kottke.org posts about art
As part of his show called Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis, currently on display in LA, Takashi Murakami painted his own version of Claude Monet’s Woman with a Parasol - Madame Monet and Her Son. The painting is paired with Murakami’s copies of woodblock prints (ukiyo-e) that influenced the work of Monet and other abstract & impressionist artists.
Here Murakami pairs a copy of Monet’s portrait with twelve enlarged versions of ukiyo-e prints by Kikukawa Eizan and his teacher, Utamaro. Through these examples Murakami shapes a narrative of Monet’s encounter with bijinga. They suggest the elements that Monet absorbed in his study of prints: statuesque three-quarter figures; sensual outlines; parasols viewed from below; cloud-like masses of cherry blossoms; windswept skirts. Another selection, Utamaro’s Yamauba and Kintarō, is an example of a bijinga sub-genre in which women are shown with young children.
As noted by Greg Allen, Murakami used an unusual process for his reproductions:
Copying the originals, Murakami had his own intimate encounter with these features, recognizing in the process the meticulous care taken in pursuit of delicate effects. He interprets them in his signature style, composed of layer upon layer of silkscreened acrylic paint, applied with a special squeegee work application method and coated in a glossy finish.
A painting from 1633 called Vision of Zacharias in the Temple has been newly identified by Rijksmuseum researchers as an authentic Rembrandt van Rijn. It had been decades since the painting was examined — art historians have access to all kinds of new techniques and information about Rembrandt’s methods and materials.
Vision of Zacharias in the Temple was shown at the major Rembrandt exhibition at the Stedelijk Museum Amsterdam in 1898. In 1960, however, it was excluded from Rembrandt’s oeuvre. A year later, a private collector purchased the work, after which it disappeared from public view. Only recently did the current owner contact the Rijksmuseum, allowing the painting to be examined again after 65 years.
The two-year investigation shows that all the pigments used also appear in other paintings by Rembrandt from the same period. The build-up of the paint layers and the handling are likewise consistent with his early work.
The painting is executed on two oak panels from trees grown in the south-east of Lithuania, a common wood source in the seventeenth century. The dimensions and construction correspond to panels Rembrandt frequently used. Dendrochronology (tree-ring dating) confirms that the inscribed date “1633” is plausible.
Here’s the back of the painting (the whole analysis is interesting):
Vision of Zacharias in the Temple goes on display at the Rijksmuseum tomorrow. (via the history blog)
Ann Ballentine bought an old candy factory building in Brooklyn in 1979. She filled it with working artists and became something of a fairy godmother to them all.
It entails someone who’s not as money driven, because you’re not gouging people for huge rents, and it requires being determined to do that over a long stretch of time.
This is a lovely little short film.
In a video for the V&A Museum, stone carver Miriam Johnson hand-carves a pair of hieroglyphs “using both sunken relief and raised relief techniques”.
The video has minimal narration; mostly it’s just a master craftsperson quietly tapping away at the stone — and getting bits of rock all over the sleeve of her jumper. The effect is pretty relaxing, especially with the more rhythmic tapping for the second carving. (via the kid should see this)
I love these collage illustrations of various celebrities and famous characters by artist/designer Fries Vansevenant: Han Solo & Luke Skywalker, Notorious BIG, Heath Ledger’s Joker, Beatrix Kiddo, David Beckham. There are more on his Insta.
The excellent Poster House museum in NYC currently has an exhibition up of posters by Peter Strausfeld.
Between 1947 and 1980, Peter Strausfeld, a German refugee interned on the Isle of Man during World War II, created unique, compelling posters for London’s Academy Cinema—the city’s premier art house movie theater. Founded by Elsie Cohen in 1931, the Academy specialized in international films that eschewed classic Hollywood narratives, highlighting works by now-famous directors like Federico Fellini, Akira Kurosawa, François Truffaut, Ingmar Bergman, Andrzej Wajda, and Satyajit Ray. While these films now hold cult status for cinema aficionados, in the early to mid-20th century, art house remained a novel and daring form of cinema that few theaters showcased.
Throughout his longstanding relationship with the Academy, Strausfeld created over 300 bold, predominantly single-color linocut compositions with a deceptively simple hand-printed feel.
An accompanying book is available from RIT Press. More of Strausfeld’s work can be found at It’s Nice That, Orson & Welles, and Mubi. (via the new yorker)
I know I probably say this every time I post videos like this, but I wish I’d gotten into art & art history earlier than I did. Channels like Behind the Masterpiece are so good at making this stuff come alive and their Brief History of Japanese Art scratches my recent interest in Japan itch quite nicely. I was lucky to see some of the pieces from the video on my Japan trip last fall, including the Big Buddha in Kamakura, hand scrolls, sumi-e, and so many woodblock prints. (via open culture)
The Torment of Saint Anthony is the earliest surviving work attributed to Michelangelo, painted by him in 1487 or 1488 when he was 12 or 13 years old. This is an intense painting, the kind of thing that would have resulted in Michelangelo’s parents visiting the principal’s office had the young man painted this in a contemporary 7th grade art class.
Until 2009, it was believed the painting was a copy of a documented Michelangelo original, but a restoration and x-ray & infrared scans of the work showed evidence that the painting was done by the future master.
Michelangelo’s work was based on Martin Schongauer’s engraving Saint Anthony Tormented by Demons. This video provides a great overview of the history of the painting:
(via colossal)
From the collection of the Met, an Egyptian artist’s sketch of a sparrow circa 1479–1458 BCE. Much of the art that filters down to us from ancient civilizations was used for official purposes (state, religion, commerce); it’s nice to see something simpler like this drawing. Archaeologist Alison Fisk:
This may have been a practice drawing of the sparrow hieroglyph which was used for words meaning ‘small’, ‘poor’, or ‘bad’
The Egyptian artisans who decorated tombs and temples, drew sketches and jotted down notes on the plentiful limestone flakes which were by-products of temple and rock-cut tomb construction. Egyptologists refer to them as ‘ostraca’ (singular: ostracon). More info: ancientegyptonline.co.uk/ostracon/
From that link about ostracon:
The word “ostracon” is derived from the Greek “ostrakon” (meaning a piece of pottery used as a voting ballot). When a vote was held on whether to banish a person from society these shards were used to cast votes. This is the origin of the word “ostracism” (literally meaning “to be voted out”).
Suzanne Saroff makes unusual photographic sculptures, including these dynamic olive oil shapes.
“What if you held a tree long enough for it to grow around your hand?” For a piece called It Will Continue to Grow Except at That Point, Giuseppe Penone fitted a cast of his hand to a growing tree and the tree grew around it for more than a decade.
Penone has been featured on KDO once before — for his sculptures of trees where he carves away tens or even hundreds of years from massive trees to reveal their inner saplings.
I love these photos of Rama Duwaji by Szilveszter Mako — a perfect combination of photographer and subject. Duwaji is an artist, illustrator, New Yorker, and second-generation Syrian-American. She is also married to Zohran Mamdani, who is the mayor-elect of NYC.
Stickertop.art is a massive collection of the tops of laptop computers adorned with stickers.
Laptop stickers are more than decoration, they’re a form of self-expression. Each one is a snapshot of a moment, a place, and an attitude. But they’re fleeting; when the technology becomes outdated, the laptops along with the stories stuck to them often end up in the waste pile. I thought it was a shame for something so personal and creative to just disappear, so I created this site to preserve them.
If you’re a laptop decorator, you can upload your sticker collection to the site. (via @juandesant)
The painting above was made in 1945 by self-taught artist Janet Sobel; it’s called Milky Way. Sobel was a Ukrainian-born artist who was a pioneer in abstract expressionist art and in drip painting; her work directly influenced that of Jackson Pollock. From Why This Pioneering Abstract Painter Disappeared From the Art World at the Height of Her Fame:
The next year, Sobel had her first solo show at New York’s Puma Gallery, where the legendary art critic Clement Greenberg visited — with Pollock. In an update to his essay “American-Type Painting,” Greenberg wrote that they “admired these pictures rather furtively,” adding: “Later on, Pollock admitted that these pictures had made an impression on him.”
Here’s one of Sobel’s paintings circa 1946-1948:
Compare that with Pollock’s first drip painting in 1946. Hmm!
Sobel’s “outsider” status, gender, and age, as well as a move away from NYC and the loss of her primary patron, all contributed to her short career, lack of recognition, and limited legacy (for someone who was described in 1946 as an artist who will “eventually be known as one of the important surrealist artists in this country”).
In 2021, Sobel was the subject of a belated obituary in the NYT’s Overlooked series.
How exactly Sobel entered the art world is a bit of folklore. As one story goes, Sobel’s son Sol was an art student who in the late 1930s threatened to quit his studies at the Art Students League, a storied nonprofit school in Manhattan that counts Norman Rockwell, Georgia O’Keeffe and Mark Rothko among its alumni.
According to historians and family members, Sobel criticized one of Sol’s paintings, prompting him to throw down his brush and tell her to take up painting herself instead.
And here’s a MoMA video about Sobel’s Milky Way:
Konnichiwa! I’m back from Japan and finally getting over my jetlag, which took much longer than I expected. Here’s a list of all the things I’ve been reading, watching, listening to, and experiencing over the past few months.1 Let us know what movies, books, art, TV, music, etc. you’ve been enjoying in the comments below!
Deacon King Kong by James McBride. This was my first time reading anything by McBride and maybe I have a new favorite author? I love everything about this story and the way he tells it. (A+)
The Da Vinci Code. One of my go-to comfort movies. “Scientific” art history detective story? Yes, please. (A)
One Battle After Another. Great. Especially Sean Penn. And it reminded me of a Wes Anderson movie for some reason? Like one that he would have made had he followed the Bottle Rocket path instead of the Rushmore Path. (A+)
Meredith Dairy Marinated Sheep & Goat Cheese. All cheese is delicious, but this one particularly so. (A)
Fantastic Four. It was ok? Aside from a few things, I’m having trouble getting excited about post-Infinity Saga Marvel. There was just a special alchemy about that whole arc that is proving impossible to reproduce. (B)
The Age of Innocence by Edith Wharton. Fantastic right from the first page. Sharp writing about social mores, reminded me of Middlemarch & Price and Prejudice in that respect. One of my all-time favorites, I think. (A+)
The Gilded Age (season three). Still enjoying the hell out of this show. Total suspension of disbelief is a must. (A-)
Mission: Impossible. I haven’t seen this in maybe 20 years and I guess it holds up? Not my favorite of the series though. (B+)
Tinker, Tailor, Soldier, Spy. Great spy thriller. Gary Oldman is fantastic in this. Cold War? Spies? Britain? I will pretty much watch as many of this type of movie as you can make. (A)
Leaving America. This is a 12-part podcast on the logistics, benefits, and challenges of leaving the United States. Oh, no reason. (B+)
The Fellowship of the Ring (and TT & ROTK) by J.R.R. Tolkien. It’s been a while since I’ve read The Lord of the Rings books and wow, are they long. There’s entirely too much “and they travelled from here to there” logistics that drag on over several pages and descriptions of hilltops & ancient landmarks that you only hear about once. But Andy Serkis narrating the audiobook? So good. (A-)
The Lord of the Rings trilogy. After each audiobook, I watched the extended version of the corresponding film. My general feeling after 65+ hours of audiobook and 12+ hours of movie is that the books are too long and the movies too short. An 18-hour mini-series — perhaps three seasons of six episodes each? — seems like the sweet spot. (A)
Star Trek: Strange New Worlds (season three). Maybe didn’t enjoy this quite as much as the previous two season, but I love spending time with these people and look forward to doing more of that when season four drops. (B+)
Jaws. Got to see this in the theater when they released it for the 50th anniversary. Spielberg had such a strong style right from the jump. (A-)
Paradise. Just fine. But I feel like there are better apocalyptic shows out there. (B)
Downton Abbey: The Grand Finale. It was so nice to head to the theater to nestle myself into the low-stakes world of Downton Abbey for 2 hours. (B+)
Daft Punk Fortnite. Love anything with Daft Punk. (A)
The Heaven & Earth Grocery Store by James McBride. Right after finishing Deacon King Kong, I did something I almost never do: started in on a different book from the same author. Loved this one too. (A+)
Tron: Ares. It was a loud NIN music video on a huge screen, what’s not to like? Jared Leto was fine, but there were probably better casting options here that the audience would have been more excited about. And the direction could have been stronger…Gillian Anderson and Greta Lee were both surprisingly meh. (B+)
Tron: Ares soundtrack. Better than the movie. (A-)
Total Recall. First time! Maybe a little too Verhoeven/B-movie for me. (C+)
Cars. I’ve seen this movie several times and what I noticed this time around is how incredibly expressive the cars are. You can just tell they worked very hard on that aspect of the animation. (A-)
Shopkeeping by Peter Miller. This was recommended from a couple of different vectors — pretty sure one was Robin Sloan. Lots of resonance to my work here and how I think about it (and want to think about it). (A-)
Japan. Absolutely loved it. (A+)
Iyoshi Cola. Craft colas are often disappointing, but this one was absolutely delicious. Wish I could get it in the States for less than $14 a can. (A)
teamLab Borderless. Some of this was too “built for Instagram” but a couple of the rooms (the one where it felt like the whole room was moving & the cathedralish one with the light strings) were great. (A-)
The Sumida Hokusai Museum. Had to make the pilgrimage here. (A-)
In Praise of Shadows by Jun’ichirō Tanizaki. Read this book about Japanese aesthetics while visiting Japan — it provided an interesting context. (B+)
Hokusai at Creative Museum Tokyo. Fantastic show…there were hundreds and hundreds of prints and drawings that showed his evolution and influence. (A+)
Okunoin Cemetery. Had one of the strongest senses of place I have ever experienced. (A)
Konbini. The Japanese convenience stores really are as appealing as you’ve heard. (A-)
Awakening Your Ikigai by Ken Mogi. Perhaps a little over-simplifying when it comes to Japanese culture, but I appreciated the message of having a purpose. (B)
Sho-Chan Okonomiyaki. When I got to Hiroshima, I knew I had to try their version of okonomiyaki, so I went to Okonomimura, a multi-story building crammed with okonomiyaki restaurants. I picked one and had one of the most surprising meals of my trip. So good. (A)
Blue Planet Sky. I spent a lot of time sitting in this room by James Turrell. (A)
Kanazawa Phonograph Museum. Lovely little museum, and a good opportunity to observe how successful inventions move from technology to culture/fashion/commerce. (A)
Princess Mononoke. I saw this in the theater on my last full day in Tokyo; they recently released a 4K remaster. Absolutely breathtaking. (A+)
Butch Cassidy and the Sundance Kid. Redford and Newman are both total smokeshows in this. And I’d forgotten how goofy this movie is. (B+)
A House of Dynamite. A very tough watch, but I thought this was fantastic as a tour of some of the different kinds of people who hold the fate of every single person on the planet in their hands every damn day. They’re tired, stressed, distracted, at cross-purposes with themselves, set in their ways, more celebs than leaders, and mediocre. And none of them have ever seen Dr. Strangelove? (A)
Past installments of my media diet are available here. What good things have you watched, read, or listened to lately?
I’ve posted about Korean artist Lee Hyun-Joung’s swirling and swooping work before, but I recently saw one of her pieces in person and decided to feature some of her most recent stuff. It’s always a good time to look at art.
How cool are these embroidered Nona Kecil (“little woman”) figures by Indonesian artist Irene Saputra, aka Nengiren. She explained to Colossal what the figures signify:
Nona Kecil’s evolution mirrors my own journey as an artist. Initially, she adorned simple OOTDs with muted colors and straightforward patterns. However, the turning point occurred three years ago when I embraced motherhood. Balancing time between my son and art intensified my experimentation, leading Nona Kecil to explore more expressive and elaborate outfits.
(via @antichrista)
This is incredible: artist Kara Walker took a statue of Confederate general Stonewall Jackson that had stood in Charlottesville, Virginia until 2021, chopped it up, and reconstituted it into a disfigured beast. It’s part of an exhibition of several such works called Monuments, which opens at The Geffen Contemporary at MOCA in LA on October 23. From the press release:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was given to Kara Walker to create the new work Unmanned Drone (2023). The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.
Here’s the statue as it looked in Charlottesville:
Walker described the intent of the work in this NY Times piece:
She likened the result to a haint — a Southern concept with roots in Gullah Geechee culture that designates a spirit that has slipped its human form and roams about making mischief and exacting vengeance. Here, what is deconstructed is not just a statue but the myth of suppressed Confederate glory that it represents. Her sculpture, she suggested, “exists as a sort of haint of itself — the imagination of the Lost Cause having to recognize itself for what it is.”
The Guardian also has a long article on the show and Walker’s piece.
Artist Guy Buffet has painted a number of different variations of his depiction of how to make various drinks (martini, margarita, Manhattan) but I like this version the best. (thx, ollie)
This book, from Taschen, looks amazing. Bound in Japanese style, it’s a reproduction of Katsushika Hokusai’s Thirty-six Views of Mount Fuji, a collection of woodblock prints of which the most famous is the Great Wave.
The prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tōkaidō road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history.
This XXL version of the book is available at Taschen ($175), Bookshop ($210), and Amazon ($158). A smaller version of the book comes out in a few months and can be pre-ordered from Taschen ($80), Bookshop ($74), and Amazon ($80).
A few years ago, a researcher looked at every surviving print of Hokusai’s The Great Wave off Kanagawa that she could find (113 in all) and, using differences caused by “woodblock wear”, developed a system for determining if a particular print was made early in the life of the woodblocks used, late, or somewhere in-between.
Did you know there are 113 identified copies of Hokusai’s The Great Wave. I know the title says 111, but scientist Capucine Korenberg found another 2 after completing her research. What research was that? Finding every print of The Great Wave around the world and then sequencing them, to find out when they were created during the life cycle of the woodblocks they were printed from.
This involved painstakingly documenting visible signs of wear to the keyblock that made the Great Wave, and tracking these visible changes as the keyblock continued to be used (fun fact; scholars estimate there were likely as many as 8000 prints of The Great Wave originally in circulation).
See also The Evolution of Hokusai’s Great Wave.
Illustrator Quentin Blake, who is most widely known for his energetic drawings for Roald Dahl’s books, generously shares his drawing process on his website and also in a series of videos.
I do a freewheeling sort of drawing that looks as though it is done on the spur of the moment. However even a single drawing needs a certain amount of preparation and planning. Most of the time I need to do a rough in which I find out how people stand, what sort of expressions they have and how they fit on the page.
Here are some of the videos he’s done. Quentin Blake draws a Hornswoggler:
Ten Minutes of Illustration (in three parts for some reason):
We Live in Worrying Times:
The illustration above is from The Wild Washerwomen.
I love this self-portrait by Na Kim. It’s somehow bold and subtle? Wow.
Speaking of Benito Mussolini and fascism, the excellent Poster House museum in NYC has a new exhibition on for the next few months: The Future Was Then: The Changing Face of Fascist Italy. It features “some of the best posters produced during the worst period in modern Italian history”.
In a fascist movement inspired by art, how does the fascist government influence the artists living in its grasp? This exhibition explores how Benito Mussolini’s government created a broad-reaching culture that grew with and into the Futurist movement to claw into advertising, propaganda, and the very heart of the nation he commanded.
That Lubrificanti Fiat poster is incredible. The Future Was Then is on view at Poster House until Feb 22, 2026.
A few days ago, I linked to a NY Times piece about the V&A’s 90,000-piece archive of David Bowie stuff — costumes, photos, drawings, lyrics, etc.
The David Bowie Centre is a working archive with new reading and study rooms. The archive contains over 80,000 items, including 414 costumes and accessories, nearly 150 musical instruments and other sound equipment, designs, props and scenery for concerts, film and theatre. Bowie’s own desk is part of the archive, alongside notebooks, diaries, lyrics, correspondence, fan mail and over 70,000 photographic prints, negatives and transparencies.
The Centre is brought to life with a series of small, curated displays. Highlights include 1970s Ziggy Stardust and Aladdin Sane ensembles designed by Freddie Burretti and Kansai Yamamoto, a film showcasing performances from Bowie’s career, and an installation tracing his impact on popular culture.
Last week, Open Culture linked to this video tour of the Bowie collection by Jessica the Museum Guide:
I imagine it’s not quite like being there in person, but still. (via open culture)
Bisa Butler makes quilted portraits and recently debuted a show with some of her newest work called Hold Me Close. From her artist’s statement:
This body of work is a visual response to how I am feeling as an African American woman living in 2025. We lived through COVID and witnessed the uprising of the Black Lives Matter movement, only to arrive at a time when many of the civil rights I grew up with are being challenged and reversed. Protections and programs for non-white Americans, women, queer people, poor people, and people with disabilities are under attack, and it has left me feeling destabilized. Watching immigrants being hunted, chased down, and kidnapped by masked men horrifies me. The thought of people being gunned down and starved for political agendas is the stuff of nightmares. I’ve been looking for solace and turned to my work like a visual diary.
Colossal has a good gallery of images from the show and Butler did a video tour where you can see how shiny & glittery some of the pieces are:
Hold Me Close is on view from September 13 to November 1, 2025 at Jeffrey Deitch in Los Angeles.
Artist and composer Matthew Wilcock looks for patterns in the everyday and creates music from them. It’s easier to quickly watch an example than to explain:
Instantly thought of the video for Star Guitar by The Chemical Brothers, directed by Michel Gondry. They also seem like the sort of videos you would have found on Mister Rodgers’ or Sesame Street back in the day.
In addition to traffic, Wilcock has made music with people on escalators:
Each escalator and path is assigned three notes and they alternate between those as the person’s head breaks the line. Lowest note closest to camera, highest furtherest away. I love the idea of involving all these people unknowingly in an artwork. Recorded in Liverpool St. station, London.
And a bird eating:
Factory workers:
Bees:
You can find more of these video compositions on Wilcock’s YouTube channel and Instagram. He’s most active (and popular) on Insta; check out his Tour de France and swingset videos there. (thx, andy)
I had a lot of fun playing around with this collection of generative design tools, especially the textual ones. I wore out the “randomize” button on each of these. (via sidebar)
Enigmatriz uses ASCII art to punch up and blow out public domain photos and illustrations — I love their style. From It’s Nice That:
Using the Image to ASCII tool available online, Enigmatriz found a new way to play with digital assets. “Everyday, I sit on my computer and browse through hundreds of images in the public domain to find things that catch my attention and feel are worth shining a new light on them,” says Enigmatriz. “When working with ASCII, what I like and find particularly interesting is the blend between hundred old paintings, photographs etc. and modern technologies.” Enigmatriz creates unique contrasts between images — historical paintings are overlaid with spatterings of text, ASCII renders are layered on top of playing cards or archival imagery.
You can find more of their work on Instagram.
The style of ShouXin’s drawings is a perfect match for their subject matter — cats are simultaneously wild and carefully composed. (via colossal)
Older posts
Socials & More