DesigNYC connects non-profits with designers; they’ve just announced their second call for project submissions and designers:
We’re proud to announce the second call for submissions for project ideas and design collaborators. DesigNYC will select the most compelling projects and match them with design leaders across the fields of architectural, landscape, interior, lighting, and communication design.
Our projects focus on the themes of well-being and sustainable communities — creating solutions that address a range of social and environmental issues impacting the city, including affordable housing, sustainable development, social justice, human health, green space, urban farming, local food systems, youth leadership, and more.
In the middle of Gotham, our family of 66 sans serifs, there is a hushed but surprising moment: a fraction whose numerator has a serif. So important was this detail that we decided to offer it as an option for all the other fractions, a decision that ultimately required more than 400 new drawings. Why?
As you’ll read below, it’s something that we added because we felt it mattered. Even if it helped only a small number of designers solve a subtle and esoteric problem, we couldn’t rest knowing that an unsettling typographic moment might otherwise lie in wait. We’ve always believed that a good typeface is the product of thousands of decisions like these, so we invite you to join us on a behind-the-scenes look at some of the invisible details that go into every font from H&FJ.
We talked to experts Alice Twemlow, Eric Abrahamson, Massimo Vignelli, David Miller, Kurt Andersen, Soren Kjaer, Alfred Stadler, Jennifer Lai, and Ben Bajorek and creates an historical and relevant film about the relationship between the worker and the desk and how this reflects on personality and habits.
Dark Patterns are UI techniques designed to trick users into doing things they otherwise wouldn’t have done.
Normally when you think of “bad design”, you think of laziness or mistakes. These are known as design anti-patterns. Dark Patterns are different — they are not mistakes, they are carefully crafted with a solid understanding of human psychology, and they do not have the user’s interests in mind.
For instance, Privacy Zuckering is a dark pattern implemented by Facebook to get users to share more about themselves than they would like to. (thx, @tnorthcutt)
Want to see the state of the art in web design using web fonts and Typekit? Check out Lost World’s Fairs. It’s all good, but Frank Chimero really knocked it out of the park with the 1962 Atlantis World’s Fair. With HTML5 and web fonts, experimentation with web design seems open and fun again; reminds me of the 90s a bit.
When we researched how notes are used we realized people tend to handle and deal with money vertically rather than horizontally. You tend to hold a wallet or purse vertically when searching for notes. The majority of people hand over notes vertically when making purchases. All machines accept notes vertically. Therefore a vertical note makes more sense.
The note imagery relates to the value of each note:
$1 - The first African American president $5 - The five biggest native American tribes $10 - The bill of rights, the first 10 amendments to the US Constitution $20 - 20th Century America $50 - The 50 States of America $100 - The first 100 days of President Franklin Roosevelt.
Needs more guilloche but other than that: fire up the presses.
Nick Gleis shoots the interiors of corporate jets owned by African dictators and other heads of state. I couldn’t decide which jet interior was the gaudiest, but this one is definitely a contender because of the classy naked ladies on the wall of the bedroom.
Who knew that African dictators were so nostalgic for the set design of Star Trek: The Next Generation?
National Geographic’s front cover is a great example of how well simple branding can be tied to a product or message. In this case, the slightly warm yellow has become a symbol of wonderful photography, intriguing articles and serves as a doorway into places worlds away.
…From the past. It doesn’t take much to look at this book and imagine the pitch meeting at how Sterling Cooper Draper Price would pitch this.
In 1964 United States Steel called upon the nation’s electric utility companies to reconsider the current look of our power stations and transmission towers to be both functional and beautiful. Two years later, Henry Dreyfuss and Associates were commissioned to investigate possible design alternatives, and I believe they were documented in a book entitled “Power Styling” which was produced by United States Steel in the mid-to-late 1960s.
The next film in Gary Hustwit’s design trilogy (after Helvetica and Objectified) is Urbanized, an investigation of urban design.
Who is allowed to shape our cities, and how do they do it? Unlike many other fields of design, cities aren’t created by any one specialist or expert. There are many contributors to urban change, including ordinary citizens who can have a great impact improving the cities in which they live. By exploring a diverse range of urban design projects around the world, Urbanized will frame a global discussion on the future of cities.
The Brand New Conference is a one-day event organized by UnderConsideration, focusing on the practice of corporate and brand identity — a direct extension of the popular blog, Brand New. The conference consists of eight sessions offering a broad range of points of view with speakers from around the world practicing in different environments, from global consultancies, to in-house groups, to small firms.
Speakers include boldface names Michael Bierut, Paula Scher, and Erik Spiekermann. Surprisingly, tickets are still available.
[I would] grab all the modern technology I could find, take it to the late 70’s, superficially redesign it all to blend in, start a consumer electronics company to unleash it upon the world, then sit back as I rake in billions, trillions, or even millions of dollars.
You know how iPhone and iPad have “airplane mode”, which turns off all connectivity? Right under that, I want “Toddler Mode”. When switched on, you’ll get a dialog letting you know you are entering Toddler Mode, and an explanation of how to get out. Unlike Airplane Mode, you can’t get out of Toddler Mode through settings, because there’s no way Toddler Mode should allow access to the settings panel. I haven’t figured out the best way out of Toddler Mode, but I’m thinking a quick triple-click on the home button, followed by a swipe, should work.
The problem with toddler mode is that the capabilities of kids change very quickly at that age. For instance, the home button is only a problem for a short time. My almost-3-yo son Ollie pretty quickly figured out that if he wanted to keep doing what he was doing, he had to lay off the home button. Now he knows exactly what it does: gets him back to the screen where he can pick a new activity. He also has no problem finding his apps…he knows exactly which of those icons mean fun and which do not.
(BTW, if you’re an interface/interaction designer and you haven’t watched a preschooler using a touchscreen device, you really should. It’s fascinating how quickly they learn some things and just can’t get the hang of other things. It’s a really eye-opening experience.)
If you’ve ever wanted to live in a rolling house that doesn’t take up much space and even has space on the outside for advertising, get thee to the U of Karlsruhe (non-German link here).
This cyclindrical design is a modular protype that provides flexible space within a minimum housing unit. Three different sections are dedicated to different functional needs: there’s a bed and table in section, an exercise cylinder, and a kitchen with a sink.
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