The 25 best rock posters of all time,
The 25 best rock posters of all time, according to Billboard. A hit-or-miss list at best. (via quipsologies)
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kottke.org posts about design
The design of the iPhone is such
The design of the iPhone is such that all other mobile phones, including those released after the iPhone, look not only old but antiquated and even defective. IMO.
Michael Frumin’s grandfather passed along to him
Michael Frumin’s grandfather passed along to him a campaign poster from when Norman Mailer ran for mayor of NYC in 1969. The scans of the poster are wonderful.
I’m about as far from a knowledgeable design critic as you can get, but this thing is an undeniable work of art, especially in the eye of any native New Yorker.
Does anyone know who designed the poster for Mailer?
The 2008 version of Pentagram’s big-ass wall calendar
The 2008 version of Pentagram’s big-ass wall calendar is now available, featuring the typefaces of Matthew Carter. If that’s not to your liking, there’s always this calendar by Massimo Vignelli set in, you guessed it, Helvetica.
Design challenge: design a business card-sized year-long
Design challenge: design a business card-sized year-long calendar that doesn’t feature absurdly small type. Some intriguing solutions.
Jon Hicks has a nice slideshow of
Jon Hicks has a nice slideshow of typography from the Harry Potter and the Order of the Phoenix. (via waxy) Design Observer did a piece on the typography of Order of the Phoenix becoming its own character.
It is The Daily Prophet which emerges in this film as a secondary character, performing interstitial cameos made all the more exhilarating because the camera sweeps in and out, ricocheting off the page, magnifying and dramatizing a typographic vocabulary that combines a slightly mottled, letterpress-like display face with great portions of illegible calligraphy.
Paper laptop interfaces designed by 7-9 year-olds.
Paper laptop interfaces designed by 7-9 year-olds.
The children started making these laptops last year and dubbed themselves “the laptop club.” This was truly an innovation of kid culture without adult coaching. The children were in second and third grade last year, and are continuing to create and play with new designs this year. […] All of the kids played with their laptops so much that many of the laptops have been worn out or lost.
The desires and preoccupations of the kids come through quite clearly in these drawings. Reminds me of the letters to Santa we wrote in grade school.
The Book Design Review blog offers up
The Book Design Review blog offers up its picks for the best book covers of the year.
The American Society of Magazine Editors picks
The American Society of Magazine Editors picks their magazine favorite covers of 2007.
The annual report for Podravka, a Croatian
The annual report for Podravka, a Croatian food company, has to be heated in the oven before you can read it.
Called Well Done, the report features blank pages printed with thermo-reactive ink that, after being wrapped in foil and cooked for 25 minutes, reveal text and images.
Well done, indeed. (thx, judson)
I can’t see how on earth Julie
I can’t see how on earth Julie Jackson’s Subversive Cross Stitch didn’t make it into the Museum of Arts & Design show on Extreme Embroidery. Maybe it’s too straightforward but still…
The movie poster for The Savages was
The movie poster for The Savages was done nicely by Chris Ware.
Tobias Wong has made a slick all-black
Tobias Wong has made a slick all-black iPhone called the ccPhone. It comes preloaded with videos, photos, music, and the company address book of Citizen:Citizen, the company selling it. Available as a limited edition of 50, each phone is $2000. Another of Wong’s projects that I really like is the Tiffany diamond solitaire engagement ring with the diamond turned upside down so the point sticks out (possibly for slashing attackers). A nice play on the marital security that an engagement ring offers the wearer. (via core77)
I went to a mini conference put
I went to a mini conference put on by Core77 on Friday and I’ll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias’s part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias’s talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
Title sequences from Doctor Who, 1963-2006. Unfortunately
Title sequences from Doctor Who, 1963-2006. Unfortunately all the videos are in Real format, which in the age of YouTube is just silly. Not unfortunately, most of the opening titles videos are available on YT: first Doctor, second Doctor, third Doctor, fourth Doctor, fifth Doctor, sixth Doctor, and seventh Doctor, as well as other variants. (via quipsologies)
FFFFOUND!, art curating for the masses
Alexander Bohn wrote a glowing review of FFFFOUND! at Speak Up the other day. My FFFFOUND! fandom is documented elsewhere, so I’ll comment instead on an observation Bohn made in his initial paragraph:
Graphic design might not work in the white cube, but it flourishes on a white background. A new mutated strain of design blog has evolved: The Randomly Curated Other People’s Images White Background Site, or RCOPIWS. Sites like Manystuff, Monoscope, Your Daily Awesome, and VVORK (among countless others) offer designers and design aficionados a constant flood of typographic morsels, interesting photos, arresting new art, and the like. One such site sets itself apart, notably, from the other RCOPIWSes: the collaborative image-bookmarking site ffffound.com — allegedly, but unconfirmed, initiated by online fiend Yugo Nakamura.
Among the many things that the internet has democratized is curating, a task once more or less exclusive to editors (magazine, book, and newspaper), art gallery owners, media executives (music, TV, and film), and museum curators. They choose the art you see on a museum’s wall, the shows you see on TV, the movies that get made, and the stories you read in the newspaper. The ease and low cost of publishing on the web coupled with the abundance of sample-ready media has made the curating process available to many more people. Smashing Telly is David Galbraith’s rolling film festival (or TV channel). By simply listening to the music that you like, Last.fm allows anyone to put together their own radio station to share with others. kottke.org is essentially a table of contents for a magazine I wish existed. Shorpy has freed old photography from the nearly impenetrable Library of Congress web site and presented it in a compelling blog-like fashion.
In the case of FFFFOUND! and other RCOPIWSs, I would argue that these sites showcase a new form of art curating. The pace is faster, you don’t need a physical gallery or museum, and you don’t need to worry about crossing arbitrary boundaries of style or media. Nor do you need to concern yourself with questions like “is this person an artist or an outsider artist?” If a particular piece is good or compelling or noteworthy, in it goes. The last week’s output at Monoscope would make a pretty good show in a Chelsea art gallery, no? It’ll be interesting to see how this grassroots art curating will affect the art/design/photography world at large. Jen Bekman, who has roots in the internet industry, is already exploring this new frontier with her nimble gallery and the Hey, Hot Shot! competition. Others are sure to follow.
Short video piece about fonts and typography,
Short video piece about fonts and typography, featuring Steven Heller, Jonathan Hoefler, Tobias Frere-Jones. (via quipsologies)
This week’s Layer Tennis match between Naz
This week’s Layer Tennis match between Naz Hamid and Chris Glass is just starting. Rosecrans Baldwin commentating.
The NYC Dept of Transportation is introducing
The NYC Dept of Transportation is introducing compass decals to be placed on sidewalks at subway exits to help orient disembarking passengers. I thought I’d posted a link about this idea before on kottke.org, but the only reference I can find is a discussion about compasses on manhole covers. (thx, erik)
Update: Aha, here’s the entry. John has more.
Design, Wit, and the Creative Act, a
Design, Wit, and the Creative Act, a half-day event put on by Core77.
How do designers employ wit, irony — even subversion — in the service of making a connection with their audience, and how can they replicate these connections across a body of work? Are there limits to commercializing this kind of design, or are we seeing new opportunities for the provocateur in an ever-commoditized world? What is the role of the brand in this context, and to what degree does a sly exchange between designer and user create a new kind of brand experience?
Featuring Ze Frank, Steven Heller, and others…Nov 9 in NYC.
Clay Shirky: good design requires a balance
Clay Shirky: good design requires a balance of arrogance and humility.
The iPod is an unanswerable repudiation to people who don’t believe design is arrogance; MySpace demonstrates that users prize participation, even at the expense of clarity.
Just a gentle reminder: I’ll be commenting
Just a gentle reminder: I’ll be commenting on today’s Layer Tennis match between Chuck Anderson and Steven Harrington. Things get underway in just under an hour (3pm ET).
I’ve been remiss in not pointing you
I’ve been remiss in not pointing you to the last two Layer Tennis matches: Inman vs. Cornell and Duerden vs. Thomas.
(Very quickly, Layer Tennis pits two designers against each other. The competitors volley a single Photoshop file back and forth, modifying it in turn in an attempt to outdo one another.)
I will be doing the commentary for the next match, which takes place at 3pm ET on Friday and features Chuck Anderson and Steven Harrington. Come by and watch all the exciting action on Friday!
Jennifer Daniel has a nice one-page portfolio
Jennifer Daniel has a nice one-page portfolio of design and illustration work.
Processing: A Programming Handbook for Visual Designers and Artists
Casey Reas and Ben Fry, inventors of the Processing programming language (that’s Proce55ing to you old schoolers), have just come out with a book on the topic that looks fantastic. In addition to programming tutorials are essays and interviews with other heavy hitters in the programmatic arts like Golan Levin, Alex Galloway, Auriea Harvey, and Jared Tarbell. The site for the book features a table of contents, sample chapters, and every single code example in the book, freely available for download. Amazon’s got the book but they’re saying it’s 4-6 weeks for delivery so I suggest hoofing it over to your local bookstore for a look-see instead.
FFFFOUND!
For the past few months, I’ve been closely following the activities of FFFFOUND!, a social bookmarking web site and one of my favorite finds of the past year. The technology and presentation are fairly straightforward. Site participants select images to bookmark and the images show up on the site along with the related URL. Users can also bookmark images that other users have already bookmarked, which creates connections between images and users, allowing FFFFOUND!’s software to build recommendation lists (e.g. if you like this image, you may also like…). And then people like me who aren’t participants can just sit back and view people’s image streams. Mike Migurski wrote a nice introduction to the site and its capabilities back in July.
But the thing that makes the site work is that the current participants have really good taste in imagery. The project appears to have been started by Yugo Nakamura, who old school web folks may remember as one of the first true Flash artist wizards (see Mona Lisa matrix, MONO*crafts, and Industrious Clock, for example), and has expanded slowly while in beta; each participant gets only a single invite to pass along. The site’s slow expansion from Nakamura and a small group of his art/design pals & associates has kept the quality high and focused. I hope the quality can remain high as the site gains in popularity and weathers the eventual opening up of participation to the web at large.
PS. I know you’re probably just supposed to pronounce it like “found” but I’ve been favoring “fuh-fuh-fuh-found”, even though that doesn’t exactly roll off the tongue.
Update: I do not have any invitations for FFFFOUND! Sorry.
Fritz Kahn’s Man As Industrial Palace.
Fritz Kahn’s Man As Industrial Palace.
Kahn’s modernist visualization of the digestive and respiratory system as “industrial palace,” really a chemical plant, was conceived in a period when the German chemical industry was the world’s most advanced.
Be sure to check out the larger version.
Without the associated covers, this list of
Without the associated covers, this list of the AIGA’s 50 Books/50 Covers winners for “outstanding book and book cover design produced in 2006” is pretty useless. (Anyone want to track all of these covers down? I’ll host (or link to) the results on kottke.org.)
Update: Photos of the covers and books are all available on the AIGA Design Archives site. No permalink tho. :( (thx, tbit)
Michael Bierut dug his 1979 design portfolio out
Michael Bierut dug his 1979 design portfolio out of the closet, which portfolio he used only once to get the last job he ever had to look for.
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