kottke.org posts about video
In 1979 the BBC aired an interview with Frank Prentice, who was an assistant purser on the Titanic who survived the sinking of the ship in 1912. I’m not sure what to expect when I started listening, but I was completely captivated by Prentice’s tale.
More information on the Mrs. Clark from his story is available here.
Mrs Clark left Titanic with Mrs Astor in lifeboat 4. She recalled Mrs Astor insisting that the lifeboat be turned around to rescue more people; the lifeboat eventually pulled around eight crewmen from the water. When the ship eventually founded Mrs Clark recalled the “heartrending moans and cries” of those struggling in the water.
There are many other interviews with Titanic survivors on YouTube, including this 40-minute feature of seven survivors telling their stories and this 1970 British Pathé clip:
(via @daniel_beattie)
Back to the Future is 35 years old this year and to celebrate, Universal has cut together eight fan-made animations of action from the film into an abridged version of the beloved movie.
See also a deepfake version of BTTF with Tom Holland as Marty and Robert Downey Jr. as Doc.
The animation above shows how bridges were built in medieval times, well before the advent of backhoes, cranes, and bulldozers powered by steam and gasoline. I could explain what you’re about to see, but you should just watch the video.
The bridge constructed in the video is the real-life Charles Bridge in Prague, which was built over several decades in the 14th and 15th centuries. From Amusing Planet:
Construction of the Charles Bridge started in 1357, under the auspices of King Charles IV, but it was not completed until the beginning of the 15th century. The bridge has 16 arches and 15 pillars, each shielded by ice guards. It’s 512 meters long and nearly 10 meters wide. The balustrade is decorated with 30 statues and statuaries depicting various saints and patron saints, although these were erected much later, between 1683 and 1714. To preserve these statues, they were replaced with replicas during the 1960s. The originals are at Prague’s National Museum.
Until the middle of the 19th century, the Charles Bridge was the only crossing on river Vltava, which made the bridge an important connection between Prague Castle and the city’s Old Town and adjacent areas.
When I was younger, I remember watching (and loving) a PBS series on the building techniques used to construct the pyramids in Egypt, Stonehenge, the Colosseum, and Incan buildings. That the internet is now overflowing with engaging history videos like this bridge video is truly wonderful.
On Tuesday, NASA’s OSIRIS-REx spacecraft touched down on an asteroid called Bennu for about six seconds in order to collect a mineral sample to bring back to Earth.
The Origins Spectral Interpretation Resource Identification Security - Regolith Explorer spacecraft will travel to a near-Earth asteroid, called Bennu (formerly 1999 RQ36), and bring at least a 2.1-ounce sample back to Earth for study. The mission will help scientists investigate how planets formed and how life began, as well as improve our understanding of asteroids that could impact Earth.
The video above is a time lapse sequence of the touch down, sampling, and subsequent take off.
These images were captured over approximately a five-minute period. The imaging sequence begins at about 82 feet (25 meters) above the surface, and runs through the back-away maneuver, with the last image in the sequence taken at approximately 43 feet (13 meters) in altitude — about 35 seconds after backing away. The sequence was created using 82 SamCam images, with 1.25 seconds between frames.
New York City has a new digital subway map that reflects the current status of the subway lines. And you can even see the trains moving, right on the map. (Finally!!) Visually, the new map combines the styles of two past maps, each beloved in their own way.1 Fast Company explains:
The first map is that by Massimo Vignelli, who simplified the snaking subway system into a clean diagram which traded geographic literality for graphical clarity. This elegant simplification turns the confounding subway into a logical system. But the main Vignelli map was scorned by New Yorkers because it wasn’t an actual map, and it was quickly replaced (though a permutation actually lives on as the MTA’s Weekender diagram, which signals weekend services). Meanwhile, the primary map the MTA uses today was created by Unimark International and Michael Hertz Associates. It’s more geographically accurate, but it actually condenses information that was in the Vignelli map. For example, it combines individual train lines such as the C, D, and E lines into singular trunks.
Here’s a video from filmmaker Gary Huswit that shows how the team came up with the new map:
Zooming the map in and out, you see different levels of detail, just like with Google or Apple Maps. I like it — a good combination of form and function.2
Update: A reader reminded me of designer Eddie Jabbour’s Kick Map of the NYC subway, which effectively melded the styles of the Vignelli and Hertz maps together more than 15 years ago.
What’s interesting is that the MTA explicitly rejected and criticized the Kick Map but ended up doing something quite similar with the new digital map. I think Jabbour’s effort deserves to be acknowledged here. (thx, nicolas)
This image-stabilized video of Tomasz Furmanek kayaking through the fjords of western Norway is almost obscenely beautiful. I want to go to there. (Really dislike the music though…this would have been so much better just with the ambient noise of the boat and paddle slipping through the water. Like this video.)
Well, this is interesting. A World of Calm is a new TV series from HBO Max based on a sleep & meditation app called Calm.
A timely antidote for our modern lives, each half-hour episode takes audiences on an immersive visual journey into another world. Building on the record-breaking success of Calm’s Sleep Stories™ — bedtime stories for grown ups with over 250m listens — each relaxing tale is designed to transform how you feel. Transporting the viewer into tranquility through scientifically-engineered narratives, enchanting music and astounding footage, to naturally calm your body and soothe the mind. Each story is brought to life by a different iconic voice.
Narrators include Lucy Liu, Mahershala Ali, Idris Elba, Zoe Kravitz, Keanu Reeves, and Kate Winslet. Based on the trailer (above) that hits a number of kottke.org pet topics — relaxing videos, soothing sounds, nature documentaries, aerial photography, craftsmanship — I will likely be spending some time with A World of Calm soon, possibly while high?
The SSC Tuatara has snatched the title of the world’s fastest production car away from its rivals by an absurd margin — and it wasn’t even going as fast as it could have.
After the satellite data from the onboard GPS system had been analyzed-the devices tracked two runs in opposite directions and calculated the average-Webb’s last dash came in at a staggering 331.15 mph. The final verified average was 316.11 miles per hour, handily beating both the Koenigsegg and the Bugatti records and cracking the metric milestone of 500 kilometers per hour just for good measure. In addition, the morning’s effort garnered records for the fastest flying mile on a public road (313.12 mph) and the highest speed achieved on a public road (331.15 mph).
How fast is that? “We were covering one and a half football fields each second.” *insert eyes-bugging-out emoji here* The cockpit video above is incredible. Just watch how smoothly and effortlessly the car accelerates right up to 331.15 mph before the driver lets off the gas — there was clearly plenty left. Indeed, the driver hadn’t even shifted into the car’s final gear.
Pete Souza was the White House photographer for Ronald Reagan and Barack Obama. Reflecting on his experience and the how the current President comports himself while in office, Souza published two books: Obama: An Intimate Portrait and Shade: A Tale of Two Presidents. Those books form the basis for a documentary directed by Dawn Porter on Souza and his work called The Way I See It.
Based on the New York Times #1 bestseller comes The Way I See It, an unprecedented look behind the scenes of two of the most iconic Presidents in American History, Barack Obama and Ronald Reagan, as seen through the eyes of renowned photographer Pete Souza. As Official White House Photographer, Souza was an eyewitness to the unique and tremendous responsibilities of being the most powerful person on Earth. The movie reveals how Souza transforms from a respected photojournalist to a searing commentator on the issues we face as a country and a people.
I didn’t know that Trump’s presidency is not really getting recorded photographically as past presidencies have, but I’m not surprised.
The film was shown on MSNBC the other day…I don’t know if they’re rerunning it or what. It’s also out in theaters but with many of those still closed, I assume it’ll be out on streaming at some point soonish? (Update: According to the MSNBC schedule, it looks like it’s re-airing at midnight on Friday.)
In Brittany, France, Le Beurre Bordier still makes butter by hand using wooden machines. In this video, we travel to their small factory and meet artisan butter maker (and goofy chap) Jean-Yves Bordier to see how they make what some people call the best butter in the world.
To Jean-Yves, the malaxage is a more romantic way to make butter. At his workshop, everything is churned, kneaded, and shaped by hand.
Bordier is such a character, and it’s genuinely delightful to see how he thinks like an artist about his work. (via colossal)
This is a short clip from 1897 of a snowball fight filmed by cinema pioneers the Lumière brothers in Lyon, France. This lovely little film has resurfaced recently after a retouched, motion-stabilized, upsampled, and colorized version was posted to Twitter. This doctored version was created using AI-powered software DeOldify. The colorized video does look strikingly modern, but it feels overclocked, overheated. I prefer the original version without all of the guesswork; as I wrote recently, I’ve grow weary of these AI-mediated films.
Nemonte Nenquimo, leader of the Waorani people in Ecuador: This is my message to the western world — your civilisation is killing life on Earth.
My name is Nemonte Nenquimo. I am a Waorani woman, a mother, and a leader of my people. The Amazon rainforest is my home. I am writing you this letter because the fires are raging still. Because the corporations are spilling oil in our rivers. Because the miners are stealing gold (as they have been for 500 years), and leaving behind open pits and toxins. Because the land grabbers are cutting down primary forest so that the cattle can graze, plantations can be grown and the white man can eat. Because our elders are dying from coronavirus, while you are planning your next moves to cut up our lands to stimulate an economy that has never benefited us. Because, as Indigenous peoples, we are fighting to protect what we love — our way of life, our rivers, the animals, our forests, life on Earth — and it’s time that you listened to us.
This is a great letter because it contains the force of truth. Nenquimo is a cofounder of the Ceibo Alliance, an indigenous-led organization working to defend indigenous territory and develop “viable solutions-based alternatives to rainforest destruction”, and was honored as one of Time’s 100 most influential people of 2020 (Leonardo DiCaprio penned her bio).
Jackson Bird, who kottke.org readers may know as the host of Kottke Ride Home, recently made a video showing his lifelong transition from the assignment he was given at birth to “the man I am today”.
Instead of photos, I used thirty years worth of home videos to share my story. I called this my Five Years On Testosterone video, but it could more accurately be called Thirty Years In Transition. This is three decades worth of what it looks like to be a transgender person. From childhood tomboy days to confusion and questioning to denial and finally coming out, starting hormones, changing my name, getting top surgery, and all of the moments in between. Not all of our stories are the same, far from it, but this is one story — my story. The story of how I became the man I am today.
What a great video and fantastic storytelling. Undertaking a journey in public like this cannot be easy; thanks for sharing this with us, Jackson. If you’d like to know more about his story, check out his memoir: Sorted: Growing Up, Coming Out, and Finding My Place.
To mark the 20th anniversary of the debut of Requiem for a Dream, MoMA organized a virtual reunion of director Darren Aronofsky and the four principle cast members (Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans) to talk about “the film and its impact on cinema and culture”. Would have loved to hear from cinematographer Matthew Libatique and Clint Mansell (who did the fantastic music for the film) as well, but even six-person online panels are a little unwieldy. (via open culture)
Watch as artistic cyclist Viola Brand does all sorts of seemingly impossible bike tricks that look like ballet, all while dodging a massive chandelier inside an ornate European castle.
See also bicycle acrobat Lilly Yokoi performing some similar tricks back in 1965.
Ants use pheromone trails to signal to other ants to follow them to food or other desirable destinations. Inspired by this, entomology graduate student Horace Zeng dropped some of the fire ants he uses in his research into some paint pooled on canvases and watched them disperse, leaving behind these colorful patterns. Here’s a video of the ants doing their thing:
YouTube channel Skip Intro is making a series of videos about copaganda, which Wikipedia defines as “the phenomenon in which news media and other social institutions promote celebratory portrayals of police officers with the intent of swaying public opinion for the benefit of police departments and law enforcement”. The introductory video embedded above introduces the concept and tracks the history of how police have been portrayed on TV in the movies. Two subsequent videos take a closer look at two contemporary police shows: Blue Bloods and Brooklyn Ninety-Nine.
See also Dan Taberski’s excellent podcast Running From COPS, which covers some of the same ground as the video series. (thx, david)
Update: Jacqui Shine wrote about the influence Dragnet had on how many Americans perceived the police: ‘Dragnet’ was straight up LAPD propaganda, on national TV for years.
When we see a cop on TV, we’re seeing the legacy of Dragnet. Everything we think we know about crime and law enforcement — and everything we believe about the police — bears the imprint of the show. It did no less than fashion the idea of modern policing in our cultural imagination. And, as viewers were reminded each week, all of it was true. But what most of us don’t know is that Dragnet was also calculated propaganda: the Los Angeles Police Department did far more than provide technical assistance, essentially co-producing the show.
A few weeks ago during the Q&A session after his lecture for MIT’s online biology class about the pandemic, Dr. Anthony Fauci shared his expert opinion on when things might return to “normal” in the US. Here was my paraphrased tweet about it:
With a very effective vaccine ready in Nov/Dec, distributed widely, and if lots of people take it (i.e. the best case scenario), the earliest we could return to “normal life” in the world is the end of 2021.
At the New Yorker Festival earlier in the week, Michael Specter asked him about a return to normalcy and Fauci elaborated a bit more on this timeline (starts ~10:22 in the video).
When are we gonna get back to something that closely resembles, or is in fact, normal as we knew it?
We’re already making doses, tens and hundreds of millions of doses to be ready, first at least, in graded numbers at the end of the year in November/December. By the time we get to April, we likely will have doses to be able to vaccinate anybody who needs to be vaccinated. But logistically by the time you get everybody vaccinated, it likely will not be until the third or even the beginning of the fourth quarter of 2021.
So let’s say we get a 70% effective vaccine, which I hope we will get, but only 60% of the people get vaccinated. There are going to be a lot of vulnerable people out there, which means that the vaccine will greatly help us to pull back a bit on the restrictions that we have now to maintain good public health, but it’s not going to eliminate things like mask wearing and avoiding crowds and things like that.
So I think we can approach normality, but I don’t think we’re going to be back to normal until the end of 2021. We may do better than that; I hope so but I don’t think so.
Leaving aside what “normal” might mean and who it actually applies to,1 there’s some good news and bad news in there. The good news is, they’re already producing doses of the vaccine to be ready if and when the phase 3 trials are successful. Ramping up production before the trials conclude isn’t usually done because it’s a waste of money if the trials fail, but these vaccines are so critical to saving lives that they’re spending that money to save time. That’s great news.
The bad news is that we’re not even halfway through the pandemic in the best case scenario. We’re going to be wearing masks in public for at least another year (and probably longer than that). Large gatherings of people (especially indoors) will continue to be problematic — you know: movie theaters, concerts, clubs, bars, restaurants, schools, and churches — and folks staying within small pods of trusted folks will likely be the safest course of action.
A change in national leadership in both the executive branch and Senate could change the outlook for the better. We could get some normalcy back even without a vaccine through measures like a national mask mandate/distribution, a real national testing & tracing effort, taking aerosol transmission seriously, and easing the economic pressure to “open back up” prematurely. We’re never going to do as well as Vietnam or Taiwan, but I’d settle for Greece or Norway.
Update: In an interview posted yesterday, Johns Hopkins epidemiologist Dr. Caitlin Rivers gives her best guess at a return to normalcy:
Topol: When do you think we’ll see pre-COVID life restored?
Rivers: I wish I knew. I’m thinking toward the end of 2021. It’s really hard to say with any certainty. We should all be mentally prepared to have quite a bit ahead of us.
Today’s good, clean, uncomplicated fun is right here in the form of this video - it does what it says on the tin.
See also the melodica version of the “welcome to Jurassic Park” scene. (via laura olin’s newsletter)
Update: I knew there was some similar M83 thing that I’d seen recently and was forgetting about: Midnight City but with Nelson Muntz laughing. (via @dansays)
This clip of an off-screen interviewer asking film director Werner Herzog how many languages he speaks and then Herzog answering is only slightly more than 90 seconds long, but it’s a masterclass in how to tell an entertaining story. He playfully misdirects at first and then just goes from there.
I do understand French but I refuse to speak it. It’s the last thing I would ever do. You can only get some French out of me with a gun pointed at my head.
See also 24 Pieces of Life Advice from Werner Herzog.
Now streaming on Netflix, David Attenborough: A Life on Our Planet, a documentary about the 94-year-old broadcaster, naturalist, and international treasure.
In this unique feature documentary, titled David Attenborough: A Life On Our Planet, the celebrated naturalist reflects upon both the defining moments of his lifetime and the devastating changes he has seen. Coming to Netflix October 4 2020, the film addresses some of the biggest challenges facing life on our planet, providing a snapshot of global nature loss in a single lifetime. With it comes a powerful message of hope for future generations as Attenborough reveals the solutions to help save our planet from disaster.
In the trailer (embedded above), Attenborough says “I had the most extraordinary life. It’s only now that I appreciate how extraordinary.” In saying that, he’s speaking not only as a living legend whose long career in television and science has brought him nearly universal acclaim, but also as someone who can look back and see how recognizably and thoroughly the Earth has changed during his lifetime. The depletion of animal populations, the changing climate, the shifting habitats — he’s witnessed firsthand how much humans have fucked up the planet. We should listen to his testimony and suggestions for fixing what he calls “our greatest mistake”. I hope it’s not too late.
In 1962, Ella Fitzgerald performed a show in Berlin, just two years after the famous performance that earned the jazz great two Grammys for masterfully butchering the lyrics to Mack the Knife. The recording for the ‘62 Berlin show was presumed lost until it was recently rediscovered in the archive of a record executive.
Early this year, Mr. Field and Ken Druker, a vice president at Verve — which survives today under the auspices of Universal Music Group — were digging through a rediscovered trove of live recordings that Granz had stashed away decades ago. They came across an apparently untouched reel-to-reel, with yellowed Scotch tape still holding the box shut, featuring a concert Fitzgerald had given in Berlin two years after that first famous outing.
Upon inspection, they found that recordings had been made in both mono and stereo — a rare stroke of luck. They listened, and the quality was excellent. Using a new engineering software that allowed him to more precisely isolate the instruments and Fitzgerald’s voice, Mr. Field filled out the low end and brought her singing to the front.
The result of their discovery is The Lost Berlin Tapes, now available in stores and various streaming plaforms. Here’s Fitzgerald singing Mack the Knife from that performance:
And the whole album on Spotify:
(via @tedgioia)
In secrecy over the past several months, filmmaker Alex Gibney has been making a documentary film about the US government’s response to the Covid-19 pandemic called Totally Under Control. He and co-directors Ophelia Harutyunyan and Suzanne Hillinger interviewed “countless scientists, medical professionals, and government officials on the inside” to produce the film.
Academy Award-winning filmmaker Alex Gibney, directing with Ophelia Harutyunyan and Suzanne Hillinger, interrogates this question and its devastating implications in Totally Under Control. With damning testimony from public health officials and hard investigative reporting, Gibney exposes a system-wide collapse caused by a profound dereliction of Presidential leadership.
Gibney previously directed Enron: The Smartest Guys in the Room, Going Clear, and Zero Days (all excellent documentaries). The film comes out in theaters on October 13 and on Hulu on October 20.
After creating a series of music video mixes for the entire decade of the 80s (and 1979), the Hood Internet is back to take us through the 90s. Their first video, on 1990, features 60 different songs in only 3.5 minutes and is embedded above.
1990 was my last year of high school, so this is a total memory bomb for me. I listened to a lot of C & C Music Factory, Divinyls, DJ Jazzy Jeff & The Fresh Prince, En Vogue, Madonna, Mariah Carey, MC Hammer, Roxette, Salt-n-Pepa, Sinéad O’Connor, Whitney Houston, and missed whole scores of much cooler music that was unavailable to me because I lived in the middle of nowhere where the listening choices were country, heavy metal, or top 40. It’s an understatement to say that college was very musically eye-opening for me.
Update: Here are the installments from 1991, 1992, and 1993. Right into my college years and so hugely nostalgic.
Update: Here’s their 34-minute megamix of 600 songs from 1990-1999.
This playlist on Soundcloud has each year’s mix from 1975-1999 and there are also yearly playlists of all the songs used for these mixes on Spotify (scroll down to “Artist Playlists”).
To celebrate the release of their latest limited edition memo books, Field Notes made a short documentary about The United States of Letterpress, featuring several letterpress practitioners from around the country.
I ran a pedal-powered letterpress machine for a few minutes several years ago and that huge machine whizzing away right in front of me was both magical (it stamps the ink right into the paper and it’s in your hands 2 seconds later) and terrifying (the massive flywheel could have ripped my arm clean off without slowing down). Danger and enchantment, what else do you need really?
Last night in a debate with Democratic presidential nominee Joe Biden, Donald Trump, the actual President of these United States, not only declined to condemn white supremacy, he gave an order to an openly white supremacist group on national television. Here’s the quote and the video:
Proud Boys, stand back and stand by. But I’ll tell you what, I’ll tell you what. Somebody’s got to do something about antifa and the left. Because this is not a right-wing problem. This is a left-wing problem.
Stand by. Somebody’s gotta do something about antifa and the left. Proud Boy members knew exactly what Trump was telling them — it’s as plain as day. (I’ve grown weary of pointing out the parallels to Nazism and Italian fascism, so I’ll leave that as an exercise to the reader in this case. The answer may involve shirt colors.)
We’ve long passed the point at which everyone should understand in no uncertain terms that Trump is an authoritarian, racist, white supremacist (among other things). Hell, this is what many of his supporters like about him. But it should also be clear to his supporters, all of his supporters (especially the ones who hold their nose and support him because of Christian values or fiscal policy or abortion), that by voting for this man knowing what we all clearly know about him, you are a white supremacist. Period. I understand the perfect candidate doesn’t exist and that our system of voting requires us to compromise some of our values in order to support progress towards bigger goals, but good luck explaining that you voted for an actual white supremacist to your grandchildren someday (if you can stomach telling them the truth). Some values cannot be compromised.
In this experimental feature-length film that played at Cannes in 2012, director György Pálfi constructed a love story using clips from 450 films that span nearly the entire history of cinema. I was afraid this would be gimmicky, but it’s so well constructed and so smoothly adheres to the tropes of romantic movies that I got totally sucked in. It reminded me a lot of Christian Marclay’s The Clock, a 24-hour film made from hundreds (thousands?) of other movies and TV shows where the on-screen action is synced to the viewer’s time of day. (via waxy)
For Kurzgesagt’s latest video, they explore the challenges the world faces in attempting to get the rate of climate change under control before it’s too late and how to get there.
Climate change is just too much. There is never any good news. Only graphs that get more and more red and angry. Almost every year breaks some horrible record, from the harshest heat waves to the most rapid glacier melt. It’s endless and relentless.
We have known for decades that rapid climate change is being caused by the release of greenhouse gases. But instead of reducing them, in 2019 the world was emitting 50% more CO2 than in the year 2000. And emissions are still rising. Why is that? Why is it so hard to just stop emitting these gases?
According to the video, global population growth and economic growth will be working against us over the next few decades and that increasing our energy efficiency and lowering emissions from energy sources are the main ways in which we will be able to slow things down. It’s worth noting that on the wizard vs. prophet continuum, this video is firmly in the wizard camp. That’s not wrong or bad; it’s just that other people have different ideas about how to combat climate change.
Oliver Sacks: His Own Life is a new documentary film by Ric Burns about famed author and neurologist Oliver Sacks.
A month after receiving a fatal diagnosis in January 2015, Oliver Sacks sat down for a series of filmed interviews in his apartment in New York City. For eighty hours, surrounded by family, friends, and notebooks from six decades of thinking and writing about the brain, he talked about his life and work, his abiding sense of wonder at the natural world, and the place of human beings within it. Drawing on these deeply personal reflections, as well as nearly two dozen interviews with close friends, family members, colleagues and patients, and archival material from every point in his life, this film is the story of a beloved doctor and writer who redefined our understanding of the brain and mind.
The film is playing in virtual cinemas around the country right now: you can check out the list at the end of this page for more information and showtimes.
Update: The film is debuting on PBS today and will be, I assume, available online as well.
I don’t want to give away too much about this movie but I’d recommend watching the trailer and then the movie (you can find it on Netflix). I watched it last night at Kevin Kelly’s urging:
This is one of the best documentaries I have ever seen. Nothing about its subject would suggest greatness, but it was perfectly crafted.
It’s such a simple movie but it packs a surprising emotional wallop and is philosophically rich. Even (or perhaps especially) the bits that seem problematic are thought-provoking. Highly recommended.
See also A Dreaming Octopus Changes Color.
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