Harry Potter = Luke Skywalker. Also, entire industries
Harry Potter = Luke Skywalker. Also, entire industries created by Harry Potter are due to come to an end with the publication of the final book.
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Harry Potter = Luke Skywalker. Also, entire industries created by Harry Potter are due to come to an end with the publication of the final book.
Ten minute clip from the movie Baraka. From Wikipedia: “Often compared to Koyaanisqatsi, Baraka’s subject matter has some similarities โ including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity.” (via long now)
I know it’s only 2007, but this is the headline of the decade. For a story about people crossing a tightrope strung across the Han River in South Korea, AP came up with this masterpiece: Skywalkers in Korea cross Han solo.
Hilariously crude review of the third Lord of the Rings movie. “The ring is also evil but you keep thinking, while you watch it, that someone should put it on and check out some boobs. I have a feeling those scenes will be in the DVDs.” (via clusterflock)
Darren Aronofsky is working on a screenplay for a film about Noah. You know, the dude with the Ark. “Noah was the first person to plant vineyards and drink wine and get drunk. It’s there in the Bible โ it was one of the first things he did when he reached land. There was some real survivor’s guilt going on there. He’s a dark, complicated character.”
There’s no permalink, but if you go to the Disney home page, they’re playing 9 minutes of Ratatouille, the new Pixar movie. There’s two clips…one takes place pretty close to the start of the movie and the other a bit later.
Update: For those of you outside of the US, here’s the YouTube version of the 9-minute Ratatouille clip.
Update: A more permanent and higher quality version is up on the Apple site.
The Onion: “Despite the existence of cinema classics such as Citizen Kane, The Godfather, and Seven Samurai, the 2004 film Garden State starring Zach Braff and Natalie Portman is some poor fuck’s favorite movie.”
If you want, you can use your inkjet printer to print out Super 8 of 16mm film strips. (via bb)
Some have advised Roger Ebert not to attend his yearly film festival because of his changed physical appearance due to recent cancer surgery. Ebert says nuts to that…he may look a little strange, but his brain still works, his thumbs still go up and down, and he can type his columns just fine. “We spend too much time hiding illness. There is an assumption that I must always look the same. I hope to look better than I look now. But I’m not going to miss my festival.” I love Roger Ebert.
List of the seven most overrated Hollywood actors, including Ben Kingsley, Kate Hudson, and Ben Stiller, a personal unfavorite of mine. (via house next door)
Is Spiderman 3 the most expensive movie ever made? “With marketing and promotion factored in, the total price tag will approach half a billion dollars โ positioning Spider-Man 3 as the most expensive movie of all time.”
The international trailer for Harry Potter and the Order of the Phoenix. I am officially as hooked on Harry as everyone else.
Update: And here’s the US trailer…slightly different footage.
The long-term success of films isn’t always determined by how they did at the box office. Traffic made $124 million at the box office in 2000 while Requiem for a Dream made only $3.6 million ($9.50 of which was mine), but Requiem gets rented 33 percent more from Netflix than Traffic. ‘It’s almost impossible to go onto someone’s MySpace page now and not find a reference to [the Coen brothers’] “The Big Lebowski” or [Terry Gilliam’s] “Fear and Loathing in Las Vegas”’ - two movies that caused barely a ripple in the theaters.”
What kind of art is film? High art? Mass art? Photographic art? Narrative art?
It’s been awhile since I’ve done one of these. Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently:
Two counterexamples to the assertion that cities != organisms or ecosystems: cancer and coral reefs. (thx, neville and david)
In pointing to the story about Ken Thompson’s C compiler back door, I forgot to note that the backdoor was theoretical, not real. But it could have easily been implemented, which was Thompson’s whole point. A transcript of his original talk is available on the ACM web site. (thx, eric)
ChangeThis has a “manifesto” by Nassim Taleb about his black swan idea. But reader Jean-Paul says that Taleb’s idea is not that new or unique. In particular, he mentions Alain Badiou’s Being and Event, Jacques Derrida, and Gilles Deleuze. (thx, paul & jean-paul)
When I linked The Onion’s ‘Most E-Mailed’ List Tearing New York Times’ Newsroom Apart, I said “I’d rather read a real article on the effect the most popular lists have on the decisions made by the editorial staff at the Times, the New Yorker, and other such publications”. American Journalism Review published one such story last summer, as did the Chicago Tribune’s Hypertext blog and the LA Times (abstract only). (thx, gene & adam)
Related to Kate Spicer’s attempt to slim down to a size zero in 6 weeks: Female Body Shape in the 20th Century. (thx, energy fiend)
Got the following query from a reader:
are those twitter updates on your blog updated automatically when you update your twitter? if so, how did you do it?
A couple of weeks ago, I added my Twitter updates and recent music (via last.fm) into the front page flow (they’re not in the RSS feed, for now). Check out the front page and scroll down a bit if you want to check them out. The Twitter post is updated three times a week (MWF) and includes my previous four Twitter posts. I use cron to grab the RSS file from Twitter, some PHP to get the recent posts, and some more PHP to stick it into the flow. The last.fm post works much the same way, although it’s only updated once a week and needs a splash of something to liven it up a bit.
The guy who played Spaulding in Caddyshack is a real estate broker in the Boston area. (thx, ivan)
Two reading recommendations regarding the Jonestown documentary: a story by Tim Cahill in A Wolverine Is Eating My Leg and Seductive Poison by former People’s Temple member Deborah Layton. (thx, garret and andrea)
In case someone in the back didn’t hear it, this map is not from Dungeons and Dragons but from Zork/Dungeon. (via a surprising amount of people in a short period of time)
When reading about how low NYC’s greenhouse gas emissions are relative to the rest of the US, keep in mind the area surrounding NYC (kottke.org link). “Think of Manhattan as a place which outsources its pollution, simply because land there is so valuable.” (thx, bob)
NPR did a report on the Nickelback potential self-plagiarism. (thx, roman)
After posting about the web site for Miranda July’s new book, several people reminded me that Jeff Bridges’ site has a similar lo-fi, hand-drawn, narrative-driven feel.
In the wake of linking to the IMDB page for Back to the Future trivia, several people reminded me of the Back to the Future timeline, which I linked to back in December. A true Wikipedia gem.
I’m ashamed to say I’m still hooked on DesktopTD. The problem is that the creator of the game keeps updating the damn thing, adding new challenges just as you’ve finally convinced yourself that you’ve wrung all of the stimulation out of the game. As Robin notes, it’s a brilliant strategy, the continual incremental sequel. Version 1.21 introduced a 10K gold fun mode…you get 10,000 gold pieces at the beginning to build a maze. Try building one where you can send all 50 levels at the same time and not lose any lives. Fun, indeed.
Regarding the low wattage color palette, reader Jonathan notes that you should use that palette in conjunction with a print stylesheet that optimizes the colors for printing so that you’re not wasting a lot of ink on those dark background colors. He also sent along an OS X trick I’d never seen before: to invert the colors on your monitor, press ctrl-option-cmd-8. (thx, jonathan)
Dorothea Lange’s iconic Migrant Mother photograph was modified for publication…a thumb was removed from the lower right hand corner of the photo. Joerg Colberg wonders if that case could inform our opinions about more recent cases of photo alteration.
In reviewing all of this, the following seem related in an interesting way: Nickelback’s self-plagiarism, continual incremental sequels, digital photo alteration, Tarantino and Rodriquez’s Grindhouse, and the recent appropriation of SimpleBits’ logo by LogoMaid.
Not quite sure what this indicates, but I found this statistic interesting: “Among moviegoers who see an average of 10.5 films in theaters each year, 46% of them are Netflix subscribers and 68% have a home theater. Among those who see just 7.1 movies in theaters each year, 16% subscribe to Netflix and 16% have home theaters.”
Digital filmmaking may be responsible for a new type of acting where actors and directors don’t need to worry so much about getting the shot *right this instant* while expensive film is rolling through the camera but can instead find the right performance out of many. “Digital removes those constraints. There’s no such thing as rehearsal. You can shoot anything you want. You don’t have to say ‘cut.’ You don’t have to say ‘action.’” Definitely a parallel here to how digital camera changed photography.
The Back to the Future IMDB page sure has a lot of trivia. And I have a feeling that’s not even the half of it.
Even though I wasn’t that familiar with the whole Jim Jones/Jonestown story, I felt like they rushed through the early parts of the story…might have worked better at 2 hours than at 90 minutes. The ending is great, a well-paced mix of personal narrative, photography, audio, and video from the last fateful day of over 900 people. After the movie ended, I was trying to imagine what would happen if Jonestown (or to a lesser extent, the Branch Davidian thing or Heaven’s Gate) occurred today. Religious cult leader brainwashes all these people and then kills 900 of them in the South American jungle, including a United States Congressman? CNN, et. al. would got nuts for a start…I don’t know if 72 pt. type on their homepage would be enough. The blogosphere would probably go supernova as well.
The American Experience site has more information about Jones and the film. Check your local listings as well…you might be able to catch the film on PBS sometime in the next week or so.
The two-fer Tarantino/Rodriguez movie Grindhouse is going to be broken into two films for release overseas and possibly in the US. “There have been reports that many film-goers have been confused by the movie’s structure - mistakenly assuming that there was only one film on offer and leaving the cinema en-masse after the Rodriguez section.”
Miranda July, who you might remember from her film Me and You and Everyone We Know, has a book coming out in May, a collection of stories called No One Belongs Here More Than You. The book has a web site that’s one of the most effective and creative I’ve seen in a long time. Here’s a screenshot of one of my favorite pages, just to give you a taste:
The really intriguing thing about the site is that it breaks pretty much every rule that contemporary web designers have for effective site design. The site is a linear progression of images, essentially 30 splash pages one right after another. It doesn’t have any navigation except for forward/back buttons; you can’t just jump to whatever page you want. July barely mentions anything about the book and only then near the end of the 30 pages. There’s no text…it’s all images, which means that the site will be all but invisible to search engines. No web designer worth her salt would ever recommend building a site like this to a client.
Yet it works because the story pulls you along so well; July’s using the site’s narrative to sell a book that is, presumably, chock full of the same sort of narrative. If you think the site sucks and quickly click away, chances are you’re not going to like the book either…it’s the perfect self-selection mechanism. The No One Belongs Here More Than You site is a lesson for web designers: the point is not to make sites that follow all the rules but to make sites that will best accomplish the primary objectives of the site.
A video from the Children of Men DVD that shows how they did some of the long takes in the film. The rig they built on the car and the roving camera are amazing.
On the occasion of Helvetica’s NYC premiere tonight, Michael Bierut remembers a time when no one knew anything about type or fonts except for designers and typesetters. “[Today] we live in a world where any person in any cubicle in the world can pick between Arial and Trebuchet and Chalkboard whenever they want, risk free, copyfitting tables be damned, and where a film about a typeface actually stands a chance of enjoying some small measure of popular success.”
An examination of the interaction between humans and computers in science fiction movies. Includes examples from The Matrix, Metropolis, Futurama, Minority Report, and Star Trek. (via bb)
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