Some sweaters were worn once and then never again, like the neon blue cardigan Rogers wore in episode 1497. Others, like his harvest gold sweaters, were part of Rogers’ regular rotation and then disappeared. And then there were the unusual batch of black and olive green sweaters Rogers wore exclusively while filming the “Dress-Up” episodes in 1991.
Some things about the sweaters and Mister Rogers:
His mother knit many of the sweaters. Sorry, MISTER ROGERS’ MOTHER KNIT HIS CARDIGAN SWEATERS! I have not heard a more perfect detail about anything ever. He talks about his mom and the sweaters in this video — “I guess that’s the best thing about things. They remind you of people.” (The original video is gone and I couldn’t track it down, but here’s another one of him talking about his mom’s sweaters.)
As you can see from the visualization above, Mister Rogers’ sweaters got darker as the show progressed. I will not speculate about what that might have meant.
Yellow. I didn’t touch anything for this, they just told me that whenever you laugh so hard you can’t stop, that that happiness is what yellow looks like.
Green. I held soft leaves and wet grass. They told me green felt like life. To this day it is still very much my favorite color.
Rain-Bros by Daniel Savage is a fun visualization of the different wavelengths of light in the visible spectrum, from the loping walk of red to blue’s energetic bounce.
…and he FREAKS OUT. I can’t tell if he’s laughing or crying or both. His reaction when he goes outside and sees green grass for the first time: “it’s so pretty!”
The glasses he wears to adjust his color vision are made by EnChroma.
There’s no blue pigment present in the wings of the morpho butterfly. So where does that shimmering brilliant blue color come from? It’s an instance of structural color, where the physical structure of the surface scatters or refracts only certain wavelengths of light…in this case, blue.
Eye color is another example of structural color in action. Eyes contain brown pigments but not blue. Blue, green, and hazel eyes are caused by Rayleigh scattering, the same phenomenon responsible for blue skies and red sunsets. Blue eyes and blue skies arise from the same optical process…that’s almost poetic. (thx, jared)
In a short video from The Atlantic, science writer Philip Ball explains why Isaac Newton picked ROYGBIV (red, orange, yellow, green, blue, indigo, and violet) for the colors of the spectrum and not 3 or 6 or even 16 other possible colors.
Newton was the first to demonstrate through his famous prism experiments that color is intrinsic to light. As part of those experiments, he also divvied up the spectrum in his own idiosyncratic way, giving us ROYGBIV. Why indigo? Why violet? We don’t really know why Newton decided there were two distinct types of purple, but we do know he thought there should be seven fundamental colors.
In the parlance of NYC graffiti enthusiasts, going “all city” means getting your stuff known all over the five boroughs. Now a group of designers are challenging each other to go “all RGB”, to make images that contain all of the 16.7 million colors that make up the RGB spectrum once each. This entry is amazing because it still looks like an actual photograph when you zoom out (many others do not):
What is the color of honey, and “faces pale with fear”? If you’re Homer—one of the most influential poets in human history—that color is green. And the sea is “wine-dark,” just like oxen…though sheep are violet. Which all sounds…well, really off. Producer Tim Howard introduces us to linguist Guy Deutscher, and the story of William Gladstone (a British Prime Minister back in the 1800s, and a huge Homer-ophile). Gladstone conducted an exhaustive study of every color reference in The Odyssey and The Iliad. And he found something startling: No blue! Tim pays a visit to the New York Public Library, where a book of German philosophy from the late 19th Century helps reveal a pattern: across all cultures, words for colors appear in stages. And blue always comes last.
It’s worth listening to the whole thing…the bit at the end with the linguist’s daughter and the color of the sky is especially cool.
On this day full of red, white, and blue in the US, it’s interesting to note that, in a large number of languages, when colors start getting their own words, red is usually the first color defined after black and white (or light and dark), and that blue and green are often not defined individually, at least at first. Those facts and more in this super long/interesting article about color and language and how colors got their names and and and…just read it already. Here’s part 2.
The figure above is really telling a story. What it says is this. If a language has just two color terms, they will be a light and a dark shade - blacks and whites. Add a third color, and it’s going to be red. Add another, and it will be either green or yellow - you need five colors to have both. And when you get to six colors, the green splits into two, and you now have a blue. What we’re seeing here is a deeply trodden road that most languages seem to follow, towards greater visual discernment (92 of their 98 languages seemed to follow this basic route).
This Wikipedia page has HTML hex codes for all of the 133 standard Crayola crayon colors, including Silver, Blue Green, Melon, Wild Strawberry, and Forest Green.
The vast majority of color blind people are in fact what are known as anomalous trichromats. They still have three photoreceptors, but the ‘green’ receptor is shifted a bit towards red. The effect is subtle: Certain reds might look like they were green, and certain greens might look like they were red.
Thus the question: Was it possible to convert all reds to a one true red, and all greens to a one true green?
I remember reading that Greek and Roman statues were originally painted, but I didn’t know that through the use of modern scientific equipment, we actually know how they looked.
Brooke Inman’s Everything Color Circle is mesmerizing. As somebody with limited organizational skills, I find it mind-boggling that she was able to put this together. And to think that it could be destroyed in a nanosecond if a sugar-addled kindergartner armed with construction paper wandered into the room. (via design milk)
Cory Arcangel has a new show opening tonight at Team Gallery in Soho called Adult Contemporary. I got a peek at it last night and my favorite piece is called Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient “Spectrum”, mousedown y=1098 x=1749.9, mouse up y=0 4160 x=0. It’s easy enough to whip up your own by following those instructions in Photoshop but the print itself is gorgeous. When you get up close to it, there is no discernible gradation between the colors and, because it’s so uniform and smooth and glossy and big, you lose your sense of depth perception and you don’t really know how close you are to it. I almost fell over looking at it because I was so disoriented.
Idée Multicolr Search Lab is pretty amazing. You select up to ten colors and it returns Flickr photos with those colors. I couldn’t stop playing with this.
korean artist jeongmee yoon’s ‘pink and blue project’ was inspired by her daughter. she would only wear pink and buy pink toys.
I find it interesting/odd that the children, some of whom aren’t more than five years old, are the ones presumed to be making the color choice here. (via a.whole)
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