kottke.org posts about cities
On the SuperSpatial blog, Martin Gittins reviews a TV series on Venice, Italy, “the city destroyed by its own beauty”.
With the indigenous population dwindling to less than 50,000, and the oldest average age in Europe, da Mosto worries for the future of the city, as he brings his children up in what has become essentially a theme park for the hordes of visitors that cross the bridge link into the city, or pull up in the huge cruise ships that stop-over in Venice.
The danger for a city as a theatre or theme-park is that it becomes a stage set, a backdrop. This inevitably treats citizens as actors, there for others amusement. This leads to a simulated city as Baudrillard would have it, a city of the hyperreal as Umberto Eco might tell us. What happens when the audience is not there?
I’ve never visited Venice, but Paris shares some of the same traits. Obviously Paris is a large cosmopolity with much more than tourism going on, but the central tourist part of the city always feels a lot like a museum to me, moreso than other large cities I’ve visted. The city is simultaneously Paris — the capital of France, host to international corporations, home to an increasingly diverse 2.1 million people, cultural center — and also Ah, Paris™, an experience comprised of a certain style of architecture, cafes spilling out into tiny streets, romantic walks along the Seine, the French waiter, macaroons, the Notre Dame, les bouquinistes, baguettes, etc. That the two identities coexist in the same space and time, one within the other (Paris as cultural hypercube?), creates the potential for some real cognitive dissonance for the frequent tourist or long-term visitor attempting to straddle both worlds.
The NYC Dept of Transportation is introducing compass decals to be placed on sidewalks at subway exits to help orient disembarking passengers. I thought I’d posted a link about this idea before on kottke.org, but the only reference I can find is a discussion about compasses on manhole covers. (thx, erik)
Update: Aha, here’s the entry. John has more.
Geoff of BLDGBLOG makes a passionate case for Los Angeles being the greatest city in America.
The whole thing is ridiculous. It’s the most ridiculous city in the world - but everyone who lives there knows that. No one thinks that L.A. “works,” or that it’s well-designed, or that it’s perfectly functional, or even that it makes sense to have put it there in the first place; they just think it’s interesting. And they have fun there. And the huge irony is that Southern California is where you can actually do what you want to do; you can just relax and be ridiculous. In L.A. you don’t have to be embarrassed by yourself.
I’m not sure I agree, but seeing as I’ve only been to LA for 24 hours in my whole life, my objections don’t carry much weight.
BLDGBLOG talks with experimental architect Lebbeus Woods about his work, starting with an image he made of Manhattan with dams on the Hudson and East Rivers, which reveals a deep canyon between lower Manhattan and Brooklyn.
Hitotoki, short stories about New York…”short narratives describing pivotal moments of elation, confusion, absurdity, love or grief — or anything in between — inseparably tied to a specific place”. Also available in the original Tokyo flavor.
Jane Jacobs and the Future of New York is an exhibition at The Municipal Art Society of New York.
Coming at a time of unprecedented growth and redevelopment in the city, this exhibit aims to encourage New Yorkers to observe the city closely and to empower them, with a combination of tools and resources, to take an active role in advocating for a more livable city.
The exhibit runs from Sept 25 through Jan 5, 2008.
Update: A review of the exhibition in the NY Times (slideshow). Among the artifacts at the show is a letter sent by Robert Moses to Jacobs’ publisher: “I am returning the book you sent me. Aside from the fact that it is intemperate and inaccurate, it is also libelous.”
Show creator David Simon talks with author Nick Hornby (High Fidelity, etc.) in the The August 2007 issue of The Believer. The entire interview isn’t available online but one of the three best bits is:
My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.
Simon goes on to talk about the overarching theme of The Wire: the exploration of the postmodern American city and the struggle of the individual against the city’s institutions. Many of his thoughts on that particular subject are contained in this Dec 2006 interview at Slate. But in talking with Hornby, Simon draws a parallel between these city institutions and the Greek gods:
Another reason the show may feel different than a lot of television: our model is not quite so Shakespearian as other high-end HBO fare. The Sopranos and Deadwood — two shows that I do admire — offer a good deal of Macbeth or Richard III or Hamlet in their focus on the angst and machinations of their central characters (Tony Soprano, Al Swearingen). Much of our modern theatre seems rooted in the Shakespearian discovery of the modern mind. We’re stealing instead from an earlier, less-traveled construct — the Greeks — lifting our thematic stance wholesale from Aeschylus, Sophocles, Euripides to create doomed and fated protagonists who confront a rigged game and their own mortality.
But instead of the old gods, The Wire is a Greek tragedy in which the postmodern institutions are the Olympian forces. It’s the police department, or the drug economy, or the political structures, or the school administration, or the macroeconomics forces that are throwing the lightning bolts and hitting people in the ass for no reason. In much of television, and in a good deal of our stage drama, individuals are often portrayed as rising above institutions to achieve catharsis. In this drama, the institutions always prove larger, and those characters with hubris enough to challenge the postmodern construct of American empire are invariably mocked, marginalized, or crushed. Greek tragedy for the new millenium, so to speak.
The NY Times still deals in the Shakespearian and tells us the story of Donnie Andrews and Fran Boyd (thx, nirav), whom Simon and The Wire co-creator Edward Burns introduced to each other. Andrews was the inspiration for the popular Omar Little character on the show and Boyd was depicted in a previous Simon/Burns collaboration called The Corner. The Times also has their wedding announcement.
And finally, some news about season five. Sadly, instead of 12 or 13 episodes, the final season of the show will only consist of 10 episodes. The shooting of the final episode wrapped on September 1 and the season will premiere on Jan 6, 2008 (both facts courtesy of a Washington Post article about the end of the show). The season 4 DVD should be out a month or two before that. Two actors from Homicide: Life on the Street (based on a book by, you guessed it, David Simon) will appear in the final season: Clark Johnson (who also directed the final episode) and Richard Belzer, who will reprise his Homicide role as Detective John Munch.
Photographs of very complex highway intersections. A couple of the photos (the last one in particular) look fake, but cool nonetheless. (via quipsologies)
If you’re unfamiliar with the alternate side parking shuffle that happens once or twice a week in most areas of NYC, Jen Bekman has a good description of it. I’m convinced the New Yorker would go out of business if it weren’t for the shuffle…a lot of 6,000 word articles get read waiting for the meter maid to come around.
Crime in the three biggest American cities (NY, Chicago, LA) is down…and up almost everywhere else. In part, this is due to the aging of the population in those cities. “Together they lost more than 200,000 15-to 24-year-olds between 2000 and 2005. That bodes ill for their creativity and future competitiveness, but it is good news for the police. Young people are not just more likely to commit crimes. Thanks to their habit of walking around at night and their taste for portable electronic gizmos, they are also more likely to become its targets.” Young people, your gizmos are hurting America!
Meant to post about this last week, but going on right now in NYC: Postopolis. “Postopolis! is a five-day event of near-continuous conversation about architecture, urbanism, landscape, and design. Four bloggers, from four different cities, will host a series of live discussions, interviews, slideshows, panels, talks, and other presentations, and fuse the informal energy and interdisciplinary approach of the architectural blogosphere with the immediacy of face to face interaction.” More about the event from City of Sound and BLDGBLOG.
Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently (previous installment is here):
The Celluloid Skyline exhibition at Grand Central is well worth checking out…I was up there this past weekend. Pentagram collaborated with Saunders on the exhibit and wrote up a brief piece on how it came together.
My short post on Nina Planck’s reaction to the recent “death by veganism”, as she calls it, of a baby boy is a good reminder that I don’t always agree with the things I link to. My only criteria for posting a link is that it’s interesting, whether I think it’s right or wrong or am still trying to form an opinion about it. Anyway, I got lots of mail about this one, much of it that said that the parents’ veganism was beside the point — which the prosecutors and jury in the subsequent criminal case agreed with (thx, matt) — and that a headline like “Death By Stupidity” was probably more appropriate. After all, you don’t see “Death by Omnivorism” headlines every time a baby with a more traditional diet dies of starvation.
Debra from Culiblog pointed out that contrary to Planck’s assertion that “there are no vegan societies”, the Jainists practice vegetarianism and veganism. On the other side of the aisle, meat fan Michael Ruhlman chastised Planck for going too easy on vegans, saying that “Veganism is a colossal arrogance, a refusal to admit to our own nature, a denial of our humanity. Sometimes it kills people. And it’s not very much fun, besides.” You can imagine the discussion that generated…although it was nothing like the 300+ comment thread on MetaFilter.
My opinion of Cars improved with a second viewing.
Discover’s chat bot conversation reminded a reader of this old interview with the Ask Jeeves search engine (thx david). Back in 2002, I interviewed ELLEGirl magazine’s AIMbot:
jkottke: Do you do anything to celebrate or recognize the changing of seasons?
ELLEgirlBuddy: do you do anything to celebrate or recognize the changing of seasons? that’s a tough choice.
jkottke: yes, to celebrate or merely recognize. that is a toughie.
ELLEgirlBuddy: yes to celebrate or merely recognize that is a toughie? i dunno.
jkottke: you seem like an actual 13 year old girl.
ELLEgirlBuddy: i haven’t really made a decision ‘bout that.
jkottke: growing up is tough, isn’t it?
ELLEgirlBuddy: i dunno.
And whoever posted the chat bot story to Digg (5696 Diggs and counting!) used the exact wording from my original post. You’re welcome!
Prime, David Burke’s quarter-million-dollar Black Angus bull, has his own web site. (thx, brian)
Regarding Alex Reisner’s excellent baseball statistics web site and, in particular, the pennant race graphs, here’s another interesting visualization of the pennant races…you can see the teams race to the end of the year like horses. (thx, scott)
Re: my post on better living through self-deception, I’ve heard that pregnant women tend to forget the pain of childbirth, perhaps because “endorphins reduce the amount of information trauma victims can store”. Also related tangetially is this article on research into lying and laughing, which includes this simple test to see if you’re a good liar:
Are you a good liar? Most people think that they are, but in reality there are big differences in how well we can pull the wool over the eyes of others. There is a very simple test that can help determine your ability to lie. Using the first finger of your dominant hand, draw a capital letter Q on your forehead.
Some people draw the letter Q in such a way that they themselves can read it. That is, they place the tail of the Q on the right-hand side of their forehead. Other people draw the letter in a way that can be read by someone facing them, with the tail of the Q on the left side of their forehead. This quick test provides a rough measure of a concept known as “self-monitoring”. High self-monitors tend to draw the letter Q in a way in which it could be seen by someone facing them. Low self-monitors tend to draw the letter Q in a way in which it could be read by themselves.
High self-monitors tend to be concerned with how other people see them. They are happy being the centre of attention, can easily adapt their behaviour to suit the situation in which they find themselves, and are skilled at manipulating the way in which others see them. As a result, they tend to be good at lying. In contrast, low self-monitors come across as being the “same person” in different situations. Their behaviour is guided more by their inner feelings and values, and they are less aware of their impact on those around them. They also tend to lie less in life, and so not be so skilled at deceit.
The skyscraper with one floor isn’t exactly a new idea. Rem Koolhaas won a competition to build two libraries in France with one spiraling floor in 1992 (thx, mike). Of course, there’s the Guggenheim in NYC and many parking garages.
After posting a brief piece on Baltimore last week, I discovered that several of my readers are current or former residents of Charm City…or at least have an interest in it. Armin sent along the Renaming Baltimore project…possible names are Domino, Maryland and Lessismore. A Baltimore Sun article on the Baltimore Youth Lacrosse League published shortly after my post also referenced the idea of “Two Baltimores. Two cities in one.” The Wire’s many juxtapositions of the “old” and “new” Baltimore are evident to viewers of the series. Meanwhile, Mobtown Shank took a look at the crime statistics for Baltimore and noted that crime has actually decreased more than 40% from 1999 to 2005. (thx, fred)
Cognitive Daily took an informal poll and found that fewer than half the respondants worked a standard 8-5 Mon-Fri schedule. Maybe that’s why the streets and coffeeshops aren’t empty during the workday.
From the Travel section of the NY Times this past weekend, 36 Hours in Baltimore:
Baltimore is sometimes the forgotten middle child among attention-getting Eastern cities like Washington and New York. But a civic revival, which began with the harbor’s makeover 27 years ago, has given out-of-towners reason to visit. Yes, there are wonderful seafood restaurants, Colonial history, quaint waterfronts and other tourist-ready attractions. But Baltimore’s renaissance has also cultivated cool restaurants with innovative cuisine, independent theaters that showcase emerging talent and galleries that specialize in contemporary art. In other words, Baltimore is all grown up, but it’s still a big city with a small-town feel.
And from last week in the Baltimore Sun, ‘Desperate’ plan to slow crime:
Large swaths of Baltimore could be declared emergency areas subject to heightened police enforcement - including a lockdown of streets - under a city councilman’s proposal that aims to slow the city’s climbing homicide count.
The legislation - which met with a lukewarm response from Mayor Sheila Dixon’s administration yesterday, and which others likened to martial law - would allow police to close liquor stores and bars, limit the number of people on city sidewalks and halt traffic in areas declared “public safety act zones.” It comes as the number of homicides in Baltimore reached 108, up from 98 at the same time last year.
When you’re out and about in the city during the day, who are all these other people who seemingly have nothing to do all day but putter about town? “Many people I encountered reported variations on the ‘in-between jobs’ line, and it’s not just a euphemism. Among the employed are those who will soon be without work, thanks to frictional unemployment, the inevitable periods of joblessness structured into even perfect economies.”
Update: An episode of This American Life from 2000 tackled the same subject, with a focus on Manhattan. “All those people you see in the middle of the workday, in coffee shops and bookstores? Who are they? Why aren’t they at work? Reporter George Gurley tackled these tough questions. On four separate days, he interviewed these loafers in New York.” (thx, michael)
While bumping around on the internet last night, I stumbled upon Alex Reisner’s site. Worth checking out are his US roadtrip photos and NYC adventures, which include an account and photographs of a man jumping from the Williamsburg Bridge.
But the real gold here is Reisner’s research on baseball…a must-see for baseball and infographics nerds alike. Regarding the home run discussion on the post about Ken Griffey Jr. a few weeks ago, Reisner offers this graph of career home runs by age for a number of big-time sluggers. You can see the trajectory that Griffey was on before he turned 32/33 and how A-Rod, if he stays healthy, is poised to break any record set by Bonds. His article on Baseball Geography and Transportation details how low-cost cross-country travel made it possible for the Brooklyn Dodgers and New York Giants to move to California. The same article also riffs on how stadiums have changed from those that fit into urban environments (like Fenway Park) to more symmetric ballfields built in suburbs and other open areas accessible by car.
And then there’s the pennant race graphs for each year since 1900…you can compare the dominance of the 1927 Yankees with the 1998 Yankees. And if you’ve gotten through all that, prepare to spend several hours sifting through all sorts of MLB statistics, represented in a way you may not have seen before:
The goal here is not to duplicate excellent resources like Total Baseball or The Baseball Encyclopedia, but to take the same data and present it in a way that shows different relationships, yields new insights, and raises new questions. The focus is on putting single season stats in a historical context and identifying the truly outstanding player seasons, not just those with big raw numbers.
Reisner’s primary method of comparing players over different eras is the z-score, a measure of how a player compares to their contemporaries, (e.g. the fantastic seasons of Babe Ruth in 1920 and Barry Bonds in 2001):
In short, z-score is a measure of a player’s dominance in a given league and season. It allows us to compare players in different eras by quantifying how good they were compared to their competition. It it a useful measure but a relative one, and does not allow us to draw any absolute conclusions like “Babe Ruth was a better home run hitter than Barry Bonds.” All we can say is that Ruth was more dominant in his time.
I’m more of a basketball fan than of baseball, so I immediately thought of applying the same technique to NBA players, to shed some light on the perennial Jordan vs. Chamberlain vs. Oscar Robertson vs. whoever arguments. Until recently, the NBA hasn’t collected statistics as tenaciously as MLB has so the z-score technique is not as useful, but some work has been done in that area.
Anyway, great stuff all the way around.
Update: Reisner’s site seems to have gone offline since I wrote this. I hope the two aren’t related and that it appears again soon.
Update: It’s back up!
Beyond Chron: “In San Francisco, neighborhoods that have defeated gentrification have been treated as ‘containment zones,’ meaning that unreasonable levels of crime, violence and drugs are tolerated so that such activities do not spread to upscale areas. The Tenderloin has long been one of the city’s leading containment zones, but those days are over.” Sounds a bit like Hamsterdam from season three of The Wire.
An analysis of how populations are growing and shifting around the US, with a focus on the policital consequences. He splits the country into four main areas: Coastal Megalopolises, Interior Boomtowns, Rust Belt, and Static Cities. “The bad news for them is that the Coastal Megalopolises grew only 4% in 2000-06, while the nation grew 6%. […] You see an entirely different picture in the 16 metro areas I call the Interior Boomtowns (none touches the Atlantic or Pacific coasts). Their population has grown 18% in six years.”
For decades, Robert Caro’s The Power Broker has been the definitive account of Robert Moses and how contemporary NYC got built. The portrait Caro painted of Moses was less than flattering. Now folks are thinking that, hey, maybe the guy wasn’t so bad after all. “That Moses was highhanded, racist and contemptuous of the poor draws no argument even from the most ardent revisionists. But his grand vision and iron will, they say, seeded New York with highways, parks, swimming pools and cultural halls, from the Belt Parkway to Lincoln Center, and thus allowed the modern city to flower.”
Mayor Bloomberg’s plan for a “greener” and “greater” New York City includes congestion pricing for Manhattan south of 86th Street. “It’s naive to suppose that congestion isn’t itself costly. Sitting in traffic, a plumber can’t plumb and a deliveryman can’t deliver. The value of time lost to congestion delays in the city has been put at five billion dollars annually.”
The pace of global cities is speeding up…people are walking 10% more quickly than they did 10 years ago. Singapore is the fastest city and I’m surprised NYC isn’t in the top 5.
It’s been awhile since I’ve done one of these. Here are some updates on some of the topics, links, ideas, posts, people, etc. that have appeared on kottke.org recently:
Two counterexamples to the assertion that cities != organisms or ecosystems: cancer and coral reefs. (thx, neville and david)
In pointing to the story about Ken Thompson’s C compiler back door, I forgot to note that the backdoor was theoretical, not real. But it could have easily been implemented, which was Thompson’s whole point. A transcript of his original talk is available on the ACM web site. (thx, eric)
ChangeThis has a “manifesto” by Nassim Taleb about his black swan idea. But reader Jean-Paul says that Taleb’s idea is not that new or unique. In particular, he mentions Alain Badiou’s Being and Event, Jacques Derrida, and Gilles Deleuze. (thx, paul & jean-paul)
When I linked The Onion’s ‘Most E-Mailed’ List Tearing New York Times’ Newsroom Apart, I said “I’d rather read a real article on the effect the most popular lists have on the decisions made by the editorial staff at the Times, the New Yorker, and other such publications”. American Journalism Review published one such story last summer, as did the Chicago Tribune’s Hypertext blog and the LA Times (abstract only). (thx, gene & adam)
Related to Kate Spicer’s attempt to slim down to a size zero in 6 weeks: Female Body Shape in the 20th Century. (thx, energy fiend)
Got the following query from a reader:
are those twitter updates on your blog updated automatically when you update your twitter? if so, how did you do it?
A couple of weeks ago, I added my Twitter updates and recent music (via last.fm) into the front page flow (they’re not in the RSS feed, for now). Check out the front page and scroll down a bit if you want to check them out. The Twitter post is updated three times a week (MWF) and includes my previous four Twitter posts. I use cron to grab the RSS file from Twitter, some PHP to get the recent posts, and some more PHP to stick it into the flow. The last.fm post works much the same way, although it’s only updated once a week and needs a splash of something to liven it up a bit.
The guy who played Spaulding in Caddyshack is a real estate broker in the Boston area. (thx, ivan)
Two reading recommendations regarding the Jonestown documentary: a story by Tim Cahill in A Wolverine Is Eating My Leg and Seductive Poison by former People’s Temple member Deborah Layton. (thx, garret and andrea)
In case someone in the back didn’t hear it, this map is not from Dungeons and Dragons but from Zork/Dungeon. (via a surprising amount of people in a short period of time)
When reading about how low NYC’s greenhouse gas emissions are relative to the rest of the US, keep in mind the area surrounding NYC (kottke.org link). “Think of Manhattan as a place which outsources its pollution, simply because land there is so valuable.” (thx, bob)
NPR did a report on the Nickelback potential self-plagiarism. (thx, roman)
After posting about the web site for Miranda July’s new book, several people reminded me that Jeff Bridges’ site has a similar lo-fi, hand-drawn, narrative-driven feel.
In the wake of linking to the IMDB page for Back to the Future trivia, several people reminded me of the Back to the Future timeline, which I linked to back in December. A true Wikipedia gem.
I’m ashamed to say I’m still hooked on DesktopTD. The problem is that the creator of the game keeps updating the damn thing, adding new challenges just as you’ve finally convinced yourself that you’ve wrung all of the stimulation out of the game. As Robin notes, it’s a brilliant strategy, the continual incremental sequel. Version 1.21 introduced a 10K gold fun mode…you get 10,000 gold pieces at the beginning to build a maze. Try building one where you can send all 50 levels at the same time and not lose any lives. Fun, indeed.
Regarding the low wattage color palette, reader Jonathan notes that you should use that palette in conjunction with a print stylesheet that optimizes the colors for printing so that you’re not wasting a lot of ink on those dark background colors. He also sent along an OS X trick I’d never seen before: to invert the colors on your monitor, press ctrl-option-cmd-8. (thx, jonathan)
Dorothea Lange’s iconic Migrant Mother photograph was modified for publication…a thumb was removed from the lower right hand corner of the photo. Joerg Colberg wonders if that case could inform our opinions about more recent cases of photo alteration.
In reviewing all of this, the following seem related in an interesting way: Nickelback’s self-plagiarism, continual incremental sequels, digital photo alteration, Tarantino and Rodriquez’s Grindhouse, and the recent appropriation of SimpleBits’ logo by LogoMaid.
Cities are often thought of as organisms or ecosystems, but the authors of a new study find that metaphor lacking. “The one thing that we know about organisms whether it be elephants or sharks or frogs, is that as they get large, they slow down. They use less energy, they don’t move as fast. That is a very important point for biological scaling. In the case of cities, it is actually the opposite. As cities get larger they create more wealth and they are more innovative at a faster rate. There is no counterpart to that in biology.”
Tourism, iPod-created personal environments, and the death of peripheral vision. “I was brought up to be constantly aware of others around me, to keep a sharp eye out to see if I was blocking someone’s way, holding someone up.”
Story about a couple who moved out of their suburban house and into a condo in the city and how their lives have changed.
This has had a profound effect on how we interact with people. We realize now that the cocoons of our cars kept us well insulated from the people around us. Our genuine interactions were with family and coworkers, the only people who saw us stripped of the metal that clothed and protected us. Our neighbors, we discovered, were virtually strangers. Now, we stand face-to-face with people in our building’s elevators, at our corner hangouts, and on the sidewalks. We chitchat and pet our neighbors’ dogs. We exchange ‘good mornings’ with the people we pass everyday on our way to work. We’ve developed friendships with several proprietors and servers at our favorite restaurants.
(via a.whole)
Joel Kotkin argues that the “superstar cities” (New York, LA, Chicago, Boston, San Francisco) are overrated and overpriced and that the real economic and social action in the US is happening in the more affordable cities (Charlotte, Houston, Las Vegas, Phoenix). This article contains a wealth of buzzwordy phrases…in addition to “superstar cities”, Kotkin refers to a “Bloombergian luxury product”, “trustafarians”, the “Vailization effect”, “neocon anti-urbanism”, and “Mayor Bloomberg’s luxury calculus”. (via biourbanist)
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