kottke.org posts about art
I’m writing these down in the hope that doing so will motivate me to actually get out of the apartment to check these out.
- Paula Scher: Recent Paintings at Maya Stendal. Through January 26, 2008.
- Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections at Neue Galerie. Through June 30, 2008.
- Edward Burtynsky: Quarries at Charles Cowles. Though December 1, 2007.
- This Is War! Robert Capa at Work at ICP. Through January 6, 2008.
- Georges Seurat: The Drawings at MoMA. Through January 7, 2008.
Did I miss anything? (Besides Jill Greenberg’s bear photos at Clampart?)
Related to Jason Salavon’s work from last week is Brian Piana’s work, the layouts and colors of web sites with all of the text and graphics stripped out. For instance, Barack Obama’s Twitter page. The flowchart stuff is lovely…reminds me a bit of this page from Jimmy Corrigan. (thx, jonathan)
Jason Salavon’s Field Guide to Style & Color, a reproduction of the 2007 Ikea catalog with everything but the structure and color excluded. You may remember Mr. Salavon from his composite photographs and videos of blowjobs, late night talk show hosts, and Playboy centerfolds.
Blendie is a blender built by Kelly Dobson that only works when you growl at it.
People induce the blender to spin by sounding the sounds of its motor in action. A person may growl low pitch blender-like sounds to get it to spin slow (Blendie pitch and power matches the person) and the person can growl blender-style at higher pitches to speed up Blendie. The experience for the participant is to speak the language of the machine and thus to more deeply understand and connect with the machine.
Check out the movie to see Blendie in action. Dobson’s other projects include Machine Therapy (therapy sessions with people and their machines) and ScreamBody (a portable vessel in which to put your screams). (via core77)
I went to a mini conference put on by Core77 on Friday and I’ll post a bit more about a couple of the participants in a day or so, but if you were in attendance, you may not have noticed that the person onstage claiming to be artist/designer Tobias Wong was not actually Tobias Wong (more).
The setup was an art project on Tobias’s part, they practiced together for some time to make it work. There were a lot of little jokes in fake Tobias’s talk for people who knew what was going on. Tobias was in the audience, actually answered a question for fake-Tobias during his talk.
It’s something of a Minneapolis-New York-World week here at kottke.org. As if I needed an excuse to post about Peter Schjeldahl’s write-up of the new Kahlo exhibit at the Walker in this week’s New Yorker:
…her pansexual charisma, shadowed by tales of ghastly physical and emotional suffering, makes her an avatar of liberty and guts. However, Kahlo’s eminence wobbles unless her work holds up. A retrospective at the Walker Art Center, in Minneapolis, proves that it does, and then some. She made some iffy symbological pictures and a few perfectly awful ones—forgivably, given their service to her always imperilled morale—but her self-portraits cannot be overpraised.
Euro art collective Henry VIII’s Wives recreate iconic 20th century photographs using Glaswegian pensioners as models, all posed outside their housing complex in Glasgow. A real glaswegian kiss to the complacent gaze with which the original photos are too-easily met.
(thx, joseph)
Alexander Bohn wrote a glowing review of FFFFOUND! at Speak Up the other day. My FFFFOUND! fandom is documented elsewhere, so I’ll comment instead on an observation Bohn made in his initial paragraph:
Graphic design might not work in the white cube, but it flourishes on a white background. A new mutated strain of design blog has evolved: The Randomly Curated Other People’s Images White Background Site, or RCOPIWS. Sites like Manystuff, Monoscope, Your Daily Awesome, and VVORK (among countless others) offer designers and design aficionados a constant flood of typographic morsels, interesting photos, arresting new art, and the like. One such site sets itself apart, notably, from the other RCOPIWSes: the collaborative image-bookmarking site ffffound.com — allegedly, but unconfirmed, initiated by online fiend Yugo Nakamura.
Among the many things that the internet has democratized is curating, a task once more or less exclusive to editors (magazine, book, and newspaper), art gallery owners, media executives (music, TV, and film), and museum curators. They choose the art you see on a museum’s wall, the shows you see on TV, the movies that get made, and the stories you read in the newspaper. The ease and low cost of publishing on the web coupled with the abundance of sample-ready media has made the curating process available to many more people. Smashing Telly is David Galbraith’s rolling film festival (or TV channel). By simply listening to the music that you like, Last.fm allows anyone to put together their own radio station to share with others. kottke.org is essentially a table of contents for a magazine I wish existed. Shorpy has freed old photography from the nearly impenetrable Library of Congress web site and presented it in a compelling blog-like fashion.
In the case of FFFFOUND! and other RCOPIWSs, I would argue that these sites showcase a new form of art curating. The pace is faster, you don’t need a physical gallery or museum, and you don’t need to worry about crossing arbitrary boundaries of style or media. Nor do you need to concern yourself with questions like “is this person an artist or an outsider artist?” If a particular piece is good or compelling or noteworthy, in it goes. The last week’s output at Monoscope would make a pretty good show in a Chelsea art gallery, no? It’ll be interesting to see how this grassroots art curating will affect the art/design/photography world at large. Jen Bekman, who has roots in the internet industry, is already exploring this new frontier with her nimble gallery and the Hey, Hot Shot! competition. Others are sure to follow.
Ursine is a new series of photos by Jill Greenberg, who previously did monkey portraiture and crying children, the latter of which provoked some controversy in the blogosphere.
I was going to shoot grizzly bears because they’re safer than bloggers.
A complete series of photos are available on Greenberg’s web site, sadly buried in an inscrutable Flash interface.
A pair of Lego skyscrapers (made from 250,000 pieces and inhabited by 1000 Lego people) are on display at the Storefront for Art and Architecture in NYC through November 24. Dennis Crowley’s got some pictures and a short movie. Details include a wee Banksy piece on the side of the building and tiny iPod ads. Here’s a timelapse video of the construction. (thx, dens)
Photograph of the graves of Vincent and Theodore van Gogh in Auvers-sur-Oise, France. (Don’t quite know why I’m posting this…it just struck me is all.)
Casey Reas and Ben Fry, inventors of the Processing programming language (that’s Proce55ing to you old schoolers), have just come out with a book on the topic that looks fantastic. In addition to programming tutorials are essays and interviews with other heavy hitters in the programmatic arts like Golan Levin, Alex Galloway, Auriea Harvey, and Jared Tarbell. The site for the book features a table of contents, sample chapters, and every single code example in the book, freely available for download. Amazon’s got the book but they’re saying it’s 4-6 weeks for delivery so I suggest hoofing it over to your local bookstore for a look-see instead.
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