This site is made possible by member support. 💞
Big thanks to Arcustech for hosting the site and offering amazing tech support.
When you buy through links on kottke.org, I may earn an affiliate commission. Thanks for supporting the site!
kottke.org. home of fine hypertext products since 1998.
Nicholas Felton’s personal annual report for 2006. “Disclaimer: Alcoholic beverages were consumed during the collection of this data and the author acknowledges that the occasional drink may have gone unrecorded.” Here’s the one for 2005. LOVE this.
Peter Merholz has some interesting thoughts on why Google Calendar is about to overtake Yahoo Calendar as the top web calendar app. “Here’s a product whose very definition was predicated on empathy for true customer needs. And it’s succeeding brilliantly.”
Food manufacturers are greenwashing their packaging, using homey organic colors and themes to sell food that isn’t even necessarily organic or healthy. “Start with a gentle image of a field or a farm to suggest an ample harvest gathered by an honest, hard-working family. To that end, strangely oversize vegetables or fruits are good. If they are dew-kissed and nestled in a basket, all the better. A little red tractor is O.K. Pesticide tanks and rows of immigrant farm laborers bent over in the hot sun are not.”
10 kick ass opening credit sequences from movies (+ accompanying YouTube videos). The credits for Se7en will forever be my favorite, if only because they inspired me (in part) to become a designer.
Scans of the New York City Transit Authority Graphics Standards Manual from 1970. (thx, jake)
A look at Saks Fifth Avenue’s new logo and identity. The identity system consists of cutting up the logo into patterns….98,137,610,226,945,526,221,323,127,451,938,506, 431,029,735,326,490,840,972,261,848,186,538, 906,070,058,088,365,083,852,800,000,000,000 possible patterns.
Quirky West Village eatery Shopsin’s finally closes for good. Once more, with feeling: the Shopsin’s menu and Calvin Trillin’s classic piece about the restaurant in the NYer.
Update: James Felder wrote a nice remembrance of eating at Shopsin’s on its final day for Serious Eats. (thx, adam)
The proprietor of the Book Design Review blog picks his favorite book covers of 2006.
Slate has gone to the dark side by splitting up their articles into multiple pages. I hate this reader-hostile bullshit. At least they have a single page option. But why not have that as the default and have the pagination be the option? (That was rhetorical, btw…the reason online pubs split stories up is to increase ad views.) (thx, john)
Roger Black interviews Luke Hayman, the outgoing design director of New York magazine.
Lisa Strausfeld’s team at Pentagram has designed the interface for the One Laptop Per Child computer. “Users can move outward from the Home view, where they can set preferences like color, to the Friends view, where they can chat with their friends, to the larger Neighborhood view, where they can locate other users and gather around an activity.”
Update: The OLPC human interface guidelines document has a lot more on the interface. (thx, bob)
At The Art of the Book event last week, the panel was asked why there were so few female superstar designers. Milton Glaser took a shot at answering the question (many women choose family over work during the crucial superstar career development years) but judging by the reaction afterwards online, his comments were not appreciated by some. To be fair, Glaser’s comments were taken out of context, I think, and what he said is a part of the overall answer to the question. On Design Observer, Michael Beirut, who was the moderator for that evening’s event, takes a closer look at the issue. “The real question was the unspoken one: ‘Why is it that you guys up there are always…guys?’” Oh, and here’s a list of women speakers for your conference.
The Max Planck Institute of Molecular Cell Biology and Genetics has a logo that changes every time it gets used on letterhead or displayed on a web site. The logo system was designed by Michael Schmitz and is based on cellular automata like John Conway’s Game of Life. “Parameters [for the logo] are coupled to certain factors: number of employees = density, funding = speed, number of publications = activity. Different logos are being ‘bred’ and then picked by fitness in relation to the parameters or voted for by the employees.” Schmitz’s PDF document Evolving Logo is worth a look even if you don’t read German. (Anyone want to do a translation? It looks fascinating.) (via bbj)
Bookslut lists the best book covers of 2006. (via lists 2006)
Took in The Art of the Book lecture at the 92nd Street Y last night. Milton Glaser, Chip Kidd (“a modern day Truman Capote” I heard him described as afterward), Dave Eggers, with Michael Beirut moderating. One of the most interesting comments came late in the proceedings from Dave Eggers, who described one of the main goals of the McSweeney’s design staff as attempting to design the books as well and as beautifully as they could as objects so that people would be compelled to save them. That way, even if people didn’t have time to read them soon after purchase, they couldn’t bear to throw/give the book away and would instead put it on their shelf in the hopes — McSweeney’s hopes, that is — that the buyer would at some point pull it down off the shelf and give it another try.
This design goal runs counter to the design process behind most contemporary book jackets, which are engineered almost entirely for the purpose of eliciting in the potential buyer a “buy me” reaction within two seconds of spotting them. McSweeney’s, as a champion of authors, wants the writing to be read while most major publishing companies, as champions of their shareholders, want books to be purchased. People buying books is important to the goal of getting the writing within them read, but McSweeney’s emphasis on designing books to last in people’s homes is a clever way to pursue that goal after the sale.
Design Observer’s 2006 holiday reading list. Lots of good gift ideas.
Beautiful-looking 2007 calendar designed by Paula Scher and her team at Pentagram.
Penguin is releasing a series of books with blank covers with the idea being that the reader fills them in. The first books in the series include Crime and Punishment and Emma. Penguin has a gallery of reader submissions…send in your best shot.
Cool slideshow of 221 years of mastheads from the London Times. (via newsdesigner, who has more on the recent Times refresh)
Event at the 92nd St. Y on Dec 4: The Art of the Book: Behind the Covers with Dave Eggers, Chip Kidd and Milton Glaser. Tickets are only $10 if you’re 35 or younger.
Item of note included in the announcement of Luke Hayman’s addition to the NYC Pentagram office: he and Paula Scher are completely redesigning Time magazine, due to launch in January 2007. Hayman was formerly design director at New York magazine.
The brand new Brand New blog identifies and critiques new logos and other brand identity work.
An oldie but a goodie: Bruce Mau’s Incomplete Manifesto for Growth. “Ask stupid questions. Growth is fueled by desire and innocence. Assess the answer, not the question. Imagine learning throughout your life at the rate of an infant.”
Update: Also old but good: Dean Allen’s Annotated Manifesto for Growth. (thx, oscar)
A collection of two-minute Photoshop tricks, delivered via text, audio, and video.
Portfolio site of graphic designer Si Scott. The navigation is ridiculous and inscrutable, but the work within is worth seeing.
Some mobile phones come with water damage stickers that change color when they get wet, thereby voiding the warranty on your phone if it stops working, no matter if the color change and the breakage is related. “As a designer, I would much prefer to look at the problem as ‘How can we improve the sealing of phones so that water ingress is no longer a major problem?’ than ‘How can we design something to cover our backs and shift all the blame onto the user for our design fault?’”
Praise be! The New Yorker seems to have reversed their position on splitting their articles up into multiple pages…the articles from this week’s issue all seem to be one-pagers (for example). Nice work.
Update: I spoke too soon…they are still doing multi-page articles. What I observed seemed to be a technological hiccup. Booo!!!
Photoshop tutorial: how to add 20 years to someone in a photograph. (via photojojo)
Stay Connected