Steven Heller had heard rumors of a Nazi graphics standards manual for years and finally tracked one down.
Published in 1936, The Organizationsbuch der NSDAP (with subsequent annual editions), detailed all aspects of party bureaucracy, typeset tightly in German Blackletter. What interested me, however, were the over 70 full-page, full-color plates (on heavy paper) that provide examples of virtually every Nazi flag, insignia, patterns for official Nazi Party office signs, special armbands for the Reichsparteitag (Reichs Party Day), and Honor Badges. The book “over-explains the obvious” and leaves no Nazi Party organization question, regardless of how minute, unanswered.
Life, on the Line is the forthcoming memoir of chef Grant Achatz about his early life, his training at The French Laundry under Thomas Keller, the opening of the reigning Best Restaurant in America, and his diagnosis of a life-and career-threatening illness. Somewhat unusually, the book was jointly written by Achatz and Nick Kokonas, his friend and business partner. The newly launched companion web site has more info, including excerpts.
“Chef, you have Ruth Reichl on line two,” one of the reservationists whispered to me as I peeled asparagus. I walked to the host area and saw the light for line two blinking; I grabbed the handle and pushed the button.
After exchanging greetings she spoke up. I was wildly and unexpectedly nervous.
“Grant, I don’t know if you know this, but every five years Gourmet does a restaurant issue where we rank the fifty best restaurants in the country.” I told her I recall seeing it back in 2001, and remembered that Chez Panisse coming in at number one and the Laundry at three.
“Well, the issue will come out this October, and I wanted to call you personally and tell you that we have chosen Alinea to be on the list.” She paused for dramatic effect. “At number one.”
The Penguin Classics Complete Library is a massive box set consisting of nearly every Penguin Classics book ever published and is available on Amazon for only (only!) $13,413.30.
From Edwin A. Abbott to Emile Zola, the 1,082 titles in the Penguin Classics Complete Library total nearly half a million pages—laid end to end they would hit the 52-mile mark. Approximately 700 pounds in weight, the titles would tower 828 feet if you stacked them lengthwise atop each other—almost as tall as the Empire State Building. But don’t worry, a nice set of bookshelves will hold them side-by-side just fine.
If you’re on the fence about purchasing this item, here’s a review from someone who did:
This is an orgy for a book-lover. I have had a wonderful time from the moment I placed the order. They arrived in 25 boxes shrink-wrapped on a wooden pallet, over 750 lbs. of books. It took about twelve hours to unpack them, check them off the packing list (one for each box), and then check them off the list we downloaded from Amazon.com. They take up about 77 linear feet.
It would be fun to see HBO do something like this…a massive DVD or Blu-ray box set of all their hour-long dramas: The Sopranos, The Wire, Six Feet Under, Deadwood, Big Love, True Blood, Boardwalk Empire, Canivale, Rome, etc.
The idea of a more politically correct Finn came to the 69-year-old English professor over years of teaching and outreach, during which he habitually replaced the word with “slave” when reading aloud. Gribben grew up without ever hearing the “n” word (“My mother said it’s only useful to identify [those who use it as] the wrong kind of people”) and became increasingly aware of its jarring effect as he moved South and started a family. “My daughter went to a magnet school and one of her best friends was an African-American girl. She loathed the book, could barely read it.”
Just as Abramovic’s piece concerned duration, the photographs give the viewer a chance to experience the performance from Abramovic’s perspective. They reveal both dramatic and mundane moments, and speak to the humanity of such interactions, just as the performance itself did. The resultant photographs are mesmerizing and intense, putting a face to the world of art lovers while capturing what they shared during their contact with the artist.
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together.
You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet.
You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife.
But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line.
This is crying out to be put on a poster or tshirt. (via bobulate)
For a seventh year, The Millions has reached out to some of our favorite writers, thinkers, and readers to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2011 a fruitful one.
Over the course of more than fifteen years, architect and critic Michael Sorkin has taken an almost daily twenty-minute walk from his apartment near Washington Square in New York’s Greenwich Village to his architecture studio further downtown in Tribeca. This walk has afforded abundant opportunities for Sorkin to reflect on the ongoing transformation of the neighbourhoods through which he passes. Inspired by events both mundane and monumental, Twenty Minutes in Manhattan unearths a network of relationships between the physical and the social city.
Here’s a chapter listing:
The Stairs
The Stoop
The Block
Washington Square
LaGuardia Place
Soho
Canal Street
Tribeca
145 Hudson Street
Alternative Routes
Espri d’Escalier
Robert Campbell, the architecture critic for the Boston Globe, says of the book:
Not since the great Jane Jacobs has there been a book this good about the day-to-day life of New York. Sorkin writes like an American Montaigne, riffing freely off his personal experience (sometimes happy, sometimes frustrating) to arrive at general insights about New York and about cities everywhere.
The world’s most isolated continent has spawned some of the most unusual words in the English language. In the space of a mere century, a remarkable vocabulary has evolved to deal with the extraordinary environment and living organisms of the Antarctic and subantarctic.
The first entry in the dictionary is “aaaa, aaaaah, aaahh See ahhh”. The entry for “ahhh” reads:
‘Halt’, a sledge dog command, usually softly called
Ever since Meg brought it home one day several years ago, I’ve wanted to read Gotham: A History of New York City to 1898. But despite the Pulitzer, I never got around to it because the physical book weighs in at 6.1 pounds and 1424 pages. Oof. On a whim the other day, I checked to see if it was available for the Kindle and, lo, here it is. In addition to the much lighter load, the free sample is extremely generous…it’s nearly 100 pages and takes you all the way up to the 1680s. Great book so far.
My library was always working library, with the rare books beside my computer as I was writing. But in the last few years, the books were viewed only when a visitor requested a look at the Galileo, Playfair, or Picasso books, or when I took a nostalgic look in the library. Furthermore, the important books in my library are the unread books. My introduction to the Christie’s catalog explains exactly what I’m thinking about in doing the auction. In particular, note the second to last paragraph. And I am in excellent health, delighted with new adventures in Washington, DC and New York City, and fortunate to be a working and exhibiting artist.
He also dropped the name of his next book: Seeing Around, which will likely be about landscape architecture. (thx, brian)
Jonathan Safran Foer’s new book is called Tree of Codes and he constructed it by taking his favorite book, The Street of Crocodiles by Bruno Schulz, and cut out words to form a completely new story.
It’s a rare novel that’s blurbed by Olafur Eliasson:
[A]n extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words. Jonathan Safran Foer deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers it actually has a body.
As near as I can tell, if you grow up in the magical world (as opposed to be Muggle-born, for example), you do not go to school at all until the age of eleven. In fact, it’s entirely unclear to me how the children of the wizarding world learn to read and write. There is a reason Hermione seems much more intelligent than Ron Weasley. It’s because Ron is very likely completely uneducated.
My take is that wizards are jocks, not nerds; Hogwarts is not so much a secondary school as a sports academy. What’s odd about that is that quidditch is an extracurricular…
“Ordering Disorder” is an overview of all of my thoughts on using the typographic grid in the practice of Web design. The first part of the book covers the theories behind grid design, the historical underpinnings of the grid, how they’re relevant (and occasionally irrelevant) to the work of Web designers — and a bit of my personal experience coming to grips with grids as a tool.
The second part of the book, which makes up its bulk, walks readers through the design of a full Web site from scratch, over the course of four projects.
Vinh did the art direction for the book himself, so it’s bound to be purty (and grid-y). The perfect early holiday gift for the web designer in your life.
The phone itself was a pretty big deal, of course, helping intimacy transcend proximity. But phone books provided a crucial element to the system: intrusiveness. In the beginning of 1880, Shea writes, there were 30,000 telephone subscribers in the U.S. At the end of the year, that number had grown to 50,000, and because of phone books, each one of them was exposed to the others as never before. While many American cities had been compiling databases of their inhabitants well before the phone was invented, listing names, occupations, and addresses, individuals remained fairly insulated from each other. Contacting someone might require a letter of introduction, a facility for charming butlers or secretaries, a long walk.
Phone books eroded these barriers. They were the first step in our long journey toward the pandemic self-surveillance of Facebook. “Hey strangers!” anyone who appeared in their pages ordained. “Here’s how to reach me whenever you feel like it, even though I have no idea who you are.”
In Jospeh Tainter’s The Collapse of Complex Societies, the author argues that the fall of Rome happened because “the usual method of dealing with social problems by increasing the complexity of society [became] too costly or beyond the ability of that society”. Basically when Rome stopped expanding its territory, the fallback was relying solely on agriculture, a relatively low-margin affair.
The distances, now no longer adjacent to easily accessible coastline, were making the cost of conquest prohibitive. More to the point, the enemies Rome faced as it grew larger were vast empires themselves and were more than capable of defeating the Roman legions.
It was at this point that Rome had reached a turning point: no longer would conquest be a significant source of revenue for the empire, for the cost of further expansion yielded no benefits greater than incurred costs. Conjointly, garrisoning its extensive border with its professional army was becoming more burdensome, and more and more Rome came to rely on mercenary troops from Iberia and Germania.
The result of these factors meant that the Roman Empire began to experience severe fiscal problems as it tried to maintain a level of social complexity that was beyond the marginal yields of it’s agricultural surplus and had been dependent upon continuous territorial expansion and conquest.
Hopefully I don’t have to draw you a picture of how this relates to large bureaucratic companies.
Advertising pioneer and visionary Roger Sterling, Jr., served with distinction in the Navy during World War II, and joined Sterling Cooper Advertising as a junior account executive in 1947. He worked his way up to managing partner before leaving to found his own agency, Sterling Cooper Draper Pryce, in 1963.
During his long and illustrious career, Sterling has come into contact with all the luminaries and would-be luminaries of the advertising world, and he has acquired quite a reputation among his colleagues for his quips, barbs, and witticisms.
Taken as a whole, Roger Sterling’s pithy comments and observations amount to a unique window on the advertising world — a world that few among us are privileged to witness first-hand — as well as a commentary on life in New York City in the middle of the twentieth century.
The agents at the IRS Regional Examination Center in Peoria, IL, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.
THE PALE KING remained unfinished at the time of David Foster Wallace’s death, but it is a deeply intriguing and satisfying novel, hilarious and fearless and as original as anything Wallace ever undertook. It grapples directly with ultimate questions—questions of life’s meaning and of the ultimate value of work and family—through characters imagined with the interior force and generosity that were Wallace’s unique gifts. Along the way it suggests a new idea of heroism and commands infinite respect for a writer who dared to take on the most daunting subjects the human spirit can imagine.
Kindle users, don’t forget to click on the “I’d like to read this book on Kindle” link just under the cover image. (thx, robert)
Kelly: The musician Brian Eno invented a wonderful word to describe this phenomenon: scenius. We normally think of innovators as independent geniuses, but Eno’s point is that innovation comes from social scenes,from passionate and connected groups of people.
Johnson: At the end of my book, I try to look at that phenomenon systematically. I took roughly 200 crucial innovations from the post-Gutenberg era and figured out how many of them came from individual entrepreneurs or private companies and how many from collaborative networks working outside the market. It turns out that the lone genius entrepreneur has always been a rarity-there’s far more innovation coming out of open, nonmarket networks than we tend to assume.
Kelly: Really, we should think of ideas as connections,in our brains and among people. Ideas aren’t self-contained things; they’re more like ecologies and networks. They travel in clusters.
Some of the titles are featured prominently in the series and others are mentioned in passing. Remember the book Sally read with her grandfather at bedtime? The book on Japanese culture the agency was told to read? The scandalous book the ladies passed between each other in secret? You can find all these and more!
The paper reports the discovery of two new planets around the nearby red dwarf star Gliese 581. This brings the total number of known planets around this star to six, the most yet discovered in a planetary system other than our own solar system. Like our solar system, the planets around Gliese 581 have nearly circular orbits.
The most interesting of the two new planets is Gliese 581g, with a mass three to four times that of the Earth and an orbital period of just under 37 days. Its mass indicates that it is probably a rocky planet with a definite surface and that it has enough gravity to hold on to an atmosphere, according to Vogt.
Gliese 581, located 20 light years away from Earth in the constellation Libra, has a somewhat checkered history of habitable-planet claims. Two previously detected planets in the system lie at the edges of the habitable zone, one on the hot side (planet c) and one on the cold side (planet d). While some astronomers still think planet d may be habitable if it has a thick atmosphere with a strong greenhouse effect to warm it up, others are skeptical. The newly discovered planet g, however, lies right in the middle of the habitable zone.
Sam Arbesman’s prediction of May 2011 might have been too conservative. And 20 light years…that means we could send a signal there, and if someone of sufficient technological capability is there and listening, we could hear something back within our lifetime. Contact! (thx, jimray)
Speaking of Steven Johnson and new books, Alex Ross has a post about how Johnson’s long zoom concept has influenced his music writing *and* has a new book of his own out soon called Listen to This (at Amazon). See how deftly I knitted that together in a Johnsonian way? Ahem. Anyway, here’s what Listen to This is about:
It offers a panoramic view of the musical scene, from Bach to Björk and beyond. In the Preface, I say that the aim is to “approach music not as a self-sufficient sphere but as a way of knowing the world.” I treat pop music as serious art and classical music as part of the wider culture; my hope is that the book will serve as an introduction to crucial figures and ideas in classical music, and also give an alternative perspective on modern pop.
The best part is that Ross’ web site contains an extensive collection of audio, video, and images of the works mentioned in the book.
Steven Johnson’s new book, Where Good Ideas Come From, comes out in a couple weeks. As in many of Johnson’s previous books, place plays a starring role — Interface Culture was set in cyberspace, Emergence talked extensively about cities, The Ghost Map’s epicenter was a water pump on Broad St. in London, and Mind Wide Open mapped out our brain space. In Where Good Ideas Come From, Johnson steps back to ask: what is the relationship between place and ideas? What are the attributes common to places in which innovation happens? The trailer for the book explains further.
I’ve read the book and the last chapter’s discussion of market/non-market environments & individual/network approaches in relation to innovation is alone worth the price of purchase, nevermind that the rest of it is interesting as well. Heck, even the appendix is fascinating; it contains a chronology of the key human inventions and innovations from 1400 to the present that is difficult to put down.
Socials & More