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I am still stinge watching my way through the second season of Strange New Worlds, but the third season of the show premieres sometime this summer, so I’d better finish it up before then. Anyway, I love this show and crew and the trailer looks appropriately kooky and wacky so let’s goooo!
Using paint in water to simulate clouds or smoke, Rudy Willingham created these magical scenes of characters from Severance (Instagram).
Willingham also created this cool animated zoetrope record with dancing Severance characters.
Disney has uploaded the first three episodes of season one of Andor to YouTube:
No idea how long they will be up or if they’re visible outside of the US. I started an Andor rewatch last week and I am finding it more enjoyable and interesting than I did the first time around. The writers obviously did their research on how fascism, dictatorships, and rebellions work — in almost every scene, you observe characters reacting and interacting with the constraints of bureaucratic totalitarianism. Very interesting to watch in this political moment. (via @rebeccablood.bsky.social)
This is the dumbest thing but it had me rolling in the aisles this morning: Star Trek TNG Theme but the theme music is coming from the Enterprise-D. It takes a bit to get going, but I laughed so hard when the ship whooshed by for the first time.
The same creator has made a number of videos in this vein, including The Imperial March but it’s coming from Vader’s chest control panel and Star Trek DS9 Theme but the theme is coming from DS9 Ops.
Whoa, HBO has made a third installment of Eyes on the Prize, the landmark series on the American Civil Rights Movement. The trailer is above and you can watch the six-part series on HBO or Max right now.
The first two series, which are amongst the best television ever aired, covered events from 1954–1965 (part one) and 1965–1985 (part two). Eyes on the Prize III covers significant events from 1977-2015, including:
Featured participants include Angela Davis, Al Sharpton, congressman Kweisi Mfume, Kimberlé Crenshaw, Al Gore, Black Lives Matter co-founders Alicia Garza and Patrisse Cullors, and dozens of other activists, scholars, and politicians.
In a review for the Hollywood Reporter, Daniel Fienberg writes:
Eyes on the Prize III is, as the title suggests, a formal sequel to Eyes on the Prize II, a six-hour exploration of the “aftermath” of the Civil Rights Movement that makes it very clear that the movement has never ended, just as its real concerns were never fully resolved. It’s an emotional, inspiring and righteously angry series of vignettes that looks backward, while very clearly intending to reflect upon and instigate conversations about our fraught current moment.
The series isn’t perfect, but it’s utterly essential, sometimes feeling disheartening for the immediacy of that necessity.
In a post on Bluesky, Fienberg says “nothing you could watch this week is better”.
I don’t know about you, but I’m ready to watch an earnest show about an ultimately successful revolution against a fascist government. It will be interesting to see in this political climate whether Disney+ is the place to watch such a thing.
Apple TV+ is streaming an 8-hour remix of the Severance theme by ODESZA that is perfect music for your innie to refine macrodata to. The workday-long video is a 23-minute mix that’s looped and set to footage from the show. Legit adding this to the work music rotation. (via @margarita.bsky.social)
Hey look at this, a media diet post that’s not months and months since the last one! Phew, it’s a been a long-ass six weeks since the beginning of the year, hasn’t it? Here’s a list of what I’ve been reading, watching, listening to, and experiencing to help get me through the days.
Nosferatu (2024). Not usually a fan of horror movies, but I liked this a lot. Great acting and cinematography. (A-)
Shōgun by James Clavell. This took a bit to get fully into, but I was riveted for the last 600-800 pages, even though I knew what was going to happen from having seen the TV show. So much more delicious detail in the book though. A great reading experience. (A)
September 5. Loved this. Solid journalism thriller in the vein of Spotlight, The Post, and All the President’s Men. (A)
Silo (season two). In agreement with many other viewers that the middle of the season was not all that compelling, but the final two episodes were great. (B+)
Not Like Us. For whatever reason, I ignored the Drake/Kendrick feud, so I got to this late but wow. “Hey, hey, hey, hey, run for your life…” (A)
Arca Tulum. Eating at this sort of restaurant should yield exclamations like “I’ve never tasted anything quite like this”. I thought this at least three times at Arca. But also: a pile of rocks is not the ideal plate for messy food. (A-)
Aldo’s. This is a Mexican gelato chain and they had a Biscoff-flavored gelato that was so good that I went back for it three more times. (A)
Antojitos La Chiapaneca. This is the only restaurant I ate at twice in Tulum — their al pastor tacos are so good. (A)
The Serviceberry by Robin Wall Kimmerer. A quick read but very relevant to what’s happening in the world right now. In keeping with the theme, I left the book at my hotel for someone else to read. (B+)
Janet Planet. A little too contemplative for me. (B)
Abruzzo. Mario Carbone created the menu for this Italian place at the Newark Airport. I had the penne vodka and I think it was the best thing I have ever eaten at an airport? Is it insane that I kinda want to plan a trip with an EWR connection so that I can have it again? P.S. the Tripadvisor reviewers haaaated this place. (A)
Reservation Dogs (season three). I reviewed Res Dogs in the last media diet post (“I enjoyed the first season more than the subsequent two”) but I’d like another crack at it. The last three episodes of the show were fantastic, especially the hospital breakout and Elora meeting her dad. (A+)
Flow. Reminded me strongly of Studio Ghibli’s films, but this wonderful animated movie is also uniquely its own thing. (A+)
The Bends. My usual Radiohead fare tends towards Kid A and In Rainbows, but I’ve been listening to The Bends a lot lately and appreciating the less polished rockiness of it. (A-)
Wool. Since the book (more or less) covers the events of the first two seasons of the TV series, I read half of it after season one and the other half after the latest season. And…I think the TV series is much better? (B-)
Thelma. A gem of a film, like Mission Impossible crossed with About Schmidt (or maybe The Bucket List). June Squibb is *fantastic* in the lead role. (A)
The Great British Bake Off (2024). Overall I enjoyed this season — they recruited a selection of talented bakers and the changes they’ve made (e.g. getting away from stunt bakes). But I found the semifinal and final difficult to watch because one of the contestants forgot he was supposed to be entertaining on television and totally lost his composure. (B+)
GNX. I also reviewed this in the last media diet post but I’ve continued to listen and I think GNX may have moved past DAMN. as my favorite Kendrick album? (A+)
Hundreds of Beavers. Super fun and inventive…this is like an animated movie with video game elements made with live-action actors. If you’re the sort of person who loves movies like Monty Python and the Holy Grail, you’ll probably love this movie. (B+)
Orbital by Samantha Harvey. A reviewer complained that the final third of the book took on the style of a writing exercise and I agree. (B)
Bill & Ted’s Excellent Adventure. I must have watched this 50 times on VHS as a teenager — I can still recite every line. (A)
Alligator Bites Never Heal. Love this album. (A)
The Penguin. Colin Farrell is unrecognizable (and great) as Oz, and Cristin Milioti is a chillingly fantastic Sofia Falcone. The first few episodes were really strong but I felt it slipped a bit as the season went on. (A-)
I’m also in progress on Severance season two and Kaliane Bradley’s The Ministry of Time — but more on those next time.
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
Season two of Severance is underway and while the first episode didn’t have an opening title sequence, the second episode debuted a new sequence. The season one intro was inducted straight into the Unskippable Intros Hall of Fame and season two’s intro is just as good. Once again, the titles were done by Oliver Latta, who was found by Severance producer Ben Stiller via his Instagram account.
Oh this is just delightful: for the opening of his documentary film on the history of music on SNL he co-directed with Oz Rodriguez, Questlove produced what the NY Times calls “a high-speed, six-minute DJ mix of SNL music highlights”. So. Good.
From the same piece in the Times, Questlove explains how it came about:
It’s impossible for me to phone anything in, even if I wanted to. I just wanted to throw the ultimate D.J. gig and hook you in from the gate. It started off small, and it couldn’t stop.
In the beginning, I was just going in five-year intervals — what’s the three strongest moments between ‘75 and ‘80? — and do it that way. But I’m so programmed as a D.J. it’s physically impossible for me to gather a group of songs together and not start — that’s my version of improvisation. And once you put, like, 17 songs together, you have a conversation with yourself: “OK, are we really doing this?”
My producers said: “It’ll never happen! The clearance, the clearance!” This is the first time that I realized my diplomatic position in music. People say, “Ahmir, you might be the next Quincy Jones, because your whole thing is more social than creative, knowing the right people, knowing who’s who.” There were at least 19 situations in which I had to come hat in hand to said person, and mind you, this is for two seconds — Michael Bolton singing “Love Is a Wonderful Thing” just once.
He got every clearance except for Luciano Pavarotti:
The only outright no that I couldn’t fix was that Luciano Pavarotti was going to be part of the Bobby McFerrin-Busta Rhymes mash-up. But it was too much to explain to his estate, and I couldn’t go to Italy and whatever. It could have been brilliant, Bobby McFerrin and Pavarotti going toe to toe.
The film premieres tonight on NBC and will be available on Peacock starting tomorrow.
Update: According to Questlove’s Instagram post, the musical montage was edited by John MacDonald, Coordinating Producer of The Tonight Show. (via @solace.bsky.social)
Update: The YouTube video is now barely watchable — 2/3s of the screen is blurred. You’ll have to watch the film on Peacock to get the full experience.
In his ongoing series Cartoon Evolution, Dave Lee looks at how the character of Bugs Bunny has changed and evolved since his debut in 1938 as an unnamed rabbit in Porky’s Hare Hunt. It didn’t take long for the character to find its stride. From Wikipedia:
While Porky’s Hare Hunt was the first Warner Bros. cartoon to feature what would become Bugs Bunny, A Wild Hare, directed by Tex Avery and released on July 27, 1940, is widely considered to be the first official Bugs Bunny cartoon. It is the first film where both Elmer Fudd and Bugs, both redesigned by Bob Givens, are shown in their fully developed forms as hunter and tormentor, respectively; the first in which Mel Blanc uses what became Bugs’ standard voice; and the first in which Bugs uses his catchphrase, “What’s up, Doc?” A Wild Hare was a huge success in theaters and received an Academy Award nomination for Best Cartoon Short Subject.
You can explore more of Lee’s Cartoon Evolutions, including The Simpsons, Donald Duck, Winnie the Pooh, Super Mario (not strictly a cartoon), and James Bond (not at all a cartoon).
In 2017, Audible released a pair of immersive audio dramas of The X-Files, with David Duchovny as Mulder and Gillian Anderson as Scully, that fit “somewhere between season 10 and 11” of the TV series. Then at some point, Audible removed them from their site/service, making them completely unavailable. So, a fan put them up on YouTube for X-Files fans to enjoy.
The Cold Cases audio drama is 6 episodes and about 4 hours long; here’s the first episode:
The Stolen Lives audio drama is 7 episodes and about 3h 45m long; here’s the first episode:
(via ironic sans)
I finished the last half of Shōgun, James Clavell’s 1200-page 1975 historical novel, on my recent vacation, riveted the entire time. I loved reading it and possibly enjoyed it more than Hulu’s TV series (which is saying something). The TV version hews pretty closely to the text but the major difference is in the amount of detail and explanation available to the book’s readers. There’s just so much more intrigue & plotting in the book and the reader is much more aware of what’s going on than in the show (the reader has access to the inner dialogue of multiple characters), but without sacrificing any of the suspense or drama. And the end of the book is devastating — I was completely gutted by it.
Anyway, I’ve been poking around to see what else I can read/watch/listen to about Shōgun and the historical period in which it’s set. Here’s what I’ve found so far:
If anyone has any advice on what to watch/read/listen to about this period of Japanese history, please share it in the comments. The resources I found are mostly Western, so I’d be especially interested in English translations of Japanese resources.
Over the last few days, I’ve been reading Ken Liu’s new translation of Laozi’s Dao De Jing. (Liu translated the first and third books in The Three-Body Problem trilogy.) Today, on a dark day for America, I thought that we could all use some of his wisdom.
Favor takes power from you. When you don’t have it, you crave it. When you do have it, you dread losing it.
…
Thus, only those who can value the body politic as their own body should be entrusted with power; only those who love the body politic as they love themselves deserve authority.
On leaders:
The best sort? The people don’t even know they’re there. The next-best sort? The people love them and praise them. A rank below that? The people fear them. The worst? The people are contemptuous of them.
…
A country teetering on the edge of collapse is filled with patriots.
…
Why does a lord of ten thousand chariots treat the fate of the world so lightly?
…
Delight not in victory, for to delight in victory is to delight also in killing. Pleasure in killing will never win over the world.
…
Lords stride about in glorious clothes, carry sharp swords, eat so much good food that they’re sick of it, and hoard wealth beyond measure. They’re bandits and robbers, having wandered far from Dao.
…
The more people arm themselves, the more chaotic the country.
…
The people go hungry when those above eat too much. The people are hard to govern when those above crave great deeds. The people care little for lives when those above care too much about good living.
…
The soft and yielding overcome the strong and powerful.
Today I am also reminded of the words of another philosopher, The Wire’s drug kingpin Avon Barksdale, who had this to say about spending years in jail:
This ain’t no thing, man, you know what I mean? You come in here, man, and get your mind right — get in here and you do two days: that’s the day you come in this motherfucker and the day you get out this motherfucker.
Minds right, everyone. I’ll see you tomorrow, no matter what.
While designing a one-off t-shirt for a holiday gift, I stumbled across this amazing page on the Doctor Who Wiki about the design of the show’s title cards. It’s a pretty thorough resource and includes the typefaces used for the titles — like Grotesque, Eurostile, Futura, Della Robbia, and OPTI Formula One.
I put together a few representative samples from episodes featuring the first four Doctors, after which the designs get less interesting IMO. Enjoy.
See also a video of All Doctor Who Title Sequences: 1963-2023.
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