kottke.org posts about video
The rhetorical highlight of the Biden/Harris inauguration was Amanda Gorman reciting her poem, The Hill We Climb — I thought it was fantastic. It begins:
When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade
We’ve braved the belly of the beast
We’ve learned that quiet isn’t always peace
And the norms and notions
of what just is
Isn’t always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it
Somehow we’ve weathered and witnessed
a nation that isn’t broken
but simply unfinished
We the successors of a country and a time
Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one
Here’s a transcript courtesy of CNN. You can read about how Gorman composed the poem in the NY Times:
“I had this huge thing, probably one of the most important things I’ll ever do in my career,” she said in an interview. “It was like, if I try to climb this mountain all at once, I’m just going to pass out.”
Gorman managed to write a few lines a day and was about halfway through the poem on Jan. 6, when pro-Trump rioters stormed into the halls of Congress, some bearing weapons and Confederate flags. She stayed awake late into the night and finished the poem, adding verses about the apocalyptic scene that unfolded at the Capitol that day.
The Times also has a lesson for students about Gorman and her poem. And from NPR:
Gorman is no stranger to having to change her work midstream. Like Biden, who has spoken openly about having stuttered as a child, Gorman grew up with a childhood speech impediment of her own. She had difficulty saying certain letters of the alphabet — the letter R was especially tough — which caused her to have to constantly “self-edit and self-police.”
Her delivery was amazing — powerful and lyrical. Brava!
Update: I included a link to a transcript of the poem above. I also wanted to include this illustration by Samantha Dion Baker because art inspires art.
Update: A book version of Gorman’s inaugural poem will be out in April and is available for preorder.
Today beginning at 10am ET as part of the official inauguration festivities, Keke Palmer will host a special livestream geared toward kids (embedded above).
The livestream, hosted by award-winning entertainer and advocate Keke Palmer, will feature a special message from Dr. Jill Biden; commentary from historians Doris Kearns Goodwin and Erica Armstrong Dunbar; a segment on presidential pets produced by Nickelodeon; excerpts of student voices from PBS NewsHour Student Reporting Labs “We the Young People” programming; trivia questions, including some asked by Doug Emhoff; segments produced by the Library of Congress; and other special features.
This sounds way better than whatever the talking heads on CNN will be going on about. For more information on the inauguration, check out the official site.
Over the past several months, documentary filmmaker Kirby Ferguson has been making a series of videos about conspiracy theories, including This is Not a Conspiracy Theory, Trump, QAnon and The Return of Magic (which I posted about here), and Constantly Wrong: The Case Against Conspiracy Theories, as well as this analysis of the tactics of infowar. Just before the election, he made a video for the NY Times (embedded above): What Can You Do About QAnon?
In particular, Ferguson singles out humiliation by ridicule as something to avoid when attempting to bring QAnon supporters back to reality. Instead, he suggests staying in contact, sharing relevant information, asking questions, and being patient. But as Open Culture points out: “After the violence of January 6, however, it’s reasonable to ask whether we need something more than coddling and patience.” (via open culture)
This video from Matthew Cooke is an excellent and succinct plea for Republicans and Trump supporters to come back to reality.
This is a wake-up call for Republicans. America elected Joe Biden by over 7 million votes, and you’re confused because you didn’t see us flock to his rallies and cheer his smackdowns like we were at a pro wrestling event during a global pandemic. We don’t wear matching hats or have “no more malarkey” flags waving from the backs of our trucks. Do you know why? Because Biden is not our tribal warlord. We believe the job of a U.S. President is to represent more than one interest group. That’s why 81 million of us turned out to stop a narcissistic personality cult that embodies all seven of the deadly sins — most of all pride, which you’ve taken to levels of blasphemy, claiming your political leaders are handpicked by Jesus Christ.
This country is called the United States and we have multiple converging crises that need adult supervision but we are being distracted trying to get control over a critical mass of you who no longer believe in reality.
I don’t know if it will be persuasive to actual Republicans, but it’s a solid attempt.
In the hours after the January 6th terror attack on Congress, it seemed as though the early understanding was that a bunch of giddy goofballs — oops! — forced their way into the Capitol Building for funsies and photo ops. The stupid coup. As time passes and more photos & videos are released and reporting is done, the picture emerging is of a violent attack on members of Congress, their staff, and Capitol Police & other law enforcement officers by an armed & savage mob who narrowly missed assaulting, kidnapping, or even murdering members of Congress by mere minutes.
This is an account of the rioters’ siege of the Capitol Building from the perspective of the DC police. The terrorists likened their actions to those in 1776; it certainly was a war-like atmosphere:
“We weren’t battling 50 or 60 rioters in this tunnel,” he said in the first public account from D.C. police officers who fought to protect the Capitol during last week’s siege. “We were battling 15,000 people. It looked like a medieval battle scene.”
Someone in the crowd grabbed Fanone’s helmet, pulled him to the ground and dragged him on his stomach down a set of steps. At around the same time, police said, the crowd pulled a second officer down the stairs. Police said that chaotic and violent scene was captured in a video that would later spread widely on the Internet.
Rioters swarmed, battering the officers with metal pipes peeled from scaffolding and a pole with an American flag attached, police said. Both were struck with stun guns. Fanone suffered a mild heart attack and drifted in and out of consciousness.
All the while, the mob was chanting “U.S.A.” over and over and over again.
“We got one! We got one!” Fanone said he heard rioters shout. “Kill him with his own gun!”
This was a “coordinated assault”:
Looking over the chaotic scene in front of him from the Capitol steps, Glover grew concerned as the battle raged. There were people caught up in the moment, he said, doing things they would not ordinarily do. But many appeared to be on a mission, and they launched what he and the police chief described as a coordinated assault.
“Everything they did was in a military fashion,” Glover said, saying he witnessed rioters apparently using hand signs and waving flags to signal positions, and using what he described as “military formations.” They took high positions and talked over wireless communications.
Authorities would later learn that some former members of the military and off-duty police officers from across the country were in the pro-Trump crowd. Glover called it disturbing that off-duty police “would knowingly and intentionally come to the United States Capitol and engage in this riotous and criminal behavior against their brothers and sisters in uniform, who are upholding their oaths of office.”
Blue Lives Matter…until they have the gall to get in the way of what you feel entitled to:
“The zealotry of these people is absolutely unreal,” said Hodges, who suffered from a severe headache but otherwise emerged unhurt. “There were points where I thought it was possible I could either die or become seriously disfigured.”
Still, Hodges said, he did not want to turn to his gun.
“I didn’t want to be the guy who starts shooting, because I knew they had guns — we had been seizing guns all day,” he said. “And the only reason I could think of that they weren’t shooting us was they were waiting for us to shoot first. And if it became a firefight between a couple hundred officers and a couple thousand demonstrators, we would have lost.”
Two of the officers interviewed for this story spoke to CNN for this report:
Officer Michael Fanone found himself in the midst of the insurrectionists and then briefly shielded from harm by some of the rioters after shouting “I have kids”. He had this to say to those who protected him: “Thank you. But fuck you for being there.”
From Luke Mogelson in The New Yorker, Among the Insurrectionists is an amazing and surreal account of how the January 6th domestic terror assault on Congress1 unfolded. (Note: This piece contains accounts of violence and lots of racist, anti-Semitic, misogynist, homophobic language.)
The America Firsters and other invaders fanned out in search of lawmakers, breaking into offices and revelling in their own astounding impunity. “Nancy, I’m ho-ome! ” a man taunted, mimicking Jack Nicholson’s character in “The Shining.” Someone else yelled, “1776 — it’s now or never.” Around this time, Trump tweeted, “Mike Pence didn’t have the courage to do what should have been done to protect our Country. … USA demands the truth!” Twenty minutes later, Ashli Babbitt, a thirty-five-year-old woman from California, was fatally shot while climbing through a barricaded door that led to the Speaker’s lobby in the House chamber, where representatives were sheltering. The congresswoman Alexandria Ocasio-Cortez, a Democrat from New York, later said that she’d had a “close encounter” with rioters during which she thought she “was going to die.” Earlier that morning, another representative, Lauren Boebert — a newly elected Republican, from Colorado, who has praised QAnon and promised to wear her Glock in the Capitol — had tweeted, “Today is 1776.”
When Babbitt was shot, I was on the opposite side of the Capitol, where people were growing frustrated by the empty halls and offices.
“Where the fuck are they?”
“Where the fuck is Nancy?”
No one seemed quite sure how to proceed. “While we’re here, we might as well set up a government,” somebody suggested.
Notably, the piece places the insurrection in the proper context alongside Trump’s campaign of misinformation (which began even before his Presidency and has focused heavily on election fraud) and as part of an escalating series of actions by militant fascist groups in DC and around the country.
In the days before January 6th, calls for a “real solution” became progressively louder. Trump, by both amplifying these voices and consolidating his control over the Republican Party, conferred extraordinary influence on the most deranged and hateful elements of the American right. On December 20th, he retweeted a QAnon supporter who used the handle @cjtruth: “It was a rigged election but they were busted. Sting of the Century! Justice is coming!” A few weeks later, a barbarian with a spear was sitting in the Vice-President’s chair.
Cause, effect. Here are more instances, from various times during the past few months:
It was clear that the men outside Harry’s on December 12th had travelled to D.C. to engage in violence, and that they believed the President endorsed their doing so. Trump had made an appearance at the previous rally, waving through the window of his limousine; now I overheard a Proud Boy tell his comrade, “I wanna see Trump drive by and give us one of these.” He flashed an “O.K.” hand sign, which has become a gesture of allegiance among white supremacists. There would be no motorcade this time, but while Fuentes addressed the groypers Trump circled Freedom Plaza in Marine One, the Presidential helicopter.
…
During the Presidential campaign, Trump’s histrionic exaggerations of the threat posed by Antifa fuelled conservative support for the Proud Boys, allowing them to vastly expand their operations and recruitment. The day after a Presidential debate in which Trump told the Proud Boys to “stand back and stand by,” Lauren Witzke, a Republican Senate candidate in Delaware, publicly thanked the group for having provided her with “free security.”
…
Early returns showed Trump ahead in Michigan, but many absentee ballots had yet to be processed. Because Trump had relentlessly denigrated absentee voting throughout the campaign, in-person votes had been expected to skew his way. It was similarly unsurprising when his lead diminished after results arrived from Wayne County and other heavily Democratic jurisdictions. Nonetheless, shortly after midnight, Trump launched his post-election misinformation campaign: “We are up BIG, but they are trying to STEAL the Election.”
The next day, I found an angry mob outside the T.C.F. Center. Police officers guarded the doors. Most of the protesters had driven down from Macomb County, which is eighty per cent white and went for Trump in both 2016 and 2020. “We know what’s going on here,” one man told me. “They’re stuffing the ballot box.”
…
In April, in response to Whitmer’s aggressive public-health measures, Trump had tweeted, “Liberate Michigan!” Two weeks later, heavily armed militia members entered the state capitol, terrifying lawmakers.
…
During Trump’s speech on January 6th, he said, “The media is the biggest problem we have.” He went on, “It’s become the enemy of the people. … We gotta get them straightened out.” Several journalists were attacked during the siege. Men assaulted a Times photographer inside the Capitol, near the rotunda, as she screamed for help. After National Guard soldiers and federal agents finally arrived and expelled the Trump supporters, some members of the mob shifted their attention to television crews in a park on the east side of the building. Earlier, a man had accosted an Israeli journalist in the middle of a live broadcast, calling him a “lying Israeli” and telling him, “You are cattle today.” Now the Trump supporters surrounded teams from the Associated Press and other outlets, chasing off the reporters and smashing their equipment with bats and sticks.
Mogelson has reported on wars in Afghanistan and Syria — and now in America. You should read the whole thing.
Update: This is an incredible video companion to this article — videos shot by Mogelson during assault on Congress:
Sisters with Transistors (great title!) is a documentary film by Lisa Rovner about the overlooked female pioneers of electronic music.
The history of women has been a history of silence.
As one of the film’s subjects, Laurie Spiegel explains: “We women were especially drawn to electronic music when the possibility of a woman composing was in itself controversial. Electronics let us make music that could be heard by others without having to be taken seriously by the male dominated Establishment.”
The film’s subjects, which you can read about here, include Clara Rockmore, Daphne Oram, Bebe Barron, Pauline Oliveros, Delia Derbyshire, Maryanne Amacher, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel. Oram, for example, was one of the founding members of BBC’s Radiophonic Workshop:
With many of her country’s men serving in the second World War, she began her career in radio broadcasting in the early ’40s. Galvanized by the ongoing developments in audio technology, she devoted much of her free time to exploring new ways to make sounds with electronics. One of the founding figures of the BBC’s Radiophonic Workshop, she was one of the earliest British composers to produce electronic sounds and compose from field recordings — Musique Concrete, the ancestry of today’s electronic music.
Sisters with Transistors has been playing at some online festivals but I couldn’t find any info about release dates or screenings in the US. Hopefully it will be out there soon? (via open culture)
Web performance and security company Cloudflare uses a wall of lava lamps to generate random numbers to help keep the internet secure. Random numbers generated by computers are often not exactly random, so what Cloudflare does is take photos of the lamps’ activities and uses the uncertainty of the lava blooping up and down to generate truly random numbers. Here’s a look at how the process works:
At Cloudflare, we have thousands of computers in data centers all around the world, and each one of these computers needs cryptographic randomness. Historically, they got that randomness using the default mechanism made available by the operating system that we run on them, Linux.
But being good cryptographers, we’re always trying to hedge our bets. We wanted a system to ensure that even if the default mechanism for acquiring randomness was flawed, we’d still be secure. That’s how we came up with LavaRand.
LavaRand is a system that uses lava lamps as a secondary source of randomness for our production servers. A wall of lava lamps in the lobby of our San Francisco office provides an unpredictable input to a camera aimed at the wall. A video feed from the camera is fed into a CSPRNG [cryptographically-secure pseudorandom number generator], and that CSPRNG provides a stream of random values that can be used as an extra source of randomness by our production servers. Since the flow of the “lava” in a lava lamp is very unpredictable, “measuring” the lamps by taking footage of them is a good way to obtain unpredictable randomness. Computers store images as very large numbers, so we can use them as the input to a CSPRNG just like any other number.
(via open culture)
This fun short film by Brett Novak features four skateboarders — Sara Watanabe, Ana Maria Suzano, Beatriz Gavelak, and Teresa Madeline — showing off their longboard dancing skills in Brazil.
The video showcases a style of riding where their wheels stay mostly on the ground, harkening back to skateboarding’s “history of freestyle flat-land skateboarding in the 70’s-80’s and the footwork that longboard surfers sometimes use”.
DJ Earworm has made a chronological mix of songs, one from each year from 1970 to 2020.1 The Jackson 5 flows into Rod Stewart, Def Leppard into Milli Vanilli, Eric Clapton into Chumbawamba into The Verve, Shakira into Rihanna, and Ed Sheeran into Justin Bieber. Go on then, take a ride.
I’ve shared this observation from Ira Glass about the gap between having good taste and doing good creative work before, but I ran across it the other day and thought it was worth highlighting again. Here’s a partial transcript (courtesy of James Clear):
Nobody tells this to people who are beginners, and I really wish somebody had told this to me.
All of us who do creative work, we get into it because we have good taste. But it’s like there is this gap. For the first couple years that you’re making stuff, what you’re making isn’t so good. It’s not that great. It’s trying to be good, it has ambition to be good, but it’s not that good.
But your taste, the thing that got you into the game, is still killer. And your taste is good enough that you can tell that what you’re making is kind of a disappointment to you. A lot of people never get past that phase. They quit.
Everybody I know who does interesting, creative work they went through years where they had really good taste and they could tell that what they were making wasn’t as good as they wanted it to be. They knew it fell short. Everybody goes through that.
And if you are just starting out or if you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Do a huge volume of work. Put yourself on a deadline so that every week or every month you know you’re going to finish one story. It is only by going through a volume of work that you’re going to catch up and close that gap. And the work you’re making will be as good as your ambitions.
The full interview from which the video above is excerpted can be found here. Notably, Glass’s advice matches that of this parable from Art & Fear.
This handsome looking character is called the monkey slug caterpillar and its appearance has evolved to resemble a tarantula, which affords it protection from predators. This video was captured in the Ecuadorian rain forest by David Weiller; it’s a great example of mimicry. From Wikipedia:
In evolutionary biology, mimicry is an evolved resemblance between an organism and another object, often an organism of another species. Mimicry may evolve between different species, or between individuals of the same species. Often, mimicry functions to protect a species from predators, making it an antipredator adaptation. Mimicry evolves if a receiver (such as a predator) perceives the similarity between a mimic (the organism that has a resemblance) and a model (the organism it resembles) and as a result changes its behaviour in a way that provides a selective advantage to the mimic.
(via colossal)
The Beatles: Get Back, Peter Jackson’s documentary about the making of Let It Be, was delayed by the pandemic, so he and the studio have released a montage of about four minutes of the film as a sneak peek. The film, constructed from 55+ hours of largely unseen footage and 140 hours of audio recordings, seeks to portray the making of the band’s final studio album in a better light than previous accounts. The project has the support of Paul McCartney, Ringo Starr, Yoko Ono, and Olivia Harrison and will out in August 2021. (via ted gioia)
Update: The film has turned into a three-part series to be released on Disney+ in November.
The streamer explained that “because of the wealth of tremendous footage Jackson has reviewed, which he has spent the past three years restoring and editing, ‘The Beatles: Get Back’ will be presented as three separate episodes.” The installments will roll out November 25-27 and be approximately two hours in length each.
I enjoyed this holiday campaign ad from Public Inc. (It contains some salty language! It’s ok — kids are swearing more during the pandemic.)
I watched it twice, donated to the Mental Health Coalition as requested, and now I feel……. better? A little bit? (fuck you, adam lisagor!)
In this video, Kenton Whitman explains how to survive a fall through ice on a frozen lake or river.
The explanation could have been tighter and more engaging, but it gets really interesting around the 6:40 mark when Whitman ventures out onto some ice and falls through it to demonstrate the self-rescue technique (and he’s not wearing a wetsuit). Watching him relax to mitigate the cold shock response in realtime is spellbinding. His calmness really drives home that if you don’t panic and think clearly, you actually have a lot of time and energy to get yourself out of trouble. From the Four Phases of Cold Water Immersion:
While it varies with water temperature and body mass, it can take 30 minutes or more for most adults to become even mildly hypothermic in ice water. Knowing this is vitally important in a survival situation, since people would be far less likely to panic if they knew that hypothermia would not occur quickly and that they have some time to make good decisions and actions to save themselves.
Oh and don’t miss when Whitman gets back into the water so that you can see him climb out from another camera angle. Don’t try this at home, kids.
I’ve featured the work of choreographer Yoann Bourgeois on kottke.org before — his work gets performers moving on rotating stages and dropping onto trampolines. A 2019 performance choreographed by Bourgeois based on an unfinished Mozart piece sort of combines his previous performances, with dancers dropping into a slippery ramp that slides them onto a rotating platform.
As you might expect, getting gravity and centripetal force to play well together requires some experimentation — Bourgeois recently shared a rehearsal blooper where he catches one of his performers before they go whizzing off the stage into the orchestra.
You can watch more behind-the-scenes footage of this performance in this video:
** Goalkeeping definitely involves choreography.
For Design Ah by Daihei Shibata, Unendurable Line is a short film about sudden changes due to “thresholds hidden in everyday life”. The choral accompaniment to this is delightful.
See also Shibata’s Unexpected Outcome. If you’re in the US, you can watch 60 full episodes of Design Ah on THIRTEEN.
This video is three minutes and nine seconds of pure precision — welcome to the world of Japanese wood joinery. Carpenter Dylan Iwakuni wordlessly demonstrates taking two or more pieces of wood and (improbably, impossibly) making them one. Seriously, I am gobsmacked at how exactly these bits of wood fit together.
If you enjoyed that, you may want to check out another of Iwakuni’s videos, Making the “Impossible Joint”.
(via colossal & the kid should see this)
I read both of the excerpts from A Promised Land, Barack Obama’s memoir of his time in the White House: I’m Not Yet Ready to Abandon the Possibility of America from The Atlantic and A President Looks Back on His Toughest Fight in the New Yorker. I have also been listening to the audiobook version, read by Obama himself, over the last few days and if you’re at all interested in this book, I would suggest going with the audiobook. Here’s an excerpt of Obama reading the preface (and several more of other parts of the book):
Not that there’s anything wrong with the written version, but the audiobook conveys more context and information. Much of the time, Obama writes like he talks, so listening to him read his own writing is like sitting across the dinner table from him as he tells you about how he became President. You can hear which parts of the book he really cares about and which parts are in there just to bridge gaps. He does impressions — of Desmond Tutu and his Kenyan relatives — and inflects words in other languages in the manner of Alex Trebek. He jokes around and gets serious. You can hear how frustrated he was, and continues to be, with Republican obstructionism. I’m only a few chapters in so far, but it will be interesting to hear his voice when he talks about the aspects of his Presidency that people believe didn’t live up to his lofty goals and visions. You really get the sense when listening to him that, unlike many politicians, he actually cares about helping people — or if you’re cynical, that he’s best-in-class at faking it; either way it’s fascinating to hear and make up your own mind.
You can listen to Obama read A Promised Land at Amazon or Libro.fm.
For the past four years, Martin Molin of the “folktronica” band Wintergatan has been building a marble machine that the band can use to make music. He’s documenting the entire build on YouTube in a long series of videos (149 and counting). The most recent videos show Molin’s test of the machine with thousands of marbles and his tweaking to get things juuuust right. In the one above, he makes several adjustments from failures observed from his last test and then runs 30,000 marbles through the machine.
These videos are long, so you’d be forgiven for skipping to the end just to see the machine in action, but Molin is really enthusiastic — obsessed in the best way — and is great at showing his work. People really digging into things, especially tangible mechanical things, and bringing us along for the ride is always interesting. (thx, sippey)
With almost 8 billion people in the world, chances are pretty good that everyone has a doppelgänger somewhere out there. Finding My Twin Stranger is a short documentary that follows researchers from the Department of Twin Research at St Thomas’ Hospital as they look for the most identical strangers — people who aren’t biological twins but sure look like they do.
In this documentary, we follow people as they track down their twin stranger across the globe and meet for the first time. They get to know one another and find out about each other’s lives and whether there are any other similarities. While the pairs get to know each other, they are also undergoing a series of tests by the twin-experts at St Thomas’ Hospital. These include measuring similarities of facial features using the latest 3D scanning technology, 2D facial recognition analysis and DNA ancestry testing.
The experts then get 100 people to rate the similarities from photos from most alike to least alike. Taking all of the results into consideration, the twin-experts will then reveal which pair is the most identical.
You can use the site Twin Strangers to find your own doppelgänger — you can see some of their matches here and on Instagram.
See also the fascinating 2018 documentary Three Identical Strangers and Identical Twins Who Look Nothing Alike.
If you crack a fertilized chicken egg into a transparent container — in this case, plain old kitchen plastic wrap — and incubate it, you can observe the embryo as it develops and eventually “hatches” into a chick, heartbeat and all. The process takes about 21 days from start to finish.
This look inside the world of professional tag — the court setup, the vocabulary, the strategy — by Phil Edwards was the perfect low-stakes thing I needed to watch today. If you’d like to know more after watching, you can check out the World Chase Tag site, including the rules and terminology of the game (which has too many trademarked terms for my taste) or some competition videos (this compilation of the best moves from the last world championships is probably a good place to start).
Spurred by the pandemic — what he calls “the first experience we’ve had of a global disaster affecting every single person on Earth”1 — Domain of Science’s Dominic Walliman takes stock of many of the possible catastrophes that might befall humanity, ranking possible threats based on their likelihood and the number of potential casualties.
This year was the first experience we’ve had of a global disaster affecting every single person on Earth. And also how unprepared society was to deal with it, despite plenty of people giving warnings that this was going to happen at some stage.
But in the midst of all the doom I started to wonder, what other things could threaten humanity, that we are not thinking about? So I made the Map of Doom to list all the threats to humanity in one place.
The result is the quadrant chart and the video above as well as the Map of Doom.
One could imagine a third dimension of this chart: what, if anything, humans can do about each of these threats. Earthquakes can be detected, buildings can be designed to withstand them, and evacuation procedures enacted and prioritized. Many effects of climate change can be mitigated. Asteroids can be detected, but doing something about them might prove difficult. We’ve lowered the threat of nuclear war — for now. Supervolcanoes? Yikes.
You can find a list of references used in the video’s description. (via open culture)
In this short video, Abigail Tucker, author of 2015’s The Lion in the Living Room: How House Cats Tamed Us and Took Over the World, shares a brief overview of the role of cats in human lives, including their evolution from wild cats to tame lap friends.
But really, this is just a good excuse for me to feature once again Kevin Slavin’s marvelously entertaining talk about viral cat videos and the toxoplasma gondii parasite. See also Are Cats Domesticated?, How Humans Domesticated Cats (Twice), and The Self-Domestication of Humans. (via open culture)
Like almost everything else these days, NPR’s Tiny Desk Concerts have gone remote. Their most recent play-from-home guest was Dua Lipa, who was the artist I listened to more than any other in 2020 (according to Spotify). Before playing a stripped-down acoustic version of Love Again with her band, Lipa said of the song: “It’s really about manifesting good things into your life when things aren’t quite going your way.” That’s a sentiment that a lot of us can relate to nowadays.
NPR has been tracking the 25-year-old singer/songwriter for a while now; she was featured in an episode of their Noteworthy series in August 2016, several months before the release of her debut album.
Dua Lipa walking unrecognized around NYC…won’t ever see that again.
Forgive me reader, for I have been lazy. It’s been 7 months since I’ve shared a list of the movies, books, music, TV, and podcasts that I’ve been watching/reading/listening to, uh, recently. But I’ve been diligently keeping track1 and so here’s everything I’ve consumed since early May. Warning: soooo much TV and soooo many movies (and bad ones at that) and very few books. At the end of most days — after work, parenting, cooking yet another meal I’m not actually in the mood for, and constantly refreshing Instagram — I just don’t have enough left in the tank for books. (Oh, and as usual, don’t pay too much attention to the letter grades!)
Winds of Change. A fun ride but ultimately kind of empty? (B)
How to Be an Antiracist by Ibram X. Kendi. Perhaps not what you’d expect going in — thought-provoking on almost every page. (A)
The Ezra Klein Show — Madeline Miller. Super interesting, especially if you’ve read Song of Achilles or Circe. (A-)
Godzilla. This was sort of the tail end of my pandemic disaster movie film fest. (C+)
Fetch the Bolt Cutters. I love that this exists but it is not for me. (B-)
The Mirror & the Light by Hilary Mantel. I knew it was coming, Thomas Cromwell’s downfall; it’s historical fact after all. But somehow the actual moment shocked me, despite Mantel’s careful foreshadowing over hundreds of pages. (A)
Normal People. No way in hell was this going to be as good as the book, but they somehow did it. Stellar casting. (A-)
Fleabag Live. I wanted to love this like I loved the TV show but could not get into it. (C+)
Star Wars: The Rise of Skywalker. Whatever else you might think about the third SW trilogy, the casting was fantastic. (B+)
Partysaurus Rex. One of my favorite Pixar shorts. (A-)
Iron Man 3. The only MCU movie I hadn’t seen. It was…fine? (B)
Dunkirk. A masterpiece. (A)
Arrival. Another masterpiece. (A)
Kursk. This should have been better. (B)
Harry Potter at Home. My kids and I listened to this in the car and loved it. (A-)
Watchmen. After admitting I’d stopped watching after a few episodes, several of you urged me to keep going. I finished it but still was not as dazzled as everyone else seemed to be. Maybe if I’d read the graphic novel? (B+)
Against the Rules with Michael Lewis (season two). This season was all about coaching and may have been even better than the first season. (A-)
The General. A silent film masterpiece from Buster Keaton. The kids were a little bored at first but ultimately loved it. (A-)
The Endless. Solid sci-fi horror. (B)
13th. A powerful argument that slavery is still constitutionally legal and alive & well in the United States. (A)
Ida. Beautiful film. (B+)
The Last Dance. I grew up watching and rooting for Jordan and the Bulls, so this was the perfect nostalgic entertainment. Jordan comes off as both more and less of a dick than I remember. (A-)
Da 5 Bloods. This was a mess. (C+)
Undone. Inventive animated sci-fi with plenty of plot left for season two. (B+)
Celebrate Your Body (and Its Changes, Too!): The Ultimate Puberty Book for Girls by Sonya Renee Taylor. Borrowed this from my daughter to brush up on how to help her approach some changes coming down the pike. (A-)
Beyond Meat. I snuck some of their ground “beef” into a casserole to try it out and see if the kids would notice. They didn’t at first, but once I told them, the three of us agreed that it was not that tasty — and definitely didn’t taste like beef. Plus I had an upset stomach until noon the next day. (C-)
Knives Out. I enjoyed this much more the second time. (A-)
Honeyland. A maddening microcosm of modernity. (A)
The Conversation. Maybe this hit me on an off-night? (B+)
The Great. Super fun show from the screenwriter of The Favourite. (A-)
Hamilton. Obviously better in person (and 4 years ago), but the performances and music are so great it doesn’t matter. (A)
Slate Money — Modern Monetary Theory. Really interesting alternate way of thinking about the economy, federal debt, inflation, and taxes. They kinda jumped right into the middle of it though, leaving this interested MMT beginner a little baffled. (B)
12 Monkeys. So very 90s. Brad Pitt is great in this though. (B+)
Cloud Atlas. An underrated gem. (A)
The Old Guard. Engaging and built for a sequel. But what isn’t these days? (B+)
Cars 2. I’d only ever seen the first 2/3s of this because my then-4-year-old son was so upset that the onscreen baddies were going to kill Lightning McQueen that we had to leave the theater. (B-)
Nintendo Switch. Such a fun little console that doesn’t take itself too seriously. (A-)
Greyhound. Not Hanks’ best effort. (B)
Radioactive. An overly complicated movie about a complex woman. (B+)
Ratatouille. The scene where Ego takes his first bite of ratatouille still gives me goosebumps. (A)
The Speed Cubers. Heartwarming story. (B+)
Project Power. Incredible that they were able to turn the story of Henrietta Lacks into a superhero movie. (B+)
Pluto TV. Am I the last person on Earth to find out about this app? Dozens of channels of reruns that you can’t pause and are interrupted by ads, just like old school TV. I’ve been watching far too much old Doctor Who on here. (B+)
Folklore. I don’t really get Taylor Swift and that’s ok. (C)
This Land. Excellent and infuriating — this had me yelling at my car radio. (A)
13 Minutes to the Moon — Apollo 13. Not as good as season one about Apollo 11 or Saving Apollo 13, but still compelling. (B+)
Black Panther. Had to rewatch. Rest in peace, Chadwick Boseman. What a loss. (A-)
Conversations with Friends by Sally Rooney. Anything she writes, I will read. (A)
Master and Commander: The Far Side of the World. I had forgotten how slow this starts, but once it gets going it’s completely gripping, even the quiet parts. (A-)
Contact by Carl Sagan. First time I’d read this in many years. Did not resonate as much as it had in the past. (B+)
Contact. They should have sent a poet. (A-)
True Grit. Hailee Steinfeld is fantastic in this. (A)
Being John Malkovich. Terrific performance by Malkovich. This was a favorite movie of mine for years but its impact on me has lessened. (B+)
Reply All, Country of Liars. The origin story of QAnon. But let’s just say there are some unreliable narrators in this story. (B+)
Jurassic Park. A blockbuster masterpiece. (A)
50 First Dates. One of the very few Sandler comedies I really like. (B+)
I’m Thinking of Ending Things. Really did not vibe with this one. (C+)
Pride & Prejudice. I am a huge sucker for this film. (A)
MASS MoCA. Took a day trip down here back in October. My first museum since Feb. Sol LeWitt, James Turrell, Jenny Holzer, great building, virtually no one here on a weekday — very much worth the 6-hour RT car ride. (A+)
Palm Springs. Groundhog Day + 50 First Dates. (A-)
Kona Honzo. After getting a taste of mountain biking on a borrowed bike, I upgraded to this hardtail. Had some really great rides on it but also stupidly crashed, landed on my face, had to go to the ER, and got 9 stitches on my chin. Would not recommend crashing (stupidly or otherwise, but especially stupidly), but I liked mountain biking enough to get back on the bike a couple of weeks later. (A-)
My Octopus Teacher. As I said previously: “It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking.” (A)
His Dark Materials. I like the show but the main character is so irritating that I don’t know if I can keep watching… (B+)
You’re Wrong About — Princess Diana. I never fully understood the appeal of Princess Diana but now I do. Excellent 5-part series. (A)
Human Nature. Documentary on Netflix about the discovery and potential of Crispr. (B+)
The Booksellers. Was ultimately not that interested in this. (B)
Ted Lasso. Mister Rogers’ Neighborhood + Major League. Who knew you could make radical empathy funny? (A+)
The Queen’s Gambit. So well done in almost every way. (A)
Haywire. Solid Soderbergh thriller. (B+)
Enola Holmes. I will watch almost any Sherlock Holmes adaptation, riff, or spin-off. (B+)
The Trial of the Chicago 7. I loved this. Classic Sorkin and great ensemble cast performance. (A)
Zama. Maybe surrealist film is not my cup of tea. (B)
AlphaGo. I’d read a lot about the events in this film, but seeing it play out was still gripping and surprising. This and My Octopus Teacher would make a great double feature about the shifting definition of what makes humans human. (A)
The Way I See It. Pete Souza reflects on his proximity to power. (B+)
The Queen. Had to watch this after the Princess Di You’re Wrong About series. (B+)
Lego Star Wars Holiday Special. Is this canon now? If so, I have some questions. (C)
Carol. Holy shit, wonderful! I think I held my breath for the last two minutes of the movie. (A+)
Song Exploder. TV version of the OG podcast. The REM episode was great. (B+)
Rogue One. I wouldn’t call this the best Star Wars movie, but it isn’t not the best Star Wars movie either. (A-)
Little Women. Rewatched. I love this movie. (A)
Tenet. Primer + James Bond. Maybe the pandemic has made me dumber, but this totally confused me. In a bad way — it could/should have been simpler. (B)
Caste by Isabel Wilkerson. A masterful examination of the skin color-based caste system of the United States, compared and contrasted with the caste systems of India and Nazi Germany. (A)
Past installments of my media diet are available here.
The Milky Way galaxy may be home to billions or even trillions of rogue planets (planets that don’t orbit stars). In this video, Kurzgesagt considers how the Earth could go rogue (by following a nearby massive star away from the Sun) and what would happen to our oceans, atmosphere, and lives if it happened.
The first part of the video is pretty bleak — “as the days turn dark, the final winter of humanity would begin” — while the second part is hopeful: we’ll be able to predict our ejection thousands of years before it happens and may be able to prepare. In light of the world’s response to the pandemic and climate change, it would certainly be interesting to see if human civilization could get it together to save itself from a cold death in outer space. I have no doubt that scientist could accurately diagnose the problem and supply solutions, but the politics would be a total mess.
For most of us, ancient Egyptian is a highly visual language represented by the familiar hieroglyphs left behind on monuments, papyrus documents, and even sarcophagi. But of course it was a spoken language as well…and linguists even have a good idea of what it sounded like. As NativLang’s Josh Rudder explains in this video, by studying the language family that ancient Egyptian descended from, the languages that evolved from it (like Coptic), and languages it traded words with, researchers have been able to determine how many ancient Egyptian words were pronounced.
For more, you can check out Rudder’s extensive list of sources, notes, and quotes related to the video. (via open culture)
On August 4, 2020, materials stored in a warehouse in Beirut, Lebanon caught on fire and then exploded multiple times. More than 200 people were killed, 6,500 injured, and around 300,000 residents were left homeless. Using photos and videos shot of the incident as well as other materials, a company called Forensic Architecture built a 3D model of the warehouse (inside and out), the fires, and the explosions. They cleverly used the unique second-to-second shape of the smoke plumes to sync up various bits of video shot from different vantage points.
We collected and examined images and videos taken by witnesses of the blast and shared on different platforms online. Using details about the smoke, fires, and explosions, we were able to geolocate each piece of footage and calculate the camera’s cone of vision. We places the cameras in the open source 3D model of the city , which we had adjusted to match the necessary precision. This helped us to identify the precise location of the source of the smoke plume within Warehouse 12 in each frame of each footage.
It’s a fascinating analysis. After going through more than 9 minutes of explanation of what they learned about the placement of materials (including highly explosive ammonium nitrate, tires, and fireworks) inside the warehouse from smoke colors, interior videos, and warehouse manifests, the narrator says simply:
From an engineering perspective, this is the spacial layout of a make-shift bomb on the scale of a warehouse, awaiting detonation.
The video is also available in Arabic. They’ve made the 3D files of the warehouse, the smoke plumes, and the port — as well as the source media used in their analysis — freely available for download on GitHub. (thx to several people who sent this in)
Newer posts
Older posts
Socials & More