This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Stephen Colbert recently guest hosted Only in Monroe, a public access cable TV talk show based in Monroe, Michigan. His guest? Michigander Marshall Mathers.1
God, he is so good. I might actually have to watch the Late Show this fall. (thx, michelle)
Do I need the “aka Eminem” here?↩
Translating episodes of Seinfeld (and other sitcoms that rely on wordplay) is not an easy task. The Verge’s Jennifer Armstrong has a piece that focuses mostly on the struggle to translate Jerry, George, Elaine, and Kramer’s antics for a German audience.
Seinfeld’s Jewish references posed a unique challenge: as Sebastian explained, “The Germans have a certain you-know-what with the Jewish.” Her editor was worried about some of Seinfeld’s Jewish jokes. “We better not say it like that,” she remembered her editor saying, “because the Germans may be offended.” She added later, recalling the incident to me, “They should be offended, in my understanding. They did it!”
Sebastian appreciated Seinfeld’s direct approach to Jewish history. She wanted to use jokes in direct translation, but the editor wouldn’t let her. She lost several battles. It was a fine line: Der Suppen-Nazi? Sure. Subtle reference to an uncle who survived a concentration camp? Not so fast. An entire episode based on George being mistaken for a neo-Nazi was problematic. So were references to the TV miniseries Holocaust and the film Schindler’s List. Take Elaine’s voiceover narration in “The Subway” episode when her train gets stuck: “We are in a cage. … Oh, I can’t breathe, I feel faint. Take it easy, it’ll start moving soon. Think about the people in the concentration camps, what they went through.”
(via mr)
It is what it is. What’s done is done. My name is not my name. My name is my name.1 Derek Donahue found all of the tautologies from The Wire and collected them into one video:
These types of phrases characterize the immovable forces the characters feel govern their lives and actions: poverty, bureaucracy, addiction, institutional corruption, ethnicity, etc.
The juxtaposition of Vondas’ “my name is not my name” from season two and “my name is my name” from Marlo in the final season is one of my favorite little moments in the show. Two men pursuing similar ends going about it in opposite ways.↩
I have been doing a poor job keeping up with my Steve Jobs-related media. I haven’t had a chance to pick up the new Becoming Steve Jobs book yet. And I had no idea that the Aaron Sorkin-penned biopic was still in the works, much less that Michael Fassbender is playing Jobs and Danny Boyle is directing. Here’s the trailer:
The trailer debuted during last night’s series finale of Mad Men, which was possibly the most appropriate venue for it. [Slight spoilers…] Draper always had a Jobs-esque sheen to him, although the final scene showed us that, yes, Don Draper actually would like to sell sugar water for the rest of his life.
Update: A proper trailer has dropped. I don’t know how much we’ll learn about the actual Steve Jobs from the movie, but it looks like it might be good.
Update: Another trailer. This is looking like a strong film.
Harry Shearer, who voices dozens of characters on The Simpsons including Mr. Burns, Smithers, and Ned Flanders, announced on Twitter that he will be leaving the show. A few things:
1. The Simpsons is still on?
2. Shearer also voices Principal Skinner, Otto, Lenny, McBain, Reverend Lovejoy, Kent Brockman, Scratchy, Dr Hibbert, and dozens of smaller characters.
3. Will they replace him? Or just not use those characters anymore? How can you do the show without Burns, Smithers, Flanders, and Skinner? But if they sound different, how can you do the show with them?
Update: Aaaaaand Shearer is back on the show.
Shearer has signed the same contract as did the other five primary voice actors — Dan Castellaneta, Yeardley Smith, Julie Kavner, Nancy Cartwright, and Hank Azaria — keeping the show’s original cast fully intact, EW has learned. These deals, which run for four seasons (including a network option for seasons 29 and 30), are estimated at more than \$300,000 per episode. Fox recently renewed The Simpsons for a 27th and 28th season, which will bring its episode tally to 625.
I don’t quite know what I’m doing to myself these days. Last night was an episode of The Americans in which a marriage was ending, another family was trying to keep itself intact, and a young boy struggles to move on after his entire family dies. This morning, I watched an episode of Mad Men in which a mother tries to reconcile her differences with her daughter in the face of impending separation. And then, the absolute cake topper, a story by Matthew Teague that absolutely wrecked me. It’s about his cancer-stricken wife and the friend who comes and rescues an entire family, which is perhaps the truest and most direct thing I’ve ever read about cancer and death and love and friendship.
Since we had met, when she was still a teenager, I had loved her with my whole self. Only now can I look back on the fullness of our affection; at the time I could see nothing but one wound at a time, a hole the size of a dime, into which I needed to pack a fistful of material. Love wasn’t something I felt anymore. It was just something I did. When I finished, I would lie next to her and use sterile cotton balls to soak up her tears. When she finally slept, I would slip out of bed and go into our closet, the most isolated room in the house. Inside, I would wrap a blanket around my head, stuff it into my mouth, lie down and bury my head in a pile of dirty clothes, and scream.
There are very specific parts of all those stories that I identify with. I struggle with friendship. And with family. I worry about my children, about my relationships with them. I worry about being a good parent, about being a good parenting partner with their mom. How much of me do I really want to impart to them? I want them to be better than me, but I can’t tell them or show them how to do that because I’m me. I took my best shot at being better and me is all I came up with. What if I’m just giving them the bad parts, without even realizing it? God, this is way too much for a Monday.
The real-life house that served as the stoop of Carrie Bradshaw’s apartment on Sex and the City is blurred out on Google Street View.
The house was on the Sex and the City tour for a time, before it was dropped due to pressure from neighborhood residents, and remains a popular tourist attraction. I go by there quite often and there is always someone taking a photo on the stoop. As I’m writing this, the most recent photo of someone standing in front of the stoop was posted to Instagram 16 minutes ago. I can see why the owners would want it blurred out, and it turns out getting your property blurred on Google Street View is a simple process.
P.S. What’s funny about the house is that Sarah Jessica Parker actually lives only a block or two away. I used to see her all the time, walking our respective kids to school. Ollie and I even got caught in a paparazzi shot one day…that’s me in the dark coat right behind Parker and Ollie on the scooter:
No way to fill out a form to blur out my son’s face though, I reckon. (via @michaeltsmith)
Artist JK Keller has digitally widened1 episodes of The Simpsons and Seinfeld to fit a 16:9 HD aspect ratio. Watching the altered scenes is trippy…the characters and their surroundings randomly expand and contract as the scenes play out.
Keller also HD-ified an episode of the X-Files and slimmed an old episode of Star Trek into a vertical aspect ratio. (via @frank_chimero)
At least I think that’s how they were created. The videos were posted without explanation — aside from their titles “LEaKeD TesT footagE frOM seiNfelD RemaSter In hiGh-defiNiTiON” and “animAtORs rEdraw old SimPsons epIsodeS fOr hdTv” — so it’s hard to say for sure.↩
Netflix is making a 13-episode animated adaptation of Dr. Seuss’ Green Eggs and Ham. The show will premiere in 2018 and the official press release shows that Netflix is fully committed to the premise:
Issued from Netflix headquarters.
Delivered straight to all reporters.We’d love to share some happy news
based on the rhymes of Dr. Seuss.
Green Eggs and Ham will become a show
and you’re among the first to know.In this richly animated production,
a 13-episode introduction,
standoffish inventor (Guy, by name)
and Sam-I-Am of worldwide fame,
embark on a cross-country trip
that tests the limits of their friendship.
As they learn to try new things,
they find out what adventure brings.
Of course they also get to eat
that famous green and tasty treat!Cindy Holland, VP of Original Content for Netflix
threw her quote into the mix:
“We think this will be a hit
Green Eggs and Ham is a perfect fit
for our growing slate of amazing stories
available exclusively in all Netflix territories.
You can stream it on a phone.
You can stream it on your own.
You can stream it on TV.
You can stream it globally.”
For reference, here’s an animated version of Green Eggs and Ham done in the 70s:
I was never a particular fan of David Letterman’s show1 but always have appreciated what he did and how he did it. Dave Itzkoff of the NY Times did an interview with Letterman about his impending retirement.
It seems like there’s an increasing emphasis, at least with your network competitors, to create comedy bits that will go viral on the Internet. Did you make a conscious choice to stay out of that arms race?
No, it just came and went without me. It sneaked up on me and went right by. People on the staff said, “You know what would be great is if you would join Twitter.” And I recognized the value of it. It’s just, I didn’t know what to say. You go back to your parents’ house, and they still have the rotary phone. It’s a little like that.
The photo slide show accompanying the piece is worth a look as well, particularly the photo of the stack of paper coffee cups in Letterman’s dressing room (one cup for each show, they cover half his mirror) and the final one of Letterman bounding out onto stage. I hope that when I’m 68, I’m still charging ahead like Dave.
To be honest, I’ve never been a particular fan of any late night television, save for SNL in the late 80s and early 90s. I watched the last few years of Johnny Carson on The Tonight Show and then the first couple years of Leno, mostly because that’s what my parents watched. Letterman I caught every once in awhile after Carson and rarely after his move to CBS. I’ve only seen Conan’s show a handful of times…same with The Daily Show and Colbert. Have never watched a single episode of Fallon or Kimmel or Conan’s new show. Oh, I’ve seen clips on the web and such, but never whole shows.
My late night TV as a kid was Doctor Who and British comedies — Are You Being Served?, ‘Allo ‘Allo, Fawlty Towers, Good Neighbors, Keeping Up Appearances, The Fall And Rise Of Reginald Perrin, etc. — on the local PBS station. That and Nintendo.↩
Ever since I read Susanna Clarke’s Jonathan Strange & Mr. Norrell just after it came out, I’ve wondered when someone was going to do a movie or miniseries adaptation. Well, BBC has stepped up with a seven-part series that debuts on BBC One in May and on BBC America “this summer”. Here’s a trailer:
Set at the beginning of the 19th-century, England no longer believes in practical magic. The reclusive Mr Norrell of Hurtfew Abbey stuns the city of York when he causes the statues of York Cathedral to speak and move. With a little persuasion and help from his man of business Childermass, he goes to London to help the government in the war against Napoleon. It is there Norrell summons a fairy to bring Lady Pole back from the dead, opening a whole can of worms…
That trailer was a little too trailery for my taste (if you know what I mean), but I’m excited nonetheless. (via ★interesting)
Update: BBC America has put the first episode of the show up on YouTube:
The rest of the episodes are available in a slightly less official capacity as well — here’s episode 2 for instance.
Charles Mann’s 1491 is one of my all-time favorite books. I mean, if this description doesn’t stir you:
Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.
On Twitter yesterday, Mann shared that a documentary series was being made based on the book. The eight-part series is being commissioned by Canada’s APTN (Aboriginal Peoples Television Network) and Barbara Hager, who is of Cree/Metis heritage, will write, direct, and produce.
This is fantastic news. I hope this gets US distribution at some point, even if it’s online-only.
Hannah Choi is making illustrations of all the women Don Draper has slept with on Mad Men in chronological order.
In 1977, only a few months after the movie came out, a hour-long television special called The Making of Star Wars aired on ABC. It was the first documentary about Star Wars.
LOL to the rehearsal shot at 4:10 of Han going “bang, bang, bang, bang, bang” while shooting his blaster, the reaction of Luke, Han, and Leia to a boom mic blowing the 18th take of a scene at 34:20, and the description of Princess Leia as “royalty of a very liberated kind”. (via kung fu grippe)
David Chase analyzes the final scene of The Sopranos in great detail for the Directors Guild of America’s quarterly magazine.
It was my decision to direct the episode such that whenever Tony arrives someplace, he would see himself. He would get to the place and he would look and see where he was going. He had a conversation with his sister that went like this. And then he later had a conversation with Junior that went like this. I had him walk into his own POV every time. So the order of the shots would be Tony close-up, Tony POV, hold on the POV, and then Tony walks into the POV. And I shortened the POV every time. So that by the time he got to Holsten’s, he wasn’t even walking toward it anymore. He came in, he saw himself sitting at the table, and the next thing you knew he was at the table.
Great read. Here’s the final scene to refresh your memory.
The electric snowstorm is joined by a single tone that ascends like a gospel choir singing to the heavens.
Playboy’s Zaron Burnett on HBO’s static intro, the most powerful force in the universe.
HBO has released a teaser trailer for season two of True Detective. Los Angeles is swapped in for Louisiana, Colin Farrell and Vince Vaughn for Woody Harrelson and Matthew McConaughey, and Justin Lin directing instead of Cary Fukunaga. It’s an entirely different show.
Here’s the synopsis from HBO:
A bizarre murder brings together three law-enforcement officers and a career criminal, each of whom must navigate a web of conspiracy and betrayal in the scorched landscapes of California. Colin Farrell is Ray Velcoro, a compromised detective in the all-industrial City of Vinci, LA County. Vince Vaughn plays Frank Semyon, a criminal and entrepreneur in danger of losing his life’s work, while his wife and closest ally (Kelly Reilly), struggles with his choices and her own. Rachel McAdams is Ani Bezzerides, a Ventura County Sheriff’s detective often at odds with the system she serves, while Taylor Kitsch plays Paul Woodrugh, a war veteran and motorcycle cop for the California Highway Patrol who discovers a crime scene which triggers an investigation involving three law enforcement groups, multiple criminal collusions, and billions of dollars.
Update: And here’s a second trailer with a little more info:
We’ve also got a premiere date: June 21.
From Gawker, a quick two-minute video guide to what all of the characters in Game of Thrones are up to as season five gets underway this Sunday. Major spoilers for those who aren’t caught up through the end of season four.
Someone pretending to be a Parisian hipster who only watches VHS versions of modern shows & movies like Game of Thrones and Interstellar created these VHS covers as an April Fools joke. These are actually pretty great. (via subtraction)
Last night on Last Week Tonight, John Oliver took on the topic of government surveillance and traveled to Moscow to interview Edward Snowden. After some softball questions — “Do you miss Hot Pockets?” — Oliver presses Snowden on his personal responsibility with regard to the information he revealed.
Mike Poulton adapted Hilary Mantel’s Wolf Hall and Bring Up the Bodies for the stage. The play premiered last year in the UK and just began its run on Broadway here in NYC. There’s a book version of the adaptation that contains some notes that Mantel wrote for the actors playing the various characters. The New York Review of Books has an excerpt of Mantel’s notes; here’s Anne Boleyn:
You do not have six fingers. The extra digit is added long after your death by Jesuit propaganda. But in your lifetime you are the focus of every lurid story that the imagination of Europe can dream up. From the moment you enter public consciousness, you carry the projections of everyone who is afraid of sex or ashamed of it. You will never be loved by the English people, who want a proper, royal Queen like Katherine, and who don’t like change of any sort. Does that matter? Not really. What Henry’s inner circle thinks of you matters far more. But do you realize this? Reputation management is not your strong point. Charm only thinly disguises your will to win.
The BBC aired a six-part TV version of Wolf Hall & Bring Up the Bodies that finished up a month ago, and PBS will start showing it this weekend. I’ve watched all but the last part and it’s really well done.
John Oliver says April Fools’ Day is terrible and we shouldn’t take part in it.
Pranks are terrible. Anyone who claims to be excited for April Fools’ Day is probably a sociopath. Because what they are really saying is, “I cannot wait to hurt the people close to me”.
Halt and Catch Fire season two is starting on May 31! And there’s a five-minute clip to whet your appetite! And it passes the Bechdel test with flying colors!
The exclamation points mean that I am excited for the new season without explicitly saying so!! (via @kathrynyu)
Ask Polly, by Heather Havrilesky,1 is surely one of the best advice columns out there. In yesterday’s installment, Havrilesky adopted the voice of Deadwood’s Al Swearengen to answer a letter about a boyfriend’s troublesome relationship with a married woman.
It sounds like you’re feeling less than your full fucking self, and for good reason! The hour requires some unvarnished words and since you made mention of your passion for Deadwood, David Milch’s brilliant portrait of the Wild West (largely unsung and partially unfinished thanks to some big-city cocksuckers at HBO, who’d sooner brand their own foreheads with a flat iron than allow a man of the pen to complete the masterpiece for which his name will henceforth be praised), I’d like to sally forth in a style befitting the scoundrels, whores, dirt-worshippers, and hoopleheads of that melancholy town. Be forewarned, though, the language herein might lead some to imagine that yours truly has been pillaging Doc’s stash of chloroform, more typically reserved for offering animals a merciful exit from this mortal plane. Suffice it to say that skeptical cocksuckers and those with delicate sensibilities might be well-advised to seek respite elsewhere. You can help your delicate sensibilities by turning the fuck away.
Who I still think of as being from Suck and probably always will.↩
Oh, this sounds fantastic: PBS is set to air a six-hour documentary series, Cancer: The Emperor of All Maladies, starting at the end of March. How have I not heard about this before today?
This “biography” of cancer covers its first documented appearances thousands of years ago through the epic battles in the 20th century to cure, control and conquer it, to a radical new understanding of its essence. The series also features the current status of cancer knowledge and treatment — the dawn of an era in which cancer may become a chronic or curable illness rather than its historic death sentence in some forms.
The series is based on Siddhartha Mukherjee’s The Emperor of All Maladies: A Biography of Cancer, which is one of the most interesting books I’ve read in the past few years. Ken Burns is executive producing and Barak Goodman is directing.
Thanks to Sarah Klein at Redglass Pictures for letting me know about this. Redglass created a pair of videos for the series featuring Terrence Howard and Ken Jeong talking about their experiences with cancer.
Update: All three parts of the series are available on the PBS site for the next two weeks or so.
Whoa! Robert Durst has been arrested in New Orleans in connection with the killing of his friend Susan Berman in Los Angeles in 2000.
Robert A. Durst, the scion of a New York real estate family, was arrested on Saturday in New Orleans on a warrant issued in a homicide investigation by Los Angeles County, law enforcement officials said.
For years, questions have swirled around Mr. Durst about the unsolved killing of a close friend and confidante in Los Angeles 15 years ago, and about his first wife’s disappearance in 1982 and the shooting and dismemberment of a Texas neighbor in 2001.
Durst is the subject of the HBO series The Jinx, which I have been obsessed with over the past few weeks. The final episode airs tonight. Jinx director Andrew Jarecki must be freaking out…the arrest might be due to new evidence uncovered by Jarecki during the production of the show.
Update: On November 7, 2016, Durst pled not guilty to Berman’s murder.
Vice did a nice little feature on George Lois, the kind of 1960s big-egoed ad man on which Mad Men’s Don Draper was based.
Lois created a number of iconic ad campaigns as well as dozens of fantastic Esquire covers. Or at least he says he did. ;) (via devour)
Update: Here’s the transcript for the episode of This American Life in which Sarah Koenig interviews her father Julian Koenig about George Lois taking credit for some of his best ideas.
In my instance, the greatest predator of my work was my one-time partner George Lois, who is a most heralded and talented art director/designer, and his talent is only exceeded by his omnivorous ego. So where it once would’ve been accepted that the word would be “we” did it, regardless of who originated the work, the word “we” evaporated from George’s vocabulary and it became “my.”
Of course, Koenig also claims to have invented thumb wrestling and to have popularized shrimp in America, so… (via @kevinmeyers)
In a long series of tweets last night, Norm MacDonald posted a recap of the Saturday Night Live 40th anniversary special from his perspective, from how the writing process started, to running into Paul McCartney in the studio, to trying to get Eddie Murphy into a sketch. Gothamist transcribed the whole thing…you should read it, it’s great.
And then comes Eddie. I’m standing with my son, Lori Jo, and Chris Rock. We see Eddie from 100 yards away. Rock says, “There he is. Like Ali in Zaire.” Eddie, Bomaye. It’s my job to talk him in to doing Jeopardy. We talk in his dressing room a good hour. When it’s over, I’m convinced he’ll do it. He doesn’t. He knew the laughs would bring the house down. Eddie Murphy knows what will work on SNL better than any one. Eddie decides the laughs are not worth it. He will not kick a man when he is down. Eddie Murphy, I realize, is not like the rest of us. Eddie does not need the laughs. Eddie Murphy is the coolest, a rockstar even in a room with actual rockstars.
I’ll reiterate: Macdonald obviously did not deserve to be ranked so low on this Rolling Stone list of all the SNL cast members.
Update: Here’s the original SCTV skit (feat. Eugene Levy, John Candy, and Martin Short) that inspired Celebrity Jeopardy.
The SNL 40th Anniversary Special will air this Sunday. From Rolling Stone, a list of all of the regular cast members of SNL, ranked from worst to best. The worst is Robert Downey Jr. (“Making him unfunny stands as SNL’s most towering achievement in terms of sucking”) and the top 10 are:
10. Chevy Chase
9. Gilda Radner
8. Amy Poehler
7. Phil Hartman
6. Bill Murray
5. Dan Aykroyd
4. Mike Myers
3. Tina Fey
2. Eddie Murphy
1. John Belushi
I disagree with Norm MacDonald’s placement near the bottom of the barrel…I always liked his stuff. And Dratch at #16? Was never a fan. Most of the original cast ranks too high…I would have preferred Eddie at #1 over Belushi. My favorites: Dana Carvey and Phil Hartman.
FYI, the guest list for the special is kind of incredible. So far, Bill Murray, Eddie Murphy, Alec Baldwin, Jerry Seinfeld, Jim Carrey, Kristen Wiig, Chevy Chase, Chris Rock, Dan Aykroyd, Will Ferrell, Tina Fey, and about 80 other bold-faced names (Hanks, Taylor Swift, Spielberg, etc.) are all scheduled to appear. (via digg)
On Reddit, a fan of The Simpsons recently outlined his theory that Homer Simpson has been in a coma for the past 20 years and everything on the show since mid-1993 has taken place in Homer’s head. Here’s the argument…
In the series’ first clip show, which aired in the fourth season, Bart pranks Homer by shaking up his beer can in a paint shaker. The beer explodes and knocks Homer into a coma. At the end of the episode, Homer is shown waking up from the coma. But maybe he didn’t? As possible evidence, the theorist suggests that’s why the Simpsons never age:
This is why the characters don’t age. Homer remembers Bart, Lisa, and Maggie as 10, 8, and 1 year old, so they will always appear that way in his dreams. He is subconsciously aware of time passing, so his mind will often “update” his memories so that the year they occurred matches up with the age he thinks he is.
And it’s also why the plots on the show became more outlandish after the coma episode:
This is clearly Homer’s imagination running wild. With no real world restrictions, Homer’s mind is able to dream up scenarios of him and his family in fantasies involving him winning a Grammy, his father fighting his boss for buried WW2 treasure, his wife getting breast implants, his infant daughter saving him from drowning, etc.
That’s pretty clever. It immediately reminded me of two things:
1. The entirety of St. Elsewhere took place inside the mind of an autistic kid named Tommy Westphall. And since St. Elsewhere was referenced on other TV shows like Homicide: Life on the Street, that means those shows (and the shows referenced on those shows) also took place in Westphall’s mind.
2. From 1991 to 1994, a show called Herman’s Head aired on Fox. The show took place partially in the main character’s head. Among the cast are two regular Simpsons cast members: Hank Azaria (Moe, Chief Wiggum, Apu, Comic Book Guy, etc.) and Yeardley Smith (Lisa). Super-crazy theory: perhaps Herman’s Head inspired Homer’s coma?
Update: Of course this theory isn’t true. Al Jean, a writer and show runner for The Simpsons during season four, told TMZ that Homer hasn’t been in a coma for the past 20 years. (thx, greg)
Stay Connected