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Malcolm Gladwell on why focus groups suck. Focus groups are an attempt by management to reduce risk (and with it, potential reward)…Gladwell says that management should instead trust their creatives, be patient, and tolerate uncertainty.
Nifty “straight man” redesign of The Onion. Khoi Vinh of Behavior explains how the design was realized. (via waxy)
Info-rich presentation by Marc Rettig on designing for experience. Includes a case study on redesigning a library. (via pwtm)
As some of you may have noticed, I changed the way I do my remaindered links a few weeks ago. Instead of a “headline” with a single link accompanied by some (optional) extra text:
“Does anyone devote as much energy to avoiding simple, sensible solutions as the modern graphic designer?”
Novelty is necessary to foster innovation, but is missing the mark so frequently worth the effort?
I switched to a short paragraph of text with one or more links:
Following the elimination of tipping at Per Se, an op-ed by Steven Shaw says tipping should be abolished in restaurants. (via tmn) Considering the statistics on tipping, perhaps he’s right. For a less refined take, here’s why Reservoir Dog Mr. Pink doesn’t tip.
I’m really happy with the switch so far. Posting each entry takes a little longer (especially if there’s more than one link per entry), but the format is a lot more flexible than the headline/link/text way. It allows me to explicitly follow up on previous posts (e.g. Remember this link I posted last week? Well, here’s some more info on that…), make connections between what I’m posting and what I’ve read/seen/heard elsewhere previously, credit where I find links, and is generally more Web-like and weblog-like in style. That and I can still do the headline/link/text thing if I want.
It’s a subtle change, but in a lot of ways it’s a return for me to an older style of blogging: link-dense, off-the-cuff, linking for subtext and not reference (a practice pioneered by Suck). Not having to limit myself to one link (as with the old style of remaindered link) or feel like I need to write something of substance to justify a post with a title and it’s own archive page (as with my main posts…it’s kind of amazing how post titles and individual archives have made blog posts seem more like magazine or newspaper articles than, well, blog posts) has been great. There was a missing intermediate baby bear sort of post that was difficult for me to do easily and on a regular basis. With this switch, it’s just right.
For those of you who read the remaindered links in a newsreader, you may not have even noticed the change. Depending on how your newsreader works and how you use it, you may not be seeing the extra links. I still have the URL pointing to whatever it is I’m primarily linking to rather than the permalink for the entry. I’m doing it that way now for backward compatibility, but I’m not sure how long that will continue…it makes less sense with this new format. I may even roll the remaindered links into the main RSS file…it would make a lot of sense (although I would still offer a separate RSS file for the r-links).
The bottom line is, if you’re reading the remaindered links in a newsreader, you may be missing out. The relative simplicity of RSS/Atom (and the applications that utilize them) is often a strength, but it’s not ideal for some methods of content display, which can be frustrating to those of us who revel in the flexibility of HTML in formatting content.
As always, questions, comments, and concerns are appreciated.
ID magazine has a brief update on what Josh Davis is up to. I heard about most of this stuff at a conference a few months ago…Davis is a great speaker and does interesting work.
Interview with Steven Heller, art director of the NY Times Book Review, among many other things. On the question of how he decides that design is good, he says, “if I like it, it’s good.”
If you love color palettes and people who love color palettes, you’ll love COLOURlovers. Love love color colour love color love.
New design for A List Apart, the venerable Web design site, done with XHTML/CSS (of course) and Ruby on Rails. (via waxy)
Short interview with Josh Davis. More of his work can be found at joshuadavis.com and once upon a forest.
Movie title sequences designed by Saul Bass. Be sure to click through to the image galleries.
Results from the Digital Information Design Camp run by MIT Media Lab and the AIGA. They should have worked on their interface/information design a little more…you wouldn’t know that there’s a ton of student work to view by looking at the front page.
Using information from the USPTO to track how logo design in the US has changed over time. “Using this database, innovations and trends in the design of trademarks can be tracked and dissected. For example, the rise of the swoosh element, concentrated among internet and telecommunications firms in particular, can be seen developing in the mid-1990s.”
Design critique of the alphabet. “Puhleez! The capital I without the crossbars top and bottom is either the laziest piece of design in history, or an elegant stroke of modernism. With the crossbars it’s just clunky, boring and awkward. The lowercase i is kind of cute with that little dot, I suppose, but I’m not really buying it. This one should have never made it out of the comp stage.”
Gallery of newspaper front pages from Lance Armstong’s 7th tour victory.
The evolution of book cover design. Using Robert W Chambers’ The King in Yellow as an example.
As a designer, who owns your portfolio?. I’ve never had any problems with this, but I’ve heard some pretty bad stories about other people’s troubles.
The Semi-Permanent design conference takes place in NYC 9/9-9/10.
Huge collection of logos of metros/subways from around the world.
Jeff Veen’s The Art and Science of Web Design is 5 years old. To celebrate, he’s made a proof of the entire book available for download.
“Does anyone devote as much energy to avoiding simple, sensible solutions as the modern graphic designer?”. Novelty is necessary to foster innovation, but is missing the mark so frequently worth the effort?
Zeldman’s observations about judging the May 1st Reboot. Most of the entries lacked originality, had little content, and even less focus on the user. Sounds like many of the winners of interactive design annuals as well.
My recent design refresh is already bearing fruit around these parts. Behold the new photo album template, which you can see in the Ireland photos, some recent Paris photos, photos from the High Line, etc. The album pages are the first non-white background pages to make it onto kottke.org in quite awhile, which was part of the reason for the design refresh. I tried the photos on white, but I felt they looked better on a darker background, so I went with that. The photos are also larger than they previously were, up from 600 pixels wide to 720 pixels. The file sizes are also quite large (sorry!)…BetterHTMLExport doesn’t do the best job in compressing jpgs while preserving image quality. Photoshop’s “Save for Web” does a much better job, but that would be a lot more time consuming for me. The search for the perfect solution goes on…
But my favorite part of the albums are the navigation. If you mouseover the right half of the photo, you get an arrow overlaid on the photo that suggests that you can click to move to the next photo (which, of course, you can). Then you can click on the left side of the photo to go back. If you’re using Safari or Firefox or anything but IE really, the arrow images are tranparent png files that blend in with the photo in the background. Fun!
Up next: the photo page needs some help.
The Morning News redesigns a bit. It looks a bit fresher, contemporary, and more like what it should look like (if that makes any sense at all).
Collection of Chip Kidd’s book cover design work due out in October.
An interview with Rob Walker, who writes about design and consumer behavior for the NY Times Magazine. “The consumer is making a decision as to whether the product succeeds or fails, and what I do is to come in afterwards and try to articulate what the consumer saw or didn’t see that makes something succeed or fail.”
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