Processing comet images is a challenge because even in the span of 12 minutes, the comet drifts across the frame relative to the background stars,” McCarthy tells PetaPixel. “Due to the comet’s motion, it has to be stacked differently. I tell the software to stack the images based on the comet position and star positions separately, which is then combined together to produce an image with the comet and stars both sharp.
Off-topic, but I covered this contest last year and they used the same nonspecific URL for this year’s winners as they did for last year’s. Which means that last year’s winning photos are nowhere to be found and in 2022 the 2021 photos will also disappear. Don’t do this!↩
In this entertaining, informative, and charmingly goofy video, Dr. Kevin Hainline tells us all about the James Webb Space Telescope. The JWST is a bigger and better version of the Hubble Space Telescope and will allow scientists to peer deeper into the universe and farther back in time than ever before.
Listen, science is hard! Engineering is hard! It’s difficult to figure out how to build an incredibly sensitive infrared detector that you have to cram together on the back of a giant, foldable, gold covered mirror, sitting on a delicate, tennis-court-sized parasol, that can survive a rocket launch! It’s hard stuff!
And hundreds and hundreds of people around the world have been working on it together. JWST is the single most complicated science project human beings have ever attempted. But it’s been worth it. Because we want to discover the earliest galaxies in the universe, and clouds on other planets, and baby star-forming regions, and debris disks around stars, and weird dwarf galaxies, and supermassive black holes!
It’s been in development for almost thirty years and everyone is really ready for it! The James Webb Space Telescope is about to change astronomy. Get ready for discovery!
I am ready and excited! The JWST is currently set to launch no earlier than Dec 24, 2021. You can follow the progress of the launch here.
During the flyby, Parker Solar Probe passed into and out of the corona several times. This is proved what some had predicted — that the Alfvén critical surface isn’t shaped like a smooth ball. Rather, it has spikes and valleys that wrinkle the surface. Discovering where these protrusions line up with solar activity coming from the surface can help scientists learn how events on the Sun affect the atmosphere and solar wind.
Six panels of images taken from inside a coronal streamer. They appear grayish with white streaks showing particles in the solar wind.
At one point, as Parker Solar Probe dipped to just beneath 15 solar radii (around 6.5 million miles) from the Sun’s surface, it transited a feature in the corona called a pseudostreamer. Pseudostreamers are massive structures that rise above the Sun’s surface and can be seen from Earth during solar eclipses.
Passing through the pseudostreamer was like flying into the eye of a storm. Inside the pseudostreamer, the conditions quieted, particles slowed, and number of switchbacks dropped — a dramatic change from the busy barrage of particles the spacecraft usually encounters in the solar wind.
For the first time, the spacecraft found itself in a region where the magnetic fields were strong enough to dominate the movement of particles there. These conditions were the definitive proof the spacecraft had passed the Alfvén critical surface and entered the solar atmosphere where magnetic fields shape the movement of everything in the region.
The first passage through the corona, which lasted only a few hours, is one of many planned for the mission. Parker will continue to spiral closer to the Sun, eventually reaching as close as 8.86 solar radii (3.83 million miles) from the surface. Upcoming flybys, the next of which is happening in January 2022, will likely bring Parker Solar Probe through the corona again.
The video above provides a great overview of the origins, objectives, and motivations for the mission.
Seán Doran took 78,846 frames of data compiled by the Solar Dynamics Observatory over the course of a month and made this absolutely fantastic time lapse of the Sun slowly rotating and burning and flaring. Put this on the biggest, high-resolution screen you can and pretend you’re in the solar observation room of the Icarus II in Sunshine.
For the last nine months, NASA’s Perseverance rover has been rolling around on Mars taking photos and doing science. It’s also been recording audio of its environment with a pair of microphones and in this video, a pair of NASA scientists share some of those recordings and what we might learn about Mars from them.
This is one of my absolute favorite sounds. This is the sound of a helicopter flying on Mars. We used this sound to actually understand the propagation of sound in general through the Martian atmosphere, and it turns out that we were totally wrong with our models. The Martian atmosphere can propagate sound a lot further than we thought it could.
And surprisingly for me, that’s my friend Nina in the video! (We eclipse-chased together in 2017.) I knew she was working on the rovers but didn’t know she was going to pop up in this video I found on Twitter this morning. Fun!
I have collected some of my Full Moon shots taken over the past 10 years. I selected the shades of color with which the Moon was filmed in front of my lens and my eyes.
The atmosphere gives different colors to our satellite (scattering) based on its height with respect to the horizon, based on the presence of humidity or suspended dust. The shape of the Moon also changes: at the bottom of the horizon, refraction compresses the lunar disk at the poles and makes it look like an ellipse.
Back to this image, this was captured through a telescope and involved capturing thousands of frames to reveal the details. But what about the colors? The moon is gray, of course, but not *perfectly* gray. Some areas have a subtle blue tint, and others have a more orange tint. By teasing out those subtle colors, I can reveal the mineral composition of the moon! Blues denote titanium presence, while orange shows iron and feldspar present in the regolith. You can also see how impacts paint the surface with fresh color in the ejecta as they churn up material.
A print is available, but only for a very limited time (~6 more hours as of pub time).
The Royal Museum Greenwich has announced the winners of the Astronomy Photographer of the Year for 2021. Zhong Wu won the galaxies category with a 360-degree view of the Milky Way (above, top), a mosaic which took two years to create — the northern hemisphere portion of the galaxy was photographed in China and the southern part in New Zealand. Jeffrey Lovelace’s photo of the crescent moon over Death Valley sand dunes (above, bottom) took the prize in the skyscapes category.
I love this post from the NYPL comparing astronomical drawings by E.L. Trouvelot done in the 1870s to contemporary NASA images.
Trouvelot was a French immigrant to the US in the 1800s, and his job was to create sketches of astronomical observations at Harvard College’s observatory. Building off of this sketch work, Trouvelot decided to do large pastel drawings of “the celestial phenomena as they appear…through the great modern telescopes.”
He made drawings of Saturn, Jupiter, aurora borealis, the Milky Way, and more. Here’s his incredible drawing of sun spots compared to a recent image of the Sun’s surface:
And his drawing of a solar eclipse compared to a recent image:
Black holes are the largest single objects in the universe, many times larger than even the biggest stars, and have no upper limit to their size. But practically, how big is the biggest, heaviest black hole in the universe? (A: More massive than the entire Milky Way.)
The largest things in the universe are black holes. In contrast to things like planets or stars they have no physical size limit, and can literally grow endlessly. Although in reality specific things need to happen to create different kinds of black holes, from really tiny ones to the largest single things in the universe. So how do black holes grow and how large is the largest of them all?
Videos about space are where Kurzgesagt really shines. I’ve seen all their videos about black holes and related objects, and I always pick up something I never knew whenever a new one comes out. This time around, it was quasistars and the surprisingly small mass of supermassive black holes located at galactic centers compared to the galaxies themselves.
As I’ve written before, in the history of astronomy and astrophysics, women have made major discoveries and played a significant role in advancing our understanding of the universe but have often not gotten the recognition their male peers enjoy. In 1967, while she was working on her doctoral research with her advisor Antony Hewish, Jocelyn Bell Burnell (then Jocelyn Bell) discovered a new and unusual kind of object, the pulsar. In this short documentary, Bell Burnell shares her story — how she got interested in radio astronomy, the prejudice with which she was treated as the only woman in her university program, how she discovered the first pulsar and persisted (more than once) through Hewish’s assertions that the object was “interference”, and how she was passed over for the Nobel Prize for her discovery.
In 2018, Bell Burnell was awarded the Special Breakthrough Prize in Fundamental Physics “for fundamental contributions to the discovery of pulsars, and a lifetime of inspiring leadership in the scientific community”, joining past honorees like the LIGO team, Stephen Hawking, and the team that discovered the Higgs boson. She donated the entire $3 million prize to the Institute of Physics to help support “PhD physics students from under-represented groups” with their educations.
After Neil Armstrong and Buzz Aldrin landed on the Moon 52 years ago today in the Lunar Module (aka Eagle), they rode the ascent stage of the LM back to rendezvous with Michael Collins in the Command Module (aka Columbia). After docking, Eagle was jettisoned and the three astronauts returned to Earth in Columbia. It was presumed that Eagle orbited the Moon until eventually crashing into the surface, but a recent analysis shows that the spacecraft may have entered a stable orbit and is still circling the Moon decades after the end of the mission, a priceless artifact of an historic achievement.
Most spacecraft in lunar orbit suffer from instability in their orbits due to the ‘lumpy’ nature of the lunar gravity which tends to cause the orbits to eventually get so elliptical that they hit the moon.
However, an amateur space fan wanted to narrow down the possible impact location and used orbit modelling software to propagate the orbit forwards in time until it hit the moon. He was surprised to find that it didn’t hit the moon, and remained in a stable orbit for decades, this suggests that the Eagle may still be orbiting the moon over 5 decades after being left there.
The paper detailing the analysis suggests that if Eagle has survived, it should be detectable by radar.
This is an animation of how quickly an object falls 1 km to the surfaces of solar system objects like the Earth, Sun, Ceres, Jupiter, the Moon, and Pluto. For instance, it takes 14.3 seconds to cover that distance on Earth and 13.8 seconds on Saturn.
It might be surprising to see large planets have a pull comparable to smaller ones at the surface, for example Uranus pulls the ball down slower than at Earth! Why? Because the low average density of Uranus puts the surface far away from the majority of the mass. Similarly, Mars is nearly twice the mass of Mercury, but you can see the surface gravity is actually the same… this indicates that Mercury is much denser than Mars.
The US Postal Service has released a set of Sun Science stamps that use images from NASA’s Solar Dynamics Observatory to illustrate different solar phenomena like plasma blasts, sunspots, and solar flares.
Printed with a foil treatment that adds a glimmer to the stamps, the images on these stamps come from NASA’s Solar Dynamics Observatory, a spacecraft launched in February 2010 to keep a constant watch on the sun from geosynchronous orbit above Earth. The striking colors in these images do not represent the actual colors of the sun as perceived by human eyesight. Instead, each image is colorized by NASA according to different wavelengths that reveal or highlight specific features of the sun’s activity.
One of the stamps highlights sunspots, two feature images of coronal holes, two show coronal loops, two depict plasma blasts, one is a view of an active sun that emphasizes its magnetic fields, and two show different views of a solar flare.
And it turns out, astronomers are about to witness the closest pass of this incredible round trip. Currently, 2014 UN271 is about 22 Astronomical Units (AU) from the Sun (for reference, Earth is 1 AU from the Sun). That means it’s already closer than Neptune, at 29.7 AU. And it’s not stopping there — it’s already traveled 7 AU in the last seven years, and at its closest in 2031, it’s expected to pass within 10.9 AU of the Sun, almost reaching the orbit of Saturn.
Before then, it’s expected to develop the characteristic coma and tail of a comet, as icy material on its surface vaporizes from the heat of the Sun. This close pass would give astronomers an unprecedented close look at Oort cloud objects.
C’mon NASA, let’s a get a probe fired up and visit this very unusual object!
In the history of science, there are women who have made significant contributions to their field but haven’t gotten the recognition that their male peers have. The field of astronomy & astrophysics in particular has had many female pioneers — Vera Rubin, Cecilia Payne-Gaposchkin, Annie Jump Cannon, Nancy Grace Roman, Maria Mitchell, Jocelyn Bell Burnell, Henrietta Swan Leavitt, Caroline Herschel, Williamina Fleming, and many others. Add to that list Hisako Koyama, a Japanese astronomer whose detailed sketches of the Sun over a 40-year period laid the foundation for a 400-year timeline of sunspot activity, which has aided researchers in studying solar cycles and magnetic fields.
Ms. Koyama was a most unusual woman of her time. As a scientist, she bridged the amateur and professional world. She preferred “doing” activities: observing, data recording, interacting with the public, and writing. No doubt many Japanese citizens benefited from personal interaction with her. The space and geophysics community continues to benefit from her regular and precise observations of the Sun. Although we know very little of her young personal life other than she was relatively well educated and had a father who supported her desire to view the skies by providing a telescope, we can see from snippets in Japanese amateur astronomy articles that she had a passion for observing, as revealed in her 1981 article: “I simply can’t stop observing when thinking that one can never know when the nature will show us something unusual.”
Here are a few of her sunspot sketches, the top two done using her home telescope and the bottom one using the much larger telescope at the National Museum of Nature and Science (that shows the largest sunspot of the 20th century):
This is a photo of a tiny tiny snippet of the universe, taken by the Hubble Space Telescope. Every object you see in the photo is a staggeringly massive galaxy that contains hundreds of billions of stars along with all sort of other things.
Our own galaxy, the Milky Way, is well over one hundred thousand light years across. We only see a pitiful portion of it. Although it contains several hundred billion stars in its expanse, we can only see a fraction of a fraction of them.
And even that doesn’t fully capture the essence of a galaxy, which also has planets, gas, dust, dark matter, and more. Galaxies are colossal objects, their true nature only becoming apparent to us a century ago.
I know I’ve posted photos like this before, but every time I see something like this, my mind boggles anew at the sheer scale and magnitude of it all and I just have to share it.
P.S. And Earth contains the only sentient life in the entire universe? Lol.
The cosmos is a swirling soup of stardust. Every day, approximately 60 tons of dust from asteroids, comets, and other celestial bodies fall to the Earth. These tiny metallic, alien stones of various shapes, textures, and colors-known as micrometeorites-are some of the oldest pieces of matter in the solar system.
Even though micrometeorites blanket the Earth, scientists have generally only been able to discover them in remote places devoid of human presence, such as Antarctic ice, desolate deserts, and deep-sea sediments. Scientists began searching for micrometeorites in the 1960s, and they predominantly thought the extraterrestrial dust would be impossible to find in urban environments. The conventional wisdom held that densely populated areas had too much man-made sediment that camouflaged the tiny space particles.
But Jon Larsen, a Norwegian jazz musician and creator of Project Stardust, was able to show that it is possible to find micrometeorites in more populated areas. In a study published in January 2017 in the journal Geology, he and his colleagues catalogued more than 500 lustrous micrometeorites (and counting), all recovered from rooftops in urban areas.
This video focuses on one of my favorite astrophysics facts: 94% of the observable universe is permanently unreachable by humans. (Unless we discover faster-than-light travel, but that’s fantasy at this point.)
This expansion means that there is a cosmological horizon around us. Everything beyond it, is traveling faster, relative to us, than the speed of light. So everything that passes the horizon, is irretrievably out of reach forever and we will never be able to interact with it again. In a sense it’s like a black hole’s event horizon, but all around us. 94% of the galaxies we can see today have already passed it and are lost to us forever.
“Since you started watching this video, around 22 million stars have moved out of our reach forever.” And future generations, billions of years from now, won’t even be able to see any other galaxies or detect cosmic background radiation, making knowledge about the Big Bang impossible.
Astrophotography enthusiast Andrew McCarthy took a 140-megapixel photo of the Sun yesterday and, gosh, the Sun is just so cool to look at. I don’t know if you can see it above, but there’s a little something hidden in the photo, a transiting ISS:
For his Earth Restored project, Toby Ord digitally remastered 50 photographs of the whole Earth taken by Apollo astronauts during their missions in the 60s and 70s.
The Apollo photographs are historic works of art. So in restoring them, I sought to bring out their own beauty. I refrained from recomposing the images by cropping, or trying to leave my own mark or interpretation. Perhaps in some cases this would make a more pleasing image, but it was not my aim.
And the Apollo photographs are also a scientific record of what our Earth looks like. In particular, what it would have looked like from the perspective of the astronaut taking the shot. So rather than pumping the saturation or adjusting the colours to what we think the Earth looks like, I wanted to allow us to learn from these photographs something about how it actually appears.
Many of these shots are new to me — the Apollo program and its scientific and cultural output continue to be revelatory 50 years later.
Update: Full resolution images are available when you click through on each photo. You may have to make your browser window wider to see the link. (thx, colin)
The solar-powered helicopter first became airborne at 3:34 a.m. EDT (12:34 a.m. PDT) — 12:33 Local Mean Solar Time (Mars time) — a time the Ingenuity team determined would have optimal energy and flight conditions. Altimeter data indicate Ingenuity climbed to its prescribed maximum altitude of 10 feet (3 meters) and maintained a stable hover for 30 seconds. It then descended, touching back down on the surface of Mars after logging a total of 39.1 seconds of flight. Additional details on the test are expected in upcoming downlinks.
Ingenuity’s initial flight demonstration was autonomous — piloted by onboard guidance, navigation, and control systems running algorithms developed by the team at JPL. Because data must be sent to and returned from the Red Planet over hundreds of millions of miles using orbiting satellites and NASA’s Deep Space Network, Ingenuity cannot be flown with a joystick, and its flight was not observable from Earth in real time.
NASA livestreamed the team in Mission Control as the test results were transmitted back to Earth. The photo above is of Ingenuity’s shadow taken while in flight by its onboard camera.
Last month I shared a video of the Earth rising over the surface of the Moon captured by Japan’s Kaguya orbiter. It’s a good clip but quite short and over-narrated. Seán Doran took several Earthrise & Earthset sequences filmed by Kaguya, remastered & upsampled them to 4K resolution, and stitched them together into this wonderful video, set to music by Jesse Gallagher. One of the sequences, which begins around the 5-minute mark, captures a solar eclipse of the Sun by the rising Earth. I hadn’t seen this footage before and had to pick my jaw up off the floor — absolutely spectacular.
Captured by the Kaguya lunar orbiter on April 5, 2008, this is an HD video of the Earth rising over the surface of the Moon. Watching stuff like this always puts me in a different frame of mind. (Turn off the sound if you don’t want to hear the super-cheesy narration.)
NASA engineers encoded a secret message in the parachute the Perseverance rover used to slow its descent to the surface of Mars. Tanya Fish provided a handy guide to decoding it on Twitter and as a PDF available on GitHub.
Just a few days after the Perseverance rover successfully touched down on Mars, NASA has released onboard video from the descent and landing from multiple perspectives. I watched this with my kids last night and all three of us had our mouths hanging open.
The real footage in this video was captured by several cameras that are part of the rover’s entry, descent, and landing suite. The views include a camera looking down from the spacecraft’s descent stage (a kind of rocket-powered jet pack that helps fly the rover to its landing site), a camera on the rover looking up at the descent stage, a camera on the top of the aeroshell (a capsule protecting the rover) looking up at that parachute, and a camera on the bottom of the rover looking down at the Martian surface.
After watching it again just now, I am struck by two things:
Sometime in my lifetime, live broadcasts from Mars will likely become commonplace. There will be dozens or hundreds of Mars webcams you can pull up on whatever the 2052 internet equivalent is. It will be amazing how boring it all is. (Or perhaps it’ll be boring how amazing it all is.)
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