kottke.org posts about art
Say what you will about The Algorithms, but YouTube’s reliably informs this art history lover of every new episode of Great Art Explained and for that I am grateful. This latest episode is about the pointillist masterpiece by Georges Seurat, A Sunday on La Grande Jatte. I had a chance to see this painting in person last summer at The Art Institute of Chicago — spent quite a bit of time looking at it from all angles and distances — so this episode was the perfect accompaniment to that visit.
The lack of narrative means we really should look to the artist’s obsession with form, technique and theory — which is practically all he wrote about — and not to meaning or subject matter - which he didn’t write about at all. The painting is really his manifesto. His protagonists don’t have faces or body language, neither a history nor individuality. They are reduced to a hat, a corset, or a pet. They are just characters in his frieze. They exist only to give perfect balance to the composition.
Some paintings are designed for the viewer to “empathise with” but Seurat keeps us at arm’s length. We are not invited to “participate” in the promenade, and their psychological distance is clear. Both with their neighbors, and with us. It was ancient art that Seurat looked to — of Egypt and Greece. He once said that he “wanted to make modern people move about as they do on the Parthenon Frieze”, and placed them on canvases organized by harmonies of colour. It is what makes the painting so intriguing.
I am not a particular fan of fantasy games, but I do like watching people draw and talk about their process, particularly when it’s accessible to beginners. On his YouTube channel, JP Coovert shows people how to draw maps for fantasy games, books, and other media. Here’s a few examples to whet the appetite.
(via the kid should see this)
Every day, Chris Silverman draws a small artwork using only the Notes app on his iPhone.
#notesArt is a style formed by the limitations of the medium: I draw with my finger on a screen the size of a 3-by-5 card, using drawing tools that were designed for annotating documents, not making artwork. Similar to an app, each work is minimalist and limited in scope. The simple nature of the tool allows me to focus on the essence of each piece; perhaps a strange thing to be able to do on a device known primarily for providing distraction.
Like he says, this is a great example of how contraints can foster creativity. Here’s what I don’t understand though: WTF? How does anyone do drawings this detailed in the Notes app with just their finger?! I just tried to make a smiley face and it looks like a 3-year-old did it. (Ok, a 1-year-old.)
Ok, this is one where you’re going to have to trust me and just watch it. Grands Canons is a stop-motion animated video by Alain Biet of thousands of meticulously hand-painted images of everyday items moving and dancing to music.
A brush makes watercolors appear on a white sheet of paper. An everyday object takes shape, drawn with precision by an artist’s hand. Then two, then three, then four… Superimposed, condensed, multiplied, thousands of documentary drawings in successive series come to life on the screen, composing a veritable visual symphony of everyday objects. The accumulation, both fascinating and dizzying, takes us on a trip through time.
It’s really just wonderful — once you get into it, you won’t be able to stop watching. More of Biet’s work can be found on his website or on Instagram. (via waxy & colossal)
The Mauritshuis museum has loaned out Girl With a Pearl Earring to the Rijksmuseum for its blockbuster, once-in-a-lifetime Johannes Vermeer exhibition. While she’s out of the building, they’re digitally displaying dozens of renditions of the artwork submitted during an open call for entries last year. If you can’t make it to the museum in person (*sigh*), they’re showcasing some of the entries on Instagram and you can see what the in-person display looks like in this video.
Regular readers might remember that I have something of a thing for Girl/Pearl remixes. Here are just a few from the archives: Corn with a Pearl Earring, Girl with the Grande Iced Latte, Rihanna with a Pearl Earring, Girl with a Schmeared Earring, at the beach with Mona & Vincent, Girl with a Pearl Earring and Point-and-Shoot Camera, and Lego Girl with a Pearl Earring. (via colossal)
The Ukrainian postal service has released a stamp featuring artwork by Banksy to mark the first anniversary of the full-scale Russian invasion. The artist painted the image on a wall in the town of Borodianka in November 2022 and has apparently given his permission for use on the stamp. From The Guardian:
The image draws inspiration from the Russian president, Vladimir Putin, known to be a black belt in judo, and depicts a young judoka representing Ukraine knocking down a grown man.
The phrase “FCK PTN” in Cyrillic has been added to the lower left part of the new stamp.
You can buy your own sheet of these stamps directly from the Ukraine postal service — they ship worldwide, in the midst of a war!
See also: you might remember that the postal service ran a contest to design a stamp that illustrated “Ukrainians’ determination to defend their land” shortly after the invasion, which resulted in several eye-catching entries.
Rocky Bergen makes papercraft models of vintage computers like the original Macintosh, Commodore 64, the IBM 5150, and TRS-80. The collection also includes a few gaming consoles and a boombox. And here’s the thing — you can download the patterns for each model for free and make your own at home. Neat!
Phil Vance creates these wonderful typographic portraits of notable people like Audrey Hepburn, Albert Einstein, and Johnny Cash constructed from hand-painted type consisting of their own words. For instance, his portrait of Cash was created using the lyrics from his cover of God’s Gonna Cut You Down. You can check out more of Vance’s work on Instagram.
I love these photographic collages by Alex Hyner centered around images of power lines — the intersections of the lines form geometric shapes that each get their own different shade and texture of sky. Such a simple idea done really well.
You can see more of Hyner’s work on Instagram or buy prints of his Skies series on his website.
The Greek government and activists have long been calling for the return of the Parthenon Marbles from the British Museum to Greece. But how did the marbles get to Britain in the first place?
In the early 19th century, a British lord named Elgin removed a significant portion of the remaining marble decoration and statuary from The Parthenon in Athens and brought it back to Britain. To cover his debts, he sold the marbles to the British government and they eventually made their way into the British Museum. In the video above, Evan Puschak provides more detail about how it all went down.
For its part, the British Museum isn’t budging, although their official stance on the matter seems defensive, almost like they know they’re on thin ice, morally speaking. It’s long past time the marbles were repatriated and they should just get it over with already.
Update: This is interesting from David Allen Green: the return of the Parthenon Marbles isn’t up to the British Museum.
The fourth point is that the current legislation does make it difficult-to-impossible for the museum to dispose (to use the legal word) of the marbles as it wishes, either by returning them to Greece or otherwise.
An elaborate legal basis could, perhaps be provided, but — on balance — one suspects an English court would rule such a disposal as unlawful.
This means this is not a matter solely for the trustees of the museum (as I explain here).
For the marbles to be returned properly to Greece would require a change in primary legislation, which in turn means it has to have government support (or at least no government opposition).
(via someone I can’t remember but thank you!)
For his project Illustrated People, Thomas Mailaender imprinted photographic images onto people’s skin by shining a UV light through negatives. The visual effect created is not unlike that of a sunburn but it goes away as soon as the skin is exposed to light. I wonder…does it hurt like a sunburn?
Artist Siren Elise Wilhelmsen designed a clock that knits while it tells time — the clock makes one two-meter long scarf every 365 days.
Time is manifested in physical objects; in things that grow, develop or extinguish. Time is an ever forward-moving force and I wanted to make a clock based on times true nature, more than the numbers we have attached to it.
(via clive thompson)
It’s been a bit since we’ve checked in on artist Reuben Wu, who uses drones to paint (sculpt?) with light in the sky over dark landscapes. Most of his recent stuff seems to be video on his Instagram account but I pulled a couple of photos of his that I haven’t featured before. Always inspiring stuff worth exploring.
Wow! A forthcoming exhibition at Amsterdam’s Rijksmuseum will bring together 28 of the 37 known paintings by Dutch master Johannes Vermeer, including The Girl with a Pearl Earring. As the museum’s website says: “Never before have so many Vermeers been brought together”.
The exhibition will include masterpieces such as The Girl with a Pearl Earring (Mauritshuis, The Hague), The Geographer (Städel Museum, Frankfurt am Main), Lady Writing a Letter with her Maid (The National Gallery of Ireland, Dublin) and Woman Holding a Balance (The National Gallery of Art, Washington DC).
Works never before shown to the public in the Netherlands will include the newly restored Girl Reading a Letter at the Open Window from the Gemäldegalerie Alte Meister in Dresden.
This page lists all of the works that will appear in the exhibition — you can click on the title of any of the artworks to see a zoomable high-resolution image of the painting, e.g. The Milkmaid or Girl Reading a Letter at an Open Window.
Accompanying the exhibition is an online guided tour of Vermeer’s works, narrated in English by Stephen Fry. The History Blog raved about the tour:
This is one of the best virtual exhibitions I have ever seen, and I have seen a lot of them. It is written in a personable, light-hearted style that still manages to be incredibly information-rich. The way they zoom into the detail of the paintings to illustrate the commentary is flawlessly paced and takes full advantage of the ultra-high resolution photographs. Fry explains changes Vermeer made based on the most recent imaging and research into his process. There are also annotated areas of each painting which you can click on for a shot of additional information. The notes open in windows that have click-through images, so every note is really multiple notes. Then when you’re done exploring the nooks and crannies, you click back to the main tour and the narration picks up where you left off. Whoever designed this is a content management genius, seriously.
The exhibition runs at the Rijksmuseum from February 10 to June 4, 2023 — but note that The Girl with a Pearl Earring will only be available for viewing until March 30, at which point the painting will return to Mauritshuis in The Hague. I….think I might have to get to Amsterdam to go see this?
In 1812, Japanese woodblock print artist Katsushika Hokusai, who would later become famous for his iconic Great Wave off Kanagawa prints, published a three-volume series called Quick Lessons in Simplified Drawing. All three volumes are available online: one, two, three. Even if you’re not in the market for drawing lessons, the pages are wonderful to flip through.
(via open culture)
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