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Using thousands of original photographs taken by astronauts during the Apollo missions, motion designer Christian Stangl and composer Wolfgang Stangl worked for 18 months to create this animated short film depicting a flight to the Moon, culminating in a landing and the exploration of the surface. (via moss & fog)
With art museums closed and people quarantined at home, some folks have taken to recreating famous artworks using stuff laying around the house. Some of the best recreations are from the Covid Classic Instagram account.
Tussen Kunst & Quarantaine is pretty good too.
Museums like Rijksmuseum and the Getty have also been getting into the act, challenging people to send in their creations.
Have you ever wanted to hear Jay Z rap the “To Be, Or Not To Be” soliloquy from Hamlet? You are in luck:
What about Bob Dylan singing Britney Spears’ “…Baby One More Time”? Here you go:
Bill Clinton reciting “Baby Got Back” by Sir Mix-A-Lot? Yep:
And I know you’re always wanted to hear six US Presidents rap NWA’s “Fuck Tha Police”. Voila:
This version with the backing track is even better. These audio deepfakes were created using AI:
The voices in this video were entirely computer-generated using a text-to-speech model trained on the speech patterns of Barack Obama, Ronald Reagan, John F. Kennedy, Franklin Roosevelt, Bill Clinton, and Donald Trump.
The program listens to a bunch of speech spoken by someone and then, in theory, you can provide any text you want and the virtual Obama or Jay Z can speak it. Some of these are more convincing than others — with a bit of manual tinkering, I bet you could clean these up enough to make them convincing.
Two of the videos featuring Jay Z’s synthesized voice were forced offline by a copyright claim from his record company but were reinstated. As Andy Baio notes, these deepfakes are legally interesting:
With these takedowns, Roc Nation is making two claims:
1. These videos are an infringing use of Jay-Z’s copyright.
2. The videos “unlawfully uses an AI to impersonate our client’s voice.”But are either of these true? With a technology this new, we’re in untested legal waters.
The Vocal Synthesis audio clips were created by training a model with a large corpus of audio samples and text transcriptions. In this case, he fed Jay-Z songs and lyrics into Tacotron 2, a neural network architecture developed by Google.
It seems reasonable to assume that a model and audio generated from copyrighted audio recordings would be considered derivative works.
But is it copyright infringement? Like virtually everything in the world of copyright, it depends-on how it was used, and for what purpose.
Celebrity impressions by people are allowed, why not ones by machines? It’ll be interesting to see where this goes as the tech gets better.
Characters in Wes Anderson’s films are often misfits, outcasts, or are estranged from one another for various reasons. That apartness is often depicted cinematically using physical distance between individuals onscreen, with the aesthetic side effect of using all of that gorgeous 1.85:1 or even 2.35:1 aspect ratio. Luis Azevedo made a short supercut of moments in Anderson’s movies where the characters are practicing good social distancing techniques.
Of the various cuts of Blade Runner done over the years, Blade Runner - The Lost Cut is perhaps the oddest. Billed by creator Leon Chase as “a radical re-envisioning of Ridley Scott’s 1982 sci-fi classic”, this cut boldly includes footage from other films like The French Connection, Star Wars, The Jerk, and The Blues Brothers. A few of the films whose footage was used, including the Coen brothers’ Fargo, were released well after Blade Runner came out.
Daring! But does this cut go too far? Or not too far enough?
If you listen to more than 20 seconds of any song by Ella Fitzgerald, you can instinctively tell how amazing a singer she was. But taking a closer look reveals just how special. In this episode of NPR’s Jazz Night in America, they took a look at Fitzgerald’s 1960 performance of Mack the Knife (where she forgot half the words and improvised the rest) and her talent for referencing other songs while improvising, creating live “mix tapes” of popular songs using just her voice.
By 1960, Fitzgerald had become a global sensation. That February she gave an unforgettable performance in West Berlin for an audience of thousands. On the set list was “Mack The Knife,” a huge hit first made popular by Bobby Darin and Louis Armstrong. Fitzgerald sang the song flawlessly until about halfway through, when she forgot the lyrics. But she didn’t stumble — instead, she playfully freestyled her way to the end with nonsense syllables and improvised words — the singular jazz style called scatting. This unforgettable and Grammy Award-winning performance demonstrated her masterful grace under pressure.
You can listen to her Grammy-winning version of Mack the Knife on Spotify:
I love how confidently she sings “Oh, what’s the next chorus…” — Fitzgerald belts it out like those are the right lyrics. Her self-assurance sells it. (via the kid should see this)
Finding Waldo is a lot easier when no one can go outside. On his Instagram, art director Pedro Mezzini reimagined Where’s Waldo for the age of social distancing. He’s even wearing a mask! See also Clay Bennett’s version.
Using traditional instruments, a Japanese Buddhist monk named Kossan performs delightfully earnest covers of rock songs. So far, he’s done Queen’s We Will Rock You, Yellow Submarine by the Beatles — both embedded above — Teenage Lobotomy by the Ramones, and a song by Japanese punk bank The Blue Hearts. The Queen one is my favorite, I think. (via open culture)
As someone who a) thinks Dr. Dre was an amazing producer, and b) read Dr. Seuss’s Fox in Socks to his children roughly 1 million times (enough to be able to, eventually, get through the entire book at a comically high rate of speed w/o any tongue twisting slip-ups), I thought Wes Tank’s video of himself rapping Fox in Socks over Dre’s beats was really fun and surprisingly well done.
Tank has also done Green Eggs and Ham (over the beats from Forgot About Dre) and The Lorax. (thx, andrew)
During a press conference last month, Canadian Prime Minister Justin Trudeau spent a couple of minutes talking directly to the nation’s children, acknowledging their hardships and role in mitigating the effects of the pandemic. Tyler Walsh and his two sons spent a week making this Lego stop motion animation of Trudeau’s address, something that kids might be more likely to watch.
In an interview with the CBC, Walsh described their process:
“[It took] a fair amount of time and hundreds and hundreds of photos,” he said.
Each working to their strengths, Walsh said the kids were primarily in charge of piecing together the Lego elements — such as a podium, as well as hair and a bearded head for Trudeau — to bring the set to life.
“I would have questions for them like, ‘I need a sad kid. Do we have any sad kid Lego heads?’”
Trudeau himself responded to the Lego version of his address:
This is really great, Tyler. I think my kids — and a whole lot of others — will get a kick out of this, all while hearing how they can help out too. Thanks for helping spread that message.
(via @auntmaureen)
I featured Business Town, an ultra-capitalist spoof of Richard Scarry’s Busy Busy Town, on this site a few years ago. Their last few entries have focused on the pandemic and they are devastatingly spot on.
(via waxy)
Back in November, Patrick Tanguay and I posted about Xavi Bou’s Ornitographies project, photographs of the paths traced by birds in the sky. Now Bou has released a video extension of the project, which shows the paths of starlings wheeling & swerving through the sky in huge groups called murmurations. Soothing soundtrack by Kristina Dutton. (via dunstan orchard)
Concatenation is a Rube Goldberg-esque video montage made up of cleverly arranged stock video footage. This is one of those things where I’m like, “ugh this is so good, why didn’t I think of this?” See also this clipart animation:
(via waxy)
Update: The music video for Cassius’ Go Up uses a similar technique of juxtaposing stock videos. (via @endquote)
While it predates the COVID-19 pandemic and its accompanying social distancing by several years, José Manuel Ballester’s Concealed Spaces project reimagines iconic works of art without the people in them (like what’s happening to our public spaces right now). No one showed up for Leonardo’s Last Supper:
Hieronymus Bosch’s The Garden of Earthly Delights is perhaps just as delightful without people:
And Botticelli’s The Birth of Venus has been rescheduled:
Ben Greenman, Andy Baio, and Paco Conde & Roberto Fernandez have some suggestions for new album covers:
Designer Jure Tovrljan redesigned some company logos for these coronavirus times.
Coca-Cola even modified their own logo on a Times Square billboard to put some distance between the letters.
(via colossal & fast company)
Update: Some emoji designed specifically for COVID-19. The Earth with the pause button is my favorite. (via sidebar)
From Joseph Lee, a super abstract rendition of Vermeer’s Girl with a Pearl Earring. Another one for my collection of GPE remixes.
Previously from kottke.org on Joseph Lee’s work: Ultra-Impressionistic Portraits Made with Just a Few Thick Strokes of Paint.
Designer Kunel Gaur, head of a creative agency called Animal, has redesigned the packaging for several familiar brands using minimal black & white graphics and unadorned typography. The designs don’t seem to be collected in one place, so you’ll have to poke around his Instagram to find them.
That LV bag actually looks like something Virgil Abloh would design — it would sell like hotcakes. Dye it millennial pink and you’ve got a freaking worldwide sensation. Fashion design is so easy!! (via moss & fog)
For New York Apartment, an art project commissioned by The Whitney, artists Sam Lavigne and Tega Brain compiled actual NYC real estate listings into a listing for one mega apartment for sale.
Compiled from actual online real estate listings, the artwork collapses the high and low ends of the market, architectural periods and styles, and neighborhoods and affordability into a single space that cumulatively creates a portrait of New York’s living spaces and the real estate market. Like a standard real estate ad, the listing shows the price, number of bed- and bathrooms, and square footage, all of which are updated weekly based on the city’s aggregated real estate listings.
Take some time to explore the project — take the 3D virtual tour, scroll through all of the bathrooms & closets, peruse the apartment features, and take the video tour:
Do you crave brilliant sunshine and the peace Zen behind closed doors at home, and the bustle and excitement of the big city at your doorstep?
Do you dream of a Manhattan life?
Do you dream of Brooklyn living with Manhattan in reach?
Do you have a thing for top floor apartments?
Do you have vision?
Do you like light?
Do you love to cook?
Do you love to entertain?
Do you need lots of closet space?
Do you own or plan to buy a car?
Do you prefer simple shaker style wood cabinets with solid surface counters or custom lacquer cabinets paired with a travertine marble?
Do you want a home just steps to the beach?
Do you want Katz Deli, Russ and Daughters or maybe some Economy Candy?
Contact information for all of the brokers is listed on the site in case you’re interested.
For his Cartoon Fossils series, Filip Hodas used 3D modelling software to create fossilized skulls of cartoon characters like Scrooge McDuck, Tweetie Bird, Minnie Mouse, and Goofy.
These remind me of Michael Paulus’s Character Studies, drawings of the skeletons of the likes of Lucy from Peanuts, Betty Boop, Marvin the Martian, and Pikachu. I have his Hello Kitty drawing hanging in my living room, purchased after Leslie Harpold pointed me towards his work back in the day. (via colossal)
Animator Pinot Ichwandardi, designer/illustrator Dita Ichwandardi, and their three young children decided to remake some of the iconic scenes from the Spider-Man: Into the Spider-Verse trailer using traditional animation techniques. You can see some of the process and the impressive results in the video above. They drew the scenes by hand, built their own multiplane camera setup (a la Disney), and constructed a camera rig using Lego. You can read more about their process in these two Twitter threads: one, two.
After they were done, Sony Animation invited the family to visit their California campus to meet some of the team that worked on the movie, including producers Phil Lord and Chris Miller.
See also How Animators Created Spider-Verse.
The Smithsonian Institution has released a massive trove of images and 3D models from their collections into the public domain, allowing the public to use the images however they see fit. From Smithsonian Magazine:
For the first time in its 174-year history, the Smithsonian has released 2.8 million high-resolution two- and three-dimensional images from across its collections onto an open access online platform for patrons to peruse and download free of charge. Featuring data and material from all 19 Smithsonian museums, nine research centers, libraries, archives and the National Zoo, the new digital depot encourages the public to not just view its contents, but use, reuse and transform them into just about anything they choose — be it a postcard, a beer koozie or a pair of bootie shorts.
And this gargantuan data dump is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting.
Part of the release is research data sets, 3D models of airplanes, chairs, and fossils, and developer tools like an API and GitHub repository. Here’s the Smithsonian’s official press release and a FAQ about the Open Access collection.
The images above are (from top to bottom): photograph of Frederick Douglass, 3D model of the Apollo 11 Command Module, inverted Curtiss Jenny stamp, 3D model & photographs of a tin of Madame C.J. Walker’s Wonderful Hair Grower, 3D model of a mammoth skeleton, carte-de-visite portrait of Harriet Tubman, 3D model of the 1903 Wright Brothers Flyer, a placard carried in the 1968 Memphis march.
Online image emporium Giphy has partnered with Jif (the peanut butter people) to offer a limited edition jar of peanut butter with a dual-sided label: one side features the soft-G pronunciation of Jif and the other side the correct hard-G pronunciation of GIF. You can purchase a jar on Amazon. (via @waxpancake)
For her video “The Real Thing”, filmmaker Julianna Villarosa used footage of Coca-Cola’s famous “I’d Like to Buy the World a Coke” commercial ruined by pouring Coke on VHS and film copies to draw attention to the company’s water privatization practices in Chiapas, Mexico, where there’s a water shortage on. From the video:
The Chiapas Highlands, one of Mexico’s wettest regions, has a water shortage. Many drink Coca-Cola, which is bottled nearby and often easier to find than clean water. On average, residents drink more than half a gallon of soda per day. Indigenous Tzotzil use Coca-Cola in religious ceremonies and medicinal treatments. Diabetes has become the second-leading cause of death in Chiapas. The local Coca-Cola plant extracts more than 300,000 gallons of water per day.
Simple, direct, and brilliant activist art — Villarosa uses the company’s literally corrosive product to physically destroy their feel-good advertising to draw attention to the real harm this US company is doing to people & ecosystems around the world. Here’s more on the Chiapas region and the residents’ reliance on Coke:
Coca-Cola’s penetration of the market in Los Altos has also been aided by a strategy of charging less in remote rural areas where a Coke in a returnable glass bottle is often scarcely more expensive than bottled water. As in most of Mexico, clean drinking water is not generally available even to those who can count on running water in their homes, which means many turn to soft drinks for basic hydration.
The irony of this is clear in an area known for its constant downpours and abundant springs, such as the one that attracted the Coca-Cola bottling company. Local activists say the company has so overexploited the spring that the city of San Cristóbal is now facing water shortages.
The activists allege this has been possible in part because Coca-Cola has friends in high political places. Between 2000 and 2006 the country’s president was Vicente Fox, a former head of Coca-Cola Mexico.
It all adds up to a perfect storm of sugar-related health issues in Los Altos. María del Socorro Sánchez, who is in charge of nutrition at the main hospital in San Juan Chamula, says only about one in 10 of the indigenous patients with diabetes accept there is any need to cut out sugar-packed drinks. “They just don’t believe that it is bad for them,” she said.
(via the morning news)
From artist Nanan Kang, Corn with a Pearl Earring. I have a bit of a thing for riffs on Vermeer’s masterpiece. See also Girl with a Pearl Earring and Point-and-Shoot Camera, The Girl with the Grande Iced Latte, Rihanna with a Pearl Earring, Girl with a Pearl Earring at the beach, and a Lego version of the painting. (via colossal)
Update: This is fun (courtesy of @jschulenklopper):
In Dutch (Vermeer’s native language) this one is even better. The original painting is called “Meisje met de parel” in Dutch, and corn is “mais”. So this one could be named “Maisje met de parel” which is pronounced almost identically.
From DJ Mike 2600, a YouTube series called Songs That Sound The Same.
My hit series of DJ videos exploring pairs of songs that aren’t direct covers or rip-offs, but have similar melodies, riffs, or chord progressions and just fit together nicely.
Each video is about a minute long and features him playfully mixing two or more songs together that sound very similar. Here’s one of the early episodes, featuring Hot Fun in the Summertime by Sly & the Family Stone and Misunderstanding by Genesis:
T.I.’s Whatever You Like and Zombie by The Cranberries:
Whomst among us wouldn’t go nuts if the DJ laid this down at the club — M83’s Midnight City & Rihanna’s Diamonds:
And this one made me LOL — Draggin’ the Line by Tommy James mixes really well with the Baby Back Ribs song from the Chili’s commercial:
What a great combination of creativity and craft. Watching stuff like this always makes this non-musical person want to make some music. (via @hoodinternet)
This deepfake video of Back to the Future that features Robert Downey Jr. & Tom Holland as Doc Brown & Marty McFly is so convincing that I almost want to see an actual remake with those actors. (Almost.)
They really should have deepfaked Zendaya into the video as Lorraine for the cherry on top. Here’s an earlier effort with Holland as Marty that’s not as good.
In 1996, Dancing Baby was one of the earliest big memes to cross over from the nerd space of Usenet to the wider population; it even appeared on the popular TV show Ally McBeal. 18-year-old English college student Jack Armstrong, born more than 5 years after the meme debuted, decided to digitally remaster the original in 1080p and 60FPS:
Armstrong shared how he tracked down the original 3D file on Twitter. (via waxy)
Long-time readers know that I like me some maps and in particular hand-drawn/homemade maps and maps of alternate realities. So I was charmed by Anna Calcaterra’s alternate map of the Americas, which features geographic entities like Long Chile, Ohio 2 (“Four Corners replaced w/ Ohio 2”), and East Dakota (RIP Minnesota). The kids are alright, y’all.
The premise is pretty simple and there’s no need to oversell it because you can imagine what this is going to sound like going in and it delivers perfectly: George Costanza’s father’s voice dubbed over Darth Vader’s dialogue in Star Wars. Serenity now!
(Quickly: Luke = Jerry, Han = George, Leia = Elaine, Chewie = Kramer. Does that even work? (Obi-Wan = Uncle Leo? Is 3PO Newman?))
I bet you never noticed that South America can kind of approximate most of the world’s other continents pretty well. XKCD’s Randall Munroe did and made a bad map projection of it.
This is only slightly worse than the Mercator projection tbh.
Although the announced Disney+ series about Obi-Wan Kenobi may shed some light on the matter, we don’t know too much about what “Ben Kenobi” was up to on Tatooine after the events of Revenge of the Sith, besides keeping an eye on Luke. This short film made by a group of Star Wars fans as a “love letter” to the series shows what may have happened after the Empire makes its presence known when Luke is just a young boy. (via kevin kelly)
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