In 1999, two friends went into a Nebraska antique shop and found a massive collection of letterpress blocks and plates that were used to make advertisements for movies in newspapers. They bought the whole shebang for $2000 and have spent the last 17 years cataloging and cleaning the 60,000 plates & blocks (here is just a partial inventory). The collection, which spans nearly the entire history of the film industry from the silent era to 1984, was recently appraised at ~$10 million and is available for acquisition.
The short film embedded above is a must-see for design/movie nerds…my jaw hit the floor when these pristine posters for movies that were 50, 60, 70 years old started rolling off of the letterpress. I mean, look at this stuff!
Note: I flipped the images of the plates so they would be readable. The actual plates are mirror images of the printed advertisements. Here’s what a print made from a plate looks like:
The other day, Google Ventures’ Daniel Burka asked his followers for suggestions on the best design books that aren’t about design. Burka offered up How Buildings Learn by Stewart Brand as his selection. Agreed! Here are the responses I found most interesting (some of which actually are about design, more or less):
Nature has amassed 3.8 billion years of R&D on how to engineer and design things and systems. So when designers are looking at how to solve problems, they should pay closer attention to how the evolutionary process dealt with similar situations. For example, an engineer working on a redesign of the Japanese bullet train used his birdwatching knowledge to borrow design elements from birds like a kingfisher, an owl, and a penguin.
Japan’s Shinkansen doesn’t look like your typical train. With its long and pointed nose, it can reach top speeds up to 150-200 miles per hour.
It didn’t always look like this. Earlier models were rounder and louder, often suffering from the phenomenon of “tunnel boom,” where deafening compressed air would rush out of a tunnel after a train rushed in. But a moment of inspiration from engineer and birdwatcher Eiji Nakatsu led the system to be redesigned based on the aerodynamics of three species of birds.
I love the idea of the Shinkansen as a chimerical creature constructed from the bodies of three very different types of birds. (via the kid should see this)
My thoughts immediately went to fancy wedding stationery, and I had a lot of fun both writing and designing these fake anti-invitations. I tried to poke fun at some of the current trends in wedding stationery design, which meant I got to have fun playing with watercolors!
This collection of posters compiled by the library at the Minneapolis College of Art & Design is an amazing trove of turn-of-the-century design and illustration.
In the late nineteenth century, lithographers began to use mass-produced zinc plates rather than stones in their printing process. This innovation allowed them to prepare multiple plates, each with a different color ink, and to print these with close registration on the same sheet of paper. Posters in a range of colors and variety of sizes could now be produced quickly, at modest cost. Skilled illustrators and graphic designers — such as Alphonse Mucha, Jules Chéret, Eugène Grasset, and Henri de Toulouse-Lautrec — quickly began to exploit this new technology; the “Golden Age of the Poster” (1890s through the First World War) was the spectacular result.
Signs.com asked dozens of Americans to draw the logos of well-known companies from memory, including Domino’s, Apple, Adidas, and Starbucks. As you can see, there was a wide range in aptitude and some logos fared better than others; overall the Starbucks and Foot Locker logos were the worst drawn while Ikea and Target were the best represented.
Adidas, the second largest sportswear company in the world, acquired its three-stripes logo in 1952 from footwear brand Karhu Sports for two bottles of whiskey and the equivalent of $2,000.
Cornell University has a hip hop collection with tens of thousands of objects in it: photos, posters, flyers, magazines, etc. Much of the collection is only available on site in Ithaca, NY by appointment, but parts of it have been digitized, like these party and event flyers:
Created entirely by hand, well before widespread use of design software, these flyers preserve raw data from the days when Hip Hop was primarily a live, performance-based culture in the Bronx. They contain information about early Hip Hop groups, individual MCs and DJs, promoters, venues, dress codes, admission prices, shout outs and more. Celebrated designers, such as Buddy Esquire (“The Flyer King”) and Phase 2, made these flyers using magazine cutouts, original photographs, drawings, and dry-transfer letters.
And the archive of Joe Conzo Jr., who photographed groups, parties, events, and the like in the South Bronx in the late 70s and early 80s (but FYI, the Conzo archive interface is more than a little clunky and there’s lots of non-hip hop stuff to wade through):
In 1978, while attending South Bronx High School, Conzo became friends with members of the Cold Crush Brothers, an important and influential early Hip Hop group which included DJs Charlie Chase and Tony Tone and MCs Grandmaster Caz, JDL, Easy AD, and Almighty KayGee. Conzo became the group’s professional photographer, documenting their live performances at the T-Connection, Disco Fever, Harlem World, the Ecstasy Garage, and the Hoe Avenue Boy’s Club. He also took pictures of other Hip Hop artists and groups, including The Treacherous 3, The Fearless 4, and The Fantastic 5.
These rare images capture Hip Hop when it was still a localized, grassroots culture about to explode into global awareness. Without Joe’s images, the world would have little idea of what the earliest era of hip hop looked like, when fabled DJ, MC, and b-boy/girl battles took place in parks, school gymnasiums and neighborhood discos.
And most recently a portion of the Adler Hip Hop Archive, compiled by journalist and early Def Jam executive Bill Adler:
The Adler archive contains thousands of newspaper and magazine articles, recording industry press releases and artist bios, correspondence, photographs, posters, flyers, advertising, and other documents. These materials offer an unprecedented view into Hip Hop’s history and are made available here for study and research.
Fair warning: don’t click on any of those links if you’ve got pressing things to do…you could lose hours poking around.
Kelley started collecting MTA MetroCards in 2011, and he quickly became fascinated by other Subway-related objects. This catalogue is the first of its kind — presenting a previously uncollated archive of subway ephemera that spans three centuries.
Kelley posts photos of many of the artifacts he’s found on Instagram.
Euclid’s Elements has been referred to as the most successful and influential textbook ever written. It was one of the very earliest mathematical works to be printed after the invention of the printing press and has been estimated to be second only to the Bible, in the number of editions published since the first printing in 1482.
The Elements is a mathematical treatise consisting of 13 books attributed to the ancient Greek mathematician Euclid. It is a collection of definitions, postulates, propositions (theorems and constructions), and mathematical proofs of the propositions. Elements is the oldest surviving large-scale deductive treatment of mathematics. It has proven instrumental in the development of logic and modern science.
Byrne’s Euclid is admired as much for its surprisingly modernist design and color palette — which seems to anticipate Bauhaus and De Stijl — as for its innovative pedagogy.
I have a copy of their Principia reissue (it’s beautiful), so I’m looking forward to this one.
A couple of years ago, I told you about designer Kelli Anderson’s upcoming book, This Book is a Planetarium. It took awhile to get everything just right, but I’m happy to report the book will finally be out in early October.
Defying every expectation of what a book can be, this pop-up extravaganza transforms into six fully functional tools: a real working planetarium projecting the constellations, a musical instrument complete with strings for strumming, a geometric drawing generator, an infinite calendar, a message decoder, and even a speaker that amplifies sound. Artist Kelli Anderson contributes enlightening text alongside each pop-up, explaining the scientific principles at play in her constructions and creating an interactive experience that’s as educational as it is extraordinary.
Here’s a video of Anderson playing with two of the six contraptions. She sent me a preview of the book in the form of the planetarium pop-up page (accompanied by one of these cool cards) and when I cracked it open, I actually squealed. Seriously, this thing is super awesome. We took it and my iPhone flashlight into the darkest room in the house and sure enough, there was the Big Dipper projected onto the ceiling…my kids could barely stop saying “this is so cool”. Really looking forward to seeing the real thing in October.
This was far more complicated than I had initially anticipated. Not only were there way more Roman Roads in Britain than I initially thought, but also their exact locations and extents are not very clear. In a few places I had to get rather creative with the historical evidence.
As Wikipedia notes, most of the roads were completed by 180 AD and many of them are still in use today.
After the Romans departed, systematic construction of paved highways in the UK did not resume until the early 18th century. The Roman road network remained the only nationally-managed highway system within Britain until the establishment of the Ministry of Transport in the early 20th century.
Dorothy has designed a pair of posters of alphabets fashioned from rock band logos: one for classic rock and one for alternative rock. How many of the band names do you know? Me? Fewer than I would like.
For his Letters & Liquors site, Matthew Wyne is profiling more than 50 classic cocktails accompanied by a type-driven design specific to each drink’s era.
As a graphic designer, my specialty is lettering, and the spirits world is replete with lettering styles. This blog is an attempt to merge my knowledge of cocktail history with the developments in lettering that accompanied it. There will be 52 cocktails in all, one for each week of 2017, and each one will be represented by a piece of lettering inspired by the design of that era. I have selected these drinks specifically because they tell the story of why people drank what they did when they did.
I really don’t like Wyne’s use of “she” as a cocktail’s pronoun, but everything else about this is great. (via df)
A little-known Italian design & architecture group called the Memphis Group was responsible for the dominant aesthetic of the 80s.
Memphis Design movement dominated the ’80s with their crazy patterns and vibrant colors. Many designers and architects from all around the world contributed to the movement in order to escape from the strict rules of modernism. Although their designs didn’t end up in people’s homes, they inspired many designers working in different mediums. After their first show in Milan in 1981, everything from fashion to music videos became influenced by their visual vocabulary.
Or were they? What’s interesting, in terms of the timeline of influence, is that MTV debuted before that September 1981 show in Milan. Here’s the first MTV broadcast in August 1981, featuring the brightly colored logo:
Posteritati is a New York movie poster store/gallery that also has an online store featuring more than 40,000 posters. You can view posters by director, year, country of origin, genre, size, and more. Some of the posters are very old, rare, and valuable: Some Like It Hot ($3,000), Lolita ($1,200), and Star Wars ($1,500). And wow, a 1933 Argentinian poster for King Kong for $75,000.
After much research, Sasha Trubetskoy has completed a subway-style map of the road system of the Roman Empire. From about 300 BC, the Romans built or improved over 250,000 miles of roads (50,000 miles were stone paved) that extended into the farthest reaches of the Empire: from Spain to modern-day Iraq to Britain to northern Africa.
Creating this required far more research than I had expected — there is not a single consistent source that was particularly good for this. Huge shoutout to: Stanford’s ORBIS model, The Pelagios Project, and the Antonine Itinerary (found a full PDF online but lost the url).
The lines are a combination of actual, named roads (like the Via Appia or Via Militaris) as well as roads that do not have a known historic name (in which case I creatively invented some names). Skip to the “Creative liberties taken” section for specifics.
A short vignette of Bowne & Co. Stationers at Manhattan’s South Street Seaport, an old-school letterpress printing shop. I love the description of printing as “dancing with the machine”. My pals at Swayspace — who have printed a couple of jobs for me over the years, including this watercolor map of Paris — taught me how to use one of their presses many years ago and there’s definitely a rhythm to it that takes awhile to master. I’m just glad I still have all my fingers.
Over at Recode, Dan Frommer has a look inside Amazon’s first NYC bookstore, opening Thursday in the mall in the Time Warner Center. I haven’t visited any of Amazon’s stores yet (they’ve got several around the country), but what I find interesting from the photos is how up-front they are about the shopping experience being data driven. There are signs for books rated “4.8 Stars & Above”, a shelf of “Books Kindle Readers Finish in 3 Days or Less”, a section of “If You Like [this book], You’ll Love [these other books]”, and each book’s shelf label lists the star rating and number of reviews on Amazon.com. Another sign near the checkout reads “Over 7950 Goodreads members like this quote from Cassandra Clare’s Clockwork Prince: ‘We live and breathe words.’”
Other bookstores have books arranged according to best-seller lists, store-specific best-sellers, and staff recommendations, but I’ve never seen any store layout so extensively informed by data and where they tell you so much about why you’re seeing each item. Grocery store item placement is very data driven, but they don’t tell you why you’re seeing a display of Coke at the end of the aisle or why the produce is typically right at the entrance. It’ll be interesting to see if Amazon’s approach works or if people will be turned off by shopping inside a product database, a dehumanizing feeling Frommer hints at with “a collection of books that feels blandly standard” when compared to human curated selections at smaller bookstores.
P.S. So weird that there’s no prices on items…you have to scan them with a store scanner or a phone app. Overall, the store feels less oriented towards its book-buying customers and more towards driving Prime memberships, Amazon app downloads, and Kindle & Echo sales (which might be Amazon’s objective).
The store’s biggest shortcoming, though, is that it is so clearly not intended for people who read regularly. I normally walk into a bookstore and shop the way a person might shop for clothes: I know what I like, what generally works for me, what new styles I might be ready to try. It was a strange feeling, on Thursday, to do laps around a bookstore without feeling a single unexpected thrill. There were no wild cards, no deep cuts, no oddballs — just books that were already best-sellers, pieces of clothing I knew wouldn’t fit me or that I already owned.
Tolentino also notes that the fiction section in the NYC store contains fewer than 200 different titles.
The US Postal Service recently announced a new series of stamps that feature balls from eight different sports.
The U.S. Postal Service will soon release first-of-a-kind stamps with the look — and feel — of actual balls used in eight popular sports. Available nationwide June 14, the Have a Ball! Forever stamps depict balls used in baseball, basketball, football, golf, kickball, soccer, tennis and volleyball.
The stamps are round but what’s really cool is that they will have a special coating that lets you feel the unique texture of each kind of ball — the baseball’s laces, the basketball’s nubby surface, the golf ball’s dimples. The ball stamps are available for preorder and will ship in mid-June.
See also their upcoming solar eclipse stamps, which are printed using thermochromic ink — when you touch them, the heat of your finger reveals the hidden Moon passing in front of the Sun. (via print)
Good design makes a product understandable. It clarifies the product’s structure. Better still, it can make the product talk. At best, it is self-explanatory.
1. Good design is disruptive.
2. Good design makes a product addicting.
3. Good design is A/B testing.
4. Good design makes a product collect data.
5. Good design is notifications.
6. Good design is agreeing to the terms & conditions.
7. Good design is temporary.
8. Good design is a prototype.
9. Good design is a chatbot?
10. Good design is pleasing your shareholders.
I put together a three-person team: me, designer Jesse Reed, and project manager Julia Lemle. We would work in secret for the next two months. Our first meeting with the Clinton team began with a simple statement: “Our candidate has 100 percent name recognition.” There is a well-known marketing principle that is often credited to midcentury design legend Raymond Loewy. He felt that people were governed by two competing impulses: an attraction to the excitement of new things and a yearning for the comfort provided by what we already know. In response, Loewy had developed a reliable formula. If something was familiar, make it surprising. If something was surprising, make it familiar.
That same principle applies to political campaigns. In 2008 Sol Sender, Amanda Gentry and Andy Keene were faced with the challenge of branding a candidate who had anything but name recognition. Barack Obama’s design team responded with a quintessentially professional identity program, introducing — for the first time — the language of corporate branding to political marketing. Obama’s persona — unfamiliar, untested, and potentially alarming to much of the voting public — was given a polished logo and a perfectly executed, utterly consistent typographic system. In short, they made a surprising candidate seem familiar.
We faced the opposite problem. Our candidate was universally known. How could we make her image seem fresh and compelling?
This is a great look at how a designer at the top of his game approaches a problem…and reckons with failure. Even this little bit:
It wasn’t clever or artful. I didn’t care about that. I wanted something that you didn’t need a software tutorial to create, something as simple as a peace sign or a smiley face. I wanted a logo that a five-year-old could make with construction paper and kindergarten scissors.
Leading up to the election, how many photos did you see of Hillary logos hand-drawn by kids on signs and t-shirts? Lots and lots…my kids even got into the act.
Back in 2014, I posted that Norway would start using new banknotes in 2017 featuring an abstract pixelated design on the reverse of each note. Time did the only thing it knows how to do so here we are in 2017 and the bills will begin circulating later this year. The overall theme for the notes is “The Sea”:
Norway’s long, gnarled coastline has shaped the identity of Norwegians individually and as a nation. The use of marine resources, combined with the use of the sea as a transport artery, has been crucial to the development of Norwegian society.
And each particular note has its own subtheme:
The 50-krone banknote: The sea that binds us together
The 100-krone banknote: The sea that takes us out into the world
The 200-krone banknote: The sea that feeds us
The 500-krone banknote: The sea that gives us prosperity
The 1000-krone banknote: The sea that carries us forward
The final design concept by Terje Tønnessen was chosen from among several finalists. I love the final design but also really like the concept by Aslak Gurholt with a children’s drawing on the back of each note echoing the illustration on the front.
Also of note (ha!): Norges Bank crowdsourced several aspects of the design process but managed to do it in such a way as to avoid the Boaty McBoatface problem.
As of today, I’ve been posting and linking to stuff on kottke.org for 19 years. When I started, I was 24 years old, working as a web designer for a small web development shop in Minneapolis. The site started as a offshoot of another site I had at the time, which I worked on in my spare time at home on my Pentium Pro 200 with a 56K modem. I worked at a desk that was really a 70s-style kitchen table I’d bought for $25. I’m sitting at that same table writing this right now. Earlier I was struggling to think of something else that’s been in my life for as long as kottke.org has…I guess this table is it.
Whether you’re a relatively recent reader or you’ve been along for the entire ride, I’d like to thank you for reading the site and for your feedback, gentle typo corrections, encouragement, push-back, and membership support. I’m really glad to be hurtling through space and time with you good people.
Eleanor Lutz made these nifty models of California plants that can withstand fire damage out of Elmer’s Glue and watercolor paper. She then photographed them burning for this infographic on how some species have adapted to California’s wildfires. Be sure to click through to see the animated version.
Logobook is a growing catalog of “the finest logos, symbols & trademarks” in the world. The 5000+ logos are divided into groups like letters & numbers, shapes, animals, objects, and nature and are extensively categorized by industry, designer, and country of origin. Great resource.
They’re backed up with new submissions right now, but you can still send them your logos and they’ll get back to you when submissions are open again. (via @buzz)
MinaLima (aka Miraphora Mina and Eduardo Lima) is the design studio that designs all of the graphics, signs, newspapers, decrees, posters, labels, maps, book covers, and packaging that you see in the Harry Potter movies.
The range of design styles on display is impressive and captures the films’ combination of humour, horror and fantasy.
On one wall, packaging and adverts for products in a shop owned by the Weasley family combine early 20th century print advertising with humorous taglines and garish colours, while posters promoting the fictional game of Quidditch (below) reference 1950s Olympics adverts.
Official notices and letters use hand written fonts, and pamphlets demonising ‘mudbloods’ — a wizard born to non-wizard parents — are inspired by Soviet progaganda (top).
“One of the best things about working on the Harry Potter films was being able to try out so many different styles, from Victorian letterpress to modern design,” says Lima.
“The Daily Prophet was designed to look very Gothic, as did the architecture of Hogwarts [the boarding school for wizards where the film is set]. When an organisation called the Ministry of Magic takes control in later films, the school becomes a kind of totalitarian state, so we started looking to Russian constructivist design to reflect that,” says Mina.
Yay! It’s Fractal Friday! (It’s not, I just made that up.) But anyway, courtesy of Christopher Night, you can play around with this Julia set fractal. It works in a desktop browser (by moving the mouse) or on your phone (by dragging your finger).
The Julia set, if you don’t remember, goes thusly: Let f(z) be a complex rational function from the plane into itself, that is, f(z)=p(z)/q(z) f(z)=p(z)/q(z), where p(z) and q(z) are complex polynomials. Then there is a finite number of open sets F1, …, Fr, that are left invariant by f(z) which, uh, is um… yay! Fractal Friday! The colors are so pretty!
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