“When We Return You Won’t Recognise Us”

I do not remember how I stumbled upon this painting by British artist Glenn Brown but I like it quite a lot. You can check out more of his work on his website.
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I do not remember how I stumbled upon this painting by British artist Glenn Brown but I like it quite a lot. You can check out more of his work on his website.




Using an iconic Superman pose, artist Mike Mitchell has translated all sorts of familiar characters onto that pose, including C-3PO, Velma from Scooby Doo, Charlie Brown, Ned Flanders, Pee-wee Herman, Bert from Sesame Street, Steve Zissou, and Spongebob Squarepants. Here’s an animation of all them. (via moss & fog)


Absolutely stunning embroidery piece by Narumi Takada of boot prints and animal tracks1 in freshly fallen snow. Just lovely.
Since he was a toddler, artist C.W. Moss has made the artwork for his family’s Christmas card. Here are some early installments from when he was three & seven:

Some from when Moss was 17 and 29:

And the most recent one from age 36 (you can watch how he draws it):

It’s fascinating to see his artistic sense grow and shift over the years, not only increasing in artistic skill as he gets older but also moving from simple depictions of holiday scenes to more conceptual creations.


I love these drawings by Virginia Frances Sterrett.
At fourteen, unthoughtful of achievement and ambition, friends persuaded her to send her drawings to the Kansas State Fair. To her surprise, she won first prize in three different categories. The originality of her drawings — which, throughout her life, came to her as visions she felt she was merely channeling onto the page with her pen and brush — captivated two successful local artists, who encouraged her to pursue formal study.

Every so often on Instagram I come across Harry Clarke’s stringy, spooky illustrations for the 1919 Edgar Allan Poe collection Tales of Mystery & Imagination (above left) or the 1925 version of Goethe’s Faust. Poking around led me to this 2016 story in the Public Domain Review: “Harry Clarke’s Looking Glass.” As I learned, he once wrote to a friend that his publisher thought a set of his Faust illustrations were “full of stench and steaming horrors.”
50watts has more great images, and here’s a zoomable version of the “Sea Witch” (above right) from his illustrations for Hans Christian Andersen’s “The Little Mermaid.”
I came across Alex Tomlinson’s work on Instagram one day in 2022 (it was featured on Audubon Society merch, which I bought immediately), and have been enjoying it ever since. I’m having one of his “Red-Eyed Birds of North America” posters framed as a gift for myself this Christmas! He also sells tons of cards, stickers, and apparel on his website. [hootalexarchive/pigeonpost]

For my husband’s birthday, I got him a candle sculpted to look like us, by the artist Janie Korn. It’s brought a lot of joy. She also makes custom pet and house candles, as well as cookie, cigarette, and Marie Antoinette candles, among many others. [Janie Korn]
This video from MoMA follows master printer Jacob Samuel as he makes his final print before he retires.
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”




I love these busy, wordy, and brightly colored sweaters from Kendall Ross. From her about page:
Kendall Ross, aka “I’d Knit That”, is an Oklahoma City based fiber artist. She is best known for hand-knitting colorful, wearable art pieces. She uses intricate hand-knitting colorwork methods like intarsia and fair isle to illustrate images and incorporate her original texts into the fabric of her work. Each stitch on every sweater, vest, mural, and textile is painstakingly planned and knit over countless hours using two needles and wool.
You can check out more of Ross’s work on Instagram.




Many thanks to Colossal for introducing me to artist Olga Prinku, who forages for flowers, branches, and other natural elements and incorporates them into large-scale embroidery works. Quite lovely. Check out more of her art on her website and on Instagram.

Illustrator Christoph Niemann shares 10 Things I Remind Myself Before I Draw. I’m a strong advocate of his 10th rule:
Sitting at my desk is always right. I’ve spent a lot of time thinking about how to make good work. There are millions of tips and tricks and manifestos out there. But at the end there’s only one single truth for me: sit down and start drawing.
(thx, matt)




A man named Lito makes these incredibly intricate artworks using the natural canvas of tree leaves — he posts all of his creations on Instagram.
Lego master Jumpei Mitsui spent over 400 hours building a 3D version of Hokusai’s Great Wave off Kanagawa out of 50,000 Lego bricks — you can watch a time lapse of the construction in the video above. The build was included at an exhibition of Hokusai’s work at the MFA in Boston:
In order to create Hokusai’s Wave in three dimensions, he made a detailed study of rogue waves and their characteristics. He also drew on childhood memories of waves near his family home at Akashi on the Inland Sea.
The video slows down to realtime in spots, so you can see how fast he’s actually building (quite fast). And you can also see the level of trial and error involved as he builds and then un-builds the waves until he’s happy with them. (via the kid should see this)











From 1913 to 1944, amateur mycologist Hans Walty created hundreds of fantastic watercolor illustrations of mushrooms, which are available to peruse in very high-resolution at Wikimedia Commons. There’s not a great deal of information about Walty or his drawings online,1 but I did find this piece from the Swiss National Library.
His images depict the colours and shapes of the mushrooms’ fruiting bodies and sometimes also include drawings of microscopic views. The fungi are usually depicted from the side and often from the top and bottom as well. Walty also frequently documented the characteristics of the stems, spores and undersides of the caps. The hobby mycologist also produced an explanatory book to accompany his illustrations that contains descriptions of the mushrooms, with each specimen being assigned a family and genus. His illustrations often contain notes about the time and date the mushroom was found and whether it was edible, inedible or poisonous.
Walty’s illustrations were published in multiple editions of a Swiss mushroom guide from the 40s through the 70s. According to the German version of Wikipedia (translated): “For decades, 500 of his illustrations on mushrooms were considered a standard work on mushroom identification, especially in Switzerland.”
Again, you can browse through hundreds of Walty’s mushroom illustrations at Wikimedia Commons. (thx, christoph)
Not in English at least; Walty was born in Italy and lived in Germany and Switzerland for much of his life. A biography is available on the German version of Wikipedia. ↩
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