Using geological surveys, geo-referenced road network data, and historic maps drawn the from the collections of the Library of Congress and New York Public Library, Miles Zhang made this time lapse video of the development of the street grid of NYC from 1609 (when Henry Hudson first explored the area for the Dutch) to the present day.

The resulting short film presents a series of "cartographic snapshots" of the built-up area at intervals of every 20-30 years in the city's history. This process highlights the organic spurts of growth and movement that typify New York's and most cities' development through time. The result is an abstract representation of urbanism.

Zhang has written up his research methodology for the video as well as some observations and analysis of the data.

For almost the first half of Manhattan's history, walking was the primary means of transport. This preference was manifested in the shorter distances between residential, industrial, shipping, and commercial areas — and more frequently their overlap. With street systems, the reliance on the foot is manifested in narrower streets widths not designed to accommodate greater width from carriages, trolleys, and later cars. In fact, the average width of secondary arterial streets increased from 30 feet for streets opened between 1624-1664, to 45 feet for streets opened 1664-1811, and then a uniform width of 60 feet for any cross street opened after 1811. Later widenings increased many of these smaller and pre-1811 streets to width between 100 and 130 feet. In other words, moving from the older networks in the south to newer networks in the north, the width of streets and size of blocks generally increases. These new widths might be influenced by growing population size from only 25,000 in the 1770s, to 64,000 by 1811, and 247,000 by 1834, thereby requiring wider streets for expanding population and higher buildings.

These gradual changes in planning reflected increasing reliance on carriages and horse-drawn trolleys instead of walking. Each mode of transport required a different minimum street width and was associated with different speeds.

(via @john_overholt)

• cities
• maps
• Miles Zhang
• NYC
• time lapse
• video

John Boswell has made a 10-minute time lapse video showing the history of the universe, from its formation 13.8 billion years ago up to the present. Each second of the video represents the passing of 22 million years. But don't blink right near the end...you might miss the tiny fraction of a second that represents the entire history of humanity.

See also: Boswell's Timelapse of the Future, a dramatized time lapse of possible events from now until the heat death of the universe many trillion trillion trillions of years from now.

• John Boswell
• physics
• science
• time lapse
• Universe
• video

One of my favorite Wikipedia articles is the timeline of the far future, which details the predictions science makes about the possible futures of the Earth, solar system, galaxy, and universe, from Antares exploding in a supernova visible from Earth in broad daylight in 10,000 years to the end of star formation in galaxies 1 trillion years from now...and beyond.

In his new video, Timelapse of the Future, John Boswell takes us on a trip through that timeline, a journey to the end of time.

We start in 2019 and travel exponentially through time, witnessing the future of Earth, the death of the sun, the end of all stars, proton decay, zombie galaxies, possible future civilizations, exploding black holes, the effects of dark energy, alternate universes, the final fate of the cosmos — to name a few.

A regular time lapse of that voyage would take forever, so Boswell cleverly doubles the pace every 5 seconds, so that just after 4 minutes into the video, a trillion years passes in just a second or two.¹ You'd think that after the Earth is devoured by the Sun about 3 minutes in, things would get a bit boring and you could stop watching, but then you'd miss zombie white dwarfs roaming the universe in the degenerate era, the black hole mergers era 1000 trillion trillion trillion trillion years from now, the possible creation of baby "life boat" universes, and the point at which "nothing happens and it keeps not happening forever".

1. This is similar to Charles and Ray Eames' Powers of Ten increasing its speed and field of view every 10 seconds.↩

• John Boswell
• physics
• science
• time
• time lapse
• Universe
• video

In this time lapse filmed by Jan van IJken, the embryo of a salamander is shown transforming into a hatched tadpole, from a single cell to a complex organism in a three-week process that's condensed into just six minutes of video.

The first stages of embryonic development are roughly the same for all animals, including humans. In the film, we can observe a universal process which normally is invisible: the very beginning of an animal's life. A single cell is transformed into a complete, complex living organism with a beating heart and running bloodstream.

• biology
• Jan van IJken
• science
• time lapse
• video

Time lapse video tours of big cities are a common sight on YouTube — see this Dubai hyperlapse or this Paris time lapse — and the technique has become an aesthetic of its own. But seeing the super-stylized & ultra-HD practice applied to a place like Pyongyang, North Korea broke my brain a little bit. The video was shot by Joerg Daiber, who writes of the experience:

Pyongyang is by far the weirdest and strangest place I have ever been to. At the same time it's also one of the the most interesting and intriguing places and unlike anywere else I have ever been to. You go there with 100 questions and you return with 1000!

(via @kbandersen)

• Joerg Daiber
• North Korea
• time lapse
• video

This is mesmerizing to watch for a few minutes: a time lapse map of weather activity across the entire US in 2018. I was thinking it would be instructive to see this sped up a bit more, that perhaps different patterns might reveal themselves, and then I remembered that you can control the playback speed on YouTube videos...just click the gear icon. I think I like the 2X version better. (via @DesignObserver)

• maps
• time lapse
• video
• weather

My favorite scene in Wes Anderson's Isle of Dogs is the sushi-making scene. It's a pure showcase of stop motion animation goodness and wordless storytelling.

Andy Biddle has posted a behind-the-scenes time lapse video of him and Anthony Farquhar-Smith animating that scene:

From the costume changes, it looks like that 40 seconds of video took about 29 days to complete, although obviously not full days in many cases.

You can see more of Biddle's work here and Farquhar-Smith's work here.

Update: Somehow I totally missed the days counter in the upper left corner of the video...the sequence took 32 days to do. (This is like the awareness test with the moonwalking bear.) (thx, all)

Update: Isle of Dogs' head puppet master explains a bit more about what goes into making these stop motion scenes.

• Andy Biddle
• food
• Isle of Dogs
• movies
• stop motion
• sushi
• time lapse
• video
• Wes Anderson

To celebrate the 20th anniversary of the first module of the International Space Station being put into orbit, ESA astronaut Alexander Gerst shot a 15-minute time lapse video of the Earth from the ISS, long enough for two complete orbits of the planet. Landmarks along the journey are annotated right on the video and the location of the ISS is also plotted on a map in the top right corner. Love the nighttime thunderstorms over the Pacific.

See also An Incredible Video of What It's Like to Orbit the Earth for 90 Minutes.

• Alexander Gerst
• Earth
• ISS
• space
• time lapse
• video

Mike Olbinski is back with another of his jawdropping storm chasing videos. I find clouds endlessly fascinating — it seems like there's always something new to consider while watching these kinds of videos. This time around, I noticed how the clouds in several instances actually "opened up" when it started to rain, like a hatch that finally succumbed to the pressure of all that water pushing down on it. (Check out 1:38 for a particularly clear instance.)

• clouds
• Mike Olbinski
• time lapse
• video

Sunday night, SpaceX launched a Falcon 9 rocket into orbit from Vandenberg Air Force Base in California. The nighttime launch created what looked like a nebula in the sky, prompting LA mayor Eric Garcetti to tweet that his city was not being visited by a flying saucer. This 4K time lapse of the launch is only 13 seconds long and is worth watching about 40 times in a row.

• space
• SpaceX
• time lapse
• video

The European Southern Observatory's Very Large Telescope in Chile has been watching the supermassive black hole in the center of our galaxy and the stars that orbit it. Using observations from the past 20 years, the ESO made this time lapse video of the stars orbiting the black hole, which has the mass of four million suns. I've watched this video like 20 times today, my mind blown at being able to observe the motion of these massive objects from such a distance.

The VLT was also able to track the motion of one of these stars and confirm for the first time a prediction made by Einstein's theory of general relativity.

New infrared observations from the exquisitely sensitive GRAVITY, SINFONI and NACO instruments on ESO's Very Large Telescope (VLT) have now allowed astronomers to follow one of these stars, called S2, as it passed very close to the black hole during May 2018. At the closest point this star was at a distance of less than 20 billion kilometres from the black hole and moving at a speed in excess of 25 million kilometres per hour — almost three percent of the speed of light.

S2 has the mass of about 15 suns. That's 6.6 × 10^31 pounds moving at 3% of the speed of light. Wowowow.

• astronomy
• black holes
• Milky Way
• physics
• science
• space
• time lapse
• video

It's fun to watch this kidney bean grow into a plant over the course of 25 days to the strains of The Blue Danube waltz by Johann Strauss. Thanks to this cross-sectional view, you can see the main root push down into the soil and the tendrils branching out to anchor the plant for its remarkable vertical growth to come.

• time lapse
• video

This animation shows how humans have spread and organized themselves across the Earth over the past 200,000 years. The time lapse starts with the migration of homo sapiens out of sub-Saharan Africa 200,000 years ago, with a few thousand years passing every second. As the agricultural revolution gets underway and the pace of civilization quickens, the animation slows down to hundreds of years per second and eventually, as it nears modern times, 1-2 years per second.

See also time lapse animations of the history of Europe from the fall of Rome to modern times and human population through time. (via open culture)

• humans
• maps
• time lapse
• timelines
• video

The Crab Nebula is the result of a supernova that happened 6,500 light years away from Earth. From our perspective, the supernova happened almost 1000 years ago, in July, 1054. Using a home-built telescope, amateur astronomer Detlef Hartmann took a photos of the Crab Nebula over a ten-year period and assembled them into a time lapse video of the nebula's expansion. Even after a millennia and across all that distance, the expansion of the nebula is clearly visible. And why not, those gases are moving at a clip of 1400 kilometers per second (more than 3 million miles per hour or 0.5% the speed of light).

As Phil Plait notes, we're used to seeing things in our solar system move in the skies, but far-away bodies? That's just weeeeeird.

Sure, the Moon moves in the sky, and the planets around the Sun, but deep sky objects — stars, nebulae, galaxies — are so distant that any physical motion at all is incredibly difficult to detect. They may as well be frozen in time. Being able to see it... that's astonishing.

Hartmann's is not the first Crab Nebula animation; I also found animations using images from 2002 & 2012, 1973 & 2001, 1999 & 2012, and 1950 & 2000. Someone with an interest in astronomy and photo/video editing should put all these views together into one 68-year time lapse of the nebula's expansion.

• astronomy
• Detlef Hartmann
• Phil Plait
• science
• space
• time lapse
• video

In 1990, China, Hong Kong, and Taiwan had only a handful of subway lines. In the early 2000s, growth in the number of cities with subways started to increase dramatically, as did the number of lines in the bigger cities like Beijing and Shanghai. As of 2020, more than 40 Chinese cities will have subway systems. Check out this time lapse map by "transit nerd" Peter Dovak (who also did these Mini Metros maps):

In this time, Beijing and Shanghai in particular have ballooned from nearly nothing into the world's two largest, in both length and annual ridership. The timeline of their expansion alone is mesmerizing.

Meanwhile, the NYC subway system is...

• China
• infoviz
• maps
• Peter Dovak
• subway
• time lapse

Over the course of several month, Shawn James built a log cabin all by himself in the wilderness of Canada.

Once on site, I spent a month reassembling the cabin on a foundation of sand and gravel. Once the log walls were up, I again used hand tools to shape every log, board and timber to erect the gable ends, the wood roof, the porch, the outhouse and a seemingly endless number of woodworking projects.

For the roof, I used an ancient primitive technology to waterproof and preserve the wood - shou sugi ban, a fire hardening wood preservation technique unique to Japan and other areas in northern climates.

See also the Primitive Technology guy, who recently bought a new property and is starting from scratch building on it.

• architecture
• time lapse
• video

The second edition of Noticing, a still-new and all-free kottke.org newsletter, went out this afternoon. Here's a short excerpt of the third and fourth sections, "Time... Lapsed" and "Ask Dr. Time." We hope you'll subscribe.

Time... Lapsed

This was a good week for historical snapshots. I was fascinated by Cinefix's list of the top movie remakes of all time, including maybe especially Michael Mann's Heat, which (I didn't know) is a remake of a failed TV pilot Mann produced in 1989. The deep dive into Herzog's remake of Nosferatu is also great. But all of the featured films, whether remakes, sequels, or adaptations, show the effects of time and choice, and wow, yeah, I am deep into those two things lately. Like, without getting completely junior year of college on it–the metaphysical context for being, and the active, existential fact of being itself.

Consider Alan Taylor's as-always-gorgeous photo remembrance of 1968, one of the most tumultuous years in world and American history. (There are going to be a lot of 50th anniversaries of things I am not ready for there to be 50th anniversaries for.) Or acts of misremembrance and mistaken choices, like how late 1990s and early 2000s nostalgia for World War 2 (and a commensurate forgetting of Vietnam and the Cold War) helped turn September 11, 2001 into a new kind of permanent war that shows no signs of ending.

Or for lighter fare, see this photo of the cast of The Crown with their real-life counterparts, or try out Permanent Redirect, digital art that moves to a new URL whenever someone views it. Watch an English five-pound note be reconstructed from shredded waste, or see this film of time-lapse thunderstorms and tornadoes in 8K high-definition. (That last one is pretty scary, actually. But beautiful.)

Ask Dr. Time

Speaking of time–you may have missed the introduction of Dr. Time, the world's first metaphysical advice columnist, last Friday. Last week we looked at the changing relationship between orality and literacy (or, I should probably say, oralities and literacies) from prehistory through digital technology. I don't have anything quite so sweeping for this week; only this round-up of longevity research compiled by Laura Deming (which I mostly understand), and this exciting new scientific paper on reversing the thermodynamic arrow of time using quantum correlations (which I barely understand). 

So, this week, my advice regarding time would be (in this order):

1. Try to restrict your caloric intake;
2. Consider shifting some of your qubits into spin 1/2;
3. Accept that we're thrown into our circumstances, regardless of how shitty they may be, and greet whatever fate rises to meet you with resolute defiance.

• Dr. Time
• movies
• Noticing
• time lapse

Storm-chasing photographer Mike Olbinski is back with a new time lapse video and this one is in black & white and was shot in 8K resolution. (BTW, 8K is 7680×4320 or 4320p. That's a lot of K!)

Breathe is made up solely of storm clips from 2017...either from the spring across the central plains or from the monsoon here in the southwest. Some are favorites, some are just ones I knew would be amazing in monochrome and others I used because they fit the music so well.

The video was unavailable in 8K to me on both YouTube and Vimeo — maybe you need to be a paying member? — but even at 4K, this thing is hypnotically stunning. I rewound and watched the part starting at 1:39 about five times. You can see more of my posts about Olbinski here. (via colossal)

• clouds
• Mike Olbinski
• time lapse
• video

When the Bank of England misprints banknotes, they shred them into tiny little pieces. In this time lapse video, compressed from an entire work day into 11 minutes, a person with a tweezers attempts to reconstruct a five pound note from those tiny shredded pieces. For reference, here's what the five pound note actually looks like.

• currency
• time lapse
• video

Jeffrey Tsang is a sailor on a cargo ship. On a recent voyage from the Red Sea to Sri Lanka to Singapore to Hong Kong, he set up a camera facing the bow of the ship to record the month-long journey. From ~80,000 photos taken, he constructed a 10-minute time lapse that somehow manages to be both meditative and informative. You get to see cargo operations at a few different ports, sunrises, thunderstorms, and the clearest night skies you've ever seen. Highly recommended viewing. (via colossal)

• meditative
• time lapse
• video

Wall Drawing 797 is a conceptual artwork by Sol LeWitt consisting of instructions that anyone can use to make a drawing. I found this at The Kid Should See This¹ and I cannot improve on their description:

How does one person's actions influence the next person's actions in a shared space? Sol LeWitt's wall drawings explore this intricate visual butterfly effect in the collaborative art entitled Wall Drawing 797, a conceptual piece that can be drawn by following LeWitt's instructions. (He died in 2007.)

"Intricate visual butterfly effect" is such a good way of putting it. I have a huge wall right above my desk...I kind of want to make my own Wall Drawing 797 now.

1. You should be reading The Kid Should See This even if you don't have children. It's always so good and interesting.↩

• art
• Sol LeWitt
• time lapse
• video

Photo and video credits from the top: Nashville progression photo by Richard Sparkman. HDR photo with Moon detail by Dennis Sprinkle (this one blew my mind a little). Rock climber by Ted Hesser (the story behind the photo). Progression photo by Jasman Lion Mander. Photo from the Alaska Airlines flight by Tanya Harrison. Video of the eclipse shadow moving across the Earth from the NOAA's DSCOVR satellite. Neon cowboy photo by Rick Armstrong. ISS transit photo and video by Joel Kowsky. Partial eclipse video by NASA's SDO spacecraft. Partial eclipse video by the ESA's Proba-2 satellite. Video of the eclipse shadow moving across the US by the NOAA's GOES-16 weather satellite. Time lapse video from The Salt Lake Tribune. Amazing 4K close-up video by JunHo Oh, ByoungJun Jeong, and YoungSam Choi...check out those prominences!

More eclipse photos on Petapixel (and here), BBC, Bored Panda, The Verge, and the NY Times.

Update: I added the time lapse video from The Salt Lake Tribune. (via the kid should see this)

Update: Added the 4K close-up video.

• 2017 solar eclipse
• astronomy
• photography
• science
• time lapse
• video

Stormchaser Mike Olbinski is back with his latest time lapse video of clouds and storm footage he shot this spring.

The work on this film began on March 28th and ended June 29th. There were 27 total days of actual chasing and many more for traveling. I drove across 10 states and put over 28,000 new miles on the ol' 4Runner. I snapped over 90,000 time-lapse frames. I saw the most incredible mammatus displays, the best nighttime lightning and structure I've ever seen, a tornado birth caught on time-lapse and a display of undulatus asperatus that blew my mind. Wall clouds, massive cores, supercell structures, shelf clouds...it ended up being an amazing season and I'm so incredibly proud of the footage in this film.

The lightning storms and undulatus asperatus clouds at the end of the video are just flat-out spectacular.

• clouds
• Mike Olbinski
• time lapse
• video

This might be the most beautiful three minutes of your day. Director Tom Lowe is making a feature-length documentary "exploring humanity's relationship with technology and the natural world" called Awaken. This trailer is stuffed with some of the most arresting imagery I've seen in a long time. Perhaps most striking is the moving time lapse footage, which was shot from a helicopter using equipment of Lowe's own design...I don't think I've seen anything quite like it before.

Awaken will be out next year and, unsurprisingly, is being executive produced by Terrence Malick (Voyage of Time) and Godfrey Reggio (Koyaanisqatsi, etc.).

• Awaken
• movies
• time lapse
• Tom Lowe
• trailers
• video

Storm-chasing photographer Mike Olbinski was recently taking photos of a storm in North Dakota close to sunset when asperitas clouds (aka undulatus asperatus clouds) appeared.

Undulatus asperatus clouds are a rare phenomenon and actually the newest named cloud type in over 60 years. I've seen tons of photos of them, but never anything like what we witnessed last night. We had a storm with hail in front of us and flashing lightning which was fantastic. But then we had this layer of undulatus clouds flowing across our view. Watching them was amazing already, but then the sun slowly appeared from behind some clouds to the west and lit up our storm like nothing we've ever seen before. We were like kids in a candy store.

Nature is ridiculous. More asperitas time lapse goodness here. (via bad astronomy)

• clouds
• Mike Olbinski
• time lapse
• video

I have said it before and I will say it again and you will get tired of me saying it for decades to come (or until Facebook just outright buys the internet and shuts down all independent media), but I will never ever tire of watching high-resolution time lapse videos of thunderstorms. Look at those gorgeous mammatus clouds!

Supercell thunderstorms are a manifestation of nature's attempt to correct an extreme imbalance. The ever ongoing effort to reach equilibrium, or viscosity, is what drives all of our weather, and the force with which the atmosphere tries to correct this imbalance is proportional to the gradient. In other words, the more extreme the imbalance, the more extreme the storm.

I've had this up in a tab since last week but lost track of it...glad to rediscover it via Colossal.

• clouds
• time lapse
• video

Usually, the air nearest the Earth is the warmest and it gets cooler as the altitude increases. But sometimes, there's a meteorological inversion and colder air gets trapped near the ground with a layer of warmer air on top. While working on a dark sky project, Harun Mehmedinovic shot a time lapse movie of a rare cloud inversion in the Grand Canyon, in which the entire canyon is filled nearly to the brim with fluffy clouds. (via colossal)

• clouds
• Harun Mehmedinovic
• meteorology
• time lapse
• video
• weather

Jamie Scott worked for three years (on and off, one would presume) to make this time lapse video of hundreds of flowers opening for springtime. So lovely. His time lapse of NYC in the fall is nice too, but I like this one better. (via colossal)

• Jamie Scott
• time lapse
• video

Sales Wick is a pilot for SWISS and while working an overnight flight from Zurich to Sao Paulo, he filmed the first segment of the flight from basically the dashboard of the plane and made a timelapse video out of it. At that altitude, without a lot of light and atmospheric interference, the Milky Way is super vivid.

Just as the bright city lights are vanishing behind us, the Milky Way starts to become clearly visible up ahead. Its now us, pacing at almost the speed of sound along the invisible highway and the pitch-black night sky above this surreal landscape. Ahead of us are another eight hours flight time, but we already stopped counting the shooting stars. And we got already to a few hundred.

I watched this twice already, once to specifically pay attention to all the passing airplanes. The sky is surprisingly busy, even at that hour. (via @ozans)

Update: Several people asked if this was fake or digitally composited (the Milky Way and ground footage shot separately then edited together). I don't know for sure, but I doubt it. The answer lies in the camera Wick used to shoot this, the Sony a7S. It's really good in low-light conditions, better than many more expensive professional cameras even. As the last bit of this Vox video explains, the camera is so good in low light that the BBC used it to capture some night scenes for Planet Earth II. Here's a screen-capped comparison at 6400 ISO from that video:

And the full scene at 32000 ISO:

That's pretty amazing, right? Wick himself says on his site:

I had to take many attempts and a lot of trying to figure it out. Basically the challenge is to keep shutter speed as fast as possible in order to get razor sharp images. While you can use the 500 or 600 rule on ground this doesn't work out the same way while being up in the sky. Well of course basically it does if you dont fly perpendicular to the movement of the night sky but even if its really smooth there are usually some light movements of the aircraft. So depending on the focal length of your lense you can get exposure times between 15" to 1". Thats why you will need a camera that can handle high iso. Thats where the A7s comes into play and of course a ver fast lense. The rest is a good mounting and some luck. Last but not least you need to keep the flight deck as dark as possible to get the least reflections...and the rest is magic ;)

• flying
• photography
• Sales Wick
• time lapse
• video

In the first of a three-part video series, Vox's Joss Fong looks at how the technology used to film nature documentaries has changed over the past 50 years and how the producers of Planet Earth II used contemporary image stabilization techniques to make the series with a more cinematic style.

In the 1970s and '80s, it was enough for the NHU to show people a creature they'd never seen before and provide the details in the narration. The films were illustrated zoology lectures. Since then, the producers have become sticklers for capturing specific behaviors, and in Planet Earth II, they showcase the drama of those behaviors. Each scene sets up the characters to perform something - something brave, something brutal, something bizarre. They've made room for our emotions; that's what cinematic storytelling means.

And visually, the cinematic approach means the camera is often moving.

Hollywood filmmakers have kept the camera in motion for decades, but for obvious reasons, it's much more difficult when your subject is wildlife. As we explain in the video at the top of this post, NHU producers used new stabilization tools throughout the production of Planet Earth II to move the camera alongside the animals.

The program doesn't make you wait long to showcase this new approach. The tracking shot of a lemur jumping from tree to tree is one of the first things you see in the first episode and it put my jaw right on the floor. It's so close and fluid, how did they do that? Going into the series, I thought it was going to be more of the same — Planet Earth but with new stories, different animals, etc. — but this is really some next-level shit. The kids were more excited after watching it than any movie they've seen in the past 6 months (aside from possibly Rogue One). The Blu-ray will be out at the end of March¹ but there's also a 4K "ultra HD" version that had me researching new ultra HD TVs I don't really need.

Oh, and remember that thrilling sequence of the snakes chasing the newly hatched iguanas? Here's a short clip on how they filmed it.

Update: The second video in the series is an ode to the BBC's pioneering use of slow motion and time lapse photography in their nature programs.

Fong also explains one of my favorite things to come out of the first Planet Earth show, the slow motion buffer capture system used by the crew to catch great white sharks leaping out of the water.

But also, digital high-speed cameras came with a continuous recording feature. Instead of pressing a button to start recording and then pressing it again to stop, they could press the button as soon as they saw some action, and the camera would save the seconds that happened before the button was pressed. That's how the cameraman captured this great white shark coming out of the water, not just in the air, for this sequence in the 2006 Planet Earth series.

I hope the third program is on sound, which has been bugging me while watching Planet Earth II. I could be wrong, but they seem to be using extensive foley effects for the sounds the animals make — not their cries necessarily, but the sounds they make as they move. Once you notice, it feels deceptive.

Update: The concluding video in the series shows how the filmmakers use thermal and infrared cameras to capture scenes at night.

The bit at the end about the Sony a7S is interesting — as cameras go, this one is much cheaper than the professional high-def cameras used for most of the scenes but is way better in low light.

1. I still have a Blu-ray player than I barely use and only buy 1-2 BR discs a year, but Planet Earth II is one of those increasingly rare programs you want to see in full HD without compression or streaming artifacts.↩

• Joss Fong
• movies
• Planet Earth
• slow motion
• time lapse
• TV
• video