken on July 29, 1878, Solar Eclipse by canonized landscape photographer Carleton Watkins powerfully, elegantly captures the exact moment the moon completely blocked the sun and cast a surreal shadow over the Earth. Watkins, known for his pioneering work depicting the American West, used this rare event as an opportunity to simultaneously experiment with photographic techniques and record a celestial occurrence. The piece’s resulting artistic and technical achievement is as sublime and awe-inspiring as the eclipse itself. It’s stunning that then, as now, eclipses humble us all by reminding us of our smallness in a vast and fascinatingly ordered universe.
Sergei Prokudin-Gorskii was a pioneer in color photography; he documented his native Russia in color from 1904 to 1915. Here’s his photograph of some flowers (lilacs? hydrangeas?):
We all might need some Rest right now:
I love the photographic work of Gordon Parks; this one is called Camp Fern Rock (archer):
If you’ve lived in NYC for any length of time, you can’t help but be a little bit curious and charmed by the now-abandoned City Hall subway station:
They also have a bunch of stuff from Jason Polan, this amazing eye test chart, prints of several works by Hilma af Klint, and the The Marvelous Mississippi River Meander Maps.
The Public Domain Review has published some lovely illustrations of goldfish from a 1780 monograph called Histoire naturelle des dorades de la Chine.
Histoire naturelle des dorades de la Chine (1780) — the dorades in the title refers not to sea bream but the fish’s gilded appearance — was the first monograph on goldfish published in Europe, from a time when the fish were still bound up with Eastern exoticism in the Western imagination.
You can peruse the entire document at the Internet Archive.
A few weeks ago, I posted about the hundreds of stills from their animated movies that Studio Ghibli has made available for free download. Since I’m a big fan of the weird little guys director Hayao Miyazaki loves to put in his films (e.g. the kodama in Princess Mononoke1 and Spirited Away’s soot sprites), I thought it would be cool to pull some images from the Ghibli archive featuring these lovable little freaks.
And an honorable mention to this frame from Porco Rosso:
The weird little guys category generally doesn’t apply to humans, but this image of little kids crawling all over a pig man’s airplane certainly classifies as an unusual swarm.
There’s something a little bit mesmerizing about Aled Thompson’s illustrations of birds. They are at once highly detailed and also slightly vectorish — and it shifts back and forth while I’m looking at them, like one of those young woman/old woman optical illusions.
You can find more of Thompson’s work on Instagram and Bluesky and can purchase prints here. (via @mims.bsky.social)
I love the colorful illustrative style of these adverts for the Queen City Printing Ink Company done by Augustus Jansson in the first decade of the 20th century.
Several years ago, digital microscope technology company Hirox collaborated with The Mauritshuis museum to create a 10-gigapixel scan of Johannes Vermeer’s Girl with a Pearl Earring. Recently, Hirox upped the game with the creation of a 108-gigapixel scan of the painting. 108 billion pixels! And each pixel is 1.3 microns in size — 1000 microns is 1 millimeter. Incredible.
You can explore the scan of the painting courtesy of Hirox. Be sure to check out the 3D view (button at the bottom of the page); here’s a topographical view of the pearl:
For a look at how they captured this image, check out this behind-the-scenes video.
Well this is just wonderful: Studio Ghibli has uploaded hundreds of high-resolution still images from almost all of their films, including all of the major ones: Princess Mononoke, Sprited Away, My Neighbor Totoro, The Boy and the Heron, Howl’s Moving Castle, etc. etc. The images are labeled “solely for personal use by individual fans to further enjoy Studio Ghibli films” and people are urged to “please feel free to use the images within the bounds of common sense”.
Head to the list of Ghibli movies and click through to each film to find & download the stills. (via open culture)
Silenced Science Stories is a collaboration between scientists and artists to tell the stories of scientific experts who have been affected by the Trump regime’s purge of their ranks.
We are organizing an illustrated series of portraits and stories of scientific experts whose work is being affected by federal budget cuts and mass firings.
We have over 30 science artists who are volunteering to create these features to communicate the careers and the important scientific research of federally employed and funded scientists.
If you’d like to get involved, they are looking for both artists and scientists with stories to tell. You can read more about the project in Physics Today. (via jonathan hoefler)
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This is a visualization created on the screen of an oscilloscope by a musical piece:
Primer is an introduction to oscilloscope music, a genre and art form where vector visuals are formed by the music itself. The image is produced by using the left audio channel to control the beam on the X axis, and the right audio channel to control the beam on the Y axis.
Once I wrapped my brain around what was happening here, I found this to be quite an impressive achievement: creating beautiful & coherent visuals from non-discordant music. (via waxy)
Spanish artist Sebas Velasco does these cool oil paintings that seem more like snapshots than conventional portraiture, still life, or landscape. They’re captured from the height & distance of a camera, they have photographic depth-of-field, etc. I like them a lot. (via colossal)
I like these collage-like artworks by Tavares Strachan. One of the figures depicted above in the third piece, just above the queen, is polar explorer Matthew Henson, who was the first person (maybe?) to reach the geographic North Pole in 1909 as part of Robert Peary’s expedition.
Using paint in water to simulate clouds or smoke, Rudy Willingham created these magical scenes of characters from Severance (Instagram).
Willingham also created this cool animated zoetrope record with dancing Severance characters.
Watch video on YouTube.
Watch video on YouTube.
A great behind-the-scenes look at the work and process of artist Amy Sherald in these two videos from Art21.
In her studio in New Jersey, artist Amy Sherald paints portraits that tell a story about American lives. Her face just inches away from a canvas, the artist carefully applies stroke after stroke, building her narrative through paint. “I really have this belief that images can change the world,” says Sherald, a belief she acts upon in her compelling paintings, which depict everyday people with dignity and humanity. Following the tradition of American realists like Andrew Wyeth and Edward Hopper, the artist uses her paintings to tell stories about America. Searching for models, settings, and scenarios that would convey the kinds of stories she wanted to tell, Sherald began to populate the world of her paintings with everyday people in everyday situations.
Sherald’s exhibition at The Whitney opens next month. (via the morning news)
The MFA in Boston is putting on an exhibition this spring and summer called Van Gogh: The Roulin Family Portraits.
Vincent van Gogh (1853–1890) once wrote, “What I’m most passionate about…is the portrait, the modern portrait.” This passion flourished between 1888 and ‘89 when, during his stay in Arles, in the South of France, the artist created a number of portraits of a neighboring family—the postman Joseph Roulin; his wife, Augustine; and their three children: Armand, Camille, and Marcelle. Van Gogh’s tender relationship with the postman and his family, and his groundbreaking portrayals of them, are at the heart of this exhibition, which is the first dedicated to the Roulin portraits and the deep bonds of friendship between the artist and this family.
The BBC has more on the show and the artist’s relationship with the Roulin family.
“So much of what I was hoping for with this exhibition is a human story,” co-curator Katie Hanson (MFA Boston) tells the BBC. “The exhibition really highlights that Roulin isn’t just a model for him — this was someone with whom he developed a very deep bond of friendship.” Van Gogh’s tumultuous relationship with Gauguin, and the fallout between them that most likely precipitated the ear incident, has tended to overshadow his narrative, but Roulin offered something more constant and uncomplicated. We see this in the portraits — the open honesty with which he returns Van Gogh’s stare, and the mutual respect and affection that radiate from the canvas.
The exhibition will run at the MFA from March 30 to September 7, 2025 and then move on to the Van Gogh Museum in Amsterdam from October 3 to January 11, 2026.
Am I excited to see this exhibition? Yes. Is this post an excuse to post 1889’s Portrait of Joseph Roulin, one of my favorite van Gogh’s? Also yes. Win win.
I don’t think I’ve ever seen this photo before, of artist Amy Sherald and former First Lady Michelle Obama sharing a hug during a session for Sherald’s iconic portrait of Obama. What a different time that was, huh?
The Public Domain Review (a true gem of the web) has launched The Public Domain Image Archive, “a curated collection of more than 10,000 out-of-copyright historical images, free for all to explore and reuse”.
While The Public Domain Review primarily takes the form of an “arts journal”, it has also quietly served as a digital art gallery, albeit one fractured across essays and collections posts. The PDIA sets out to emphasise this visual nature of the PDR, freeing these images from their textual homes and placing them front and center for easier discovery, comparison, and appreciation. Our aim is to offer a platform that will serve both as a practical resource and a place to simply wander — an ever-growing portal to discover more than 2000 years of visual culture.
The “infinite view” is particularly fun…you can just pan & scroll and let the whole collection wash over your visual cortex. (via colossal)
Artist and curator Jaune Quick-to-See Smith has died at the age of 85. From Hyperallergic’s obituary:
As part of a generation of Indigenous artists who tirelessly worked to “break the ‘buckskin ceiling’” in the art world, Smith (an enrolled Salish member of the Confederated Salish and Kootenai Nation) is known for a prolific arts practice that merged piercing humor and profound socio-political commentary with poetic depictions of Native American life. Her five-decade oeuvre, which spans painting, collage, drawing, print, and sculpture, is an intimate visual lexicon that bridges personal memories and joyful resilience, exemplifying her lifelong refusal to be defined by any singular narrative.
More obits: ARTnews, Artnet, The Art Newspaper.
Her art seems to me to be in conversation with Robert Rauschenberg, Jasper Johns, Jean-Michel Basquiat, and countless Native artists & European cave painters from millenia ago — as well as Leonardo da Vinci it seems…that marvelous painting above featuring the buffalo is called “Indian Drawing Lesson (after Leonardo)”.
You can see more of Smith’s work on her website, at The Whitney, at the Garth Greenan Gallery, the Missoula Art Museum, and at the Smithsonian.
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