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David Remnick, editor of The New Yorker, is writing a book about Barack Obama, race, and politics in America. The “germ of the book” is a great piece that ran in the magazine shortly after the election called The Joshua Generation.
The best selling Bible study text on Amazon right now is Bible Illuminated, a “286-page glossy oversized magazine style” version of the New Testament (look inside here).
A site that bills itself as the #1 Christian Porn Site sells Jesus Loves Porn Stars Bibles.
The Green Bible is also very popular on Amazon.
The Green Bible will equip and encourage people to see God’s vision for creation and help them engage in the work of healing and sustaining it. With over 1,000 references to the earth in the Bible, compared to 490 references to heaven and 530 references to love, the Bible carries a powerful message for the earth.
James Earl Jones Reads The Bible.
In a voice as rich as it is recognized, James Earl Jones lends his narrative talents to the King James Version of the New Testament. In over 19 hours on 16 compact discs enhanced with a complete musical score, James Earl Jones interprets the most enduring book of our time utilizing the acclaimed actor’s superb storytelling and skilled characterizations. Hailed as the greatest spoken-word bible version ever, and with almost half a million copies sold, this exquisite audio treasury is certain to enthuse and inspire.
The Message Remix 2.0 is a version for young people written in “today’s language”. Here’s the first few verses of Genesis:
First this: God created the Heavens and Earth — all you see, all you don’t see. Earth was a soup of nothingness, a bottomless emptiness, an inky blackness. God’s Spirit brooded like a bird above the watery abyss.
Inspired By The Bible Experience is a 85-hour audiobook of the entire Bible with over 400 different readers, including Cuba Gooding Jr., Denzel Washington, LL Cool J, and Faith Evans. Samuel L. Jackson plays God! I wonder if he gets to recite this bit from Pulp Fiction:
The path of the righteous man is beset on all sides by the iniquities of the selfish and the tyranny of evil men. Blessed is he, who in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother’s keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy my brothers. And you will know my name is the Lord when I lay my vengeance upon thee.
The Chronological Study Bible presents the text of the Bible in the order in which they occurred.
The Brick Testament is an online Lego version of the Bible. See The Last Supper. (via BBC)
Predictably much of the feedback so far on David Denby’s critical book on Snark is snarky, even though few have actually read it (it’s out in January). Is that jumping the shark, the snake eating itself, or just plain pathetic?
The challenge: create a fictitious book cover using an image from the Life magazine photo archive. Aside from the first few created in a rush, some of these are pretty good.
Dueling book reviews! (Sort of.) First, a pair of books suggest, contrary to Robert Oppenheimer’s post-war views, that the US is the only nation to have developed atomic weaponry and that all the other nuclear nations have gotten their information from the US program.
All paths stem from the United States, directly or indirectly. One began with Russian spies that deeply penetrated the Manhattan Project. Stalin was so enamored of the intelligence haul, Mr. Reed and Mr. Stillman note, that his first atom bomb was an exact replica of the weapon the United States had dropped on Nagasaki.
Moscow freely shared its atomic thefts with Mao Zedong, China’s leader. The book says that Klaus Fuchs, a Soviet spy in the Manhattan Project who was eventually caught and, in 1959, released from jail, did likewise. Upon gaining his freedom, the authors say, Fuchs gave the mastermind of Mao’s weapons program a detailed tutorial on the Nagasaki bomb. A half-decade later, China surprised the world with its first blast.
The book, in a main disclosure, discusses how China in 1982 made a policy decision to flood the developing world with atomic know-how. Its identified clients include Algeria, Pakistan and North Korea.
This week’s New Yorker contains an article about a third book that’s the culmination of more than a decade of research on the workings of the atomic bombs dropped on Japan (subscribers only). From the abstract:
Coster-Mullen’s book includes more than a hundred pages of declassified photographs from half a dozen government archives. Coster-Mullen, who is a truck driver by profession, sees his project as a diverting mental challenge. “This is nuclear archeology,” he says.
Coster-Mullen goes on to add that “the secret of the atomic bomb is how easy they are to make”. His hand-bound book, Atom Bombs, is available from Amazon.
The Millions calls M.T. Anderson the David Foster Wallace of young adult literature and points to a profile in the Washington Post.
Anderson’s attitude helps explain “Octavian Nothing,” an ultra-challenging, two-volume young-adult novel that runs 900-plus pages and asks teen readers to contemplate the American Revolution from a wildly unfamiliar point of view. In case that’s not challenging enough, he wrote it in “the particularly complex form of 18th-century English” that its title character would have used.
The first volume won a National Book Award in 2006. The second was published last month to further acclaim.
“I believe ‘Octavian Nothing’ will someday be recognized as a novel of the first rank, the kind of monumental work Italo Calvino called ‘encyclopedic’ in the way it sweeps up history into a comprehensive and deeply textured pattern,” wrote an awed reviewer for the New York Times, tossing in references to Twain, Hawthorne and Melville for good measure.
It’s time again for The Year in Reading, the annual feature from The Millions that asks a few trusted readers to share what they were into this year, bookwise.
The Book Design Review lists their favorite book covers for 2008. Go forth and drool.
Steven Johnson really likes a book called Eating the Sun: How Plants Power the Planet by Oliver Morton; he calls it his favorite book (so far) of 2008. From a Publishers Weekly review:
The cycle of photosynthesis is the cycle of life, says science journalist Morton (Mapping Mars). Green leaves trap sunlight and use it to absorb carbon dioxide from the air and emit life-giving oxygen in its place. Indeed, plants likely created Earth’s life-friendly oxygen- and nitrogen-rich biosphere. In the first part, Morton, chief news and features editor of the leading science journal, Nature, traces scientists’ quest to understand how photosynthesis works at the molecular level. In part two, Morton addresses evidence of how plants may have kick-started the complex life cycle on Earth. The book’s final part considers photosynthesis in relation to global warming, for, he says, the Earth’s plant-based balance of carbon dioxide and oxygen is broken: in burning vast amounts of fossil fuels, we are emitting more carbon dioxide than the plants can absorb. But Morton also explores the possibility that our understanding of photosynthesis might be harnessed to regain that balance.
A short interview with Michael Lewis about the book he just edited, Panic: The Story of Modern Financial Insanity. In compiling the stories, Lewis was surprised at how little good writing he could find about upcoming financial hard times.
How little there was worth reprinting. I had six interns digging up all kinds of stuff, and I looked at 20 times the amount of material that appeared in the book. I assumed there would be lots of stories predicting each panic before the panics actually struck. But there was very little. Afterwards you’d have a flurry of literary activity, and then everybody was on to the next thing. Still, there was a common thread: You were watching America’s growing financial insanity.
News to me: Jonah Lehrer, author of Proust Was a Neuroscientist, has a new book coming out in February called How We Decide.
From the acclaimed author of Proust Was a Neuroscientist, a fascinating look at the new science of decision-making-and how it can help us make better choices. Since Plato, philosophers have described the decisionmaking process as either rational or emotional: we carefully deliberate or we “blink” and go with our gut. But as scientists break open the mind’s black box with the latest tools of neuroscience, they’re discovering that this is not how the mind works.Our best decisions are a finely tuned blend of both feeling and reason — and the precise mix depends on the situation.When buying a house, for example, it’s best to let our unconscious mull over the many variables. But when we’re picking a stock, intuition often leads us astray.The trick is to determine when to lean on which part of the brain, and to do this, we need to think harder (and smarter) about how we think.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.
I’m about due for a reread.
The first line of Tyler Cowen’s review of Outliers, Malcolm Gladwell’s new book:
The book is getting snarky reviews but if it were by an unknown, rather than by the famous Malcolm Gladwell, many people would be saying how interesting it is.
Bing! I can identify with the fatigue one can get after reading too much of the same sort of thing from an author (even a favorite author), but dismissing a book because of who writes it rather than what’s written is small-minded and incurious.
Five quick physics lessons for President-Elect Obama from the author of Physics for Future Presidents (@ Amazon). One of the lessons: nuclear power is the way to go.
It’s true that after 300 years, nuclear waste is still about 100 times more radioactive than the original uranium that was removed from the earth. But even this isn’t as scary as it sounds. If the waste is stored underground in such a way that there’s only a 10 percent chance that 10 percent of it will leak — which should be more than doable — the risk will be no worse than if we had never mined the uranium in the first place.
Muller asserts that safe nuclear power is a solved technical problem and that the use of it is a political issue.
Lovely design for Penguin’s book of Bond short stories, Quantum of Solace.
The book collects together all of Ian Fleming’s Bond short stories in a single volume for the first time and includes stories that inspired the Bond film classics From a View to a Kill, For Your Eyes Only, Octopussy, The Living Daylights and of course, Quantum of Solace, the latest in the series.
I love the Penguin logo incorporated into the 007 on the back cover.
Michael Lewis takes a look at the current financial crisis and traces its roots back to the 1980s and the events chronicled in his book, Liar’s Poker. He begins by introducing us to some analysts and investors that saw the whole thing coming. One of those people is Steve Eisman.
“We have a simple thesis,” Eisman explained. “There is going to be a calamity, and whenever there is a calamity, Merrill is there.” When it came time to bankrupt Orange County with bad advice, Merrill was there. When the internet went bust, Merrill was there. Way back in the 1980s, when the first bond trader was let off his leash and lost hundreds of millions of dollars, Merrill was there to take the hit. That was Eisman’s logic-the logic of Wall Street’s pecking order. Goldman Sachs was the big kid who ran the games in this neighborhood. Merrill Lynch was the little fat kid assigned the least pleasant roles, just happy to be a part of things. The game, as Eisman saw it, was Crack the Whip. He assumed Merrill Lynch had taken its assigned place at the end of the chain.
It’s a fantastic article, well worth reading to the end…the final dozen paragraphs are the best part of the whole thing. Who knew deviled eggs were so pregnant with metaphor?
As I was reading the article, Matt Bucher dropped a note into my inbox. As hoped for months ago, Lewis is writing a book about this whole mess.
MONEYBALL and THE BLIND SIDE author Michael Lewis’s untitled behind-the-scenes story of a few men and women who foresaw the current economic disaster, tried to prevent it, but were overruled by the financial institutions with whom they worked, sold to Star Lawrence at Norton, by Al Zuckerman at Writers House (NA).
The Portfolio piece will definitely find itself into the book, as will this piece on Meredith Whitney, this one on Goldman Sachs, Lewis’ subprime parable, and other pieces from Bloomberg, Porfolio, and his upcoming gig at Vanity Fair. One question though…what happens to Lewis’ forthcoming book on New Orleans? Did that just disappear?
2666 is a novel written by Roberto Bolaño and published posthumously in Spanish in 2004. The English translation hits stores next Tuesday and the reviews couldn’t be better, especially considering the book’s 912 pages. From Jonathan Lethem’s review in the NY Times Book Review, reprinted in the IHT:
“2666” is the permanently mysterious title of a Bolaño manuscript rescued from his desk after his passing, the primary effort of the last five years of his life. The book was published in Spanish in 2004 to tremendous acclaim, after what appears to have been a bit of dithering over Bolaño final intentions — a small result of which is that its English translation has been bracketed by two faintly defensive statements justifying the book’s present form. They needn’t have bothered. “2666” is as consummate a performance as any 900-page novel dare hope to be: Bolaño won the race to the finish line in writing what he plainly intended as a master statement. Indeed, he produced not only a supreme capstone to his own vaulting ambition, but a landmark in what’s possible for the novel as a form in our increasingly, and terrifyingly, post-national world. “The Savage Detectives” looks positively hermetic beside it.
Lethem also compares a part of 2666 to Murakami’s The Wind-Up Bird Chronicle, which means, like, hey sign me up. (thx, matt)
Update: The Times has posted the original review by Lethem…looks like the IHT version was slightly abridged. Here’s a missing comparison to Wallace’s Infinite Jest:
By bringing scents of a Latin American culture more fitful, pop-savvy and suspicious of earthy machismo than that which it succeeds, Bolaño has been taken as a kind of reset button on our deplorably sporadic appetite for international writing, standing in relation to the generation of Garcia Márquez, Vargas Llosa and Fuentes as, say, David Foster Wallace does to Mailer, Updike and Roth. As with Wallace’s “Infinite Jest,” in “The Savage Detectives” Bolaño delivered a genuine epic inoculated against grandiosity by humane irony, vernacular wit and a hint of punk-rock self-effacement. Any suspicion that literary culture had rushed to sentimentalize an exotic figure of quasi martyrdom was overwhelmed by the intimacy and humor of a voice that earned its breadth line by line, defying traditional fictional form with a torrential insouciance.
Watch and listen to Jim Dale as he reads from the first Harry Potter book. Dale did the US audiobooks for all the Potter books and recently set a world record by doing 146 different voices for Harry Potter and the Deathly Hallows. (via 92y)
And so it begins. The Ralph Lauren Rugby store near Union Square took delivery of its Christmas decorations on Monday and the end of the year lists have already started appearing online. So far there’s Time’s best inventions of 2008 and Amazon’s best books of 2008.
Valdis Krebs uses data from Amazon to chart networks of people who read political books. Two groups typically emerge from the data: people who read liberally oriented books and people who read conservatively oriented books with a couple of books that both groups read. He ran his analysis again a few days ago and found not two groups but three — roughly: 1) pro-Obama, 2) anti-Bush, and 3) conservative — and no books that the groups read in common. (via big sort)
A fantastically extensive timeline of recorded information “from cave paintings to the internet”. It’s an expanded version of the timeline that appears in the book, From Gutenberg to the Internet (more info), which seems really interesting.
From Gutenberg to the Internet presents 63 original readings from the history of computing, networking, and telecommunications arranged thematically by chapters. Most of the readings record basic discoveries from the 1830s through the 1960s that laid the foundation of the world of digital information in which we live. These readings, some of which are illustrated, trace historic steps from the early nineteenth century development of telegraph systems — the first data networks — through the development of the earliest general-purpose programmable computers and the earliest software, to the foundation in 1969 of ARPANET, the first national computer network that eventually became the Internet. The readings will allow you to review early developments and ideas in the history of information technology that eventually led to the convergence of computing, data networking, and telecommunications in the Internet.
(via design observer)
Michael Ruhlman lets us know that a new edition of Ferdinand Point’s long-out-of-print cookbook, Ma Gastronomie, is being republished in the United States. The book was a big influence on Charlie Trotter and Thomas Keller.
Success is the sum of a lot of little things done correctly.
In 1996, an editor from Rolling Stone named David Lipsky spent a lot of time with David Foster Wallace and wrote a biographical piece that was eventually not published in the magazine. When Wallace died last month, RS sent Lipsky to interview his family and friends. The resulting piece, The Lost Years & Last Days of David Foster Wallace, is a unique combination of a look at a writer at the top of his game and a man at the end of his life. It was very difficult for me to read, for reasons which I may never really understand. Wallace meant a lot to me, full stop.
Here are some bits from the article that resonated with me. On the about-face that happened with his professors a University of Arizona after The Broom of the System1 was published:
Viking won the auction for the novel, “with something like a handful of trading stamps.” Word spread; professors turned nice. “I went from borderline ready-to-get-kicked-out to all these tight-smiled guys being, ‘Glad to see you, we’re proud of you, you’ll have to come over for dinner.’ It was so delicious: I felt kind of embarrassed for them, they didn’t even have integrity about their hatred.”
On expectations:
The five-year clock was ticking again. He’d played football for five years. He’d played high-level tennis for five years. Now he’d been writing for five years. “What I saw was, ‘Jesus, it’s the same thing all over again.’ I’d started late, showed tremendous promise — and the minute I felt the implications of that promise, it caved in. Because see, by this time, my ego’s all invested in the writing. It’s the only thing I’ve gotten food pellets from the universe for. So I feel trapped: ‘Uh-oh, my five years is up, I’ve gotta move on.’ But I didn’t want to move on.”
On self-consciousness:
“I remember this being a frequent topic of conversation,” Franzen says, “his notion of not having an authentic self. Of being just quikc enough to construct a pleasing self for whomever he was talking to. I see now he wasn’t just being funny — there was something genuinely compromised in David. At the time I thought, ‘Wow, he’s even more self-conscious than I am.’”
On fame:
At the end of his book tour, I spent a week with David. He talked about the “greasy thrill of fame” and what it might mean to his writing. “When I was 25, I would’ve given a couple of digits off my non-use hand for this,” he said. “I feel good, because I want to be doing this for 40 more years, you know? So I’ve got to find some way to enjoy this that doesn’t involve getting eaten by it.”
On shyness:
He talked about a kind of shyness that turned social life impossibly complicated. “I think being shy basically means self-absorbed to the point that it makes it difficult to be around other people. For instance, if I’m hanging out with you, I can’t even tell whether I like you or not because I’m too worried about whether you like me.”
And I don’t even know what this is all about:
“I go through a loop in which I notice all the ways I am self-centered and careerist and not true to standards and values that transcend my own petty interests, and feel like I’m not one of the good ones. But then I countenance the fact that at least here I am worrying about it, noticing all the ways I fall short of integrity, and I imagine that maybe people without any integrity at all don’t notice or worry about it; so then I feel better about myself. It’s all very confusing. I think I’m very honest and candid, but I’m also proud of how honest and candid I am — so where does that put me?”
You have to get the magazine to read the whole thing; it’s worth it. Rolling Stone also has an interview with Lipsky about the article.
[1] Oh to have been wrong about the prediction I made here. ↩
Someday I’m going to make my own book, from start to finish. It’s something that I’ve wanted to do for awhile, a physical parallel to building a web site from scratch. When I do, Ellen Lupton’s Indie Publishing will be my guide. At 170-some pages it’s not exhaustive, but the book does briefly touch all the bases: typography, cover design, binding types, and examples of several different types of books. There’s also a section on handmade books with hands-on directions for making your own book — folded books, stitched pamphlets, or stab bound — without having to visit the printer.
Goodness blog asked a bunch of designers about books that they found helpful in their development as creative people, no graphic design books allowed.
The Millions has a brief report on a Haruki Murakami reading that took place recently in Berkeley, CA.
Writing a story for me is just like playing a video game. I start with a word or idea, then I stick out my hand to catch what’s coming next. I’m a player, and at the same time, I’m a programmer. It’s kind of like playing chess by yourself. When you’re the white player, you don’t think about the black player. It’s possible, but it’s hard. It’s kind of schizophrenic.
Murakami sounds like a cool cat. The Wind-Up Bird Chronicle is one of my favorite novels, one of those books I read at exactly the right moment in my life, like I needed it.
Now that he has a book coming out on the subject of genius and high achievement, the New Yorker finally lets Malcolm Gladwell write about David Galenson’s work on age and innovation. (A previous effort was Gladwell’s first article to be rejected by The New Yorker.) For an overview of Galenson’s work, check out my post from August.
The most interesting bit of Gladwell’s piece is his discussion of the economics of the two different types of artist. The conceptual artist’s talent is noticed and rewarded immediately. But conceptual innovators need more help to reach their full potential.
Sharie was Ben’s wife. But she was also-to borrow a term from long ago-his patron. That word has a condescending edge to it today, because we think it far more appropriate for artists (and everyone else for that matter) to be supported by the marketplace. But the marketplace works only for people like Jonathan Safran Foer, whose art emerges, fully realized, at the beginning of their career, or Picasso, whose talent was so blindingly obvious that an art dealer offered him a hundred-and-fifty-franc-a-month stipend the minute he got to Paris, at age twenty. If you are the type of creative mind that starts without a plan, and has to experiment and learn by doing, you need someone to see you through the long and difficult time it takes for your art to reach its true level.
Gladwell discusses the article in a podcast and will be answering reader questions about it later in the week.
Read in the right way, Strunk and White’s The Elements of Style becomes an important reference for software development.
5.21. Prefer the standard to the offbeat
Young writersInexperienced programmers will be draw at every turn toward eccentricities in language. They will hear the beat of newvocabulariesabstractions, the exciting rhythms of special segments of theirsocietyindustry, each speaking a language of its own. All of us come under the spell of these unsettling drums; the problem for beginners is to listen to them, learn the words, feel the vibrations, and not be carried away.
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