BuzzFeed enlisted NYU track athlete Jon Diaz to help answer a burning question: Can a fast runner beat an NYC subway train from one station to the next? I don’t want to spoil the answer, but they probably wouldn’t have made the video if he’d failed, right? (via clive thompson)
Update: See also subway races in other cities like London & Paris. (via @philipkennedy)
Since 2001, performance art group Improv Everywhere have been staging events in public, aiming to “surprise and delight random strangers through positive pranks”. Their latest endeavor takes place in NYC, perhaps the best place on Earth for exposing random strangers to positive pranks. A man in an orange vest places a “Stand Here for Dance Party” sign on the ground and then walks away. A brave soul steps onto the sign and, well, you might guess what happens next.
I found this via Rob Walker’s newsletter about his book, The Art of Noticing. I love what he wrote about it:
Now that you’ve seen it, you know that once someone did stand on the decal, a squad of Improv Everywhere operatives, with boom boxes and impressive dance moves, converted the public space into (as promised) an open-air dance party. Very fun.
But here’s what makes this work: Not just the planning and the expert performers and the slick choreography and the clever subversion of social-distance design. None of that matters unless somebody stands on the decal. What activates this entire operation is curiosity.
He continues, describing the woman who gets the party started:
This woman is my hero! I love everything about her, her body language, her openness, the thrilling sense she radiates that anything could happen and she’s up for it. And if you’ve watched the video, you know that she in fact unleashed an experience that she (and many strangers nearby) will never forget.
What’s not in the video, but we know is true, is some huge majority of people not even noticing, or actively ignoring, the invitation to an impromptu, on-the-spot dance party. As always, attention is the first step.
Curiosity. Attention. There are those words again, the universe trying to tell me something.
This short documentary takes a look at the Black surfing community in the Rockaways. These surfers are members of the Black Surfing Association (East Coast branch), which Surfer magazine profiled last summer:
“When you talk to kids here at Rockaway, they think of a surfer as John John Florence — blonde,” says Harris. “When I say, ‘Hey, I’m a surfer,’ they’re shocked. We’re trying to reach every kid, but we’re really trying to reach the kids that wouldn’t otherwise get the opportunity.
We just want to keep kids busy and active, and spread the message and spread the stoke of surfing, and go into schools and talk to kids about water safety.”
“There’s no racism out there”, says Harris of the ocean. “When you come out of that water, of course you go back to your life. But you lose yourself when you get into the waves.”
Stevie Wonder. Mahalia Jackson. Nina Simone. Gladys Knight & the Pips. B.B. King. Sly and the Family Stone. Over six weeks in the summer of 1969, all of these legendary artists (and more!) performed at the Harlem Cultural Festival in NYC, drawing an estimated 300,000 people. The festival was filmed and broadcast on a local TV station, but the footage was never commercially released and so unlike that other 1969 festival, this event largely slipped from public memory.
Now, the Harlem Cultural Festival finally gets its due in the form of Summer of Soul, a forthcoming documentary directed by Questlove that uses that old footage to great effect. I’ve heard nothing but good things about this movie — it won both the Grand Jury Prize and the Audience Award at the Sundance Film Festival earlier this year. Summer of Soul is out in theaters and on Hulu July 2.
In a career filled with iconic performances, one of the standout Prince moments came at the 2004 Rock and Roll Hall of Fame induction ceremony for George Harrison. On stage to play While My Guitar Gently Weeps were Harrison’s son Dhani, music legends Tom Petty, Jeff Lynne, and Steve Winwood, and Prince. At about 3 minutes and 30 seconds in, Prince absolutely rips the place apart with a 3-minute guitar solo for the ages. If you’ve never seen this, make sure you watch all the way to the end.
Video of the performance has been available online for years, but producer Joel Gallen recently uploaded a recut version (embedded above) that focuses more on Prince during the solo. As with all things Prince, Anil Dash shared some context for the performance, including this amazing detail about what happened to the guitar that Prince threw into the air: “long-time guitar tech Takumi Suetsugu caught the guitar & handed it to Oprah”. AS YOU DO. Dash also shared this photo by Afshin Shahidi of Prince walking, guitar in hand and seemingly unnoticed in NYC, to rehearsals for the Hall of Fame ceremony in question.
Update: This is a great oral history of the ceremony written in 2016.
Tom sort of went over to him and said, “Just cut loose and don’t feel sort of inhibited to copy anything that we have, just play your thing, just have a good time.” It was a hell of a guitar solo, and a hell of a show he actually put on for the band. When he fell back into the audience, everybody in the band freaked out, like, “Oh my God, he’s falling off the stage!” And then that whole thing with the guitar going up in the air. I didn’t even see who caught it. I just saw it go up, and I was astonished that it didn’t come back down again. Everybody wonders where that guitar went, and I gotta tell you, I was on the stage, and I wonder where it went, too.
After months of lockdown and closure due to the pandemic, Desus Nice & The Kid Mero go to the Met Museum in NYC to take in some art. Would 100% take a tour of any art museum with these two astute cultural commentators.
Tomer Hanuka asked his third-year illustration students at SVA to “come up with a post-pandemic New Yorker magazine cover” and posted some of their wonderful & thoughtful work to Twitter. Here are a few that caught my eye:
The second cover down, by Katrina Catacutan, is probably my favorite (the body language of the woman answering the door is just perfect) but the last image by Amy Young hit me like a ton of bricks. The New Yorker should run all of these covers for an issue of the magazine in a few weeks — collect them all!
The Artifact Artist is a short documentary about urban archaeologist Scott Jordan, who, over the past 50 years in NYC, has dug up all sorts of historical objects that date back decades and centuries, even all the way back to the Revolutionary War. The trailer is above and you can watch the entire short film on Vimeo.
Uprooted from the forests of Connecticut to move to New York City, 9 yr. old Scott Jordan declares “I won’t be a city kid!” 45 yrs. later Scott is an urban archeologist. An Indiana Jones in Gotham. Hand digging out centuries old privies, cisterns and landfills across the five boroughs Scott is uncovering artifacts and preserving New York City history by creating artifact art with the treasures he discovers.
For her forthcoming book New Yorkers, photographer Sally Davies (Instagram) captured portraits of people inside their NYC apartments. I love the creativity of these living spaces, many in styles you just do not see in contemporary design magazines. You can preorder New Yorkers at Bookshop.org — it comes out April 1.
In 1980, Sol LeWitt created a piece of art called The Area of Manhattan Between the Places I Have Lived Is Removed where he cut out the area between all the places he’d lived in NYC on a satellite image. Matt Miller whipped up an app on Glitch that allows you to make your own map according to those rules. Here’s my Between the Places map:
Here is LeWitt’s original map:
Looks like Miller’s app doesn’t optimize for solid, filled polygons — I suspect if I’d been a little more careful about entering my addresses in the correct order, mine would look more like LeWitt’s. But still a fun exercise!
Posing as young apartment-hunting Hungarian billionaire, artist Andi Schmied was able to gain access to more than two dozen luxury apartments in Manhattan and photograph the views from them. The resulting project is called Private Views and you can see some of her photos in this portfolio. Christopher Bonanos interviewed Schmied about the project for Curbed. Regarding the banal sameness of rich people things:
Did you discover anything interesting about the apartments themselves?
They are all the same! I mean, really! For example, the layout of the apartments are essentially identical. You enter, and there’s a main view, always from the living room — in the case of Billionaires’ Row, everything’s facing the park. The second-best view is from the master bedroom, which is usually the corner. Then there’s the countertop, which usually a kitchen island in the middle, and there’s different types of marble but there’s always marble — Calacatta Tucci, or Noir St. Laurent, or Chinchilla Mink, and they always tell you, “It’s the best of the best,” from a hidden corner of the planet where they hand-selected the most incredible pieces. After five of these, it’s incredibly similar, all of them. Also they put a lot of emphasis on naming the designer.
The branding.
Yes. And there’s a big competition for amenities, who has the craziest amenities. Of course there’s the pool and all of that, but one of the newest things in the past two years in every single development is the golf-simulator room - it’s just the standard now.
Private Views is performance art as much as it is about photography and architecture. I love the details about how she conned her way into these buildings by using the eagerness of real estate brokers against them.
But after a while I realized that it absolutely doesn’t matter what I wear: From their point of view, you’ve passed the access, and you can do anything — anything is believable. For example, all the pictures were taken with a film camera, which is [gestures broadly] this big. I’d just ask, “Can I take some pictures for my husband?” which is a very obvious and normal thing to do. There were a few agents who noticed that it was a film camera, not a digital camera, and those who noticed asked, “Oh, wow, is it film?” And I’d always say something like, “Oh, my grandfather gave it to me — to record all the special moments in my life.” And they’d just put me in this box of “artsy billionaire,” and would start to talk to me about MoMA’s latest collection. So anything goes.
For a taste of the real estate banter, you can watch videos that Schmied recorded of her visits in a talk she gave early last year. Schmied is crowdfunding a book based on the project — you can back it here.
For BBC Future, Sam Arbesman writes about “maps that plot alternative worlds to our own”.
These are the “what if” stories that ask us to imagine our world on a different path: what if a battle, election or assassination had gone the other way, or a pivotal person had never been born? Some of these stories involve time travel to make the change, but many alternate histories are simply imagined differences. What if the Nazis had not been beaten, as in the novel The Man in the High Castle, or what if the Soviets had landed a man on the Moon first, like in For All Mankind?
The map above was created by Andrew Shears and shows what the United States could have looked like if various state partition plans had come to fruition.
One of my favorite alternative history maps not covered by Arbesman is Melissa Gould’s Neu-York, a map of Manhattan after a hypothetical conquest of the United States by the Nazis in World War II (which I blogged about way back in 2003, when kottke.org had comments!)
See also Alternate Map of the Americas Features “Long Chile”.
This is an aerial photo of Manhattan taken circa 1931. You can see all the way from 125th Street in Harlem down to the tip of Manhattan and beyond. That tall spike 25 blocks south of Central Park is the Empire State Building, which was completed in 1931. Also visible in the photo to varying degrees: Central Park’s Hooverville, the Statue of Liberty, several of the East River’s bridges, the Metropolitan Museum of Art, Governors Island, and the much more uneven shorelines on both the Hudson and East River sides of the city. See also this aerial map of NYC from 1924, which is also available at NYCityMap (click on “Map Type” in the upper right) and a 1931 aerial photo of lower Manhattan.
Note: I tried and failed to track down the source and exact date of this photo. The earliest instances I could find were uncredited posts on Reddit and Facebook from a couple of years ago. Any idea where this came from? Would love to properly credit the source and nail down the year. (via @marinamaral2)
For Vox, Julia Belluz takes a look at the approach that’s made Vermont more successful than most other US states in combatting Covid-19. The big thing? State officials recognized that those most at risk needed more support.
There’s a fatal flaw embedded in the basic Covid-19 test, trace, and isolate trifecta used around the world: It doesn’t account for the fact that the coronavirus is not an equal-opportunity pathogen. The people who are most likely to be tested, and to have the easiest time quarantining or isolating, are also the least likely to get sick and die from the virus.
From the United Kingdom to Sweden to Canada, we have evidence that the virus preys on people employed in “essential service” jobs (bus drivers, nurses, factory workers), which don’t allow for telecommuting or paid sick leave; people in low-income neighborhoods; and people in “congregate housing” like shelters, prisons, and retirement homes.
People of color tend to be overrepresented in these groups — but there’s no biological reason they’re more likely to get sick and die from the virus. Simply put: They tend to work jobs that bring them outside the home and into close contact with other people, live in crowded environments ideal for coronavirus contagion, or both.
The state then directed efforts, resources, and money to nursing homes, the unhoused, prisons, and essential workers to make it easier for those folks to stay safe.
I also thought this bit was really interesting:
There’s a simple adage in public health: “Never do a test without offering something in exchange,” said Johns Hopkins’s Stefan Baral. So when a patient gets tested for HIV, for example, they’re offered treatment, support, or contact tracing. “We’re not just doing the testing to get information but also providing a clear service,” Baral added, and potentially preventing that person from spreading the virus any further. “This is basic public health.”
With Covid-19, the US has failed at basic public health. Across the country, people have been asked to get tested without anything offered in exchange.
“If we are asking people to stay home and not work, we have to make sure society is supporting them,” Baral said. “An equitable program would support people to do the right thing.”
“Never do a test without offering something in exchange.” To the extent that federal and state governments have been asking to people to stay home, get tested, and wear a mask, many of those same governments have been unwilling or unable to provide people with much in return for doing so. And so, here we are months into this, paying for that inaction with 250,000 lives.
Update: How NYC does “never do a test without offering something in exchange”:
You can access a free hotel room to safely isolate from your family, which include meals, Rx delivery, free wi-fi, medical staff on site, and transportation to and from hotel and medical appointments.
(via @agoX)
New York City has a new digital subway map that reflects the current status of the subway lines. And you can even see the trains moving, right on the map. (Finally!!) Visually, the new map combines the styles of two past maps, each beloved in their own way.1 Fast Company explains:
The first map is that by Massimo Vignelli, who simplified the snaking subway system into a clean diagram which traded geographic literality for graphical clarity. This elegant simplification turns the confounding subway into a logical system. But the main Vignelli map was scorned by New Yorkers because it wasn’t an actual map, and it was quickly replaced (though a permutation actually lives on as the MTA’s Weekender diagram, which signals weekend services). Meanwhile, the primary map the MTA uses today was created by Unimark International and Michael Hertz Associates. It’s more geographically accurate, but it actually condenses information that was in the Vignelli map. For example, it combines individual train lines such as the C, D, and E lines into singular trunks.
Here’s a video from filmmaker Gary Huswit that shows how the team came up with the new map:
Zooming the map in and out, you see different levels of detail, just like with Google or Apple Maps. I like it — a good combination of form and function.2
Update: A reader reminded me of designer Eddie Jabbour’s Kick Map of the NYC subway, which effectively melded the styles of the Vignelli and Hertz maps together more than 15 years ago.
What’s interesting is that the MTA explicitly rejected and criticized the Kick Map but ended up doing something quite similar with the new digital map. I think Jabbour’s effort deserves to be acknowledged here. (thx, nicolas)
I know as a lover of simplicity, beautiful design, and whatnot, I’m supposed to love the Vignelli map, but I never have. The Hertz map fits the utility of the NYC subway so much better.↩
Although I will say that the website in Chrome absolutely hammered the processor on my computer. It’s probably smoother on mobile?↩
I moved away from NYC more than four years ago, and I still think about Xi’an Famous Foods all the time. I miss going there and pondering the make-up of the mind-bendingly delicious sauces they ladled out onto their hand-pulled noodles — “What the hell is in here that makes it taste so good?” Xi’an is one of my favorite restaurants, but with the pandemic and all, the last time I ate there was nearly an entire year ago. So it’s not an understatement to say that I’m overjoyed to see that they are coming out with a cookbook: Xi’an Famous Foods: The Cuisine of Western China, from New York’s Favorite Noodle Shop .
CEO Jason Wang divulges the untold story of how this empire came to be, alongside the never-before-published recipes that helped create this New York City icon. From heavenly ribbons of liang pi doused in a bright vinegar sauce to flatbread filled with caramelized pork to cumin lamb over hand-pulled Biang Biang noodles, this cookbook helps home cooks make the dishes that fans of Xi’an Famous Foods line up for while also exploring the vibrant cuisine and culture of Xi’an.
Lemme just highlight the most important part of that paragraph: never-before-published recipes. YESSSSS. The cookbook is coming out next week, but you can pre-order it now from Bookshop.org and Amazon.
As winter approaches in North America and Europe, cities should be thinking about how to encourage and enable people to spend as much time outdoors as possible to help keep everyone sane and safe from Covid-19. From a great piece in CityLab by Alexandra Lange:
Dress in layers, invest in silk and wool long underwear, get over your prejudice against parkas. Many people do this as a matter of course when gearing up for a day of skiing or a turn around the ice rink. But in cities, people dress for the destination, not the journey. “People dress saying, I’m going from my home to this business. What’s the least amount of clothing I can wear for the tolerance of walking x feet?” says Simon O’Byrne, senior vice president of community development for global design consultancy Stantec. “We have to switch that, and dress to loiter.”
O’Byrne, who is also co-chair of the WinterCity Advisory Council, adds, “Stickiness encourages people outside. Moscow does year-round farmers markets. The artists’ community has been pulverized by Covid. As much as we can, we should embrace things to help the local artists, community.” He suggests commissioning visual artists to illuminate dark spaces, via murals or light installations, and hiring musicians for distanced outdoor concerts.
Cities should also invest in places to loiter. All of those outdoor restaurants that are supporting local businesses and bringing liveliness back to the streets? In New York City, at least, they are scheduled to shut down at the end of October, while the mayor and governor bicker over indoor dining. But cities need to catch up to ski areas, which long ago figured out how to make après ski activities like outdoor bars and music venues as much of an attraction as the slopes. Wind breaks (with openings above and below for ventilation), patio heaters and sun orientation can all take outdoor dining further into 2020. WinterCity’s Four Season Patio Design Tips also include higher insulation value materials, like wood or straw bales rather than metal seating, as well as simple solutions like blankets, which offer customers the winter equivalent of being able to reposition your chair in the sun — though that works year-round.
And indeed, NYC just announced that the increased outdoor dining that the city has allowed during the pandemic will become “permanent and year-round”.
Tens of thousands of parking spaces will be permanently repurposed from free private vehicle storage for use by the city’s struggling restaurant owners as part of a revolution in public space unleashed on Friday by Mayor de Blasio.
On WNYC’s “Ask the Mayor” segment, Hizzoner revealed that restaurants would be allowed to occupy curbside spaces - which more than 10,000 are already doing — for outdoor dining, not just through the coronavirus pandemic, but all year and, apparently, forever.
It may turn out to be the single biggest conversion of public space since, well, since car drivers commandeered the curbside lane for free overnight vehicle storage in the 1950s.
But whatever measures are taken, they need to be inclusive for the diverse populations that live in cities. Here’s Lange again, who spends several paragraphs in her piece on this issue:
Snow clearance has become an ongoing political issue for winter cities, with disabled people, the elderly, and parents and caregivers arguing that sidewalks and crossings deserve the same priority as cars, lest people be essentially trapped in their homes. Many physically disabled people have already had their mobility limited during quarantine due to pre-existing health risks, the inability to avoid using elevators and the difficulty of maintaining social distancing. Temporary urban design changes also need to be inclusive.
Photographer Daniel Arnold and editor Dodai Stewart collaborated on a photoessay documenting the first five months of the pandemic in NYC. That image above is just…wow.
See also COVID-19 Empties Out Public Spaces.
Using census data (which she acknowledges can be imperfect in capturing the full range of people’s identities), data scientist/artist Mona Chalabi created a drawing of 100 people who are representative of NYC’s population for a NY Times opinion piece on inequality and coronavirus.
Chalabi writes on Instagram:
When you think about who is most affected by Covid-19, you need to consider inequalities in housing, in access to healthcare, in wealth. And so much of that ends up consistently affecting people of color. You could think of it as overlapping circles in a Venn diagram. Or, you could look at these 100 people.
She’s selling prints of this on her website (pink background, black background), with all profits going towards a Covid-19 rent relief fund for families organized by The Conscious Kid.
See also If Only 100 People Lived on Earth…
The NY Times’ Michael Kimmelman has been taking a series of virtual walks around NYC, exploring different aspects of the city. His latest walk is with Eric Sanderson, conservation ecologist and author of Mannahatta: A Natural History of New York City. The pair of them start at the southern tip of Manhattan over 400 years ago, with Sanderson explaining how the island would have appeared when Henry Hudson arrived in 1609.
Michael Kimmelman: Aside from Hudson’s ship, what do we see?
Eric W. Sanderson: Whales and porpoises. One of the earliest sketches we have of Manhattan shows a whale in the Hudson River. The charter of Trinity Church includes a provision specifically saying dead whales found on beaches in the province of New York are property of the church, which could use them to make oil and whale bone. So whales were clearly a meaningful part of the local economy and ecosystem.
Kimmelman: What was the ecosystem?
Sanderson: Ecosystems, actually. Manhattan is something like one percent the size of Yellowstone. Yellowstone is 2.2 million acres and it has 66 ecosystems. Mannahatta had 55.
It’s an interesting thought exercise to imagine what might have happened had the United States been colonized from the West, instead of from the East. We might have decided to make Manhattan a national park. We would be coming to New York for an entirely different sort of wildlife.
The NYPL has released an album of sound-based experiences that you might be missing right now as we all shelter at home: Missing Sounds of New York.
It’s a short album (16 min) and includes soundscapes like Serenity Is a Rowdy City Park, I’d Call a Cab to Anywhere, and The Not-Quite-Quiet Library.
See also this 3+ hour album of ambient city sounds. There are also many videos of ambient city sounds on YouTube, like this 10-hour video of ambient NYC sounds:
This is a mix of ambience sounds recorded around Christmas Eve as well as St Patrick’s Day. Enjoy the sounds of people talking, traffic noises, police sirens, subway sounds, footsteps around NYC. City sounds at night and day.
Or perhaps you’d like to go for a stroll in the city instead? (via the morning news)
For the cover of this week’s New Yorker, Chris Ware drew several vignettes of NYC arranged in his trademark grid as a companion to this incredible piece about a single day of the Covid-19 crisis in the city. About the cover, Ware wrote:
Teeming with unpredictable people and unimaginable places and unforeseeable moments, life there is measured not in hours but in densely packed minutes that can fill up a day with a year’s worth of life. Lately, however, closed up in our homes against a worldwide terror, time everywhere has seemed to slur, to become almost Groundhog Day-ish, forced into a sort of present-perfect tense — or, as my fellow New Yorker contributor Masha Gessen more precisely put it, ‘loopy, dotted, and sometimes perpendicular to itself.’ But disaster can also have a recalibrating quality. It reminds us that the real things of life (breakfast, grass, spouse) can, in normal times, become clotted over by anxieties and nonsense. We’re at low tide, but, as my wife, a biology teacher, said to me this morning, “For a while, we get to just step back and look.” And really, when you do, it is pretty marvellous.
It’s unfortunate that places like the Brooklyn Botanic Garden need to be closed during this stressful time, because the cherry blossoms are in bloom right now and what a balm that would be to so many souls. Luckily, cinematographer Nic Petry was granted access to the garden a couple of weeks ago to capture a relaxing and meditative walk through the Japanese Garden.
The historic garden is one of the oldest extant Japanese gardens in the United States, and its collection of cherry cultivars was in lovely bloom during filming. Petry, a specialist in moving camera techniques, conceived the piece as a way to recreate the meditative experience of walking through the garden on a glorious, early spring day.
(via laura olin)
Update: See also Gothamist’s photos and drone video of the cherry blossoms this year.
Update: Now that more cherry trees are in blossom at the garden, they have uploaded a video of a walk through the esplanade.
Clad in full PPE, photographer Philip Montgomery visited seven different NYC public hospitals over the course of a week for the NY Times Magazine, documenting the hospital workers’ fight against Covid-19, supply shortages, and intense working conditions.
At Elmhurst, the improvisation began as soon as the first surge of coronavirus patients started arriving in the middle of March. In order to more efficiently sift through the crowds and find the most severe cases, the staff set up a divider at the entrance. Medical workers armed with thermometers and oxygen monitors steered people with milder symptoms to a separate treatment tent. Those who were seriously ill went into critical care. Thirteen patients at the hospital died over a 24-hour stretch during the fourth week in March. A refrigerated trailer was parked behind the building to store dead bodies.
In a short behind-the-scenes video about his photos and the piece, Montgomery says “I think if the general public could stand where I was for at least 10 to 30 seconds, I think everyone would be staying home.”
From the same issue of the magazine, Dr. Helen Ouyang: I’m an E.R. Doctor in New York. None of Us Will Ever Be the Same. What initially started as an article about the situation in Italy rapidly escalates into NYC hospitals fighting those same battles.
Family members weren’t allowed into the hospital because they, too, could get infected or spread the virus to others if they themselves were sick. But Duca asked for permission from his supervisor to let the man’s wife and daughter in, just for a few minutes. “I saw his face when he looked at his wife coming inside this room,” Duca recalls. “He smiled at her. It was a fraction of a second. He had this wonderful smile.” He continues: “Then I saw that he was looking at me. He realized that there was something wrong if only his relatives were coming inside.” The man knew in that instant that he was going to die, Duca says. As the man’s breathing worsened, morphine was started. He died 12 hours later.
Read the whole thing; it’s upsetting, terrifying, and deeply humanizing. I wish Americans watched less TV news and read more — if everyone in the US read these articles, I believe the entire tone of this crisis would change and become more urgent.
Stuck at home during the pandemic, filmmaker Nicolas Heller decided to hold a contest on Instagram to find the person with the best New York accent.
It would be impolitic to say that the New York accent is the signature American accent. You could argue, though, that the New York accent is the accent of the current crisis. It’s there in the burly roundness of the words coming out of Gov. Andrew Cuomo’s mouth, or the acidity in the tone of Dr. Anthony Fauci, or the way President Trump scrapes all of his syllables together. (Senator Bernie Sanders’s howling woof counts here, too.)
For New Yorkers, that’s made the conversation around the coronavirus feel as local as the pandemic’s actual impact. Watching the news can feel like watching quarrels between grouchy neighbors.
In this climate, the #BestNYAccent challenge was even more reassuring. A reminder of local resilience and stubbornness in the face of global trauma. A monument to history and place standing firm against titanic winds. A middle finger to life’s cruel dice roll.
For New York Apartment, an art project commissioned by The Whitney, artists Sam Lavigne and Tega Brain compiled actual NYC real estate listings into a listing for one mega apartment for sale.
Compiled from actual online real estate listings, the artwork collapses the high and low ends of the market, architectural periods and styles, and neighborhoods and affordability into a single space that cumulatively creates a portrait of New York’s living spaces and the real estate market. Like a standard real estate ad, the listing shows the price, number of bed- and bathrooms, and square footage, all of which are updated weekly based on the city’s aggregated real estate listings.
Take some time to explore the project — take the 3D virtual tour, scroll through all of the bathrooms & closets, peruse the apartment features, and take the video tour:
Do you crave brilliant sunshine and the peace Zen behind closed doors at home, and the bustle and excitement of the big city at your doorstep?
Do you dream of a Manhattan life?
Do you dream of Brooklyn living with Manhattan in reach?
Do you have a thing for top floor apartments?
Do you have vision?
Do you like light?
Do you love to cook?
Do you love to entertain?
Do you need lots of closet space?
Do you own or plan to buy a car?
Do you prefer simple shaker style wood cabinets with solid surface counters or custom lacquer cabinets paired with a travertine marble?
Do you want a home just steps to the beach?
Do you want Katz Deli, Russ and Daughters or maybe some Economy Candy?
Contact information for all of the brokers is listed on the site in case you’re interested.
In 1994, legendary street fashion photographer Bill Cunningham gave a six-hour interview about his life and work. This interview was recently rediscovered and made into a documentary called The Times of Bill Cunningham. Here’s a trailer:
The movie is out in theaters, but the reviews so far are mixed, especially when compared to the rave reviews received by 2011’s Bill Cunningham New York. Still, Cunningham is a gem and I will watch this at some point soon. (via recs)
New York artist Jason Polan has passed away at the age of 37. The cause was colon cancer. From the NY Times obituary:
Mr. Polan’s signature project for the last decade or so was “Every Person in New York,” in which he set himself the admittedly impossible task of drawing everyone in New York City. He kept a robust blog of those sketches, and by the time he published a book of that title in 2015 — which he envisioned as Vol. 1 — he had drawn more than 30,000 people.
These were not sit-for-a-portrait-style drawings. They were quick sketches of people who often didn’t know they were being sketched, done on the fly, with delightfully unfinished results, as Mr. Polan wrote in the book’s introduction.
“If they are moving fast, the drawing is often very simple,” he wrote. “If they move or get up from a pose, I cannot cheat at all by filling in a leg that had been folded or an arm pointing. This is why some of the people in the drawings might have an extra arm or leg — it had moved while I was drawing them. I think, hope, this makes the drawings better.”
See also obituaries and remembrances from Gothamist and Ghostly. You can check out his blog and buy some of his work from 20x200.
I never met Polan in person — we corresponded via email occasionally, were admirers of each other’s work (I have several of his drawings), and I linked to his stuff sometimes (not enough) — but many of my friends knew him well and are reeling. There was a gentleness, a loving attention, that really came through in his work and in talking with the folks who knew him, that’s the way he was in person too. A kind soul, gone too soon. Rest in peace, Jason.
Update: Polan’s friend and long-time collaborator Jen Bekman posted a lovely tribute to him on 20x200.
Jason noticed. This was his thing. The effortlessness with which he could hone in on a person in the endless stream of the city, pick out just one or two details that made them unique and make art of them. People often asked me if I thought he had a photographic memory, and yea, maybe he did, but it wasn’t really the source of his genius. The source, I think, was his bottomless empathy and interest.
In the 1850s, the well-heeled residents of Manhattan were convinced the city needed a grand park like the European capitals had. And so, a park located in the middle of the city was proposed, a Central Park, if you will. The only problem? There were people living in the park’s proposed location, including Seneca village, a small, integrated, predominately black neighborhood.
It’s a story that goes back to the 1820s, when that part of New York was largely open countryside. Soon it became home to about 1,600 people. Among them was a predominantly black community that bought up affordable plots to build homes, churches and a school. It became known as Seneca Village. And when Irish and German immigrants moved in, it became a rare example at the time of an integrated neighborhood.
See also ‘The City Needed Them Out’.
Filmed during Uncut Gems, Goldman v Silverman is a short film by the Safdie brothers starring Adam Sandler & Benny Safdie as dueling street performers dressed up in metallic paint. In addition to the paint, Sandler has a mask on and doesn’t really talk, so no one in Times Square realizes it’s him. (via gothamist)
