The Adam Baumgold Gallery is currently showing a series of drawing by Chris Ware, Drawings for New York Periodicals. His series that ran in the NY Times and his Thanksgiving New Yorker covers are included. Feb 1 - Mar 15, 2008. (thx, evan)
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kottke.org posts about art
Jason Polan, who you may remember from the series of drawings he did of every piece of art in the MoMA, has a unique 20x200 offering available. The larger editions are drawings and copies of his hand while the $2000 edition of 2 is described thusly:
I will come to your house and shake your hand. Two of these interactions will be available. After I meet you I will give you a certificate, to be signed by both you and me, stating the authentification of the encounter. This artwork is a collaboration between you and me. You will also receive a photograph that is taken the moment of our meeting.
20x200 curator Jen Bekman has more on this offering.
Jason’s work is about a lot of lofty ideas, but those ideas are grounded in the most mundane of media and happenstance. The ideas center around his ambitions to interact authentically with both the media he chooses to work in and the collectors who buy his work.
The true meaning of George W. Bush’s favorite painting. Quoting Inigo Montoya, “I do not think it means what you think it means”. (via conscientious)
Art Grand Slam would be the perfect name for a web site showcasing the tennis-related art of Martina Navratilova. And so it is.
Almost 20 years since her last grand slam singles title, Martina Navratilova is back in action on the circuit — only this time she is turning tennis strokes into brush strokes as she helps to create a new form of contemporary art.
In its crudest and, perhaps, most joyful expression, it involves the player hitting paint-covered tennis balls at a canvas, usually marked with court lines and prepared to resemble a playing surface: clay, grass or artificial.
(via quipsologies)
Will Ashford takes used books and creates art and new meanings out of them.
At some unpredictable point along the way, in my mind, the images start to invent themselves. Using colored vellums, graphite and or India ink to highlight or obscure my words; I create the image of that invention. Though I strive to make each document visually engaging I find it is the words that I value most.
(via monoscope)
Update: Ashford’s work is quite similar to Tom Phillips’ A Humument, which was first published in 1970. (thx, joel)
Long-exposure photo of two people having sex on a bed. (It’s mostly safe for work, believe it or not.) This reminds me of two things: the timelapse threesome scene in A Clockwork Orange and Jason Salavon’s work, specifically 76 Blowjobs and Every Playboy Centerfold. Those last tow links probably NSFW. (via the h line)
Update: Atta Kim’s work is similar too, particularly his “Sex Series”. (thx, jeff)
This summer’s big public art project in NYC: 4 large waterfalls falling into the East River and New York Harbor, including one falling from the Brooklyn Bridge. Olafur Eliasson is the responsible party…he’s done a couple previous waterfall pieces.
Update: Eliasson’s work will also be on display at MoMA and P.S. 1 this summer, April 20 through June 30, 2008. (thx, praveen)
MoMA’s “Multiplex”
So I ditched out of “work” early yesterday for MoMA, because it was the last day of the Martin Puryear show. (This is why everyone everywhere should quit his job!) Elsewhere in the museum—on view through July—is a sprawling collection show called “Multiplex,” which is apparently about art since 1970 and, according to the opaque curator’s text, the flowering of, um, a “complicated artistic terrain.” (Yeah. Well, it’s been almost 40 years, go figure.) There are three groupings of work: abstraction, mutability, and provocation. (I dunno either!) There’s a Gursky that’s really one of the worst, an incredible Tacita Dean painted photograph, and a Julie Mehretu painting that is just wowza. (Seriously, you should go see that one.) Also, I’d never seen this Clemens von Wedemeyer video “Big Business,” a two-channel wingding that’s technically a remake of a Laurel and Hardy film, but which, more importantly, stars two really hot German guys destroying a house. It is all kinds of awesome! I wanted to watch it twice more! But that (and some other nice items) doesn’t mean this show isn’t a bizarro mess. There’s a whole lotta wall text to make their gussied up case. And the tiny end section, “provocation,” contains some of the least provocative contemporary art going. (There’s a mild Philip Guston painting from 1972! Huh?) Is it that MoMA’s collection just doesn’t have work down in the basement that could deliver some incitement?
Lawyer-Dance
Dying to see this video now showing in Chelsea of a dance performed by lawyers, including John Sloss, a film attorney, and Scott Rosenberg, who I think is with Legal Aid. It’s playing with another video, of four day laborers hired to create an earthwork on the beach; both are by Ann Carlson and Mary Ellen Strom.
Cherry Blossoms is a project by Alyssa Wright:
Cherry Blossoms is a backpack that uses a small microcontroller and a GPS unit. Recent news of bombings in Iraq are downloaded to the unit every night, and their relative location to the center of the city are superimposed on a map of Boston. If the wearer walks in a space in Boston that correlates to a site of violence in Baghdad, the backpack detonates and releases a compressed air cloud of confetti, looking for all the world like smoke and shrapnel. Each piece of confetti is inscribed with the name of a civilian who died in the war, and the circumstances of their death.
Really interesting interview with artist/designer Tobias Wong by Rob Walker.
That question hits an important point in my work (and pet peeve), because many people are always interested in how I get work out there, financially. And it’s quite simple. If there’s something I really believe in, I just find a way to make it happen. No daily Starbucks (US$4) or cigs ($8) or dining out ($20), and before you know it you’ve got the money to do something.
God’s Eye View presents four important Biblical events as if captured by Google Earth, including The Crucifixion, Noah’s Ark, and Moses parting the Red Sea.
Liquidated Logos by French street artist Zevs.
Re-painting the logos in their own colours, the artist pours paint over them, liquidating one logo after another.
I am a sucker for dripping paint.
Eric Gill was a respected British artist and typographer — Gill Sans is his most famous typeface — but according to his diaries, he also regularly engaged in sexual relations with his sisters, his daughters, and the family dog.
For some of Gill’s fans, even looking at his work became impossible. Most problematically, he was a Catholic convert who created some of the most popular devotional art of his era, such as the Stations of the Cross in Westminster Cathedral, where worshippers pray at each panel depicting the suffering of Jesus.
These details of Gill’s private life were revealed in a 1989 book by Fiona MacCarthy…here’s a NY Times review of the book soon after it was published.
Hand-painted Toilet Seats
The hand-painted toilet seats featured on this artist’s website make me wonder if anyone has ever answered Duchamp by using a urinal as a canvas. (via cynical-c)
Update: Kohler (the Toilet People) has its own take on toilet seat art. (thx, Sadie)
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