kottke.org posts about video
In this charming video from 1969, right before Sesame Street premiered on PBS, Jim Henson spends about 15 minutes showing how to make simple puppets out of materials you might have handy at home: cardboard, plastic cups, fabric, wooden spoons, potatoes, etc. Joining him was the designer of the Muppets, Don Sahlin.
He is “the inventor” of the Muppet look, from a design point of view. As discussed in the book Jim Henson’s Designs and Doodles, many of the Muppets began as Henson’s rough sketches, which Sahlin then built and modified as needed… Sahlin was known to refer to himself as the “guardian of the essence” of the Muppets.
Henson’s Kermit-y voice is super soothing. What a great find by the indispensable Kid Should See This.
You might remember last year1 when the Hood Internet released a series of videos mashing up the top songs of 1979-1983. Over the next few weeks, they’re going to finish up the 80s. The video from 1984 is up first:
As previously noted, 1984 was perhaps mass pop culture’s high tide, a great year for music, and the most 80s year of the 1980s.
Update: Here are the videos for 1985, 1986, 1987, 1988, & 1989.
Update: Steve Reidell and Aaron Brink of The Hood Internet talk about how they do these year-by-year mixes.
Oftentimes we’ll have an idea of where we want to start and where we want to end, and the work is figuring out how to get from one place to another. We’re changing song speeds and tempos to match and pulling in individual instrumental or vocal tracks if we can find them. Sometimes the thing that matches is a musical similarity and sometimes it’s lyrical. In the 1981 video, there’s a section where we string together Rick Springfield singing “Jessie’s Girl” and Rick James singing “Superfreak” and made it sound kind of like a duet about the same girl. Dropping that on top of Vangelis’ theme to Chariots Of Fire just ups the intensity and the absurdity of it all.
Update: They’ve released the entire 1979-1989 mix as a continuous mix on Soundcloud.
Using thousands of original photographs taken by astronauts during the Apollo missions, motion designer Christian Stangl and composer Wolfgang Stangl worked for 18 months to create this animated short film depicting a flight to the Moon, culminating in a landing and the exploration of the surface. (via moss & fog)
Have you ever wanted to hear Jay Z rap the “To Be, Or Not To Be” soliloquy from Hamlet? You are in luck:
What about Bob Dylan singing Britney Spears’ “…Baby One More Time”? Here you go:
Bill Clinton reciting “Baby Got Back” by Sir Mix-A-Lot? Yep:
And I know you’re always wanted to hear six US Presidents rap NWA’s “Fuck Tha Police”. Voila:
This version with the backing track is even better. These audio deepfakes were created using AI:
The voices in this video were entirely computer-generated using a text-to-speech model trained on the speech patterns of Barack Obama, Ronald Reagan, John F. Kennedy, Franklin Roosevelt, Bill Clinton, and Donald Trump.
The program listens to a bunch of speech spoken by someone and then, in theory, you can provide any text you want and the virtual Obama or Jay Z can speak it. Some of these are more convincing than others — with a bit of manual tinkering, I bet you could clean these up enough to make them convincing.
Two of the videos featuring Jay Z’s synthesized voice were forced offline by a copyright claim from his record company but were reinstated. As Andy Baio notes, these deepfakes are legally interesting:
With these takedowns, Roc Nation is making two claims:
1. These videos are an infringing use of Jay-Z’s copyright.
2. The videos “unlawfully uses an AI to impersonate our client’s voice.”
But are either of these true? With a technology this new, we’re in untested legal waters.
The Vocal Synthesis audio clips were created by training a model with a large corpus of audio samples and text transcriptions. In this case, he fed Jay-Z songs and lyrics into Tacotron 2, a neural network architecture developed by Google.
It seems reasonable to assume that a model and audio generated from copyrighted audio recordings would be considered derivative works.
But is it copyright infringement? Like virtually everything in the world of copyright, it depends-on how it was used, and for what purpose.
Celebrity impressions by people are allowed, why not ones by machines? It’ll be interesting to see where this goes as the tech gets better.
In collaboration with NASA and the Lunar and Planetary Institute, the USGS has released the first complete geological map of the Moon’s surface.
This new work represents a seamless, globally consistent, 1:5,000,000-scale geologic map derived from the six digitally renovated geologic maps (see Source Online Linkage below). The goal of this project was to create a digital resource for science research and analysis, future geologic mapping efforts, be it local-, regional-, or global-scale products, and as a resource for the educators and the public interested in lunar geology.
Strange Maps has more information on how the map came to be and what it shows.
The map was created by the U.S. Geological Service’s Astrogeology Science Center in Flagstaff, Arizona. In collaboration with NASA and the Lunar and Planetary Institute, it combined six ‘regional’ maps of the Moon made during the Apollo era (1961-1975) with input from more recent unmanned lunar missions.
This included data on the polar regions from NASA’s Lunar Orbiter Laser Altimeter (LOLA) and close-ups of the equatorial zone from the Japanese Space Agency’s recent SELENE mission.
The two images above show the entire map and a detailed view of a single area (which includes the landing sites of 3 Apollo missions) while the video shows a rotating globe version of the map.
Characters in Wes Anderson’s films are often misfits, outcasts, or are estranged from one another for various reasons. That apartness is often depicted cinematically using physical distance between individuals onscreen, with the aesthetic side effect of using all of that gorgeous 1.85:1 or even 2.35:1 aspect ratio. Luis Azevedo made a short supercut of moments in Anderson’s movies where the characters are practicing good social distancing techniques.
Over the course of 24 hours, Beau Miles ran around his mile-long block once every hour (plus a few more at the beginning) to complete a marathon in a day. But he also did a bunch of other stuff along the way: cooked dinner, made a table, fixed things, picked up trash, played Scrabble, got a bit of sleep, and made the short film above.
A different kind of marathon; running one lap an hour, for 24hrs, around my perfectly mile long block. The rest of the time I do as much as possible; making things, odd jobs, fixing stuff. It’s about running, doing, and thinking.
For an upcoming episode of a show called Spy in the Wild, PBS’s Nature used a tiny drone disguised as a hummingbird to capture footage of a swarm of half a billion monarch butterflies as they overwinter in Mexico. The butterflies pay the hummingbird robot little mind:
The monarch butterfly is under increasing pressure due to habitat loss, pesticides, and climate change, driving down their population.
The current state of the smaller western population of monarchs that overwinter in California is more dire than their eastern counterparts. The western population crashed by 99% in the latest count, reaching a historic low of fewer than 30,000 butterflies for the second year in a row, down from 1.2 million two decades ago.
Both butterfly populations are below the threshold at which government scientists predict the migrations could collapse. Federal scientists estimate there is nearly a 60% chance the monarch’s spectacular, multigenerational migration in the eastern half of the country could completely collapse within the next 20 years.
(via @MachinePix)
Well, this is just beautiful. Photographer Patrick Coyne was lucky enough to capture some dolphins swimming through bioluminescent algae off the coast of Newport Beach, CA. When this kind of algae is disturbed, it emits a bluish light, which causes the dolphins to glow as they move through the water. He wrote about the experience — “one of the most magical nights of my life” — on Instagram:
Conditions have to be absolutely perfect for the bioluminescence to show up and to have an animal swim through it so we can film it. On top of all that just trying to nail the focus at such a wide aperture with something moving in the water was a nightmare. We were out for a few hours and on our final stretch back we finally had 2 Dolphins pop up to start the incredible glowing show. A few minutes later and we were greeted by a few more which was insane. I’m honestly still processing this all…
Coyne also captured some glowing waves crashing on the beach. More dolphins swimming in bioluminescent waters here. Incredible. (via bb)
One of my favorite museums I’ve visited in the past few years is the Van Gogh Museum in Amsterdam. Van Gogh’s art career lasted for only 10 years, and the museum provides a fascinating account (through his work, letters, and other material) of how a talented but unremarkable painter made the conceptual breakthrough for which he is now known the world over.
The museum is closed due to the pandemic, but anyone with an internet connection can experience the collection at home thanks to the museum’s dedication to accessibility. This 15-minute tour of the museum filmed in 4K resolution should get you started — here are the first two parts:
The museum has also digitized and put online hundreds of the artist’s paintings, sketches, and letters. The high resolution scans allow you to see details that you probably couldn’t in person. This is a close-up view of the 1887 self-portrait pictured above:
It’s mind-blowing to see all of those brushstrokes in such detail.
The museum’s website offers a number of other ways to engage with van Gogh’s art, including coloring activities and lessons for children. And for those who exhaust the museum’s offerings, try browsing van Gogh’s works at Google Arts & Culture, MoMA, the Met, and the Rijksmuseum. (via open culture)
This short film by Roman Hill shows a chemical reaction at microscopically close range, all filmed in a single shot over an area of a third of an inch square. The result looks like a tour of a vast colorful cosmos, a reminder of how similar the different scales of our universe can appear sometimes. (thx, cs)
Using data from the Correlates of War Project and the Stockholm International Peace Research Institute, this bar chart race shows the annual military spending of the world’s top spending countries from the start of WWI in 1914 to 2018. See also military spending info from Our World in Data.
Ok, take a look at this short video of a Lego structure. Whaaaaat kind of sorcery is this?!
The top part of the structure appears to be floating, held aloft by plastic chains seemingly incapable of supporting the load. This is an example of a tensegrity sculpture, in which tension (and not compression) is used to carry weight.
If you want to build your own, the instructions and parts list are available and you can watch this tutorial as well:
(via colossal)
Of the various cuts of Blade Runner done over the years, Blade Runner - The Lost Cut is perhaps the oddest. Billed by creator Leon Chase as “a radical re-envisioning of Ridley Scott’s 1982 sci-fi classic”, this cut boldly includes footage from other films like The French Connection, Star Wars, The Jerk, and The Blues Brothers. A few of the films whose footage was used, including the Coen brothers’ Fargo, were released well after Blade Runner came out.
Daring! But does this cut go too far? Or not too far enough?
It’s unfortunate that places like the Brooklyn Botanic Garden need to be closed during this stressful time, because the cherry blossoms are in bloom right now and what a balm that would be to so many souls. Luckily, cinematographer Nic Petry was granted access to the garden a couple of weeks ago to capture a relaxing and meditative walk through the Japanese Garden.
The historic garden is one of the oldest extant Japanese gardens in the United States, and its collection of cherry cultivars was in lovely bloom during filming. Petry, a specialist in moving camera techniques, conceived the piece as a way to recreate the meditative experience of walking through the garden on a glorious, early spring day.
(via laura olin)
Update: See also Gothamist’s photos and drone video of the cherry blossoms this year.
Update: Now that more cherry trees are in blossom at the garden, they have uploaded a video of a walk through the esplanade.
From director Robert Bingaman, a video interpretation of a timely passage from John Donne’s Devotions upon Emergent Occasions, which was written by Donne in 1623 while recovering from a serious illness. The passage is from Meditation XVII and is paired in the video with images of businesses and public places emptied out by the pandemic.
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend’s or of thine own were: any man’s death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.
Using crowd-sourced clips sent in from all over the world, filmmakers Ivan Cash and Jacob Jonas made a poignant short film called A Social Distance about how things are going as people shelter in place at home.
In the self-submitted videos, people dance, play music, take us on a tour of their refrigerator, and introduce us to their pets. Edited together, these intimate moments create a synchronicity of humanity — a feeling of togetherness that’s difficult to conjure when you’re sequestered at home.
The score for the film is by Steve Hackman, who I previously featured for his mashups of pop & classical music:
Hackman, the film’s composer, wrote sheet music that he distributed to musicians across the world. When he received their recordings, Hackman combined the performances to create an original score.
See also Living Through Coronavirus Around the World. (via colossal)
In partnership with PBS Nature, Ze Frank (narrating as the Earth) presents The Earth Day 2020 Awards to a deserving group of fascinating animals, including the decorator crab (Best Dressed) and the salmon (Best Travel Story). I am upset on behalf of the planet’s plants though. WHERE ARE THE PLANTS ZE? Did a dandelion bully you as a kid or something?
See also The Atlantic’s photo essay on the 50th anniversary of Earth Day.
This short film profiles a small company in Somerset, England called Two Rivers Paper. Using water power, the company makes paper by hand for artists and designers, and they have a healthy appreciation for the unpredictability of their product.
Anything that’s made by a craftsman is imperfect. So, a hand-forged nail will be imperfect — every one will be slightly different. Handmade paper — every sheet is slightly different. So if you want perfection, if you want uniformity, then it has to be done by a machine. I often tell people that we sell imperfection, that’s what we do.
Two Rivers Paper operates one of the few remaining hand-mills in Europe.
The mill is over 400 years old and still retains much of the ancient wooden milling machinery. It’s been restored over the last 15 years to a working water-powered traditional paper mill, using a 100 year old metal wheel from Wales and an 1841 Hollander Rag-Breaker.
The wheel itself is a 10ft overshot wheel weighing two and a half tons and standing eleven foot high. In combination with the rag breaker, Two Rivers will be the only place in the UK where water power is used to make paper from old rags. Showing a continuing commitment to manufacturing using environmentally appropriate methods, a full array of solar panels were fitted to the mill roof in 2011. Electrical heating is used to gently dry our paper in the mill loft.
This short video segment from the BBC provides a closer look at how their paper is made. You can get yourself some Two Rivers paper from their online shop.
See also 700-Year-Old French Mill Still Cranking Out Handmade Paper and this short film on how marbled paper is made.
If you listen to more than 20 seconds of any song by Ella Fitzgerald, you can instinctively tell how amazing a singer she was. But taking a closer look reveals just how special. In this episode of NPR’s Jazz Night in America, they took a look at Fitzgerald’s 1960 performance of Mack the Knife (where she forgot half the words and improvised the rest) and her talent for referencing other songs while improvising, creating live “mix tapes” of popular songs using just her voice.
By 1960, Fitzgerald had become a global sensation. That February she gave an unforgettable performance in West Berlin for an audience of thousands. On the set list was “Mack The Knife,” a huge hit first made popular by Bobby Darin and Louis Armstrong. Fitzgerald sang the song flawlessly until about halfway through, when she forgot the lyrics. But she didn’t stumble — instead, she playfully freestyled her way to the end with nonsense syllables and improvised words — the singular jazz style called scatting. This unforgettable and Grammy Award-winning performance demonstrated her masterful grace under pressure.
You can listen to her Grammy-winning version of Mack the Knife on Spotify:
I love how confidently she sings “Oh, what’s the next chorus…” — Fitzgerald belts it out like those are the right lyrics. Her self-assurance sells it. (via the kid should see this)
Forced to cancel performances due to the pandemic, the members of Chicago Sinfonietta (“North America’s most diverse orchestra”) gathered together via video for a lively virtual performance of Leroy Anderson’s Plink, Plank, Plunk!, which is played primarily by plucking string instruments. Tag yourself…are you bored triangle lady or clarinet banana?
For the next several Mondays, Michelle Obama will read a favorite children’s book in partnership with PBS Kids. The first reading (of The Gruffalo) is already in the can and archived on YouTube:
(via barry)
Working under the direction of The Edmond J. Safra Center for Ethics at Harvard University, a bipartisan group of experts in public health, economics, technology, and ethics have produced a plan for a phased reopening of public life in the United States through testing, tracing, and supported isolation. The video above summarizes the plan and here’s the full plan in the form of a 56-page PDF.
“Roadmap to Pandemic Resilience: Massive Scale Testing, Tracing, and Supported Isolation (TTSI) as the Path to Pandemic Resilience for a Free Society,” lays out how a massive scale-up of testing, paired with contact tracing and supported isolation, can rebuild trust in our personal safety and re-mobilize the U.S. economy.
Among the report’s top recommendations is the need to deliver at least 5 million tests per day by early June to help ensure a safe social opening. This number will need to increase to 20 million tests per day by mid-summer to fully re-mobilize the economy.
From the paper, here’s a quick overview:
What we need to do is much bigger than most people realize. We need to massively scale-up testing, contact tracing, isolation, and quarantine-together with providing the resources to make these possible for all individuals.
Broad and rapid access to testing is vital for disease monitoring, rapid public health response, and disease control.
We need to deliver 5 million tests per day by early June to deliver a safe social reopening. This number will need to increase over time (ideally by late July) to 20 million a day to fully remobilize the economy. We acknowledge that even this number may not be high enough to protect public health. In that considerably less likely eventuality, we will need to scale-up testing much further. By the time we know if we need to do that, we should be in a better position to know how to do it. In any situation, achieving these numbers depends on testing innovation.
Between now and August, we should phase in economic mobilization in sync with growth in our capacity to provide sustainable testing programs for mobilized sectors of the workforce.
The great value of this approach is that it will prevent cycles of opening up and shutting down. It allows us to steadily reopen the parts of the economy that have been shut down, protect our frontline workers, and contain the virus to levels where it can be effectively managed and treated until we can find a vaccine.
We can have bottom-up innovation and participation and top-down direction and protection at the same time; that is what our federal system is designed for.
This policy roadmap lays out how massive testing plus contact tracing plus social isolation with strong social supports, or TTSI, can rebuild trust in our personal safety and the safety of those we love. This will in turn support a renewal of mobility and mobilization of the economy. This paper is designed to educate the American public about what is emerging as a consensus national strategy.
The plan seems consistent with what economist Paul Romer has been saying — Without More Tests, America Can’t Reopen (And to make matters worse, we’re testing the wrong people) — and with the approach Hong Kong has been taking — Test and trace: lessons from Hong Kong on avoiding a coronavirus lockdown. See also the 4 plans to end social distancing, explained.
Unfortunately for this plan and for all of us, I have a feeling that the first true step in any rational plan to reopen the United States without unnecessary death and/or massive economic disruption that lasts for years is the removal of Donald Trump from office (and possibly also the end of the Republican-controlled Senate). Barring that, the ineffectual circus continues. (via @riondotnu)
A group in South Africa called WildEarth is broadcasting live safaris on YouTube twice a day, once at sunrise and again at sunset. The safaris take place in Greater Kruger National Park, run for about three hours each, and are archived online. Here’s a sunrise safari from last week:
Here’s their daily schedule:
The Sunrise Safari starts at 06:00 local time, which means start times of 00:00 PM ET, 21:00 PM PT, 04:00 in the UK [GMT], 05:00 in Central Europe, and 15:00 Sydney time.
The Sunset Safari starts at 15:30 CAT local time, 09:30 AM ET, 06:30 AM PT, 14:30 in the UK [BST], 15:30 in Central Europe, and 00:30 Sydney time.
Check out the safari archive for past shows and this playlist for some of the highlights. (thx, philip)
As part of the One World: Together at Home fundraiser organized by the WHO, Global Citizen, and Lady Gaga that raised $127.9 million for Covid-19 relief efforts, the members of the Rolling Stones, each in their own home, got together via video to perform You Can’t Always Get What You Want. It’s a lovely messy & spare performance and the choice of song is timely — plenty of people around the world are definitely not getting what they want right now, but hopefully we will eventually end up getting what we need.
With the help of Billie Eilish, Finneas O’Connell, the Jonas Brothers, and Chance the Rapper, John Krasinski threw a virtual prom for the nation’s high school students who are stuck at home because of the pandemic. This show is such a gift. Don’t miss Brad Pitt doing the weather report and a brief segment from the International Space Station.
In the Before Times, Netflix let teachers stream their programming in the classroom. With schools not in sessions due to the Covid-19 pandemic, Netflix has decided to put some of their educational programming on YouTube for free (full playlist here). For instance, they’ve put all 8 episodes of David Attenborough’s nature series Our Planet online in their entirety. Here’s the first episode:
The Our Planet website also has tons of educational information for schools and kids.
13th is a feature-length documentary by Ava DuVernay about how racial inequality in America drives our high incarceration rates:
13th is currently rated 97% on Rotten Tomatoes and NY Times reviewer Manohla Dargis called it “powerful, infuriating and at times overwhelming”. Here’s a discussion guide.
Eight full episodes of the first season of Abstract: The Art of Design are also available on YouTube (discussion guide). Here’s the episode featuring illustrator Christoph Niemann:
Several episodes of Vox’s series Explained are included, like this one on the racial wealth gap:
Also included are The White Helmets & Period. End of Sentence. (which each won an Oscar for Best Documentary Short Subject) as well as Knock Down The House, the documentary on the 2018 Congressional campaigns of four women (including Alexandria Ocasio-Cortez). See the full list of included shows and the full playlist on YouTube.
The Short of the Week this week stars Rachel Dratch as a history teacher struggling to find a spark in her life as a widow. Fitness classes aren’t working, so Dratch’s character tries something new: a introductory class on female domination.
From the premise alone, most might think that Kennelly is using BDSM as the butt of the joke, a cheap way to trigger laughs. Yet, she subverts those expectations but steering clear of a farcical approach. Instead, she plays with different levels of sensitivity and empowerment while remaining very respectful towards every single one of her characters, sourcing the comedy elements from a more genuine place, the awkwardness and practicality of the situations Marcy finds herself in.
Dratch is great in this — yet another comedic performer who excels at more serious roles — and I found the whole thing surprisingly tender and poignant, at its core a simple story of people looking for meaning and connection in their lives.
I’d say this is NSFW, but with many of you currently working from home, perhaps that’s not really a thing right now? (via @christopherjobs)
From Retro Report, a short video about how epidemics, past and present, have been represented in music. Blues musicians sang about the 1918 flu pandemic and pop stars wrote songs about HIV/AIDS.
A disease that killed tens of millions of people, more than the number who died in World War I, might not seem like a promising subject for a song, but the legendary Texas bluesman Blind Willie Johnson didn’t see it that way. In Dallas in 1928, Johnson recorded “Jesus Is Coming Soon,” an intense chronicle of the ravaging influenza pandemic of 1918-1919. In a growl that conveyed the horror of the illness, as well as its scarifying ubiquity, Johnson declared that the “great disease was mighty and the people were sick everywhere / It was an epidemic, it floated through the air.”
Other lines seem as if they could have been written yesterday: “Well, the nobles said to the people, ‘You better close your public schools / Until the events of death has ended, you better close your churches, too.’”
Stuck at home during the pandemic, filmmaker Nicolas Heller decided to hold a contest on Instagram to find the person with the best New York accent.
It would be impolitic to say that the New York accent is the signature American accent. You could argue, though, that the New York accent is the accent of the current crisis. It’s there in the burly roundness of the words coming out of Gov. Andrew Cuomo’s mouth, or the acidity in the tone of Dr. Anthony Fauci, or the way President Trump scrapes all of his syllables together. (Senator Bernie Sanders’s howling woof counts here, too.)
For New Yorkers, that’s made the conversation around the coronavirus feel as local as the pandemic’s actual impact. Watching the news can feel like watching quarrels between grouchy neighbors.
In this climate, the #BestNYAccent challenge was even more reassuring. A reminder of local resilience and stubbornness in the face of global trauma. A monument to history and place standing firm against titanic winds. A middle finger to life’s cruel dice roll.
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