Faces are now being searched at US
Faces are now being searched at US airports for suspicious microexpressions. Psychologist Paul Ekman helped set up the program and was previously one of Malcolm Gladwell’s subjects in The Naked Face and Blink.
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Faces are now being searched at US airports for suspicious microexpressions. Psychologist Paul Ekman helped set up the program and was previously one of Malcolm Gladwell’s subjects in The Naked Face and Blink.
When Computers Were Human, “the sad but lyrical story of workers who gladly did the hard labor of research calculation in the hope that they might be part of the scientific community”.
Sketchbook of every piece of art in the Museum of Modern Art. $20.
The AAAS, the organisation which publishes Science magazine, has produced a book called The Evolution Dialogues. “Meant specifically for use in Christian adult education programs, it offers a concise description of the natural world, as explained by evolution, and the Christian response, both in Charles Darwin’s time and in contemporary America.” (thx, mike)
The CSM reviewed a book called Special Topics in Calamity Physics by Marisha Pessl last week, saying if you like Eggers and footnotes (a la Clarke’s Strange & Norrell or, presumably DFW), you might like this one. Anyone read this? Worth a shot?
L.C. Hall wrote an article in 1902 for McClure’s Magazine called “Telegraph Talk and Talkers, Human Character and Emotions an Old Telegrapher Reads on the Wire”. Hall’s article reveals a surprisingly wide range of information transmitted across telegraph wires between operators that has nothing to do with the messages being sent.
The piece begins with an account of a “fast sending tournament”, which contest reveals not only the quick sender, but the masterful:
Presently a fair-haired young man takes the chair, self confidence and reserve force in every gesture. Away he goes, and his transmission is as swift and pure as a mountain stream. “To guard against mistakes and delays, the sender of a message should order it repeated back.” The audience, enthralled, forgets the speed, and hearkens only to the beauty of the sending. On and on fly the dots and dashes, and though it is clear that his pace is not up to that set by the leaders, nevertheless there is a finish — an indefinable quality of perfection in the performance that at the end brings the multitude to its feet in a spontaneous burst of applause; such an outburst as might have greeted a great piece of oratory or acting.
Many friendships were formed over the wire between senders who, judging mainly by the cadence of the code, sized up their counterparts from hundreds of miles away to the point of knowing their gender and general demeanor despite having never asked. Hall struck up such a friendship with a man called C G, whose attachment to Morse and Hall was so strong that he called out for him on his deathbed:
“Late in the evening,” said the [head nurse] as our interview was ending, “I was called into his room. He was rapidly failing, and was talking as if in a dream, two fingers of his right hand tapping the bedclothes as if he were sending a message. I did not understand the purport, but perhaps you will. ‘You say you can’t read me?’ he would say; ‘then let H come to the key. He can read and understand me. Let H come there, please.’ Now and again his fingers would cease moving, as if he were waiting for the right person to answer. Then he would go on once more: ‘Dear me, dear me, this will never do! I want to talk with H. I have an important message for him. Please tell him to hurry.’ Then would follow another pause, during which he would murmur to himself regretfully. But at last he suddenly assumed the manner of one listening intently; then, his face breaking into a smile, he cried, his fingers keeping time with his words: ‘Is that you, H? I’m so glad you’ve come! I have a message for you.’ And so, his fingers tapping out an unspoken message, his kindly spirit took its flight.”
The article closes with a bit on telegraph slang, or “hog-Morse”, when inexperienced operators slip up and send a bit of jibberish that expert receivers can nonetheless decipher from the context.
In the patois of the wires “pot” means “hot,” “foot” is rendered “fool,” “U. S. Navy” is “us nasty,” “home” is changed to “hog,” and so on. If, for example, while receiving a telegram, a user of the patois should miss a word and say to you “6naz fimme q,” the expert would know that he meant “Please fill me in.” But there is no difficulty about the interpretation of the patois provided the receiver be experienced and always on the alert. When, however, the mind wanders in receiving, there is always danger that the hand will record exactly what the ear dictates. On one occasion, at Christmas time, a hilarious citizen of Rome, New York, telegraphed a friend at a distance a message which reached its destination reading, “Cog hog to rog and wemm pave a bumy tig.” It looked to the man addressed like Choctaw, and of course was not understood. Upon being repeated, it read, “Come home to Rome, and we’ll have a bully time.” Another case of confusion wrought by hog-Morse was that of the Richmond, Virginia, commission firm, who were requested by wire to quote the price on a carload of “undressed slaves.” The member of the firm who receipted for the telegram being something of a wag, wired back: “No trade in naked chattel since Emancipation Proclamation.” The original message had been transmitted by senders of hog-Morse, called technically “hams,” and the receivers had absent-mindedly recorded the words as they had really sounded. What the inquirer wanted, of course, was a quotation on a carload of staves in the rough.
Hog-Morse reminds me of the SMS typos which occur when T9 slips up or someone fat-fingers the wrong button on the phone. I can’t recall how many times I’ve texted my wife “good soon”, by which I meant that I’ll be “home” shortly. It’s also reminiscent of gamer typo slang, like pwned, teh, and su[.
For more on the telegraph, particularly as it relates to contemporary communication technology, I highly recommend The Victorian Internet by Tom Standage. Also related: send Morse code via SMS with your mobile phone and a 23-yo woman from Singapore holds the world record for speed texting a 26 word message in 43 seconds.
Update: The texting record was broken in July; a Utah teen texted the message in 42.22 seconds. And in an Australian speed contest, a telegraph operator beat texting teens. (thx eugene and alex)
Works of fiction (books mosly) which deal significantly with mathematics.
After Deam Kamen introduced his scooter, “segway” became a popular misspelling for “segue”. Thirty years earlier, Thomas Pynchon used the same spelling in Gravity’s Rainbow: “But segway into the Roxbury hillside.”
Part two of an interview with Paul Buckley, a creative director for Penguin, on the topic of book cover design. Part one is here.
Lionel Shriver: bad book covers happen because people use computers to design them and don’t know how to draw. What, you can’t draw with a computer? Not sure I see the cause and effect that Shriver is talking about here.
The story of Zingerman’s Deli and how the company expanded while remaining local and committed to its ideals. The author of the article wrote a book called Small Giants: Companies That Choose to Be Great Instead of Big and Zingerman’s co-founder Ari Weinzweig was a speaker at Taste3.
Jesse James Garrett talks with Steven Johnson about Interface Culture. I know part 2 is coming, but I just want this interview to go on forever. p.s. Dean!
Beautiful Evidence is both the title of Edward Tufte’s latest book and an accurate description of the document itself. Like few other mass market publications, BE is lovingly hand-crafted, a physical manifestation of the ideas expressed in its pages; the text and images therein could be about another subject entirely and you might still get the point: “Words, Numbers, Images - Together” (the title of the book’s fourth chapter).
Case in point. Pages 123 and 124 fold out into a spread depicting Charles Joseph Minard’s famous infographic of the disastrous 1812 invasion of Russia by France. But unlike most magazine and book fold-outs, the page that folds out is cut 1/2 inch narrower than the underlying page so that a) a bit of the page underneath peeks out, providing a visual cue for unfoldability, and b) there’s no difficulty when you go to refold the page with getting it caught in the book’s crease or otherwise undesirably bending/creasing it. The fold-out design is a small thing that the casual reader might not even notice, but it demonstrates the care that went into the production of the book (and perhaps the reason why Tufte took so long in writing/designing it).
The gang at 37signals noticed similar craftsmanship in the writing and presentation:
“What struck me is how you almost never have to hold something in your head while turning the page…he usually finishes his thought within the two pages you can see…and when you flip, it’s something new…that’s an excellent self-imposed constraint…’whatever i need to say, i’ll do it here.’” Jason replied, “Yes, I love that. I noticed that more on this book than others. The image and text is in one spread so when you turn you are turning your attention to a new idea. If you have too much to say than the space allowed then you are probably saying too much…it definitely makes it easier to design the book too…you can design each spread as if it was a standalone poster.”
What I’ve also noticed about Beautiful Evidence is the lack of reviews in mainstream publications; I can’t find a single newspaper or magazine that has published a review. Compare that to the releases of Gladwell’s Blink, Remnick’s Reporting, and Anderson’s The Long Tail, for which reviews started appearing almost everywhere before the books were even available. Those books were written for mass audiences and backed by large publishing companies with ample PR resources and plenty of review copies to go around. In contrast, Beautiful Evidence is self-published by Tufte, which means it’s beautiful, personal, and done just right, but also invisible to the mainstream press. Not that Beautiful Evidence is being ignored — the blogosphere is talking about it and the Amazon Sales Rank is currently about 600 (which doesn’t count online sales directly from edwardtufte.com) — but it deserves the consideration of the mainstream press.
The NY Times on the state-of-the-art in book self-publishing. Prices are dropping (slightly), quality and options are increasing.
On the heels of two books critical of string theory, a look at the string theory backlash.
During the depths of the dot com bust, Julian Dibbell looked online for a job and found one as a commodities trader in the Ultima Online virtual world. During one particularly productive month, he made almost US$4000. Dibbell has a book coming out about the experience, Play Money: Or, How I Quit My Day Job and Made Millions Trading Virtual Loot. In addition to being available at bookstores in meatspace, Play Money will also be on sale in the virtual world of Second Life in the currency of that world (Linden dollars). From the press release:
In-game versions of Play Money designed by Second Life coder/publisher Falk Bergman are available for L$750. These copies can be signed by Dibbell at his in-Second Life interview with journalist Wagner James Au on July 27th. For the Second Life resident who needs something a bit more tactile, L$6250 buys a real-life copy of Play Money, shipped with care to the buyer’s real life address, in addition to the standard in-game version.
(At the time of this press release, Linden dollars are trading at approximately L$300.00 to the US$1.00. Adjusted to US dollars, an online copy costs US$2.50, and the price of a real-life copy bought in-game is around US$20.85.)
Dibbell will be signing his virtual books in Second Life on July 27th. Caterina read Play Money and has some thoughts on its relation to her work/play at Ludicorp. And here’s a preview of Chinese Gold Farmers, a documentary on gold farming sweatshops in China.
Movie version of Ayn Rand’s Atlas Shrugged to be made and shown in a trilogy. (via mr)
From a Guardian review of Heat, Bill Buford’s new book on, in part, celebrity chef Mario Batali:
Batali would play Bob Marley songs on the sound system, knowing the New York Times restaurant critic was a fan. He would berate staff who failed to recognise celebrities, who must be served first and given special treatment. To make a humble fish soup called cioppino, he would rummage through bins and chopping boards, collecting left overs (tomato pulp, carrot tops, onion skins), then price the dish at $29 and tell the waiters to sell the hell out of it or be fired. Short ribs prepared in advance, wrapped so tightly in plastic wrap and foil that they wouldn’t spurt sauce if stepped on, would keep in the walk-in fridge for up to a week.
Maybe that’s why a recent trip to Babbo was not the top-shelf experience we expected.
An enormous amount of statistics about the book industry. “58% of the US adult population never reads another book after high school.”
Great detailed post about how the inside of a book is designed. Page counts are determined for business reasons so the designer has little choice but to find the proper font to make the given text fit in the given space…readability is a secondary consideration. (thx, susan)
Robert Birnbaum interviews writer Gay Talese. “Look, if you want to make your living chopping people up, you will find an audience. You will, but it’s not me.”
New Yorker review of Chris Anderson’s new book, The Long Tail. Oddly, there’s no disclaimer that Anderson works for the same company that publishes The New Yorker. Not that the review is all synergistic sunshine; the last half pokes a couple of holes in Anderson’s arguments.
Author Haruki Murakami has spoken out against a rise in Japanese nationalism and is planning to address the issue in his next book. “We don’t have to be tied by the past, but we have to remember it.”
Summer reading list of photography books. It’s not on the list, but I picked up New Yorkers: As Seen by Magnum Photographers at a friend’s house this weekend and found it well worth my time. (via rb)
Dear Mr. Pollan,
I am writing to you in the hopes that you can offer some assistance to me regarding a troubling household situation. My wife has been reading your recent book, The Omnivore’s Dilemma, and has allowed herself to become carried away with your admittedly persuasive argument about eating more locally and ethically raised food.
At first it was just little stuff, like buying local produce and banning foodstuffs made with high fructose corn syrup. But then there was the fist-fight at the greenmarket about the sausage that Meg suspected was not humanely made because the woman selling it did not know the names of the pigs that supplied the meat. “Just one name, you heartless bitch!” she screamed as security escorted her from Union Square. The restraining order prevents Meg’s further presence at the market and I am barely tolerated in her stead.
Lately though, Mr. Pollan, the situation has become much worse. Meg has completely forsaken her marital duties, turning her evening attentions elsewhere. It took me a few weeks to discover what she was up to, but she finally admitted to tending a hayfield in an empty lot in Queens. Oh, didn’t I tell you? Meg has purchased a cow. I don’t know where this cow is located, but his name is Arthur. She’s taking me to meet him before he’s humanely slaughtered so that, and I quote precisely, “you know where your food comes from for a change”.
After the cow news became widely known in our household, Meg turned our extra bedroom into a hay mow, which mow is the subject of our building’s co-op board meeting next month. An eighth floor resident complained about the conveyor belt chucking bales into the building’s alley and the straw situation in the elevator was getting on everyone’s nerves. I dare not add to the register of complaints by mentioning my acute hay-fever at this point.
The loss of the bedroom was tolerable, but Meg has also planted a garden that takes up half of our living room. One day she just took out the hardwood flooring and replacing it with freshly turned soil. Did you know that you can buy a roto-tiller in Manhattan, Mr. Pollan? Well, I do know, and you can definitely buy a roto-tiller at the Home Depot on 23rd Street in Chelsea for a sum close to what your wife might get at a pawn shop for your wristwatch.
So you can see the predicament I’m in here, Mr. Pollan. Any advice you can offer to this sneezing, watchless, beleaguered soul would be greatly appreciated.
Yours very sincerely,
Jason Kottke
P.S. I hope this letter reaches you in a timely manner. Meg has determined that the USPS uses ethanol-based gasoline in their trucks, so this letter is “speeding” its way to you via grass-fed horseback. Pray for me.
Michael Ruhlman is guest-blogging up a storm over at Megnut. Ruhlman is the author Soul of a Chef and (with Thomas Keller) of The French Laundry Cookbook, among many others.
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