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I always look forward to David Ehrlich’s annual love letter to cinema and his favorite films of the year. So put this thing on the biggest screen you can find, slap on some headphones, and get ready to put a bunch of excellent films on your must-watch list. This year in conjunction with the video, Ehrlich is raising money for the Palestine Children’s Relief Fund.
You can also watch this video on YouTube and past countdowns on his website.
It’s here, it’s here! David Erhlich’s annual 25 best films of the year video for 2022 is here. Every year around this time, I get a little down about the movies. There’s nothing to seeeeee… And then I watch Erhlich’s 17-minute love letter to cinema and I want to see ever-ry-thing. The only complaint I have is that Everything Everywhere All at Once is not rated highly enough (a respectable #3 but not #1).
Erhlich has been doing these recaps since 2012 — you can find them all here or almost all of them at kottke.org with my commentary.
I look forward to this every year: David Ehrlich’s video countdown of the 25 best films of 2021. It’s like a trailer for an entire year’s worth of movies, lovingly constructed by a movie fan, critic, and editor, chock full of vivid imagery, memorable moments, and homages to great films of the past. I want to take the rest of the day off and just watch all of these…
Finch is a movie starring Tom Hanks, whose character befriends a dog in post-apocalyptic America and then builds a robot to protect the dog. It’s like Short Circuit meets I Am Legend meets Turner and Hooch meets Castaway meets Terminator 2. The only reason I am telling you about this preposterous-sounding entertainment product is that David Ehrlich (who is responsible for the epic movie recaps I post every year) wrote a mostly favorable review of it. The star of the show, says Ehrlich, is Jeff, the dog’s robot bodyguard:
Dewey sets the tone as the first of Finch’s manufactured friends. An articulating arm that’s attached to a metal cube on wheels, the prototype is lovable despite being only lightly anthropomorphized, and the decision to cast him as a 100-percent practical animatronic makes it that much easier for your eyes to accept that Jeff is just as real (Jones’ on-set motion-capture work and top-notch CGI help to complete the illusion). From the moment Finch powers him up, there isn’t a doubt in your mind. In fact, Jeff is so tactile and endearing that a more adorable design might have risked a kind of overkill; essentially an oblong, gourd-like orange cushion affixed with two protruding camera eyes and squished on top of a giant chassis of exposed titanium joints, Finch’s magnum opus doesn’t seem like the solution to all his problems so much as a robot Cousin Greg who’s been programmed with Asimov’s Three Laws plus a prime directive to “protect dog above all else.” He can only be loved for his potential.
It’s streaming on Apple+ starting this Friday. I might….watch it?
Because the pandemic (mostly) shuttered US movie theaters for the duration of 2020 and studios reduced or redirected their output accordingly, you might be excused for thinking that it was a bad year for film. As David Ehrlich’s masterful video countdown of the 25 best films of 2020 demonstrates, there was plenty of good stuff out there if you knew where to look.
I didn’t end up seeing many of the films on Ehrlich’s list — I’ve been stuck rewatching old favorites and meaningless garbage during the pandemic — but I’m going to make some time for several of these soon. Two documentaries that I was surprised to see omitted: My Octopus Teacher and The Painter and the Thief. The latter is one of the best movies I’ve seen in ages — I can’t imagine that Ms. Americana (for instance) was better. And I’m Thinking of Ending Things? Did not do it for me at all. *shrug* (thx, brandt)
Hey, Merry Ehrlichmas! David Ehrlich’s video countdown of his top 25 films of the year is one of my most anticipated end-of-the-year thingers. Viewing it always makes me want to watch movies for three straight days. As a companion, Ehrlich listed the movies here, along with the most memorable moment from each.
Watching “The Irishman,” especially for the first time, you get the sense that it’s teeming with hidden moments that will cling to you like barnacles for the rest of your life. Some of them are more apparent than others: Pacino chanting “Solidarity!” Pesci saying “It’s what it is.” Ray Romano asking De Niro if he’s really guilty at heart. The film’s most indelible treasures are lurking a bit deeper under the surface. On my second viewing, nothing hit me harder than the rhyme between two distant confrontations: As a child, Peggy suspects that her father is hiding some demons, but Frank directs his daughter back to her breakfast. Years later, Peggy wordlessly confronts her dad with daggers in her eyes, and Frank is so far beyond salvation that his only recourse is to keep eating his cereal like nothing ever happened.
Some random thoughts on the list and the year in movies: Surprised to see Ad Astra so high — I didn’t hear great things so I skipped it. I thought I saw a lot of movies this year, but this list once again proves me wrong. I can’t wait to see Uncut Gems. No Booksmart? I really loved Booksmart. I did not like Once Upon a Time in Hollywood and Knives Out as much as everyone else did. I mean, they were fine, but… Great to see Hustlers on the list — when Jennifer Lopez gets good roles, she knocks the cover off of the ball. Give Jennifer Lopez more good roles!
See also these two 2019 movie trailer mashups:
(thx, brandt & david)
My favorite end-of-the-year review of movies is always David Ehrlich’s video countdown of the top 25 best films. In this year’s review, I was surprised to see Annihilation on the list (I thought it was ok?) and also delighted by the high ranking of Paddington 2. Eighth Grade, The Favourite, and First Reformed all deservedly made the list, along with Mission: Impossible - Fallout, which I really liked. Would have liked to have seen Black Panther on there though.
Ehrlich shared the best moment from each of the 25 movies at Indiewire.
Nothing makes me want to quit my job and just watch movies all day than David Ehrlich’s annual video countdowns of the year’s best movies. Although I’m still a little irritated at him for leaving Arrival off of last year’s list, I’m looking forward to seeing Phantom Thread, The Post, Columbus, Lady Bird (which has been difficult to come by living in a rural area), and many others from this year’s list.
At Indiewire, Ehrlich explains his picks. I wasn’t as keen on Baby Driver and Get Out as Ehrlich and seemingly everyone else was, but here’s what he wrote about Dunkirk, one of my favorite films of the year:
“Virtual reality without the headset.” That’s what Nolan has called the experience of seeing this film’s aerial sequences in their proper glory, and he wasn’t kidding — “Dunkirk” is the ultimate fuck you to the idea of streaming a new movie to your phone. The director and his team customized an IMAX rig so the camera could squeeze into the cockpit of a WWII fighter plane, and the footage they captured from the sky is so transportive that every ticket should earn you frequent flier miles. One shot, in which we share a pilot’s POV as they make a crash landing on the water, singlehandedly justifies this entire portion of the film long before Nolan inevitably converges it with the other two for the rousing final act.
I might splurge on a bigger, better TV just to watch this one in 4K at home.
P.S. Also from Ehrlich: Wreath Witherspoons. LOL.
I look forward to David Ehrlich’s video countdown of his favorite films of the year and 2016’s installment does not disappoint. Nice to see Beyonce’s Lemonade, the weirdo Swiss Army Man (which I loved, Daniel Radcliffe 4eva!), and the excellent OJ: Made in America on there. Still puzzled by Hail Caesar…I love the Coen brothers but was bored by this one. No Arrival though…this was the only movie I saw in the theater twice this year. For those looking for upcoming or recently released films to watch, Ehrlich includes Jackie, La La Land, and Scorsese’s Silence on his list.
One of the things I look forward to at the end of each year is David Ehrlich’s video compilation of his favorite films of the year. 2015’s installment does not disappoint.
David Ehrlich returns with a video montage of his 25 favorite movies of 2014. (Here’s his 2013 video.)
His top 5:
5. Gone Girl
4. Nymphomaniac
3. Under The Skin
2. Inherent Vice
1. The Grand Budapest Hotel
These year-end videos by Ehrlich are incredibly effective trailers for movies. Not just the individual films, but the whole idea of cinema itself. Having just watched this, I want to leave my office, head to the nearest theater and just watch movies all day.
In a masterfully edited video, David Ehrlich presents his 25 favorite films of 2013.
Fantastic. This video makes me want to stop what I’m doing and watch movies for a week. It’s a good year for it apparently…both Tyler Cowen and Bruce Handy argue that 2013 is an exceptional year for movies. I’m still fond of 1999… (via @brillhart)
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