kottke.org posts about books
From John Lanchester’s review of Nathan Myhrvold’s massive cookbook, Modernist Cuisine:
Another thing they love is magic — and recent culinary discoveries have opened up extraordinary possibilities for the chef to serve things that the customers had never thought were possible. Foods that change temperature when you eat them, a cup of tea that is cold on one side and hot on the other, an edible menu, a “Styrofoam” beaker that turns into a bowl of ramen when the server pours hot water over it, edible clay and rocks, a pocket watch that turns into mock-turtle soup, a bar of soap covered in foam that is actually a biscuit with honey bubbles, a milkshake volcano — these are the kinds of thing with which the modernist chefs amaze their audience.
From Roald Dahl’s Charlie and the Chocolate Factory:
“Marshmallow pillows are terrific,” shouted Mr. Wonka as he dashed by. “They’ll be all the rage when I get them into the shops! No time to go in, though! No time to go in!”
Lickable Wallpaper for Nurseries, it said on the next door.
“Lovely stuff, lickable wallpaper!” cried Mr. Wonka, rushing past. “It has pictures of fruits on it — bananas, apples, oranges, grapes, pineapples, strawberries, and snozzberries…”
“Snozzberries?” said Mike Teevee. “Don’t interrupt!” said Mr. Wonka. “The wallpaper has all these pictures of all these fruits printed on it, and when you lick the picture of the banana, it tastes of banana. When you lick a strawberry, it tastes of strawberry. And when you lick a snozzberry, it tastes just exactly like a snozzberry…”
“But what does a snozzberry taste like?”
“You’re mumbling again,” said Mr. Wonka. “Speak louder next time. On we go. Hurry up!”
Hot Ice Cream for Cold Days, it said on the next door.
“Extremely useful in the winter,” said Mr. Wonka, rushing on. “Hot ice cream warms you up no end in freezing weather. I also make hot ice cubes for putting in hot drinks. Hot ice cubes make hot drinks hotter.”
My vacation reading: Master of Shadows: The Secret Diplomatic Career of the Painter Peter Paul Rubens by Mark Lamster.
Peter Paul Rubens gives us a lot to think about in his canvasses of rushing color, action, and puckered flesh, so it’s not surprising that his work as a diplomat and spy has been neglected. One of my goals in writing Master of Shadows was to fill that gap in the record. Here, after all, is an actual Old Master using actual secret codes, dodging assassination, plotting the overthrow of foreign governments, and secretly negotiating for world peace.
Certainly, a biographer could not ask for a more compelling subject. Rubens was a charismatic man of extraordinary learning, fluent in six languages, who made a fortune from his art. He never fit the paradigm of the artist as a self-destructive figure at odds with convention. More than one of his contemporaries actually thought his skill as a statesman surpassed his unmatched talent before an easel.
Art history page-turner? Yep.
Little, Brown timed the release of David Foster Wallace’s posthumous novel, The Pale King, to coincide with tax day in the United States because the book revolves around activities at the IRS. But Amazon and other bookstores have already started selling the book…it’s been on sale since March 22 actually. Amazon has copies of the book in stock (I ordered mine yesterday)…your local bookstore might as well.
But in a move that’s either clever or stupid, the ebook version of the book isn’t available for the Kindle or for iBooks until April 15. Is this a ploy to get people to buy more hardcover copies? Or just sort of a “we didn’t really think about this” situation?
This year’s The Morning News Tournament of Books kicks off today with Franzen’s Freedom vs. Teddy Wayne’s Kapitoil. I’m glad to be spending this year’s tournament on the sidelines…reading and choosing are both exhausting.
The latest issue of the New Yorker has a new excerpt from David Foster Wallace’s The Pale King.
Every whole person has ambitions, objectives, initiatives, goals. This one particular boy’s goal was to be able to press his lips to every square inch of his own body.
His arms to the shoulders and most of his legs beneath the knee were child’s play. After these areas of his body, however, the difficulty increased with the abruptness of a coastal shelf. The boy came to understand that unimaginable challenges lay ahead of him. He was six.
Except that it’s not really new…Wallace did a reading of it back in 2000; the audio is available here. A comparison of the transcript of that reading and the “finished” version published in the NYer can be found here. (thx, @mattbucher)
In the 1820s, two Nantucket whaling ships captained by George Pollard sank within three years of each other. The sinking of the first, The Essex, inspired Moby-Dick. Remains of the second ship, the Two Brothers, have recently been found off Hawaii, the first time artifacts from a sunken Nantucket whaler have been found.
“Nantucket whaling captains were renowned for being what was called ‘fishy men,’ meaning that they didn’t care what was involved,” said Nathaniel Philbrick, a maritime historian and author of “In the Heart of the Sea,” the acclaimed account of the Essex’s sinking. “They were hard-wired to bring in whales, because whales meant money.”
Pollard, however, was different, “a little more contemplative,” said Mr. Philbrick, despite earning his first helm — the Essex — at the young age of 28.
“He definitely garnered his men’s respect,” Mr. Philbrick said. “But he was twice unlucky.”
And understandably gun-shy. According to an account by Thomas Nickerson, who had been on the Essex — and nearly starved to death at sea after it sank, but still re-upped for another voyage with Pollard — the captain froze on the deck of the Two Brothers after the ship began to sink, and he had to be practically dragged into a smaller whale-chasing boat.
“His reasoning powers had flown,” Nickerson later wrote.
Dr. Gleason says she was impressed that Pollard even went back on a boat at all, considering, you know, the cannibalism of his first trip.
“You just imagine this man who had the courage to go back out to sea, and to have this happen?” she said. “It’s incredible.”
(via @juliandibbell)
Speaking of Scientology, P.T. Anderson is working on two movies: 1) a film people are calling The Master about a religious movement similar to Scientology, and 2) an adaptation of Thomas Pynchon’s Inherent Vice.
Last December, this blog was the first to report that Anderson had written a treatment of Pynchon’s seventh novel, and was considering doing a screenplay. Now insiders confirm to Vulture that Anderson has, in fact, obtained the blessing of Pynchon and — in frequent consultation with the eremite novelist himself — has not only written a first draft, but is more than halfway done with a second.
Steven Heller had heard rumors of a Nazi graphics standards manual for years and finally tracked one down.
Published in 1936, The Organizationsbuch der NSDAP (with subsequent annual editions), detailed all aspects of party bureaucracy, typeset tightly in German Blackletter. What interested me, however, were the over 70 full-page, full-color plates (on heavy paper) that provide examples of virtually every Nazi flag, insignia, patterns for official Nazi Party office signs, special armbands for the Reichsparteitag (Reichs Party Day), and Honor Badges. The book “over-explains the obvious” and leaves no Nazi Party organization question, regardless of how minute, unanswered.
More photos and a copy for sale here.
Life, on the Line is the forthcoming memoir of chef Grant Achatz about his early life, his training at The French Laundry under Thomas Keller, the opening of the reigning Best Restaurant in America, and his diagnosis of a life-and career-threatening illness. Somewhat unusually, the book was jointly written by Achatz and Nick Kokonas, his friend and business partner. The newly launched companion web site has more info, including excerpts.
“Chef, you have Ruth Reichl on line two,” one of the reservationists whispered to me as I peeled asparagus. I walked to the host area and saw the light for line two blinking; I grabbed the handle and pushed the button.
After exchanging greetings she spoke up. I was wildly and unexpectedly nervous.
“Grant, I don’t know if you know this, but every five years Gourmet does a restaurant issue where we rank the fifty best restaurants in the country.” I told her I recall seeing it back in 2001, and remembered that Chez Panisse coming in at number one and the Laundry at three.
“Well, the issue will come out this October, and I wanted to call you personally and tell you that we have chosen Alinea to be on the list.” She paused for dramatic effect. “At number one.”
The Penguin Classics Complete Library is a massive box set consisting of nearly every Penguin Classics book ever published and is available on Amazon for only (only!) $13,413.30.
From Edwin A. Abbott to Emile Zola, the 1,082 titles in the Penguin Classics Complete Library total nearly half a million pages—laid end to end they would hit the 52-mile mark. Approximately 700 pounds in weight, the titles would tower 828 feet if you stacked them lengthwise atop each other—almost as tall as the Empire State Building. But don’t worry, a nice set of bookshelves will hold them side-by-side just fine.
If you’re on the fence about purchasing this item, here’s a review from someone who did:
This is an orgy for a book-lover. I have had a wonderful time from the moment I placed the order. They arrived in 25 boxes shrink-wrapped on a wooden pallet, over 750 lbs. of books. It took about twelve hours to unpack them, check them off the packing list (one for each box), and then check them off the list we downloaded from Amazon.com. They take up about 77 linear feet.
It would be fun to see HBO do something like this…a massive DVD or Blu-ray box set of all their hour-long dramas: The Sopranos, The Wire, Six Feet Under, Deadwood, Big Love, True Blood, Boardwalk Empire, Canivale, Rome, etc.
Through Febuary 5th, you can access the Oxford English Dictionary online for free by using trynewoed/trynewoed as a login.
A new edition of Mark Twain’s Adventures of Huckleberry Finn replaces occurrences of “n***er” in the text to “slave”.
The idea of a more politically correct Finn came to the 69-year-old English professor over years of teaching and outreach, during which he habitually replaced the word with “slave” when reading aloud. Gribben grew up without ever hearing the “n” word (“My mother said it’s only useful to identify [those who use it as] the wrong kind of people”) and became increasingly aware of its jarring effect as he moved South and started a family. “My daughter went to a magnet school and one of her best friends was an African-American girl. She loathed the book, could barely read it.”
The photographs taken of everyone who sat with Marina Abramovic at her The Artist is Present show at MoMA are being compiled into a book called Portraits in the Presence of Marina Abramovic.
Just as Abramovic’s piece concerned duration, the photographs give the viewer a chance to experience the performance from Abramovic’s perspective. They reveal both dramatic and mundane moments, and speak to the humanity of such interactions, just as the performance itself did. The resultant photographs are mesmerizing and intense, putting a face to the world of art lovers while capturing what they shared during their contact with the artist.
In his book Sum, David Eagleman imagines a life where like activities are grouped into chunks and then never experienced again.
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together.
You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet.
You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife.
But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line.
This is crying out to be put on a poster or tshirt. (via bobulate)
The Millions annual Year in Reading mega-feature is back for 2010 and features contributions from Al Jaffee, Margaret Atwood, and Stephen Elliott.
For a seventh year, The Millions has reached out to some of our favorite writers, thinkers, and readers to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2011 a fruitful one.
Michael Sorkin’s Twenty Minutes in Manhattan is an account of the author’s daily walk to work from his Greenwich Village home to a Tribeca studio. From reaktionbooks:
Over the course of more than fifteen years, architect and critic Michael Sorkin has taken an almost daily twenty-minute walk from his apartment near Washington Square in New York’s Greenwich Village to his architecture studio further downtown in Tribeca. This walk has afforded abundant opportunities for Sorkin to reflect on the ongoing transformation of the neighbourhoods through which he passes. Inspired by events both mundane and monumental, Twenty Minutes in Manhattan unearths a network of relationships between the physical and the social city.
Here’s a chapter listing:
The Stairs
The Stoop
The Block
Washington Square
LaGuardia Place
Soho
Canal Street
Tribeca
145 Hudson Street
Alternative Routes
Espri d’Escalier
Robert Campbell, the architecture critic for the Boston Globe, says of the book:
Not since the great Jane Jacobs has there been a book this good about the day-to-day life of New York. Sorkin writes like an American Montaigne, riffing freely off his personal experience (sometimes happy, sometimes frustrating) to arrive at general insights about New York and about cities everywhere.
Sounds great!
The world’s most isolated continent has spawned some of the most unusual words in the English language. In the space of a mere century, a remarkable vocabulary has evolved to deal with the extraordinary environment and living organisms of the Antarctic and subantarctic.
The first entry in the dictionary is “aaaa, aaaaah, aaahh See ahhh”. The entry for “ahhh” reads:
‘Halt’, a sledge dog command, usually softly called
The book is listed on Amazon but “temporarily out of stock”.
Ever since Meg brought it home one day several years ago, I’ve wanted to read Gotham: A History of New York City to 1898. But despite the Pulitzer, I never got around to it because the physical book weighs in at 6.1 pounds and 1424 pages. Oof. On a whim the other day, I checked to see if it was available for the Kindle and, lo, here it is. In addition to the much lighter load, the free sample is extremely generous…it’s nearly 100 pages and takes you all the way up to the 1680s. Great book so far.
Over at Marginal Revolution, Tyler Cowen picks some of his favorite books of the year. Cowen has never steered me wrong with a book recommendation (even in recommending his own books). Of the most interest to me this year are Siddhartha Mukherjee’s Emperor of All Maladies: A Biography of Cancer (which I’ve seen rave reviews for all over the place) and Diarmaid MacCulloch’s Christianity: The First Three Thousand Years.
Edward Tufte is selling about 200 rare books from his working library, which includes copies of Galileo’s Sidereus Nuncius and Hypnerotomachia Poliphili. Here’s the catalog at Christie’s. Tufte explains why he’s selling:
My library was always working library, with the rare books beside my computer as I was writing. But in the last few years, the books were viewed only when a visitor requested a look at the Galileo, Playfair, or Picasso books, or when I took a nostalgic look in the library. Furthermore, the important books in my library are the unread books. My introduction to the Christie’s catalog explains exactly what I’m thinking about in doing the auction. In particular, note the second to last paragraph. And I am in excellent health, delighted with new adventures in Washington, DC and New York City, and fortunate to be a working and exhibiting artist.
He also dropped the name of his next book: Seeing Around, which will likely be about landscape architecture. (thx, brian)
Jonathan Safran Foer’s new book is called Tree of Codes and he constructed it by taking his favorite book, The Street of Crocodiles by Bruno Schulz, and cut out words to form a completely new story.
It’s a rare novel that’s blurbed by Olafur Eliasson:
[A]n extraordinary journey that activates the layers of time and space involved in the handling of a book and its heap of words. Jonathan Safran Foer deftly deploys sculptural means to craft a truly compelling story. In our world of screens, he welds narrative, materiality, and our reading experience into a book that remembers it actually has a body.
Vanity Fair has an interview with Foer on how he came up with the book…I’m guessing it might not have a Kindle version. See also The Jefferson Bible.
Here’s an interesting theory from Sam Arbesman: the wizards from the Harry Potter books aren’t that bright because their education neglects the basics.
As near as I can tell, if you grow up in the magical world (as opposed to be Muggle-born, for example), you do not go to school at all until the age of eleven. In fact, it’s entirely unclear to me how the children of the wizarding world learn to read and write. There is a reason Hermione seems much more intelligent than Ron Weasley. It’s because Ron is very likely completely uneducated.
My take is that wizards are jocks, not nerds; Hogwarts is not so much a secondary school as a sports academy. What’s odd about that is that quidditch is an extracurricular…
Khoi Vinh has a new book coming out next month called Ordering Disorder: Grid Principles for Web Design.
“Ordering Disorder” is an overview of all of my thoughts on using the typographic grid in the practice of Web design. The first part of the book covers the theories behind grid design, the historical underpinnings of the grid, how they’re relevant (and occasionally irrelevant) to the work of Web designers — and a bit of my personal experience coming to grips with grids as a tool.
The second part of the book, which makes up its bulk, walks readers through the design of a full Web site from scratch, over the course of four projects.
Vinh did the art direction for the book himself, so it’s bound to be purty (and grid-y). The perfect early holiday gift for the web designer in your life.
Greg Beato on how the seemingly humble phone book “signaled the coming shift from an industrial economy to an information-based one”.
The phone itself was a pretty big deal, of course, helping intimacy transcend proximity. But phone books provided a crucial element to the system: intrusiveness. In the beginning of 1880, Shea writes, there were 30,000 telephone subscribers in the U.S. At the end of the year, that number had grown to 50,000, and because of phone books, each one of them was exposed to the others as never before. While many American cities had been compiling databases of their inhabitants well before the phone was invented, listing names, occupations, and addresses, individuals remained fairly insulated from each other. Contacting someone might require a letter of introduction, a facility for charming butlers or secretaries, a long walk.
Phone books eroded these barriers. They were the first step in our long journey toward the pandemic self-surveillance of Facebook. “Hey strangers!” anyone who appeared in their pages ordained. “Here’s how to reach me whenever you feel like it, even though I have no idea who you are.”
In Jospeh Tainter’s The Collapse of Complex Societies, the author argues that the fall of Rome happened because “the usual method of dealing with social problems by increasing the complexity of society [became] too costly or beyond the ability of that society”. Basically when Rome stopped expanding its territory, the fallback was relying solely on agriculture, a relatively low-margin affair.
The distances, now no longer adjacent to easily accessible coastline, were making the cost of conquest prohibitive. More to the point, the enemies Rome faced as it grew larger were vast empires themselves and were more than capable of defeating the Roman legions.
It was at this point that Rome had reached a turning point: no longer would conquest be a significant source of revenue for the empire, for the cost of further expansion yielded no benefits greater than incurred costs. Conjointly, garrisoning its extensive border with its professional army was becoming more burdensome, and more and more Rome came to rely on mercenary troops from Iberia and Germania.
The result of these factors meant that the Roman Empire began to experience severe fiscal problems as it tried to maintain a level of social complexity that was beyond the marginal yields of it’s agricultural surplus and had been dependent upon continuous territorial expansion and conquest.
Hopefully I don’t have to draw you a picture of how this relates to large bureaucratic companies.
On Mad Men this season, Roger Sterling writes a book called Sterling’s Gold. And behold, that book is available for pre-order on Amazon in the real world.
Advertising pioneer and visionary Roger Sterling, Jr., served with distinction in the Navy during World War II, and joined Sterling Cooper Advertising as a junior account executive in 1947. He worked his way up to managing partner before leaving to found his own agency, Sterling Cooper Draper Pryce, in 1963.
During his long and illustrious career, Sterling has come into contact with all the luminaries and would-be luminaries of the advertising world, and he has acquired quite a reputation among his colleagues for his quips, barbs, and witticisms.
Taken as a whole, Roger Sterling’s pithy comments and observations amount to a unique window on the advertising world — a world that few among us are privileged to witness first-hand — as well as a commentary on life in New York City in the middle of the twentieth century.
Who knows what the book will actually be, and I thought it was a hoax at first, but Grove Press is putting this thing out so who knows.
Rowling’s writing process visualized. Looks like this page is from The Order of the Phoenix. (via famulan)
Vanity Fair has excerpts (photos mostly) of a new book on the making of The Empire Strikes Back.
This is right before Luke fell to his death sleep. (via df)
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