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Or will be soon…they announced some of the details today.
On NYTimes.com, you can view 20 articles each month at no charge (including slide shows, videos and other features). After 20 articles, we will ask you to become a digital subscriber, with full access to our site.
Cheapest plan is about $180/year and the most expensive is $420/yr. Access is free to paper subscribers.
If you haven’t already heard, Al-Jazeera had (and continues to have) some of the best coverage of earthquake and tsunami in Japan. Here’s a clip from earlier showing the tsunami rushing through a populated area.
Contrast with CNN, which was apparently home to giggles and Godzilla jokes as the quake was being reported. In the last three or four big events in the world, Al-Jazeera has had the best coverage…is this a changing of the guard?
Update: Mediaite investigates and finds no evidence that a Godzilla reference or giggling occurred on CNN last night.
We did find an example of an American in Japan that made a reference that it was like a “monster movie” (which is included below) but Church handles herself completely appropriately.
Update: Mediaite found a video of the CNN broadcast in question where the anchor chuckles at something her interviewee says. And her whole tone sounds a bit more chipper than it ought to. The sing-song anchor voice might suffice when reporting non-news filler but fails when watching video of dozens of homes (possibly with people in them!) being swept along by a massive wave of water. (via @somebadideas)
Alan Taylor, late of The Big Picture, is up and running at The Atlantic with his new site, In Focus.
In Focus is The Atlantic’s news photography blog. Several times a week, I’ll post entries featuring collections of images that tell a story. My goal is to use photography to do the kind of high-impact journalism readers have come to expect on other pages of this site. Along the way, I’ll cover a range of subjects, from breaking news and historical topics to culture high and low. Sometimes, I’ll just showcase amazing photography.
Writer Rob Neyer recently left ESPN for SB Nation and in his first column for SBN, he articulates the difference between “us” (professional journalists) and them (readers).
I’ve never thought of myself as a member of us rather than them.
I’ve got a lot of passions, and generally I won’t bore you with them. But the passion I indulge almost every day of my life is good writing. I crave it, and when I find it, I treasure it. I surround myself with books full of good writing, and I can’t get through the day without scribbling down a brilliant sentence or delightful word in a thick journal that’s always close at hand.
Also, it’s my business. I’m one of the lucky few who gets paid to indulge his first love.
Where the good writing comes from, though, is irrelevant. All that matters is the writing.
You’re paid to write? I know lots of professional writers who either never learned to write well, or have forgotten. You work for a famous website or newspaper? The big boys don’t have a monopoly on good writing, let alone facts.
Sportswriting, like writing about computing or video games, lends itself especially well to amateur participation because you’ve got, what, tens of millions of people who, even at an early age, are basically experts on football, baseball, basketball, hockey, etc. because they’ve grown up playing, watching, and analyzing those sports. The actual writing bit is harder but the passion is definitely there. (via hello typepad)
Two and a half years ago, Alan Taylor started The Big Picture at the Boston Globe; he basically ran the site in his spare work time as a web developer for the company. Now he’s moving on to The Atlantic, where he will edit a new photo site called In Focus.
I wanted the opportunity to do this — telling news photo stories — as a fulltime job, and the Atlantic has offered that to me, for which I am grateful. I also think the Atlantic is a better overall fit for the type of international, wide-ranging storytelling I’ve practiced over the years. The Globe has been a good home and a great platform for over 425 entries since 2008 and I am truly grateful, but I’ve chosen to move on now, and really hope you’ll come along and see what I’m up to. I feel very fortunate for what I’ve been able to accomplish to date, and for the opportunity given to me now. I really can’t believe this is going to be my fulltime gig!
Smart move by The Atlantic, which is increasingly looking like one of the media properties that may make a smooth-ish transistion from print to online/app media. As for The Globe, well, I don’t think they quite knew what they had there. Eight million page views per month out of nothing with a less-than-maximal effort…that’s the kind of thing you want to encourage if you’re in the media business.
Last week, Bill Simmons accidentally tweeted about a possible trade that would send American footballer Randy Moss from the Patriots to the Vikings and got the entire sports world whipped up into a frenzy. His explanation of what actually happened provides an interesting glimpse into how sports media sausage is made.
The first thing you need to know: I don’t like breaking stories or the pressure that accompanies it. Sweating out those last few minutes before the moment of truth. Hoping you’re right even though you’re thinking, “I know I’m right. I have to be right. This is right. (Pause.) Am I right?” Wondering deep down, “I hope my source isn’t betraying me,” then rehashing every interaction you’ve ever had with that person. My stomach just isn’t built for it. If I had Marc Stein’s job, I’d be chain-smoking Lucky Strikes like Don Draper.
At the same time, I know a few Guys Who Know Things at this point. Whenever I stumble into relevant information — it doesn’t happen that often — my first goal is always to assimilate that material into my column (as long as it’s not time-sensitive). Sometimes I redirect the information to an ESPN colleague. Sometimes I keep it in my back pocket and wait for more details. It’s a delicate balance. I have never totally figured out what to do.
The New Yorker goes long on Gawker Media founder Nick Denton. I loved the mid-article string of quotes from Nick’s friends, admirers, and enemies:
“He’s not, like, a sociopath, but you kind of have to watch what you’re doing around him,” Ricky Van Veen, the C.E.O. of the Web site College Humor, told me.
“The villain public persona is not a hundred-per-cent true,” A. J. Daulerio, the editor-in-chief of Deadspin, Gawker Media’s sports blog, said. “It’s probably eighty-per-cent true.”
“He has fun when people say horrible things about him,” the blog guru Anil Dash said.
“I can’t lie to make him worse than he is, but he’s pretty bad,” Ian Spiegelman, a former Gawker writer, said.
“Other people’s emotions are alien to him,” Choire Sicha, another Gawker alumnus, said.
A 50-minute documentary on information visualization and its use in journalism.
Lots of kottke.org regulars in there…Fry, Wattenberg, Koblin, Felton, Stamen, etc. And Amanda Cox sounds like Sarah Vowell!
This is a blog post that links to a news website article about a scientific paper. The pullquote explains it so I don’t have to bother:
In this paragraph I will state the main claim that the research makes, making appropriate use of “scare quotes” to ensure that it’s clear that I have no opinion about this research whatsoever.
In this paragraph I will briefly (because no paragraph should be more than one line) state which existing scientific ideas this new research “challenges”.
If the research is about a potential cure, or a solution to a problem, this paragraph will describe how it will raise hopes for a group of sufferers or victims.
And then I’ll make a little joke about one of the study’s possible conclusions. (via someone who actually found the thing and sent it on to this lazy “curator”)
To go along with James Fallows’ 1982 report on personal computing, a 1981 TV report about reading newspapers online.
It takes over two hours to recieve the entire text of the newspaper over the phone and with an hourly use charge of five dollars, the new telepaper won’t be much competition for the 20-cent street edition.
The report was done back in the days when “Owns Home Computer” was a useful differentiating label.
(via @aliotsy)
There’s lots of good stuff in this long James Fallows article about Google’s now-intense interest in the health of journalism. In short, Google feels obligated from a business perspective to help serious news organizations put good information online so that people can find it through Google.
There really is no single cause,” I was told by Josh Cohen, a former Web-news manager for Reuters who now directs Google’s dealings with publishers and broadcasters, at his office in New York. “Rather, you could pick any single cause, and that on its own would be enough to explain the problems-except it’s not on its own.” The most obvious cause is that classified advertising, traditionally 30 to 40 percent of a newspaper’s total revenue, is disappearing in a rush to online sites. “There are a lot of people in the business who think that in the not-too-distant future, the classified share of a paper’s revenue will go to zero,” Cohen said. “Stop right there. In any business, if you lose a third of your revenue, you’re going to be in serious trouble.”
Errol Morris recently gave the commencement address at the Berkeley Graduate School of Journalism; here’s the transcript.
It has become fashionable nowadays to speak of the subjectivity or the relativity of truth. I find such talk ridiculous at best. Let’s go back to Randall Dale Adams. He found himself within days of being executed in “Old Sparky,” the electric chair in Walls Unit, Huntsville Texas.
There is nothing post-modern about the electric chair. It takes a living human being and turns him into a piece of meat. Imagine you — you the young journalists of tomorrow — being strapped into an electric chair for a crime you didn’t commit. Would you take comfort from a witness telling you that it really doesn’t make any difference whether you are guilty or innocent? That there is no truth? “I think you’re guilty; you think you’re innocent. Can’t we work it all out?”
Longform.org is collecting some of the best long-form journalism available on the web. See also Instapaper’s editor’s picks and @longreads on Twitter. (thx, yehuda)
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Morbi erat justo, magical in semper posuere Jony Ive, molestie eget ipsum. Praesent eget erat no camera. Apple a erat sit amet ante pretium just a big iPod touch bibendum a at magna. Suspendisse Flash, sem sed tempor gravida, dolor mi auctor HTML5, vel feugiat justo metus nec diam. Maecenas quis iPad volutpat augue.
Twilight of the American newspaper tells the story of San Francisco and its newspapers. And in that tale, a glimpse that we might be losing our sense of place along with the newspaper.
We will end up with one and a half cities in America — Washington, D.C., and American Idol. We will all live in Washington, D.C., where the conversation is a droning, never advancing, debate between “conservatives” and “liberals.” We will not read about newlyweds. We will not read about the death of salesmen. We will not read about prize Holsteins or new novels. We are a nation dismantling the structures of intellectual property and all critical apparatus. We are without professional book reviewers and art critics and essays about what it might mean that our local newspaper has died. We are a nation of Amazon reader responses (Moby Dick is “not a really good piece of fiction” — Feb. 14, 2009, by Donald J. Bingle, Saint Charles, Ill. — two stars out of five). We are without obituaries, but the famous will achieve immortality by a Wikipedia entry.
He listed them during the last broadcast of the The NewsHour with Jim Lehrer.
And, finally, I am not in the entertainment business.
(via df)
Regret the Error presents its annual list of media errors and corrections. These are two of my favorites:
An article on Aug. 2 about older alumni who have been helped by university career counselors referred imprecisely to comments by a 1990 graduate of Lehigh University who lost his job in February when his company was downsized, and a correction in this space last Sunday misspelled his surname. As the article correctly noted, he is David Monson, not Munson, and he was speaking generally — not about himself — when he said that newly unemployed people sometimes mope around the house in sweatpants.
—
ON 17 July 2008 in our front page article “Ron the Lash” we falsely reported that whilst recovering from an operation to his ankle Cristiano Ronaldo had “gone on a bender” at a Hollywood nightclub where he splashed out pounds 10,000 on champagne and vodka and threw his crutches to the ground and tried to dance on his uninjured foot. We now accept that Cristiano did not “go on a bender”, did not drink any alcohol that evening, did not spend pounds 10,000 on alcohol, nor throw his crutches to the floor or try to dance.
(via df)
Larry Granillo explores how the Yankees’ World Series victories have been covered by the New York Times through the years.
The press release for the upcoming newspaper issue of McSweeney’s is chock full of images from the paper…it looks great. Pre-order here.
Daniel Gross looks at the numbers and concludes that newspapers aren’t doing as badly as you think.
This is the new emerging model — cutting costs, raising prices. It may still fail in the end. But we shouldn’t act as if the online-only crowd has it all figured out. Every month, several million Americans pay to have newspapers and magazines delivered to their homes-a trick most online publications have yet to pull off.
The shrinking circulation while raising prices reminds me of Apple’s strategy in the mobile phone and personal computing space: they have less market share but they make more money on each sale than their competitors by offering a premium product.
The NY Times has more information on the one-off newspaper that McSweeney’s is putting together.
Called San Francisco Panorama, the editors say it is, in large part, homage to an institution that they feel, contrary to conventional wisdom, still has a lot of life in it. Their experience in publishing literary fiction is something of a model.
“People have been saying the short story is dying for a lot longer than they’ve been saying newspapers are dying,” Jordan Bass, managing editor of the quarterly, said in an interview on Tuesday. “But you can still put out a great short-story magazine that people want to grab. The same is true for newspapers.”
(via romenesko)
Matt Thompson wrote a thoughtful post about the four key parts of news stories, including the three that journalists usually don’t cover. My particular pet peeve: the absence of the longstanding facts.
In reality, these longstanding facts provide the true foundation of journalism. But in practice, they play second-fiddle to the news, condensed beyond all meaning into a paragraph halfway down in a news story, tucked away in a remote corner of our news sites.
(via waxy)
A piece on Walter Cronkite by Alessandra Stanley was corrected to within an inch of its life.
An appraisal on Saturday about Walter Cronkite’s career included a number of errors. In some copies, it misstated the date that the Rev. Dr. Martin Luther King Jr. was killed and referred incorrectly to Mr. Cronkite’s coverage of D-Day. Dr. King was killed on April 4, 1968, not April 30. Mr. Cronkite covered the D-Day landing from a warplane; he did not storm the beaches. In addition, Neil Armstrong set foot on the moon on July 20, 1969, not July 26. “The CBS Evening News” overtook “The Huntley-Brinkley Report” on NBC in the ratings during the 1967-68 television season, not after Chet Huntley retired in 1970. A communications satellite used to relay correspondents’ reports from around the world was Telstar, not Telestar. Howard K. Smith was not one of the CBS correspondents Mr. Cronkite would turn to for reports from the field after he became anchor of “The CBS Evening News” in 1962; he left CBS before Mr. Cronkite was the anchor. Because of an editing error, the appraisal also misstated the name of the news agency for which Mr. Cronkite was Moscow bureau chief after World War II. At that time it was United Press, not United Press International.
Balloon Juice notes that this isn’t the first time that Stanley has been corrected. (via unlikely words)
Update: Katie Couric took Stanley to task for her article…perhaps because Stanley wrote unfavorably about Couric in the pages of the Times in 2005. That article was also corrected. (thx, michael)
Gothamist’s Jake Dobkin attended a public discussion of “Rules for City Issued Press Credentials” in NYC today and took some good notes. The proposed new rules address some inconsistencies in the city’s issuing process…in particularly the denial of press passes to bloggers and other online publications.
Restrictions limiting press passes to certain mediums will be removed — in the future, online, offline, on-air, etc. will all be treated equally. To qualify for a press pass, the journalist or journalism organization will need to provide six clips from the last 24 months showing news-gathering activity that would merit a press card — that would include live reportage from police and fire scenes, public assemblies, government press conferences, or similar events.
I really really love this: on Wednesday, the Israeli newspaper Haaretz sent its regular staff home and had some of Israel’s notable poets and authors cover the news. From author Avri Herling, here is the most accurate financial report you’re ever likely to read in the paper:
“Everything’s okay. Everything’s like usual. Yesterday trading ended. Everything’s okay. The economists went to their homes, the laundry is drying on the lines, dinners are waiting in place… Dow Jones traded steadily and closed with 8,761 points, Nasdaq added 0.9% to a level of 1,860 points…. The guy from the shakshuka [an Israeli egg-and-tomato dish] shop raised his prices again….”
There’s a real “emperor has no clothes” vibe to this. (via snarkmarket)
After five years, NY Times restaurant reviewer Frank Bruni is moving on to other assignments.
In his spare time, between aerobic eating and the requisite gym time to burn it all off, he has managed to produce a memoir of his lifelong, complicated relationship with food. Recognizing that the book is certain to seriously compromise his ability to be a spy in the land of food, Frank picked this as a natural time to move on. He will be turning in his restaurant-critic credentials when his memoir, “Born Round: the Secret History of a Full-Time Eater,” is published in late August.
Sad to see him go…I liked Bruni as a reviewer. But how long can the Times continue to expect their critics to remain anonymous? Savvy restaurateurs often knew when Bruni was in the house and it remains unclear whether a known reviewer is a biased reviewer.
Dan Baum was a staff writer for The New Yorker for a time. In 2007, the magazine didn’t renew his contract and he’s currently explaining why (from his perspective) on Twitter (archived here). It’s maddening to read the whole story 140 characters at a time but it’s pretty interesting inside-baseball stuff, where baseball = professional writing. Here are some of the highlights so far (he’s not quite done yet).
First, a little about the job of New Yorker staff writer. “Staff writer” is a bit of a misnomer, as you’re not an employee, but rather a contractor. So there’s no health insurance, no 401K, and most of all, no guarantee of a job beyond one year. My gig was a straight dollars-for-words arrangement: 30,000 words a year for $90,000. And the contract was year-to-year. Every September, I was up for review. Turns out, all New Yorker writers work this way, even the bigfeet. It’s Just the way the New Yorker chooses to behave. It shows no loyalty to its writers, yet expects full fealty in return. It gets away with it, because writing for the New Yorker is the ne plus ultra of journalism gigs. Like everybody, I loved it.
Some early advice from his editor on how to structure a story:
“Think about trying a process story,” he said, using a term I’d never heard. “It’s a New Yorker standard,” he went on. “You simply deconstruct a process for the reader. John McPhee was the master. It makes for a simple structure.”
More editorial advice:
Great piece of New Yorker advice: “This is the New Yorker, so you can use any narrative structure you like,” he said. “Just know that when I get it, I’m going to take it apart and make it all chronological.” Telling a story in strict chronological order turned out to be a fabulous discipline. It made the story easy to write, and may be why New Yorker stories are so easy to read. Of course, the magazine does run everything through the deflavorizer, following Samuel Johnson’s immortal advice: “Read what you have written, and when you come across a passage you think is particularly fine, strike it out.”
On the magazine’s legendary fact-checkers:
The editing is as superb as you’d imagine. And it’s lovely to have all the time and resources you need. I particularly liked the fact-checkers, who go way beyond getting names spelled right and actually do a lot of reporting. More than once, the fact-checkers uncovered information I hadn’t had, found crucial sources I hadn’t interviewed. It’s like having a team of back-up reporters.
Baum has an unconventional working relationship with his wife:
All the work that goes out under my byline is at least half the work of my wife, Margaret Knox.
More details on that arrangement are available on his/their web site. Margaret edits while Dan writes.
Non-fiction frequently calls for a strong individual voice, and occasionally the use of the first person, so double bylines often aren’t practical. Dan most often does the legwork of reporting the story — the travel and the phone calls — with Margaret acting as bureau chief: “Ask this.” “Don’t forget that.” “Go back to him tomorrow.” Dan then writes the first draft.
On second thought, perhaps it’s not that unconventional at all. Since Meg and I started going out nine years ago, we’ve collaborated on several projects without shared credit; I provided much advice related to Blogger, Kinja, and Megnut and she’s always operating behind the scenes here at kottke.org.
But back to the Baum/Knoxes. On their site, they’ve posted a bunch of proposals they wrote to magazines that resulted in good assignments. Among them is a proposal that New Yorker editor John Bennet called “the best proposal he’d ever read”. The Baum/Knoxes have also shared a series of their failed proposals. These proposals and the ongoing Twitter story are a gold mine for young writers…fascinating stuff. (via the awl)
Update: Baum has published the whole story in a more readable format. (thx, richard)
Short video interview of David Simon.
You know, newspapers are gonna say, “We already let the horse out of the barn door. How can you charge for content? Information wants to be free.” All that bullshit. As I remember, there wasn’t an American in America 30 thirty years ago who paid for their television. Television was free 30 years ago. Now everybody’s paying 16 bucks a month, 17 bucks a month, 70 dollars a month.
Related: the NY Times recently ran the poignant story of a interracial Baltimore couple who turned to The Wire for comfort when the husband underwent treatment for cancer.
Also related: read David Simon’s HBO pitch for The Wire from Sept 2000.
Jonas Moody, who has lived on Iceland for the past seven years, takes Michael Lewis to task for some inaccuracies and other odd things in his Vanity Fair piece about the country’s economic crisis.
5. “Icelanders are among the most inbred human beings on earth — geneticists often use them for research.”
Now this is insulting. Icelanders’ DNA shows their roots to be a healthy mix between Nordic Y chromosomes and X chromosomes from the British Isles. The reason genetic-research company deCODE uses Icelandic genes for its research is not because the codes are so homogeneous, but because the population has kept excellent genealogical records dating back thousands of years.
I sort of shrugged my shoulders at this stuff when I read the piece and forged ahead for the financial meat and potatoes, but it doesn’t read so well when collected all in one place like this. Was the piece supposed to be a farce? If not, it doesn’t reflect well on Lewis or his editors at VF. (thx, micah)
Steven Johnson takes on the future of journalism and newspapers using the ecosystem metaphor that he successfully deployed in The Invention of Air. Johnson argues that journalism in the future will look a lot like how technology and politics are covered now because those two topics are the “old growth forests of the web”, i.e. they’ve been covered long enough on the web that old media has had time to adjust, react, and in many cases, go out of business in the face of that coverage.
The funny thing about newspapers today is that their audience is growing at a remarkable clip. Their underlying business model is being attacked by multiple forces, but their online audience is growing faster than their print audience is shrinking. As of January, print circulation had declined from 62 million to 49 million since my days at the College Hill Bookstore. But their online audience has grown from zero to 75 million over that period. Measured by pure audience interest, newspapers have never been more relevant. If they embrace this role as an authoritative guide to the entire ecosystem of news, if they stop paying for content that the web is already generating on its own, I suspect in the long run they will be as sustainable and as vital as they have ever been. The implied motto of every paper in the country should be: all the news that’s fit to link.
You may also enjoy Clay Shirky’s take on the same subject.
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