I love 2005’s Pride and Prejudice, starring Keira Knightly & Matthew Macfadyen and directed by Joe Wright. So I really enjoyed Danny Boyd’s video essay about the great cinematography in the film.
Pride & Prejudice isn’t a movie I’ve exactly seen a 100 times in my life. And believe me, I like a good romcom. But when I finally sat myself down, put on the 4K disc, and paid attention, I could not believe the level of craft on display here. The cinematography of this movie is insane. Some of the closest to my own personal tastes as I’ve ever found. So today, I want to talk about how director Joe Wright created some of the best extended tracking shots, ones, long takes, that I’ve ever seen.
Antonio Scurati’s 2018 “documentary novel” M: Son of the Century was a worldwide bestseller about the early political career of Benito Mussolini and the rise of fascism in post-WWI Italy. Director Joe Wright (Pride and Prejudice, Darkest Hour) has adapted the book into an 8-part TV series called Mussolini: Son Of The Century. Here are a pair of trailers:
One commenter on this YT video says “it’s Cabaret meets Clockwork Orange, meets Metropolis…” I stumbled across this via Carla Sinclair, who writes:
It is, unsurprisingly, violent and gritty, highlighting Benito Mussolini’s rise to power that began in the year 1919, when he founded the National Fascist Party in Italy. But it’s also beautifully shot, with military and fight scenes stunningly choreographed to electronic music by Tom Rowlands of the Chemical Brothers. At times it feels like an intense musical — without the song and dance.
If you’re in the US, you can stream Mussolini: Son Of The Century on Mubi — four of the episodes are available so far and the new ones debut on Wednesdays.
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