Wylie Overstreet and Alex Gorosh took a telescope around the streets of LA and invited people to look at the Moon through it. Watching people’s reactions to seeing such a closeup view of the Moon with their own eyes, perhaps for the first time, is really amazing.
Whoa, that looks like that’s right down the street, man!
The night skies remind us of our place in the Universe. Imagine if we lived under skies full of stars. That reminder we are a tiny part of this cosmos, the awe and a special connection with this remarkable world would make us much better beings — more thoughtful, inquisitive, empathetic, kind and caring. Imagine kids growing up passionate about astronomy looking for answers and how advanced humankind would be, how connected and caring we’d feel with one another, how noble and adventurous we’d be.
8K resolution. Time lapse. 360º view. Aurora borealis. Lunar eclipse. I’m not really sure how you could pack much more into this video. Probably best experienced with some sort of VR rig, but for those of us without access to such a thing, watching it several times on a large screen while dragging the view around is a more than adequate substitute. If seeing the aurora borealis in person wasn’t already on your bucket list, it is now. Dang. (via the kid should see this)
NASA engineer Kevin Gill stitched together images from two 1998 observations of Europa by the Galileo spacecraft to create this super smooth flyover video of the icy Jovian moon. The details:
Processed using low resolution color images (IR, Green, Violet) from March 29 1998 overlaying higher resolution unfiltered images taken September 26 1998. Map projected to Mercator, scale is approximately 225.7 meters per pixel, representing a span of about 1,500 kilometers.
The Crab Nebula is the result of a supernova that happened 6,500 light years away from Earth. From our perspective, the supernova happened almost 1000 years ago, in July, 1054. Using a home-built telescope, amateur astronomer Detlef Hartmann took a photos of the Crab Nebula over a ten-year period and assembled them into a time lapse video of the nebula’s expansion. Even after a millennia and across all that distance, the expansion of the nebula is clearly visible. And why not, those gases are moving at a clip of 1400 kilometers per second (more than 3 million miles per hour or 0.5% the speed of light).
As Phil Plait notes, we’re used to seeing things in our solar system move in the skies, but far-away bodies? That’s just weeeeeird.
Sure, the Moon moves in the sky, and the planets around the Sun, but deep sky objects — stars, nebulae, galaxies — are so distant that any physical motion at all is incredibly difficult to detect. They may as well be frozen in time. Being able to see it… that’s astonishing.
Hartmann’s is not the first Crab Nebula animation; I also found animations using images from 2002 & 2012, 1973 & 2001, 1999 & 2012, and 1950 & 2000. Someone with an interest in astronomy and photo/video editing should put all these views together into one 68-year time lapse of the nebula’s expansion.
NASA’s Curiosity rover has been on Mars for more than 2000 days now, and it has sent back over 460,000 images of the planet. Looking at them, it still boggles the mind that we can see the surface of another planet with such clarity, like we’re looking out the window at our front yard. Alan Taylor has collected a bunch of Curiosity’s photos from its mission, many of which look like holiday snapshots from the rover’s trip to the American Southwest.
Because of light pollution from urban areas, many people around the world don’t know what the night sky actually looks like. Sriram Murali made a video to illustrate light pollution levels by shooting the familiar constellation of Orion in locations around the US with different amounts of light pollution, from bright San Francisco to a state park in Utah with barely any light at all. In SF, about all you can see are the handful of stars that make up Orion’s belt, arms, and legs. But as the locations get darker, the sky explodes in detail and Orion is lost among the thousands of visible stars (and satellites if you look closely).
This video is a followup to one Murali made of the Milky Way in increasingly dark locations, which is even more dramatic:
But he did the second video with Orion as a reference because many people had no concept of what the Milky Way actually looks like because they’ve never seen it before. Murali explains why he thinks light pollution is a problem:
The night skies remind us of our place in the Universe. Imagine if we lived under skies full of stars. That reminder we are a tiny part of this cosmos, the awe and a special connection with this remarkable world would make us much better beings — more thoughtful, inquisitive, empathetic, kind and caring. Imagine kids growing up passionate about astronomy looking for answers and how advanced humankind would be, how connected and caring we’d feel with one another, how noble and adventurous we’d be.
In Galileo’s time, nighttime skies all over the world would have merited the darkest Bortle ranking, Class 1. Today, the sky above New York City is Class 9, at the other extreme of the scale, and American suburban skies are typically Class 5, 6, or 7. The very darkest places in the continental United States today are almost never darker than Class 2, and are increasingly threatened. For someone standing on the North Rim of the Grand Canyon on a moonless night, the brightest feature of the sky is not the Milky Way but the glow of Las Vegas, a hundred and seventy-five miles away. To see skies truly comparable to those which Galileo knew, you would have to travel to such places as the Australian outback and the mountains of Peru.
Twilley: It’s astonishing to read the description of a Bortle Class 1, where the Milky Way is actually capable of casting shadows!
Bogard: It is. There’s a statistic that I quote, which is that eight of every ten kids born in the United States today will never experience a sky dark enough to see the Milky Way. The Milky Way becomes visible at 3 or 4 on the Bortle scale. That’s not even down to a 1. One is pretty stringent. I’ve been in some really dark places that might not have qualified as a 1, just because there was a glow of a city way off in the distance, on the horizon. You can’t have any signs of artificial light to qualify as a Bortle Class 1.
A Bortle Class 1 is so dark that it’s bright. That’s the great thing — the darker it gets, if it’s clear, the brighter the night is. That’s something we never see either, because it’s so artificially bright in all the places we live. We never see the natural light of the night sky.
If you’d like to find a place near you with less light pollution, check out The Light Pollution Map. I’m lucky enough to live in a place with a Bortle class of 3 and I’ve visited class 2 locations before…visiting one of the class 1 parks out west is definitely on my bucket list.
A Caterpillar in the Carina Nebula. Scattered across the enormous Carina nebula are numerous dense clumps of cosmic gas and dust called Bok globules, including this one, which resembles a huge glowing caterpillar. First described by by astronomer Bart Bok, the globules are relatively small, dark, and cold regions made up of molecular hydrogen, carbon oxides, helium, and dust. The glowing edge of the caterpillar indicates that it is being photoionized by the hottest stars in the surrounding cluster. It has been hypothesized that stars may form inside these dusty cocoons.
The last time that the four trajectory thrusters on the Voyager 1 probe were fired, Jimmy Carter was still President of the United States. But with the main attitude control thrusters deteriorating from trying to keep the probe oriented correctly, the team thought they could keep the mission going using the trajectory thrusters. So they fired them up.
On Tuesday, Nov. 28, 2017, Voyager engineers fired up the four TCM thrusters for the first time in 37 years and tested their ability to orient the spacecraft using 10-millisecond pulses. The team waited eagerly as the test results traveled through space, taking 19 hours and 35 minutes to reach an antenna in Goldstone, California, that is part of NASA’s Deep Space Network.
Lo and behold, on Wednesday, Nov. 29, they learned the TCM thrusters worked perfectly — and just as well as the attitude control thrusters.
Voyager 1 was launched in 1977, is currently more than 13 billion miles from Earth, and is still functional and doing science. Incredible.
Astronomers have confirmed that an object that recently passed by our planet is from outside our Solar System — the first interstellar asteroid that’s ever been observed. And it doesn’t look like any object we’ve ever seen in our cosmic neighborhood before.
Follow-up observations, detailed today in Nature, have found that the asteroid is dark and reddish, similar to the objects in the outer Solar System. It doesn’t have any gas or dust surrounding it, like comets do, and it’s stretched long and skinny, looking a bit like an oddly shaped pen. It’s thought to be about a quarter-mile long, and about 10 times longer than it is wide. That makes it unlike any asteroids seen in our Solar System, none of which are so elongated.
Here’s a video of the asteroid’s path through the solar system:
Um, folks…that looks like a rocket. How do we know this “asteroid” isn’t actually an ancient alien ship that’s become encrusted with rock over millions of years? Or an ancient weapon gone awry? We’ve all seen the first Star Trek movie, right? (I am only a little bit kidding about this.)
Update: Scientists — or at least one scientist who has a billionaire’s ear — think that’s there’s something a little odd about Oumuamua, so they’re going to check it for radio signals. Spoiler: they’re not going to find any, but wouldn’t it be fun if they did!?
A few months later, another collaboration found that ‘Oumuamua wasn’t just being pulled by the sun’s gravity. Instead, it was being slightly accelerated by an unseen force, which they argued could only be attributed to comet “outgassing” acting like a thruster. With this additional information, the case appeared to be closed. “Interstellar asteroid is really a comet,” read the headline of a press release put out by the European Space Agency.
Designed by Teun van der Zalm, Nebulae is a computer generated nebula set to atmospheric music by Lee Rosevere. Worth seeking out a large screen for viewing. Several of van der Zalm’s other videos are equally beautiful variations on the same theme.
LRO WAC images have a resolution of about 100 meters per pixel over a swath of about 60 km of lunar surface (using what’s called the pushbroom technique, similar to how a flatbed scanner works). They are usually taken straight down, toward the spacecraft nadir (the opposite of the zenith). To get the correct perspective for the Moon as a globe, Doran took the images, along with altimeter data, and mapped them onto a sphere. That way features near the edge look foreshortened, as they really do when you look at the entire Moon. He also used Apollo images to make sure things lined up. So the image isn’t exactly scientifically rigorous, but it is certainly spectacular.
In a Twitter thread, author Oliver Morton compares the physical scale of the Universe with its age (from the perspective of humans).
If a human life is 70 years long, there has been room for 200 million lives since the big bang, but 200 million humans, end to end, would reach just a bit further than the moon. If you had started walking towards the centre of the galaxy on the day of the big bang (had there been days, you, paths & galaxies), you would have got about 20 parsecs by now: just 0.25% of the way.
Maybe walking pace is the wrong metric. A nerve impulse travels around 70 times faster than a person walks. But even at the speed of thought, the age of the universe is too small for something to have reached the centre of the galaxy.
The situation is even worse when you choose another reference object, like UY Scuti, the largest known star. The red hypergiant is nearly 1.5 billion miles across and, because of its size and position near the center of the galaxy, is probably around 13 billion years old, just a few hundred million years younger than the age of the Universe itself.
Even if you use light as a marker, the size of Universe remains unfathomably immense. Over the course of the Universe’s lifetime, a photon could have travelled 13.8 billion light-years, just 15% of the current estimate of the Universe’s diameter of 93 billion light-years. See also what are the physical limits of humanity?
I’m not sure exactly what I expected, but this wasn’t it. I’d seen photos of coronas around suns, but this wasn’t that. And I’d expected that those photos, like many astronomical pictures, are long exposure, other wavelengths, and otherwise capturing things the naked eye can’t see. I thought there might be a glow of light in a circle, or nothing, or, I don’t know. What I did not expect was an unholy horror sucking the life and light and warmth out of the universe with long reaching arms, that what I’d seen in pictures was not an exaggeration but a failure to capture the extent of this thing that human eyes, and not cameras, are uniquely suited to absorb the horror of.
I protest the idea that the sun, or the moon, or the hole in the universe where the sun was ripped away from us, was black. It was not black. It was a new color, perceivable to the human eye only in certain conditions. I’ve read the literature on color perception and color philosophy. I’ve got the ontological chops. I feel qualified to make this statement, that this thing in the sky was not black. I could understand why people would describe it as black, just as without a word for red you might describe blood as black. But it wasn’t, and so no photograph could possibly capture what it’s like, and no screen can yet display it.
For a pair of projects, Penelope Umbrico collected hundreds of photos of full Moons from Flickr and arranged them into massive wall-sized collages.
Everyone’s Photos Any License, looks at a purportedly more rarified photographic practice: taking a clear photograph of the full moon requires expensive specialized photographic equipment. However, when I searched Flickr for ‘full moon’ I was surprised to find 1,146,034 nearly identical, technically proficient images, most with the ‘All Rights Reserved’ license. Seen individually any one of these images is impressive. Seen as a group, however, they seem to cancel each other out. Everyone’s Photos Any License seeks to address the shifts in meaning and value that occur when the individual subjective experience of witnessing and photographing is revealed as a collective practice, seen recontextualized in its entirety.
For one of the project, Umbrico requested permission to display “Rights Reserved” photos from 654 photographers in exchange for 1/654 of the profit from any potential sale. Many of them were not into that arrangement, so she substituted images with Creative Commons licences instead.
Put on by the Royal Observatory Greenwich, The Astronomy Photographer of the Year is the largest competition of its kind in the world. For the 2017 awards, more than 3800 photos were entered from 91 countries. It’s astounding to me that many of these were taken with telescopes you can easily buy online (granted, for thousands of dollars) rather than with the Hubble or some building-sized scope on the top of a mountain in Chile.
The photos above were taken by Andriy Borovkov, Alexandra Hart, and Kamil Nureev.
Spacetime Coordinates sells prints, metal mementos, and t-shirts that feature the planets of the solar system in the exact locations they were in on the date of your birth (or other significant date). For their new Kickstarter campaign, they’re offering color prints.
When I was a kid, I spent far too many hours mucking around in Lotus 1-2-3 trying to make a spreadsheet to calculate how often all the planets in the solar system would line up with each other (disregarding their differing planes, particularly Pluto’s).1 I could never get it working. Turns out that a precise alignment has probably never occurred, nor will it ever. But all the planets are “somewhat aligned” every 500 years or so. Neat! (via colossal)
I spent many more hours making a spreadsheet of every single baseball card I owned and how much it was worth, updated by hand from Beckett’s price guide. Time well spent?↩
On one of its final passes of Saturn, the Cassini probe captured this image of a wave structure in Saturn’s rings known as the Janus 2:1 spiral density wave. The waves are generated by the motion of Janus, one of Saturn’s smaller moons.
This wave is remarkable because Janus, the moon that generates it, is in a strange orbital configuration. Janus and Epimetheus (see “Cruising Past Janus”) share practically the same orbit and trade places every four years. Every time one of those orbit swaps takes place, the ring at this location responds, spawning a new crest in the wave. The distance between any pair of crests corresponds to four years’ worth of the wave propagating downstream from the resonance, which means the wave seen here encodes many decades’ worth of the orbital history of Janus and Epimetheus. According to this interpretation, the part of the wave at the very upper-left of this image corresponds to the positions of Janus and Epimetheus around the time of the Voyager flybys in 1980 and 1981, which is the time at which Janus and Epimetheus were first proven to be two distinct objects (they were first observed in 1966).
The photograph is also an optical illusion of sorts. The rings appear to be getting farther away in the upper lefthand corner but the plane of the photograph is actually parallel to the plane of the rings…it’s just that the wavelength of the density wave gets shorter from right to left.
Update: Here are those density waves converted into sound waves. The first set sounds like an accelerating F1 car.
Seán Doran shared some recently processed photos of Jupiter that he worked on with Gerald Eichstädt. The photos were taken by NASA’s Juno probe on a recent pass by the planet. These are like Impressionist paintings…you could spend hours staring at the whirls & whorls and never find your way out. There are more images of Jupiter in Doran’s Flickr album, including this high-resolution shot that you can download for printing.
I had seen a partial eclipse in 1970. A partial eclipse is very interesting. It bears almost no relation to a total eclipse. Seeing a partial eclipse bears the same relation to seeing a total eclipse as kissing a man does to marrying him, or as flying in an airplane does to falling out of an airplane. Although the one experience precedes the other, it in no way prepares you for it.
I heard lots of disappointment with the eclipse among friends and on social media. It was neat — look, there’s a chunk out of the Sun — but they thought it would be darker or that the air would get colder. But none of that stuff really happens unless you’re really close to totality…and then it goes completely dark and your brain turns inside out. Twitter user @hwoodscotty said:
Probably the coolest thing I’ve ever seen. Totality is so much different than even 99%. 10/10 Would recommend.
Standing on a mountaintop for totality was crossing into another dimension, suddenly finding ourselves on another world. Amazing. Sparkling ring, sun fire ghostly streaming, darkest circle. I understand now why people chase the eclipse. Totality is unlike anything. Entire landscape shifted, valleys, hills, mountains painted in nightcolour and cold. Sparkling planets came out in a midnight sky.
But back to Dillard’s piece…this part, about the shadow rushing towards them, sounds amazing:
I have said that I heard screams. (I have since read that screaming, with hysteria, is a common reaction even to expected total eclipses.) People on all the hillsides, including, I think, myself, screamed when the black body of the moon detached from the sky and rolled over the sun. But something else was happening at that same instant, and it was this, I believe, which made us scream.
The second before the sun went out we saw a wall of dark shadow come speeding at us. We no sooner saw it than it was upon us, like thunder. It roared up the valley. It slammed our hill and knocked us out. It was the monstrous swift shadow cone of the moon. I have since read that this wave of shadow moves 1,800 miles an hour. Language can give no sense of this sort of speed — 1,800 miles an hour. It was 195 miles wide. No end was in sight — you saw only the edge. It rolled at you across the land at 1,800 miles an hour, hauling darkness like plague behind it. Seeing it, and knowing it was coming straight for you, was like feeling a slug of anesthetic shoot up your arm. If you think very fast, you may have time to think, “Soon it will hit my brain.” You can feel the deadness race up your arm; you can feel the appalling, inhuman speed of your own blood. We saw the wall of shadow coming, and screamed before it hit.
Next time, and there will definitely be a next time, I’m hoping to get up high somewhere so I can see the shadow and more of the 360-degree sunset. BRB, pricing plane tickets to Argentina…
Update: Before the 2017 eclipse, Vox talked to some eclipse chasers about what it’s like to witness a total solar eclipse.
now that i’ve recovered from the drive, i can say that a lot of what these eclipse chasers told me makes sense now. agree completely that it’s something you have to see for yourself. what was different for me though is …. i got pretty sad. there’s a fine line between awe and grief. maybe in a different year it would have gone the other way, but tbh every exceptionally beautiful sunset makes me a tiny bit sad too. but this was sunset sadness times a thousand. absolutely punched by the impermanence. i hope i see it again and i hope you can see it too.
I was not prepared for how incredible the total eclipse was. It was, literally, awesome. Almost a spiritual experience. I also did not anticipate the crazy-ass, reverse storm-chasing car ride we’d need to undertake in order to see it.
I’m not a bucket list sort of person, but ever since seeing a partial eclipse back in college in the 90s (probably this one), I have wanted to witness a total solar eclipse with my own eyes. I started planning for the 2017 event three years ago…the original idea was to go to Oregon, but then some college friends suggested meeting up in Nebraska, which seemed ideal: perhaps less traffic than Oregon, better weather, and more ways to drive in case of poor weather.
Well, two of those things were true. Waking up on Monday, the cloud cover report for Lincoln didn’t look so promising. Rejecting the promise of slightly better skies to the west along I-80, we opted instead to head southeast towards St. Joseph, Missouri where the cloud cover report looked much better. Along the way, thunderstorms started popping up right where we were headed. Committed to our route and trusting this rando internet weather report with religious conviction, we pressed on. We drove through three rainstorms, our car hydroplaning because it was raining so hard, flood warnings popping up on our phones for tiny towns we were about to drive through. Morale was low and the car was pretty quiet for awhile; I Stoically resigned myself to missing the eclipse.
But on the radar, hope. The storms were headed off to the northeast and it appeared as though we might make it past them in time. The Sun appeared briefly through the clouds and from the passenger seat, I stabbed at it shining through the windshield, “There it is! There’s the Sun!” We angled back to the west slightly and, after 3.5 hours in the car, we pulled off the road near the aptly named town of Rayville with 40 minutes until totality, mostly clear skies above us. After our effort, all that was missing was a majestic choral “ahhhhhh” sound as the storm clouds parted to reveal the Sun.
My friend Mouser got his camera set up — he’d brought along the 500mm telephoto lens he uses for birding — and we spent some time looking at the partial eclipse through our glasses, binoculars (outfitted with my homemade solar filter), and phone cameras. I hadn’t seen a partial eclipse since that one back in the 90s, and it was cool seeing the Sun appear as a crescent in the sky. I took this photo through the clouds:
Some more substantial clouds were approaching but not quickly enough to ruin the eclipse. I pumped my fist, incredulous and thrilled that our effort was going to pay off. As totality approached, the sky got darker, our shadows sharpened, insects started making noise, and disoriented birds quieted. The air cooled and it even started to get a little foggy because of the rapid temperature change.
We saw the Baily’s beads and the diamond ring effect. And then…sorry, words are insufficient here. When the Moon finally slipped completely in front of the Sun and the sky went dark, I don’t even know how to describe it. The world stopped and time with it. During totality, Mouser took the photo at the top of the page. I’d seen photos like that before but had assumed that the beautifully wispy corona had been enhanced with filters in Photoshop. But no…that is actually what it looks like in the sky when viewing it with the naked eye (albeit smaller). Hands down, it was the most incredible natural event I’ve ever seen.
After two minutes — or was it several hours? — it was over and we struggled to talk to each other about what we had just seen. We stumbled around, dazed. I felt high, euphoric. Raza Syed put it perfectly:
It was beautiful and dramatic and overwhelming — the most thrillingly disorienting passage of time I’ve experienced since that one time I skydived. It was a complete circadian mindfuck.
After waiting for more than 20 years, I’m so glad I finally got to witness a total solar eclipse in person. What a thing. What a wondrous thing.
This video from the Weather Channel is pretty neat and useful: a play-by-play of what to expect during the eclipse, from being able to see Venus in broad daylight to animals possibly acting weird to the 360-degree “sunset” that happens about 2 minutes before totality.
On March 8-9, 2016, a total solar eclipse swept across the Pacific Ocean for more than 5 hours. About a year before the eclipse, Hayden Planetarium astronomer Joe Rao realized Alaska Airlines flight 870 from Anchorage to Honolulu would pass right through the path of totality…but 25 minutes too early. Rao called the airline and convinced them to shift the flight time.
Alaska’s fleet director, Captain Brian Holm, reviewed the proposed flight path and possible in-route changes to optimize for the eclipse. The schedule planning team pushed back the departure time by 25 minutes, to 2 p.m.
On the day of the flight, Dispatch will develop the specific flight plan, to find the most efficient route and account for weather and wind. Maintenance and maintenance control will help make sure the plane is ready to go — they even washed all the windows on the right side of the plane.
Captain Hal Andersen also coordinated with Oceanic Air Traffic Control, to make them aware that the flight might require a few more tactical changes then normal.
“The key to success here is meeting some very tight time constraints — specific latitudes and longitudes over the ocean,” Andersen said. “With the flight management computer, it’s a pretty easy challenge, but it’s something we need to pay very close attention to. We don’t want to be too far ahead or too far behind schedule.”
July 11, 2010. That was the eclipse over Easter Island, the one for which hotel room rates were so high that there was no way Kentrianakis could afford it. Instead, he considered attempting a trip to Argentina, where experts predicted there was a 5 percent chance of clear skies. His wife at the time, Olga, urged him not to go — it’s not worth the expense, she insisted. Reluctantly, Kentrianakis stayed home.
“It was the beginning of the end for us,” Kentrianakis says. There were problems in the marriage before that episode, “but it affected me that I felt that she didn’t really appreciate what I loved.” They were divorced the following year.
Kentrianakis doesn’t like to dwell on this, or the other things he’s given up to chase eclipses. He knows his bosses grumbled about the missed days of work. Friends raise their eyebrows at the extremes to which he goes. He’s unwilling to admit how much he’s spent on his obsession.
“There is a trade-off for everything, for what somebody wants,” he says.
For this year’s eclipse, Alaska Airlines is doing a special charter flight for astronomy nerds and eclipse chasers. Depending on how this eclipse goes, seeing an eclipse from an airplane might be on my bucket list for next time. (via @coudal)
The Exploratorium in San Francisco has produced a great explainer video about the science of predicting total solar eclipses. Each eclipse belongs to a repeating series of eclipses called a Saros cycle that repeats every 18 years 11 days and 8 hours.
There are now 40 active Saros cycles and the August 2017 eclipse belongs to Saros 145, which produced its first total eclipse in June 1909 and will produce its last total eclipse in September 2648.
Timeline of the far future is one of my favorite pages on Wikipedia. It details what might happen to humanity, human artifacts, the Earth, the solar system, and the Universe from 10,000 years from now until long past the heat death of the Universe. Information is Beautiful has made a lovely infographic of the timeline.
Reading through the timeline is a glorious way to spend time…here are a few favorites I noticed this time around as well as some from my first post.
August 20, 10,663: “A simultaneous total solar eclipse and transit of Mercury.”
20,000 years: “The Chernobyl Exclusion Zone, the 1,000 sq mi area of Ukraine and Belarus left deserted by the 1986 Chernobyl disaster, becomes safe for human life.”
296,000 years: “Voyager 2 passes within 4.3 light-years of Sirius, the brightest star in the night sky.”
1 million years: “Highest estimated time until the red supergiant star Betelgeuse explodes in a supernova. The explosion is expected to be easily visible in daylight.”
1 million years: “On the Moon, Neil Armstrong’s ‘one small step’ footprint at Tranquility Base will erode by this time, along with those left by all twelve Apollo moonwalkers, due to the accumulated effects of space weathering.”
15.7 million: “Half-life of iodine-129, the most durable long-lived fission product in uranium-derived nuclear waste.”
100 million years: “Future archaeologists should be able to identify an ‘Urban Stratum’ of fossilized great coastal cities, mostly through the remains of underground infrastructure such as building foundations and utility tunnels.”
1 billion years: “Estimated lifespan of the two Voyager Golden Records, before the information stored on them is rendered unrecoverable.”
4 billion years: “Median point by which the Andromeda Galaxy will have collided with the Milky Way, which will thereafter merge to form a galaxy dubbed ‘Milkomeda’.”
7.59 billion years: The Earth and Moon are very likely destroyed by falling into the Sun, just before the Sun reaches the tip of its red giant phase and its maximum radius of 256 times the present-day value. Before the final collision, the Moon possibly spirals below Earth’s Roche limit, breaking into a ring of debris, most of which falls to the Earth’s surface.
100 billion years: “The Universe’s expansion causes all galaxies beyond the Milky Way’s Local Group to disappear beyond the cosmic light horizon, removing them from the observable universe.”
In a meditative video for the NY Times, Dennis Overbye takes us on a tour of eclipses that happen in our solar system and beyond.
On the 21st day of August, 2017, the moon will slide between the Earth and the sun, painting a swath of darkness across North America. The Great American Solar Eclipse. An exercise in cosmic geometry. A reminder that we live on one sphere among many, all moving to the laws of Kepler, Newton and Einstein.
Humans have many more vantage points from which to observe solar eclipses than when the last solar eclipse occurred in the US in 1979. I had no idea that the Mars rovers had caught partial solar eclipses on Mars…so cool. (via @jossfong)
Well, the short answer is that they don’t happen all that often and when they do, they’ve visible from only a small bit of Earth. Joss Fong elaborates in a video for Vox.
The next total solar eclipse to visit the US will be in 2024. If an eclipse happens to come to your town, you’re lucky. Any given location will see a total solar eclipse only once in more than 300 years, on average. The vast majority of us will have to travel to an eclipse path if we want to see a total eclipse in our lifetimes.
I’m off to Nebraska in August to meet up with some friends and see the eclipse. (And that 2024 eclipse Fong mentions? The path of totality goes right over my damn house. Woooo!) But no matter where you are in North America, you can enjoy the eclipse…just make sure you buy some safety glasses (and other supplies) if you want to look directly at the Sun. (via @veganstraightedge)
Important update: Since I published this guide a month ago, NASA and the AAS have updated their recommendation on buying solar safety glasses due to reports of counterfeit eclipse glasses. They no longer recommend looking for the ISO rating alone but only buying from a recommended manufacturer. If you have purchased glasses or are going to purchase glasses, read this page carefully before using them, paying particular attention to this bit:
Unfortunately, you can’t check whether a filter meets the ISO standard yourself — doing so requires a specialized and expensive piece of laboratory equipment called a spectrophotometer that shines intense UV, visible, and IR light through the filter and measures how much gets through at each wavelength. Solar filter manufacturers send their products to specialized labs that are accredited to perform the tests necessary to verify compliance with the ISO 12312-2 safety specifications. Once they have the paperwork that documents their products as ISO-compliant, they can legitimately use the ISO logo on their products and packaging.
Even more unfortunately, unscrupulous vendors can grab the ISO logo off the internet and put it on their products and packaging even if their eclipse glasses or viewers haven’t been properly tested. This means that just seeing the ISO logo or a label claiming ISO 12312-2 certification isn’t good enough. You need to know that the product comes from a reputable manufacturer or one of their authorized dealers.
Amazon recently sent out emails to the buyers of the plastic-framed glasses I bought and linked to here (“habibee 4-Pack Black Plastic Eclipse Glasses CE & ISO Certified 2017 Safe Solar Eclipses Viewing Shades Block Sun Ultraviolet UV Lights Goggles”), saying that they have “not received confirmation from the supplier of your order that they sourced the item from a recommended manufacturer” and, to their credit, have automatically issued refunds to those buyers. They also appear to have removed any products from their site that aren’t sourced from a recommended manufacturer. This doesn’t necessarily mean the glasses are faulty…it just means the solar filter paper used for the lenses can’t be sourced. Again, read this page carefully before deciding to use any glasses you may have purchased. I tested a pair this morning, looking at bright light bulbs and they seem appropriately dark, but as noted by the AAS, who knows about the UV and IR filtering? I’m throwing mine out.
The cardboard-framed glasses I linked to (while currently sold out) are manufactured by American Paper Optics, which is on the AAS’s list of reputable vendors. Also on the list is the manufacturer of the solar filter sheets, Thousand Oaks Optical. The two cardboard camera lens covers I linked to have been deleted from Amazon, a sign that their sourcing cannot be verified. I’ve updated the links and text below to only include links to products on the list of reputable vendors. Most are sold out at this point anyway, so…
I wish I’d had these new NASA and AAS recommendations a month ago…I obviously would have followed them closely in making buying choices & recommendations. That some unscrupulous manufacturers are using people’s enthusiasm for science and viewing the eclipse to sell potentially harmful products makes me angry and sick to my stomach. Luckily Amazon is doing the right thing here with refunds and safety notices. And thanks to NASA and the AAS for their guidance…again please read this before using your eclipse glasses, even ones you may have gotten free from your public library or through other organizations. /end update
On August 21, 2017 across the entire United States, the Moon will move in front of the Sun, partially blocking it from our view. For those on the path of totality, the Moon will entirely block out the Sun for more than 2 minutes. I’ve been looking forward to seeing a total solar eclipse since I was a little kid, so I’ve been doing a lot of research on what to buy to enjoy the eclipse safely. Here’s what I’ve come up with.
I’ve oriented this guide toward the enthusiastic beginner, someone who’s excited about experiencing the wonder of the eclipse with their friends & family but isn’t interested in expensive specialty gear or photography (like me!). And, again, since you will be able to see this eclipse from everywhere in North America to some degree, this guide applies to anyone in the US/Canada/Mexico.
In planning for eclipse viewing, please check out NASA’s safety notes for more information. Make sure that whatever you buy, it’s properly rated for naked eye solar viewing. Looking directly at the Sun without a proper filter can cause permanent damage, particularly through binoculars, a camera lens, or a telescope.
Note: If you’re going to get eclipse supplies, now is the time. Some of this stuff will probably be very difficult to find (or very expensive) as we approach August 21 — for instance, shipping estimates on Amazon for some of the glasses are mid-August already.
Solar eclipse glasses are essential. Right up until the Sun goes completely behind the Moon (if you’re on the path of totality), you will want to look at the crescent-shaped Sun and you’ll need certified safety glasses to do so. Regular sunglasses will not work! Do not even. There are several options…find some in stock that ship soon. Note: If you have young kids, splurge for the plastic framed glasses (if you can find them…most are sold out now)…my testing indicates the cardboard ones don’t stay on smaller heads as well.
Make a pinhole viewer. A pinhole viewer will let you see the shape of the eclipsed Sun without having to look directly at it. This Exploratorium guide should get you started. All you need in terms of supplies you probably have lying around at home: aluminum foil, paper, cardboard, etc. I suspect Kelli Anderson’s This Book is a Camera ($27) might also work if you play with the exposure times?
Apply good sunscreen. You’ve got your eye protection down, now for the rest of yourself. The eclipse is happening in the middle of the day in much of the country, in what you hope will be complete sunshine, so bring some sunscreen. The Sweethome recommendsthis SPF 70 Coppertone for $9. Wear a cap. Stay in the shade. Bonus for shading yourself under trees: the gaps between the leaves will form little pinhole lenses and you’ll see really cool patterns:
A nice pair of binoculars. If you’re in the path of totality, you might want a pair of binoculars to look more closely at the totally eclipsed Sun (after checking that it’s safe!!). I’m guessing you don’t want to buy a pair of specialty astronomy binoculars, so the best binoculars are probably ones you already own. If you don’t already have a pair, The Wirecutter recommendsthe Midas 8 x 42 binoculars by Athlon Optics ($290) with the Carson VP 8x42mm ($144) as a budget pick. (For solar filter options, see below.)
A solar filter for your camera. If you have a camera, they might make a solar filter for whatever lens you want to use. Hydrogen alpha filters will allow you to see the most detail — “crazy prominences and what-not” in the words of a photography pal of mine — but are also pretty expensive. You can buy solar filter sheets ($29) to make your own lens coverings for your camera, binoculars, or telescope. Quality will likely not be fantastic, but you’ll get something. Safety warning: place any filters in front of lenses or it can burn a hole in the filter (and then into your eye); i.e. don’t use binoculars in front of safety glasses!!
Note for budding solar photographers: Shooting the eclipse will be challenging. First there’s too much light and you’ll need a filter. Then when totality occurs, you’ll be in the dark needing a tripod and a fast lens. Plan accordingly…or leave it all at home and look at the thousands of photos taken by pro photographers after the fact.
Ok, that’s it. Have a good eclipse and stay safe!
Update: I removed a reference to the plastic-rimmed safety glasses I ordered because the image has changed on this item since I ordered them and published this guide…it’s now a wire-rimmed pair of glasses. I would recommend getting something else instead, just to be safe. (thx, @kahnnn)
Update: NASA has been alerted that some of the paper glasses being sold are not safe for viewing the eclipse. When buying, look for the ISO icon (referencing 12312-2) and for glasses made by these recommended manufacturers: American Paper Optics, Rainbow Symphony, Thousand Oaks Optical, or TSE 17. (via @ebellm)
Update: The Wirecutter has released their guide to The Best Solar Eclipse Glasses and Filters and they recommend the Celestron EclipSmart 2x Power Viewers (2-pack for $10), which provide not only certified eye protection but a nice 2X zoom.
Vox’s Joss Fong assembles a scale model of Stonehenge and explains some of the ancient monument’s geometry, the geology of the stone it’s built from, and the its possible astronomical significance.
Stonehenge is a popular destination for summer solstice celebrations because the 5,000-year-old monument points toward the summer solstice sunrise on the horizon. However, it also points to the winter solstice sunset in the opposite direction and there’s good reason to believe that this may have been the more important alignment for the Neolithic people who built Stonehenge. We investigate by constructing a tiny model of the Stonehenge monument.
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