kottke.org posts about video
Working under the direction of The Edmond J. Safra Center for Ethics at Harvard University, a bipartisan group of experts in public health, economics, technology, and ethics have produced a plan for a phased reopening of public life in the United States through testing, tracing, and supported isolation. The video above summarizes the plan and here’s the full plan in the form of a 56-page PDF.
“Roadmap to Pandemic Resilience: Massive Scale Testing, Tracing, and Supported Isolation (TTSI) as the Path to Pandemic Resilience for a Free Society,” lays out how a massive scale-up of testing, paired with contact tracing and supported isolation, can rebuild trust in our personal safety and re-mobilize the U.S. economy.
Among the report’s top recommendations is the need to deliver at least 5 million tests per day by early June to help ensure a safe social opening. This number will need to increase to 20 million tests per day by mid-summer to fully re-mobilize the economy.
From the paper, here’s a quick overview:
What we need to do is much bigger than most people realize. We need to massively scale-up testing, contact tracing, isolation, and quarantine-together with providing the resources to make these possible for all individuals.
Broad and rapid access to testing is vital for disease monitoring, rapid public health response, and disease control.
We need to deliver 5 million tests per day by early June to deliver a safe social reopening. This number will need to increase over time (ideally by late July) to 20 million a day to fully remobilize the economy. We acknowledge that even this number may not be high enough to protect public health. In that considerably less likely eventuality, we will need to scale-up testing much further. By the time we know if we need to do that, we should be in a better position to know how to do it. In any situation, achieving these numbers depends on testing innovation.
Between now and August, we should phase in economic mobilization in sync with growth in our capacity to provide sustainable testing programs for mobilized sectors of the workforce.
The great value of this approach is that it will prevent cycles of opening up and shutting down. It allows us to steadily reopen the parts of the economy that have been shut down, protect our frontline workers, and contain the virus to levels where it can be effectively managed and treated until we can find a vaccine.
We can have bottom-up innovation and participation and top-down direction and protection at the same time; that is what our federal system is designed for.
This policy roadmap lays out how massive testing plus contact tracing plus social isolation with strong social supports, or TTSI, can rebuild trust in our personal safety and the safety of those we love. This will in turn support a renewal of mobility and mobilization of the economy. This paper is designed to educate the American public about what is emerging as a consensus national strategy.
The plan seems consistent with what economist Paul Romer has been saying — Without More Tests, America Can’t Reopen (And to make matters worse, we’re testing the wrong people) — and with the approach Hong Kong has been taking — Test and trace: lessons from Hong Kong on avoiding a coronavirus lockdown. See also the 4 plans to end social distancing, explained.
Unfortunately for this plan and for all of us, I have a feeling that the first true step in any rational plan to reopen the United States without unnecessary death and/or massive economic disruption that lasts for years is the removal of Donald Trump from office (and possibly also the end of the Republican-controlled Senate). Barring that, the ineffectual circus continues. (via @riondotnu)
A group in South Africa called WildEarth is broadcasting live safaris on YouTube twice a day, once at sunrise and again at sunset. The safaris take place in Greater Kruger National Park, run for about three hours each, and are archived online. Here’s a sunrise safari from last week:
Here’s their daily schedule:
The Sunrise Safari starts at 06:00 local time, which means start times of 00:00 PM ET, 21:00 PM PT, 04:00 in the UK [GMT], 05:00 in Central Europe, and 15:00 Sydney time.
The Sunset Safari starts at 15:30 CAT local time, 09:30 AM ET, 06:30 AM PT, 14:30 in the UK [BST], 15:30 in Central Europe, and 00:30 Sydney time.
Check out the safari archive for past shows and this playlist for some of the highlights. (thx, philip)
As part of the One World: Together at Home fundraiser organized by the WHO, Global Citizen, and Lady Gaga that raised $127.9 million for Covid-19 relief efforts, the members of the Rolling Stones, each in their own home, got together via video to perform You Can’t Always Get What You Want. It’s a lovely messy & spare performance and the choice of song is timely — plenty of people around the world are definitely not getting what they want right now, but hopefully we will eventually end up getting what we need.
With the help of Billie Eilish, Finneas O’Connell, the Jonas Brothers, and Chance the Rapper, John Krasinski threw a virtual prom for the nation’s high school students who are stuck at home because of the pandemic. This show is such a gift. Don’t miss Brad Pitt doing the weather report and a brief segment from the International Space Station.
In the Before Times, Netflix let teachers stream their programming in the classroom. With schools not in sessions due to the Covid-19 pandemic, Netflix has decided to put some of their educational programming on YouTube for free (full playlist here). For instance, they’ve put all 8 episodes of David Attenborough’s nature series Our Planet online in their entirety. Here’s the first episode:
The Our Planet website also has tons of educational information for schools and kids.
13th is a feature-length documentary by Ava DuVernay about how racial inequality in America drives our high incarceration rates:
13th is currently rated 97% on Rotten Tomatoes and NY Times reviewer Manohla Dargis called it “powerful, infuriating and at times overwhelming”. Here’s a discussion guide.
Eight full episodes of the first season of Abstract: The Art of Design are also available on YouTube (discussion guide). Here’s the episode featuring illustrator Christoph Niemann:
Several episodes of Vox’s series Explained are included, like this one on the racial wealth gap:
Also included are The White Helmets & Period. End of Sentence. (which each won an Oscar for Best Documentary Short Subject) as well as Knock Down The House, the documentary on the 2018 Congressional campaigns of four women (including Alexandria Ocasio-Cortez). See the full list of included shows and the full playlist on YouTube.
The Short of the Week this week stars Rachel Dratch as a history teacher struggling to find a spark in her life as a widow. Fitness classes aren’t working, so Dratch’s character tries something new: a introductory class on female domination.
From the premise alone, most might think that Kennelly is using BDSM as the butt of the joke, a cheap way to trigger laughs. Yet, she subverts those expectations but steering clear of a farcical approach. Instead, she plays with different levels of sensitivity and empowerment while remaining very respectful towards every single one of her characters, sourcing the comedy elements from a more genuine place, the awkwardness and practicality of the situations Marcy finds herself in.
Dratch is great in this — yet another comedic performer who excels at more serious roles — and I found the whole thing surprisingly tender and poignant, at its core a simple story of people looking for meaning and connection in their lives.
I’d say this is NSFW, but with many of you currently working from home, perhaps that’s not really a thing right now? (via @christopherjobs)
From Retro Report, a short video about how epidemics, past and present, have been represented in music. Blues musicians sang about the 1918 flu pandemic and pop stars wrote songs about HIV/AIDS.
A disease that killed tens of millions of people, more than the number who died in World War I, might not seem like a promising subject for a song, but the legendary Texas bluesman Blind Willie Johnson didn’t see it that way. In Dallas in 1928, Johnson recorded “Jesus Is Coming Soon,” an intense chronicle of the ravaging influenza pandemic of 1918-1919. In a growl that conveyed the horror of the illness, as well as its scarifying ubiquity, Johnson declared that the “great disease was mighty and the people were sick everywhere / It was an epidemic, it floated through the air.”
Other lines seem as if they could have been written yesterday: “Well, the nobles said to the people, ‘You better close your public schools / Until the events of death has ended, you better close your churches, too.’”
Stuck at home during the pandemic, filmmaker Nicolas Heller decided to hold a contest on Instagram to find the person with the best New York accent.
It would be impolitic to say that the New York accent is the signature American accent. You could argue, though, that the New York accent is the accent of the current crisis. It’s there in the burly roundness of the words coming out of Gov. Andrew Cuomo’s mouth, or the acidity in the tone of Dr. Anthony Fauci, or the way President Trump scrapes all of his syllables together. (Senator Bernie Sanders’s howling woof counts here, too.)
For New Yorkers, that’s made the conversation around the coronavirus feel as local as the pandemic’s actual impact. Watching the news can feel like watching quarrels between grouchy neighbors.
In this climate, the #BestNYAccent challenge was even more reassuring. A reminder of local resilience and stubbornness in the face of global trauma. A monument to history and place standing firm against titanic winds. A middle finger to life’s cruel dice roll.
Using traditional instruments, a Japanese Buddhist monk named Kossan performs delightfully earnest covers of rock songs. So far, he’s done Queen’s We Will Rock You, Yellow Submarine by the Beatles — both embedded above — Teenage Lobotomy by the Ramones, and a song by Japanese punk bank The Blue Hearts. The Queen one is my favorite, I think. (via open culture)
Directed by Halina Dyrschka, Beyond the Visible: Hilma af Klint is a new feature-length documentary on the groundbreaking abstract artist Hilma af Klint.
Before Kandinsky, Mondrian, and Klee made a name for abstraction in visual art, another artist had already beat them to their discovery. But until very recently, her name was absent from the history books. Swedish artist Hilma af Klint (1862-1944) painted her first abstract canvas in 1906, four years before Wassily Kandinsky, originally thought to be the movement’s pioneer. It would be more than a century before she would receive the same acknowledgment and acclaim as her male peers.
The film follows the recognition af Klint’s work received due to the 2018 show at the Guggenheim, which was one of my favorite exhibitions from the past few years.
The trailer is above and the film opens “in virtual theaters” in the US on April 17 through Kino Marquee — check for your local theater here. (via colossal)
Yet another gem from the Kid Should See This: a performance of Sergei Prokofiev’s Peter and the Wolf that combines live action, animation, and creative typography.
Aided by Toshi Omagari, who wrote Arcade Game Typography, Vox’s Estelle Caswell explores the origins and history of 8-bit arcade fonts. From the description of the book:
Video game designers of the ’70s, ’80s, and ’90s faced color and resolution limitations that stimulated incredible creativity. With each letter having to exist in a small pixel grid, artists began to use clever techniques to create elegant character sets within a tiny canvas.
As the creator of a tiny pixelated typeface, I find this stuff infinitely fascinating.
YouTube channel Great Big Story (which is a frequent source of videos for kottke.org) recently asked eight filmmakers in eight different countries to report in on how they, their families, and their communities are doing during the pandemic.
Our daily routines have been disrupted, and many of us have been separated from friends, family and work. We checked in on eight households to see how they are feeling, how they are passing the time, how they are keeping connected to others, and what they are looking forward to in a post-pandemic world. From Beijing, China, to Mashhad, Iran, to Melbourne, Australia, here’s how we’re all working through this thing, one day at a time, together.
They’re asking viewers to donate to the UN’s COVID-19 Solidarity Response Fund for the World Health Organization. Google is matching $2 for every $1 donated, so please join me in donating if you are able.
See also Pandemic Stories from Around the World, sent in by kottke.org readers.
This public service announcement from the Ohio Department of Health contains an outstanding simple visualization of how social distancing can help prevent the spread of Covid-19 using ping pong balls and mouse traps.
This ad shows that Ohio’s relatively early response to the pandemic was not a fluke and that the state is still taking it seriously.
Starting today and continuing weekly, a little musical band you have never heard of called Radiohead is putting classic live shows up on YouTube. First up and embedded above is a concert they performed in Ireland in October 2000. Here’s the setlist in case you want to skip around a little. The band says they’ll be putting shows up every week until “either the restrictions resulting from [the] current situation are eased, or we run out of shows”.
I went to a show of theirs in Oxford in 2001 and I would love to see it again. They played Creep for the first time in ages after an equipment failure 86’d whatever song they were supposed to play — and the crowd went fricking bananas.
Update: You can find all of the live shows they’ve uploaded in the At Home with Radiohead playlist. They include Bonnaroo 2006, Buenos Aires 2009, Berlin 2016, and Coachella 2012. Tomorrow’s show will be Summer Sonic 2016 (streaming begins at 9am ET).
I do not know if hearing about other people’s quarantine experiences makes going through one yourself any easier, but the story of how NASA sequestered the returning Apollo 11 astronauts away from the rest of the world for 21 days is interesting for other reasons as well. The worry was that some sort of “moon bug” or “lunar plague” was going to make its way from the Moon to the Earth in the spacecraft or the astronauts’ bodies.
From the moment the Apollo 11 astronauts arrive back on earth from their epochal visit to the moon, they will be treated not as heroes but as bearers of the most virulent, devastating plague the world has ever known.
So NASA quarantined Armstrong, Aldrin, and Collins in a series of specially designed suits and environments until August 10, 1969. At one point, the three of them lived in a modified Airstream trailer in which the air pressure was lower on the inside than outside so if there was a leak, air would rush into the trailer, not out. Armstrong even celebrated a birthday in quarantine.
After Apollo 11, NASA did similar quarantines for 12 and 14 but abandoned them after that because they figured it was safe.
Oh, and if you were curious about the Soyuz launch yesterday that sent three astronauts to the ISS and how they were going to mitigate the chances of sending any SARS-CoV-2 up there, crews on all missions are subject to a mandatory 2 week quarantine before they leave (according to this press release).
As someone who a) thinks Dr. Dre was an amazing producer, and b) read Dr. Seuss’s Fox in Socks to his children roughly 1 million times (enough to be able to, eventually, get through the entire book at a comically high rate of speed w/o any tongue twisting slip-ups), I thought Wes Tank’s video of himself rapping Fox in Socks over Dre’s beats was really fun and surprisingly well done.
Tank has also done Green Eggs and Ham (over the beats from Forgot About Dre) and The Lorax. (thx, andrew)
The James Dyson Foundation has designed a set of 44 challenges related to science & engineering specifically for kids (ages 7 & older), which are perfect for these at-home learning times. The challenges include making an air-powered car out of a balloon, strong bridges out of spaghetti, and a cardboard chair strong enough to hold a person:
Here’s the PDF with all 44 challenges. What I like about these projects is that they’re hands-on, you can do them with stuff you already have around the house, and they’re educational in the best way: there’s no “teaching” really…the challenges are designed to appeal to the natural curiosity of kids.
Reading through these, the one that blew my mind was that you can determine the speed of light by melting a chocolate bar in the microwave.
That’s so cool! (via open culture)
From Ken Burns and Dr. Siddhartha Mukherjee, The Gene: An Intimate History, a series about the history of genetics based on Mukherjee’s book of the same name. Here’s a trailer:
The series tells the story of the rapid evolution of genetic science from Gregor Mendel’s groundbreaking experiment in the 19th century to CRISPR, and the hope that newfound powers to alter DNA with pinpoint precision will transform the treatment of some of the world’s most complex and challenging diseases. The series also tackles the daunting ethical challenges that these technologies pose for humankind.
This looks great, especially if this clip about Nancy Wexler’s crusade to find a cure for Huntington’s disease is representative of the whole:
In 1968, Nancy Wexler’s mother was diagnosed with a rare genetic disease - Huntington’s. Facing a 50-50 chance of contracting Huntington’s herself, Wexler — a non-scientist — began an odyssey to find the gene that causes the disease. For three decades, Wexler searched for treatments but chose not to get tested. As time passed, she noticed changes in the way she moved. Finally, in early 2020, Wexler decided to face her fears.
Part 1 of the series is now streaming on PBS with part 2 set to premiere next week.
During a press conference last month, Canadian Prime Minister Justin Trudeau spent a couple of minutes talking directly to the nation’s children, acknowledging their hardships and role in mitigating the effects of the pandemic. Tyler Walsh and his two sons spent a week making this Lego stop motion animation of Trudeau’s address, something that kids might be more likely to watch.
In an interview with the CBC, Walsh described their process:
“[It took] a fair amount of time and hundreds and hundreds of photos,” he said.
Each working to their strengths, Walsh said the kids were primarily in charge of piecing together the Lego elements — such as a podium, as well as hair and a bearded head for Trudeau — to bring the set to life.
“I would have questions for them like, ‘I need a sad kid. Do we have any sad kid Lego heads?’”
Trudeau himself responded to the Lego version of his address:
This is really great, Tyler. I think my kids — and a whole lot of others — will get a kick out of this, all while hearing how they can help out too. Thanks for helping spread that message.
(via @auntmaureen)
This is fantastic: former beatboxing world champion Butterscotch explains the 13 levels of complexity involved in beatboxing, from the simple “bass drum” to how to breathe while beatboxing to singing to emulating real instruments.
Expert beatboxers go so fast that it’s amazing to see someone with Butterscotch’s skill level break this down — like watching a water balloon bursting in slow motion. Her short explanation & demonstration of “breathing within the beat” bleeeewww my tiny little mind. Also, she is soooo good — what a treat to watch.
See also Robert Lang on the 11 Levels of Complexity of Origami, Tony Hawk on the 21 Levels of Complexity of Skateboard Tricks, and A Demonstration of 16 Levels of Piano Playing Complexity.
Update: Phil Guillory is a speech-language pathologist and he wrote up a technical analysis of Butterscotch’s explanation of beatboxing. It is gloriously nerdy and I love it.
Humming adds a really interesting layer to this. The act of humming itself is a natural nasal sound. The soft palate, or velum, is relaxed, allowing airflow into the nasal passages. Humming requires glottic closure in order to vibrate vocal folds, and those vibrations resonate up the oropharynx and, because the lips are closed, the air then has to travel into the nasopharynx to be released. When Butterscotch adds percussive beats on top of the hum, if there truly is nasal airflow, that would mean that her velum isn’t fully contacting the pharyngeal wall, and there would be a combination of nasal and pharyngeal air flow. Obviously, a video like this won’t allow us to visualize, so we’ll have to make a couple of assumptions here: a combination of oral and nasal airflow would (1) reduce the loudness of the beats while (2) also reducing the loudness of the hum itself. This is because air would be traveling in two directions, so there would be less pressure for both, and thus, less loudness and resonance. Given that the hum sounds pretty consistent, I think it’s safe to guess that Butterscotch is able to relax her velum to allow for nasal airflow voluntarily, which is indeed a very challenging thing to do given that velar movement is largely automatic. Super cool.
So, the second episode of John Krasinski’s Some Good News might be even better than the first one (which included, if you recall, an The Office reunion with Steve Carell). I don’t want to entirely ruin it, but in the second half of the show, John and some co-conspirators totally make the day/year/century of a young Hamilton fan who missed going to the live show because of the pandemic.
In the northern hemisphere, the Covid-19 pandemic ramped up right at the tail end of the ski & ride season, so many skiers and snowboarders had to cut their seasons short.1 Philipp Klein Herrero decided to take one more run — in his living room.
Just before the current health situation locked us in, I was about to go Freeriding with my family. It was supposed to be the big adventure of the year, the one I had been eagerly awaiting for a year. Therefore, the lockdown had me thinking about skiing the whole time, so I started to think how I could ski without leaving my living room.
The result is a cute stop motion hike to the top of a mountain followed by a ski down. As my kids would say: “sick!” (via the kid should see this)
On Jimmy Kimmel the other night, F-bomb maestro Samuel L. Jackson read a new short story/poem by Adam Mansbach (author of Go the Fuck to Sleep) called Stay the Fuck at Home to promote safe behavior during the pandemic. You can skip to about 6:00 to hear the story:
The book isn’t available for sale, so Jackson, Kimmel, and Mansbach are asking people to donate to Feeding America.
Before he begins filming any of his movies, director Bong Joon-ho draws out storyboards for every single shot of every single scene of the film. From an interview with Bong in 2017:
I’m always very nervous in my everyday life and if I don’t prepare everything beforehand, I go crazy. That’s why I work very meticulously on the storyboards. If I ever go to a psych ward or a psychiatric hospital, they’ll diagnose me as someone who has a mental problem and they’ll tell me to stop working, but I still want to work. I have to draw storyboards.
For his Oscar-winning Parasite, Bong has collected the storyboards into a 304-page graphic novel due out in mid-May: Parasite: A Graphic Novel in Storyboards.
Drawn by Bong Joon Ho himself before the filming of the Palme d’Or Award-winning, Golden Globe(R)-nominated film, these illustrations, accompanied by every line of dialog, depict the film in its entirety. Director Bong has also provided a foreword which takes the reader even deeper into the creative process which gave rise to the stunning cinematic achievement of Parasite.
The book has already been released in Korea, and Through the Viewfinder did a 5-minute video comparison of the storyboards with the filmed scenes for the peach fuzz montage scene (and another video of the flood scene).
Amazing. That’s a whole lotta film school packed into five minutes of video.
Back in November, Patrick Tanguay and I posted about Xavi Bou’s Ornitographies project, photographs of the paths traced by birds in the sky. Now Bou has released a video extension of the project, which shows the paths of starlings wheeling & swerving through the sky in huge groups called murmurations. Soothing soundtrack by Kristina Dutton. (via dunstan orchard)
A couple of weeks ago, Sarah Pavis (who has guest edited here in the past) shared some of her favorite YouTubers that post videos of themselves walking around as a way to ease our lack of mobility during the pandemic quarantine. (Remember walking around outside among other people? Ahh, those were the days…)
Most of these are of city walks, the kind of walking I miss most acutely.1 Some of the videos are narrated, but most contain just ambient city noise. You can find lots more walks, including those in more natural settings, by searching YouTube for “4K walks”, “binaural walks”, or similar terms.
See also Virtual Travel Photography in the Age of Pandemic.
Concatenation is a Rube Goldberg-esque video montage made up of cleverly arranged stock video footage. This is one of those things where I’m like, “ugh this is so good, why didn’t I think of this?” See also this clipart animation:
(via waxy)
Update: The music video for Cassius’ Go Up uses a similar technique of juxtaposing stock videos. (via @endquote)
Rebecca Marquardt works at a grocery store and has some tips/suggestions/requests for grocery shoppers on how to keep themselves and grocery store employees healthy while shopping during the pandemic.
1. Make an organized shopping list so you can get in and out.
2. Stock up (DON’T hoard) so you don’t have to come in as often.
3. Go to the bathroom at home.
4. Sanitize your hands right before you enter the store.
4 1/2. Forgot when I filmed — wipe down the shopping cart/basket.
5. Touch only what you need to.
6. Maintain space between you, other customers, AND employees.
7. Ask if we’d like you to bag your own groceries.
8. Wash your reusable bags!
9. Sanitize your hands when you leave the store.
Are people serious with #3?! Jesus. I know it can be difficult to think of something as simple and ubiquitous as grocery shopping as requiring forethought, but these are not normal times. Make a plan and stick to it. The goal is to minimize your exposure (to keep yourself and workers safe) while getting necessary supplies. Marquardt’s list is really good, but I’d add a few more things based on common sense & policies I’ve seen at other stores:
1. Send only one person per family to do the shopping. And especially don’t bring your kids into the store.
2. Wear a mask.
3. Take only what you absolutely need into the store — no big purses or bags if you can help it. Use a paper shopping list; keep your phone in your pocket. Have your credit card out of your wallet and in a pocket for ease of use. All this minimizes the things you touch and need to potentially disinfect later.
Again, I know it feels completely idiotic to have to think about going to the store like you’re Serena Williams prepping for a Grand Slam final. It seems like an overreaction. But as Williams would probably be the first to tell you, preparation and careful execution of a plan are things that can help you feel more confident, comfortable, and in control about a potentially stressful event. We owe it to Marquardt and other store workers to keep them safe during all of this while they work to keep us fed and stocked with essentials. (via digg)
In the midst of the COVID-19 pandemic, John Krasinski thought it would be worthwhile to pause and take note of some good news happening in the world in this new YouTube series. As Andy Baio noted, this hewed so closely to Ze Frank’s The Show that I kept expecting to hear him call viewers “speed racers” and ask us to make an Earth sandwich. Keep your eyes peeled for a small The Office reunion with a certain regional manager via Zoom.
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