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Entries for July 2015

A brief visual history of booze


Mad Men Carousel: The Complete Critical Companion

Mad Men

One of my favorite movie/TV critics, Matt Zoller Seitz, is coming out with a book this fall on Mad Men called Mad Men Carousel: The Complete Critical Companion.

Mad Men Carousel, authored by Abrams’ bestselling author Matt Zoller Seitz, will gather all of Seitz’s widely read (and discussed) Mad Men essays in a single volume. Rather than simply recalling the plot through lengthy summary, Seitz’s essays dig deep into the show’s themes, performances and filmmaking, with the tone and spirit of accessible, but serious, film or literary criticism. This novel-sized volume will be designed to have a 1970s feel and will be broken into seven sections, one for each season.

Seitz wrote the dreamy The Wes Anderson Collection.


Louis CK: Of course… But maybe?

This four-minute bit by Louis CK puts me on the floor every time I watch it and then makes me feel really horrible.

Everybody has a competition in their brain of good thoughts and bad thoughts. Hopefully, the good thoughts win. For me, I always have both. I have like the thing I believe, the good thing, that’s the thing I believe and than there’s this thing. And I don’t believe it, but it is there. It’s always this thing and then this thing. It’s become a category in my brain that I call “of course, but maybe”.

I love his gestures throughout this bit…the material is great but the physical comedy really sells it. So so good. (And, of course, terrible.)


The Making of Stanley Kubrick’s ‘2001: A Space Odyssey’

Making of 2001

Last year, Taschen came out with a limited edition book on The Making of Stanley Kubrick’s ‘2001: A Space Odyssey’. Only a couple thousand were made and one of them is selling on Amazon for $1750. This year, they’re releasing a regular edition for a much more reasonable $47. (via @michaelbierut)


Hysterical Literature

Photographer Clayton Cubitt started a project in 2012 called Hysterical Literature. In each of the project’s resulting videos, a female participant is filmed from the waist up reading a story of her choosing while she is stimulated to orgasm with a vibrator by Cubitt’s partner, Katie James. His first subject was adult film star Stoya; her thoughts on the experience are here.

Vanity Fair recently sent writer Tony Bentley to participate in an HL session. Her reading choice? The Portrait of a Lady by Henry James.

With Katie now in position under the table, takeoff is imminent and the stakes are high: the sessions are a one-shot deal, no retakes, and no editing of the footage after the fact. It was not lost on me that a perfect triangulation between Clayton (auteur, cameraman), Katie (Hitachi artist), and me (the canvas) was in play, and it mirrored my internal mixture of curiosity, exhilaration, and stage fright. I couldn’t help wondering if this adventure qualified as having a threesome with two strangers. But soon enough such intellectualizing sexualizing was rendered naught.

“Rolling,” says Clayton, and everything instantly disappeared except the book in my hands and the words on the page. The world was out and I was on.

By the time I’d read two pages, I was struggling mightily to keep my countenance. “She spent half her time in thinking of beauty, bravery and mag-nan-nnn-im-im-ity…”

There’s no nudity in the videos, but you might still find them NSFW.


An appreciation of the ShackBurger

Shack Burger

From The Message is Medium Rare, an appreciation of the ShackBurger, “a straightforward, honest-to-goodness burger”. It includes a review of the typography used by the restaurant:

These three typefaces artfully express the ethos of both the burger and the brand. Neutraface is the bun: sturdy, reliable and architectural. Futura is the patty: basic but bold. Galaxie is the lettuce: wavy, quirky and fresh. To the layperson this comparison may seem like a stretch, but designers know they are purposefully expressive.


Maps of the United States of Swearing

Most everyone in the United States swears, but the specific words used vary by region. For example, “fuck” is popular in California but not so much in Oklahoma, which is the “crap” epicenter of America. “Motherfucker” is unusually popular in Maine, as is “shit” in the Southeast, “douche” in Iowa, and “fuckboy” in Jersey.

United States of Swearing

United States of Swearing

United States of Swearing


Richard Feynman vs. Murray Gell-Mann


The Bridge at Q’eswachaka

Each year, using traditional Incan techniques, communities along a canyon in Peru rebuild a rope bridge that has been in continuous use for hundreds of years.

That you can take thousands of thin grass stalks and, through the careful application of engineering and hard work, make them strong enough to hold the weight of several people over a canyon still seems magical. (via cynical-c)


Cool furniture alert: the Fibonacci Shelf

The Fibonacci Shelf by designer Peng Wang might not be the most functional piece of furniture, but I still want one.

Fibonacci Shelf

Fibonacci Shelf

The design of the shelf is based on the Fibonacci sequence of numbers (0, 1, 1, 2, 3, 5, 8, 13, 21, …), which is related to the Golden Rectangle. When assembled, the Fibonacci Shelf resembles a series of Golden Rectangles partitioned into squares. (via ignant)


Renaissance painting shows how watermelons looked before selective breeding

A painting of fruit done by Giovanni Stanchi sometime in the mid 1600s shows that the watermelon has changed somewhat in the intervening 350 years.

Renaissance watermelon

That’s because over time, we’ve bred watermelons to have the bright red color we recognize today. That fleshy interior is actually the watermelon’s placenta, which holds the seeds. Before it was fully domesticated, that placenta lacked the high amounts of lycopene that give it the red color. Through hundreds of years of domestication, we’ve modified smaller watermelons with a white interior into the larger, lycopene-loaded versions we know today.

(via @robinsloan)


Modernizing the NYC subway’s ancient technologies

This video from the MTA shows some of the vintage technologies that are still in use to control many of the NYC’s subway lines and how they are upgrading (ve. ry. slow. ly.) to safer and more reliable computerized systems. Some of control systems are more than 80 years old.

Whoa, after watching that, I’m shocked that the trains ever get anywhere at all. (via the kid should see this)

Update: The NY Times has a look at the political and logistical challenges related to upgrading the NYC subway’s antiquated infrastructure.

A computerized signal system like C.B.T.C. is also safer because trains can be stopped automatically. New York’s quest to install the new system began in 1991, after a subway derailment at Union Square in Manhattan killed five people. The train operator was speeding after he had been drinking.

More than 25 years later, the authority has little to show for its effort to install modern signals. The L line began using computerized signals in 2009 after about a decade of work. A second line, the No. 7, should have received new signals last year, but the project was delayed until the end of this year.

The process is complicated. It requires installing transponders every 500 feet on the tracks, along with radios and zone controllers, and buying new trains or upgrading them with onboard computers, radios and speed sensors. The authority also had to develop a design and software that was tailored to New York’s subway.

Over the years, the authority has kept pushing back the timeline for replacing signals. In 1997, officials said that every line would be computerized by this year. By 2005, they had pushed the deadline to 2045, and now even that target seems unrealistic.

40 years to upgrade the entire system? Embarrassing.


6 of the top 15 Vine stars live in the same building on Vine St in LA (& this profile is AMAZING)


The sounds of Voyager’s Golden Record

When they were launched in 1977, the two Voyager spacecraft each carried with them a 12-inch gold-plated copper record containing images and sounds of Earth for the viewing pleasure of whichever aliens happened across them. NASA has put the sounds of the Golden Record up on Soundcloud. Here are the greetings in 55 different languages (from English1 to Hittite to Polish to Thai):

And the sounds of Earth (wild dogs, Morse code, trains):

What’s missing from the two playlists is UN Secretary General Kurt Waldheim’s greeting:

…as well as several other UN greetings overlaid with whale sounds:

Due to copyright issues, also missing are the 90 minutes of music included on the record. Among the songs are Johnny B. Goode by Chuck Berry, The Rite of Spring by Stravinsky, and Dark Was the Night, Cold Was the Ground by Blind Willie Johnson. Here Comes the Sun by The Beatles was originally supposed to be included, but their record company wouldn’t allow it, which is pretty much the most small-minded thing I have ever heard.

  1. The English greeting was spoken by Nick Sagan when he was six years old. Nick is the son of Carl Sagan, who chaired the committee that selected the contents of the record.


Jon Stewart, political heavyweight

Jon Stewart visited the White House. And Obama visited The Daily Show. That gives you some idea of the influence — on both sides of the aisle — Jon Stewart has built up over his tenure.

Jon Stewart slipped unnoticed into the White House in the midst of the October 2011 budget fight, summoned to an Oval Office coffee with President Barack Obama that he jokingly told his escort felt like being called into the principal’s office.


Reminder: Killing A Lion Is The Most Cowardly Thing You Can Do


Rappin’ to the Beat

In 1981, ABC’s news program 20/20 aired a segment on the rising phenomenon of rap music called Rappin’ to the Beat. It is painful to watch in parts, but ultimately worth it for the footage of street scenes and artist performances.

Here is part 2. (via open culture)


GQ profile of Jeffrey Tambor, who is of course amazing in both Arrested Development and Transparent


Will Smith’s drama Concussion, which is about the NFL’s brain trauma problems, is coming out Christmas Day


Why medieval painting babies were ugly

I had no idea Ol’ Dirty Bastard and medieval paintings had something in common. One of ODB’s AKAs was also the reason why babies in medieval paintings looked like ugly middle-aged men: Big Baby Jesus.

I mean, this baby looks like he wants to tell you that a boat is just a money pit.


The White House response to a petition to pardon Edward Snowden is sad but typical


How to shake someone who’s tailing you


Biker lifts parked car out of bike lane

How many times have you seen a car parked in the bike lane and wanted to somehow move it out of the way? Well, this very large cyclist felt that way and lifted this small car right out of his way.

I would love to see someone do this to an NYPD cruiser.1

  1. It’s a total cliche, but right now in NYC, I can almost guarantee there are 2 or 3 NYPD cars parked in the bike lane outside a Dunkin Donuts. I see this at least twice a week, just randomly walking around.


How bow-tie pasta is made…in slow motion

From Zerega Pasta, a video that shows, in slow motion, how farfalle (aka bow-tie pasta) is made at their factory.

Incredible combination of precision and quickness.


Pixar: The Design of Story

Design Pixar

Pixar: The Design of Story is an upcoming exhibition at the Cooper Hewitt National Design Museum here in NYC.

Through concept art from films such as Toy Story, Wall-E, Up, Brave, The Incredibles and Cars, among others, the exhibition will focus on Pixar’s process of iteration, collaboration and research, and is organized into three key design principles: story, believability and appeal. The exhibition will be on view in the museum’s immersive Process Lab — an interactive space that was launched with the transformed Cooper Hewitt in December 2014 — whose rotating exhibitions engage visitors with activities that focus on the design process, emphasizing the role of experimentation in design thinking and making.

More details are available in the press release. Definitely going to check this out and take the kids.


Hey cool, the Electric Objects EO1 digital art screen is available for pre-order on Amazon


Powers of Ten flipbook

Using images found on the internet through Google’s visually similar images feature, NASA, U.S. Geological Survey, and various mapping services, Kelli Anderson recreated part of the Eames’ iconic Powers of Ten as a flipbook. Watch a video here:

Or play around with a virtual flipbook at Anderson’s site. This could not possibly be anymore in my wheelhouse. Here’s the nitty gritty on how she made it happen.

The inspiration for making discontinuous-bits-of-culture into something continuous goes back to 2011. Some of my friends camped out on a sidewalk to see Christian Marclay’s The Clock. Like a loser with a deadline, I missed out-only catching it years later at MoMA. In the day-long film, Marclay recreates each minute of the 24-hour day using clips from films featuring the current time-on a clock or watch. It runs in perfect synchronization with the audience’s day (so: while a museum crowd slumps sleepily in their chairs at 6am, starlets hit snooze on the clocks onscreen.)


Mike Monteiro: guns can’t be well designed. “If a thing is designed to kill you, it is, by definition, bad design.”


NYC! Don’t sleep on this! Christopher Nolan in conversation w/ Quay Brothers, Aug 19 at Film Forum


Trailer for a Steve Jobs documentary

There’s a documentary on Steve Jobs coming out called Steve Jobs: The Man in the Machine. The director is Alex Gibney, who directed the excellent Going Clear (about Scientology), We Steal Secrets (about Wikileaks), and Enron: The Smartest Guys in the Room. The trailer:


New York Magazine: 37 women speak out about being sexually assaulted by Bill Cosby


Thom Yorke sings a pre-Radiohead version of High and Dry

While the members of On A Friday, the band that later became Radiohead, were on a break as they attended college, Thom Yorke was a member of a band called Headless Chickens. This is a video of a circa-1989 performance by the band of “High and Dry”, a song that later on Radiohead’s second album, The Bends, released in 1995.


The origin of sci-fi movie sounds

From Aaron Reese at Hopes&Fears, a piece on sci-fi movie sound effects. It’s chock full of interesting tidbits, like where King Kong’s chest-beating sound came from:

Initial attempts hitting a fixed kettle drum with paddled-drumsticks didn’t work, with Spivak saying the sound wasn’t “fleshy” enough. An experiment beating the floor failed as well. So Spivak decided to beat one of his assistant’s chests with drumsticks instead, saying “If wood will not take the place of flesh, then let’s use flesh.” Sure enough, this was the sound used for production.

The stabbing noise in Psycho is a knife plunging into a melon:

In a recording studio, prop man [Bob] Bone auditioned the melons for Hitchcock, who sat listening with his eyes closed. When the table was littered with shredded fruit, Hitchcock opened his eyes, and intoned simply: “Casaba.”

And my favorite, from Terminator 2:

In Robert Patrick’s T-1000 prison break scene, the robot phases through the cell bars with a slurpy metallic sound. Oscar-winning sound designer Gary Rydstrom revealed the effect was achieved by a simple solution from the sound of dog food being slowly sucked out of the can.

See also a short video tribute to the sounds of Star Wars.


The Art of the Car Chase

Casper Christensen cut together footage from dozens of movie car chases into one big coherent chase. Well, as coherent as you can get when you’re dealing with car chases.

There’s some fun and clever editing in here…I particularly enjoyed the stitching together of Indiana Jones and Axel Foley. And I loved the brief clip of C’était un rendez-vous, which if you haven’t seen it, is a quick and thrilling watch.


Oliver Sacks: “I have tended since early boyhood to deal with loss … by turning to the nonhuman.”


Muji’s minimalist white toaster

I think I’m a little bit in love with Muji’s white toaster, designed — along with a few other new items — by Naoto Fukasawa.

Muji Toaster

Fukasawa also designed Muji’s wall-mounted CD player. The toaster is only available at select stores in the US for now, but can be found in the UK and Europe in a few months. Or buy it now on eBay. (via @daveg)


Tree of 40 Fruit

Artist Sam Van Aken is using grafting to create trees that bear 40 different kinds of fruit. National Geographic recently featured Van Aken’s Tree of 40 Fruit project:

The grafting process involves slicing a bit of a branch with a bud from a tree of one of the varieties and inserting it into a slit in a branch on the “working tree,” then wrapping the wound with tape until it heals and the bud starts to grow into a new branch. Over several years he adds slices of branches from other varieties to the working tree. In the spring the “Tree of 40 Fruit” has blossoms in many hues of pink and purple, and in the summer it begins to bear the fruits in sequence — Van Aken says it’s both a work of art and a time line of the varieties’ blossoming and fruiting. He’s created more than a dozen of the trees that have been planted at sites such as museums around the U.S., which he sees as a way to spread diversity on a small scale.

(via colossal)


American calorie intake has fallen for the past 9 years; sugared soda consumption is down 25% since the late 90s


Human body hair flow maps

Human Hair Flow Map

In 1902, Dr. Walter Kidd published this map of “human hair streams”, showing in which directions hair in various parts of the human body grows.


A profile of mathematician Terence Tao, a prodigy who grew into a great mathematician


Designers’ summer reading picks

Wired asked a bunch of noted designers — Paola Antonelli, John Maeda, Jessica Walsh, Milton Glaser, etc. — for their summer reading picks. Among their selections were Flow by Mihaly Csikszentmihalyi, An Engineer Imagines by Peter Rice, The Success and Failure of Picasso by John Berger, and Just Enough Research by Erika Hall.


For almost a year, obsessive frequent flyer Ben Schlappig has been in near-continual motion around the world


Magic Mike XXL embraces strip club classics

In Pitchfork, Susan Shepard writes about how Magic Mike XXL uses strip club music to full advantage.

MMXXL functions more like a musical in that it uses the dance sequences deliberately to advance the plot; Mike doesn’t talk about wanting to get the band back together, he dances about it when “Pony” comes on in his workshop. Big Dick Richie finds the heart of his stripper character dancing to “I Want It That Way”. Malik challenges Mike to “Sex You”. And ultimately, they all find out something about themselves when they create new routines to new songs for the finale. It could transition seamlessly to the stage. They’re even already acting out the lyrics, which are for the most part of “this is what I want to do to you” tradition of R&B.

The film gets at the heart of strip club culture with its scenes at Domina, the exclusive club run by Mike’s former lover and working partner, Rome. All the best strip club ideas come from black clubs, specifically those in the South. Every good innovation in strip club dancing, music, and costume styles started in Atlanta or Houston or Miami clubs. The way the Florida dancers feel when they walk in and see Augustus, Andre, and Malik outdance and outperform them is exactly what it feels like to walk into Magic City from the Cheetah. Here is the future, here is how far behind it you are with your fireman routines and Kiss songs.

Having never been to a strip club in my entire life (WHAT?!! I know! I know!), I had no idea that Nine Inch Nails’ Closer was a strip club staple.

My very first stage performance was to the Revolting Cocks’ version of “Do Ya Think I’m Sexy” and Nine Inch Nails’ “Closer”, about a month after it had come out. It is one of those songs strippers fight over performing to because it’s that good and gets such a crowd response. “Closer” might as well be strip club furniture.

But it makes sense. Closer is one of the catchiest pop songs ever made. Shortly after it came out, I remember going to an on-campus party at which a friend of mine was DJing. He was playing mostly dance music — some club, some top 40ish, and some electronica — but threw on Closer for the benefit of a friend of ours who was a big industrial and NIN fan. Everyone loved it and got out onto the dance floor: the jocks, the ravers, the sorority girls, the physics club geeks. Our friend wasn’t too happy about it though. Somehow, Nine Inch Nails now belonged to everyone. Cultural appropriation is a biiii….


The Waffle House Index

The Waffle House Index is an informal metric used by FEMA administrator Craig Fugate to evaluate how bad a storm is. Basically, whether the Waffle House in town is open or serving a limited menu can tell you something about how bad the storm was and how much recovery assistance is necessary.

If you get there and the Waffle House is closed? That’s really bad. That’s where you go to work.

See also The Economist’s Big Mac Index and other odd economic indicators. (via @naveen)


Ultimate commentary on Raiders of the Lost Ark

If you are a fan of Raiders of the Lost Ark — and who isn’t? — then this is your holy grail: a feature-length commentary on the movie by Jamie Benning that includes seemingly every tidbit related to the film, including deleted scenes, audio commentary from the cast and crew, behind the scenes video, and much more. An incredible resource in understanding the film.

Benning has also done similarly excellent commentaries for Jaws, Star Wars, Empire Strikes Back, and Return of the Jedi. (via @drwave)


New cache of historical footage on YouTube

The Associated Press and British Movietone are uploading 17,000 hours of archival news footage, some of dating back to the late 19th century. The videos can be found on the AP Archive and British Movietone channels. Some notable videos from the collection follow. Coverage of the Hindenberg disaster:

The celebration of VE Day in London:

Coco Chanel fashion show from 1932:

Martin Luther King Jr. and marchers being arrested in Selma:

See also British Pathe.


Star Wars-style opening crawls of the day’s news

Every day, a program written by Julien Deswaef selects a war-related news item from the NY Times, formats it in the style of the infamous Star Wars opening crawl (complete with John Williams’ score), and posts the results to YouTube.

Published yesterday, the crawl for Episode XXVII was taken from a NY Times article about an Obama speech about the Iranian nuclear deal.

Here’s how the project was made and if you’d like to try it yourself, grab the source code. (via prosthetic knowledge)


Conor Friedersdorf’s annual (and excellent!) list of the 100 best pieces of journalism from the past year


The top 10 most beautiful movies of all time

Ok, so narrowing down all of the beautifully shot movies in the world to a list of just 10 is absurd, but to their credit, the gang at Cinefix manage to mention more than 50 or 60 movies in their top 10 review. If you’ve only seen even a few of these, you’re doing well.

Manhattan, Citizen Kane, The Fall, 2001, Hero, The Tree of Life. Damn.


Everything I Am Afraid Might Happen If I Ask New Acquaintances to Get Coffee