There have been several other porn films inspired by Kubrick’s oeuvre, including Spermacus, 2002: A Sex Odyssey, Thighs Wide Shut, and A Clockwork Orgy.
Unaware at first of the camera, she sees it. Then smiles almost imperceptibly and turns away. Then self-consciously looks everywhere but at the camera. And finally, a last contemptous peek at the camera.
Update: Sorry, the video is not available outside of the US.
9. You will not involuntarily exclaim any of the following, or any derivatives of the following, ten minutes before and ten minutes after the end of the screening: “Oh SHIT! OUCH!”, “Woah!”, “Oooooooh!”, “PAIN CITY!”, “Holy [anything]!”. Such exclamations are not involuntary. If you are a Tourette’s sufferer, you will provide a confirmatory note from a registered and reputable practitioner of medicine before purchasing your tickets, whereupon you will be politely refused entry.
My insistence on the strict adherence to rule #1 is why I often find myself at the movies alone (sobbing quietly, friendless).
We hear a long interview with Benny Perkins, who won the truck one year and was back the year they made their film to try to win again. He says a contest like this is not easy money. You slowly go crazy from sleep deprivation.
“It’s actually only loosely โ very, very loosely โ based on the book,” Faris explained. “But it’s about a small town that rains food, basically. So hamburgers come down, and ice cream, and [the residents] have to figure out a way [stop it]. Eventually, it gets more and more dangerous, and they have to figure out a way to stop the satellite machine that’s raining food.”
It stars Andy Samberg and Anna Faris. I’m prepared to be *very* disappointed. (thx, kimberly)
Hands on a Hard Body: The Documentary is a 1997 film documenting an endurance competition that took place in Longview, Texas. The yearly competition pits twenty-four contestants against each other to see who can keep their hand on a pickup truck for the longest amount of time. Whoever endures the longest without leaning on the truck or squatting wins the truck. Five minute breaks are issued every hour and fifteen minute breaks every six hours.
Vega had been a contestant in the internationally popular Hands on a Hardbody contest at Patterson Nissan in Longview when he killed himself Thursday morning after leaving the contest at the beginning of its third day. The 24-year-old East Texan walked away around 6 a.m., when he politely excused himself just before a scheduled 15-minute break for competitors, a witness said.
A lawsuit filed by Vega’s widow alleging that the dealership was “negligent in organizing and conducting the contest” was just recently settled. (thx, justin)
Amazon is having a Blu-ray sale…selected Blu-ray movies are 50% off. Titles include Mad Men season 1, No Country for Old Men, Pirates of the Caribbean trilogy, Reservoir Dogs, and Gangs of New York.
Ask yourself this question: Have you ever watched a 2-D movie and wished it were in 3-D? Remember that boulder rolling behind Indiana Jones in “Raiders of the Lost Ark?” Better in 3-D? No, it would have been worse. Would have been a tragedy. The 3-D process is like a zombie, a vampire, or a 17-year cicada: seemingly dead, but crawling out alive after a lapse of years. We need a wooden stake.
Recent critical clinkers The Mummy: The Third Mummy Movie and The Journey to the Middle of 3-D Mediocrity caused me to wonder: has Brendan Fraser ever appeared in a good movie? A trip to IMDB refreshed my memory โ soiled by several Pauly Shore vehicles โ that Fraser appeared in Crash, Gods and Monsters, and Dead Poets Society School Ties, and a couple of other movies that didn’t suck.
1. Hoop Dreams (1994), Steve James
2. The Thin Blue Line (1988), Errol Morris
3. Bowling for Columbine (2002), Michael Moore
4. Spellbound (2002), Jeffrey Blitz
5. Harlan County U.S.A. (1976), Barbara Kopple
6. An Inconvenient Truth (2006), Davis Guggenheim
7. Crumb (1994), Terry Zwigoff
8. Gimme Shelter (1970), Albert Maysles, David Maysles, and Charlotte Zwerin
9. The Fog of War (2003), Errol Morris
10. Roger & Me (1989), Michael Moore
11. Super Size Me (2004), Morgan Spurlock
12. Don’t Look Back (1967) D.A. Pennebaker
13. Salesman (1968), Albert Maysles, David Maysles, and Charlotte Zwerin
14. Koyaanisqatsi: Life Out of Balance (1982), Godfrey Reggio
15. Sherman’s March (1986), Ross McElwee
16. Grey Gardens (1976), Albert Maysles, David Maysles, Ellen Hovde, and Muffie Meyer
17. Capturing the Friedmans (2003), Andrew Jarecki
18. Born into Brothels, (2004), Ross Kauffman and Zana Briski
19. Titicut Follies (1967), Frederick Wiseman
20. Buena Vista Social Club (1999), Wim Wenders
21. Fahrenheit 9/11 (2004), Michael Moore
22. Winged Migration (2002), Jacques Perrin
23. Grizzly Man (2005), Werner Herzog
24. Night and Fog (1955), Alain Resnais
25. Woodstock (1970), Michael Wadleigh
HD version of Presto, the short film shown before Pixar’s Wall-E. The shorts shown before Pixar films seemingly have something to do with the next film in the company’s pipeline. Boundin’ preceded Cars (both were set in the desert Southwest), One Man Band came out before Ratatouille (the former set in Italy, the later in France, but with similar “set” design), and Lifted preceded Wall-E (both featured outer space and spaceships), but I can’t figure out what Presto has to do with Up (the teaser’s no help).
Objectified is an upcoming film about industrial design by Gary Hustwit, director of Helvetica.
Objectified is a documentary about industrial design; it’s about the manufactured objects we surround ourselves with, and the people who make them. On an average day, each of us uses hundreds of objects. (Don’t believe it? Start counting: alarm clock, light switch, faucet, shampoo bottle, toothbrush, razor…) Who makes all these things, and why do they look and feel the way they do? All of these objects are “designed,” but how can good design make them, and our lives, better?
One thing we never did, apart from an occasional special show, was depart from the format: Two critics debating the week’s new movies. No “advance looks” at trailers for movies we hadn’t even seen. No celebrity interviews. No red carpet sound bites. Just two guys talking about the movies. At one point, our show and two clones were on the air simultaneously. Then we were left alone again: The only show on TV that would actually tell you if we thought a movie was bad.
Spike Jonze’s Where the Wild Things Are might be in trouble. It was originally due out in October, got pushed back to fall 2009, and has now been taken off of the Warner Bros. release schedule. But not all is lost…here’s what Warner had to say about it:
We’ve given him more money and, even more importantly, more time for him to work on the film,” Horn said. “We’d like to find a common ground that represents Spike’s vision but still offers a film that really delivers for a broad-based audience. We obviously still have a challenge on our hands. But I wouldn’t call it a problem, simply a challenge. No one wants to turn this into a bland, sanitized studio movie. This is a very special piece of material and we’re just trying to get it right.
Spielberg’s first outing is all about humanity, love, feelings, innocence and all the other softness for which he has since become almost infamous. Whatever tech-lust Spielberg might have, goes on behind the lens, not in front of it. And despite moving on to do some pretty tech-heavy films (Jurassic Park for instance), he almost always keeps the human side of things front and center.
Socials & More