It’s a completely different scenario. [Rappers] are not talking about no collegiate basketball girls who have made it to the next level in education and sports. We’re talking about hos that’s in the ‘hood that ain’t doing shit, that’s trying to get a n***a for his money. These are two separate things. First of all, we ain’t no old-ass white men that sit up on MSNBC going hard on black girls. We are rappers that have these songs coming from our minds and our souls that are relevant to what we feel. I will not let them muthafuckas say we in the same league as him.
What Mr. Dogg is arguing here is that it’s ok to refer to actual hoes as hoes in the service of artistic expression but it is not ok to refer to college basketball players as such for the purpose of demeaning people. As we’re currently engaged in another go-round on the issue of speech, political correctness, and its potential enforcement, it’s not hard to imagine that someday an argument like Snoop Dogg’s will be deployed in a court of law. I wonder if anyone will buy it?
Duncan Watts on the results of a study which show that a cultural product’s popularity is partially determined by inital social adoption patterns. “This means that if one object happens to be slightly more popular than another at just the right point, it will tend to become more popular still. As a result, even tiny, random fluctuations can blow up, generating potentially enormous long-run differences among even indistinguishable competitors — a phenomenon that is similar in some ways to the famous ‘butterfly effect’ from chaos theory.” The effort to explain why popular things got popular is probably impossible…working your way back from effect to cause in non-linear systems is tough.
Hip-Hop Pop-Up combines pop-up web advertising with product mentions in hip-hop songs. “For example, at 2 minutes and 38 seconds into the song Big Poppa when Puffy asks Biggie, ‘How ya livin Biggie Smallz?’ his reply, ‘In mansion and Benz’s Givin ends to my friends and it feels stupendous’ would then pop-up the URL www.mercedes-benz.com.” To try it out, be sure to disable your browser’s pop-up blocking first. (thx, jonah)
Apple and EMI jointly announced earlier this week that the iTMS would offer EMI’s music without DRM and at a bitrate of 256 kps instead of 128 kps. Twice the bitrate = twice as good, yeah? Not so fast…you might not even notice the difference.
Apple will begin to sell DRM-free songs from EMI via the iTunes Music Store in May. The songs are higher quality but will cost slightly more ($1.29 vs $0.99 for the DRM version). It’ll be interesting to see how many people choose to buy the non-DRM stuff at the higher price. My feeling is that typical consumers won’t care that much…lower price will win out over slightly higher quality and some nebulous future flexibility. I bet EMI is even half-hoping for failure on this thing: “see, customers *want* DRM…”
Interview with New Yorker music critic Alex Ross about, among other things, his upcoming book on 20th century music. “Why, when paintings of Picasso and Jackson Pollock go for a hundred million dollars or more on the art market and lines from T. S. Eliot are quoted on the yearbook pages of alienated teenagers across the land, is twentieth-century classical music still considered obscure and difficult? In fact, it’s better known than most people realize. Post-1900 music is all over Hollywood soundtracks, modern jazz, alternative rock.”
Complaints choirs…that is, groups of people who sing their dissatisfaction in front of live audiences. “In Helsinki the most favourite topics were ring tones of mobile phones, people who smell in public transport and the fact that Finland always looses to Sweden in competitions: in Icehockey and in Eurovision.” (thx, nancy)
“iConcertCal is a free iTunes plug-in that monitors your music library and generates a personalized calendar of upcoming concerts in your city.” (thx janelle)
Music industry: CD prices are being driven down by $9.99 albums on iTunes Music Store. “Physical retailers are pressuring the labels downward on price (of course, Wal-Mart is the biggest culprit) because they don’t want to be undercut by iTunes 9.99 on all single albums. We’re rapidly moving to a 9.99 world on the big sellers (the ones stocked in Target and Wal-Mart and Best Buy).”
OhMiBod is the ultimate iPod accessory: a vibrator that hooks up to the iPod and buzzes in time with the music. “I will never listen to music the same way again.” Don’t miss the playlists compiled specifically for OhMiBod use. NSFW. (thx, tania)
Wikipedia explains R&B: “She orders a milkshake and begins to blow bubbles into it (a possible allusion to oral sex). She continues to prance throughout the restaurant and walks into the kitchen, ‘helping’ the chef remove biscuits from the oven as she purposely moves her buttocks (which the biscuits are shaped like) near his face to possibly make him wish to have sex with her, yet he shows no interest in her and she leaves in dismay.”
When the Chicago Bears take the field against the Indianapolis Colts in early February for Super Bowl XLI, a former foe of the Bears will be close at hand. A kottke.org reader writes:
The “Super Bowl Shuffle” earned The Chicago Bears a [1987] Grammy nomination for best Best Rhythm & Blues Vocal Performance - Duo or Group. They lost to Prince and the Revolution’s “Kiss”.
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