Charles Burnett’s Killer of Sheep, a 1977 film that was selected as one of the 100 essential films of all time by the National Society of Film Critics but was just recently released in theaters, will be shown on TCM today at 8pm and early tomorrow morning at 12:30am. Set your DVRs for this one. (big thx, max)
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kottke.org posts about TV
Short teaser for Generation Kill, David Simon and Ed Burns’ next project for HBO about the Iraq War. It’s from October but I hadn’t seen it until now so maybe you hadn’t either? The 7-hour miniseries is based on Evan Wright’s book of the same name. This video discusses the book and its subject matter. (thx, david)
The T.V. Might As Well Be An Answering Machine At This Point
I’ve turned my T.V. on just one time in 2008. I rarely miss it at all, except for a very few moments when it’s like missing heroin. (Some relief coming: eight episodes of “Lost,” beginning January 31; ten episodes of “Battlestar Galactica” coming in March.) Yesterday for a job I was talking with two bigwigs, an actor and an actor-director; they said they were both in a weird state of both crunch and inactivity because of both the Writer’s Guild strike and the maybe-upcoming Screen Actor’s Guild strike, which I had totally forgotten about. (That 120,000+ member union may strike in June, over the same issues—profit from new media—that sent the Writers Guild out more than two months ago.) That’s when I realized: I can’t take a world without actors! Sure, they’re not as useful as deli owners or baristas to my life. But I like looking at them! Maybe it’ll be averted: The Directors Guild is close-ish to a settlement, which might be a template for the writers, which might be sort of a template for the actors. In any event, I asked the nice Oscar-winning lady what sort of things she liked about working: “I have health insurance, that’s enough,” she said. Mm, I should get a union then! Some health insurance sounds good right about now.
The Sound of Young America’s Jesse Thorn interviews Wendell Pierce and Andre Royo, who play The Bunk and Bubbles on The Wire. (thx, jesse)
Sudhir Venkatesh recently sat down with some real gang members to watch some episodes of the The Wire.
The greatest uproar occurred when the upstart Marlo challenged the veteran Prop Joe in the co-op meeting. “If Prop Joe had balls, he’d be dead in 24 hours!” Orlando shouted. “But white folks [who write the series] always love to keep these uppity [characters] alive. No way he’d survive in East New York more than a minute!” A series of bets then took place. All told, roughly $8,000 was wagered on the timing of Marlo’s death. The bettors asked me — as the neutral party — to hold the money. I delicately replied that my piggy bank was filled up already.
(thx, matt)
With The Wire final season premiere approaching rapidly (the episode is already on HBO OnDemand and the first two are on BitTorrent), news outlets everywhere are covering and reviewing the show. My favorite article — because it’s something different and critical for a change — is a profile of David Simon by Mark Bowden in the Atlantic Monthly. He starts out slow with a comparison of fiction and nonfiction in telling stories:
Fiction can explain things that journalism cannot. It allows you to enter the lives and motivations of characters with far more intimacy than is typically possible in nonfiction. In the case of The Wire, fiction allows you to wander around inside a violent, criminal subculture, and inside an entrenched official bureaucracy, in a way that most reporters can only dream about. And it frees you from concerns about libel and cruelty. It frees you to be unfair.
But then you get to the part describing Simon’s vindictiveness and how it has shaped him, which adds some depth to the earlier fiction/nonfiction comparison. Worth a read.
Also of note is that the full text of The Believer conversation between Simon and Nick Hornby has been put online.
Absolute Zero looks like an interesting show on cold temperatures, airing on PBS in mid-January. For the Long Zoom fans out there, don’t miss the Sense of Scale widget.
The new literacy of television
Late last week, Marc Andreessen pulled a quote from a New Yorker article written in 1951 about television:
The most encouraging word we have so far had about television came from a grade-school principal we encountered the other afternoon.
“They say it’s going to bring back vaudeville,” he said, “but I think it’s going to bring back the book.”
Before television, he told us, his pupils never read; that is, they knew how to read and could do it in school, but their reading ended there. Their entertainment was predominantly pictorial and auditory — movies, comic books, radio.
Now, the principal said, news summaries are typed out and displayed on the television screen to the accompaniment of soothing music, the opening pages of dramatized novels are shown, words are written on blackboards in quiz and panel programs, commercials are spelled out in letters made up of dancing cigarettes, and even the packages of cleansers and breakfast foods and the announcers exhibit for identification bear printed messages.
It’s only a question of time, our principal felt, before the new literacy of the television audience reaches the point where whole books can be held up to the screen and all their pages slowly turned.
This sounds far fetched and Andreessen belittles the prediction, but is it really that outlandish? Literacy rates in the US have risen since the advent of television (I am not suggesting a correlation) and Steven Johnson suggests in Everything Bad Is Good For You that TV is making us smarter.
If you stop thinking of TV in the specific sense as a box on which ABC, CBS, and NBC are shown and instead imagine it in the general sense as a service that pipes content into the home to be shown on a screen, the prediction hits pretty close to the mark. The experience of using the web is not so different than reading pages of words that are “held up to the screen” while we scroll slowly through them. If we can imagine that what Paul Otlet and Vannevar Bush described as the “televised book” and the “memex” corresponds to today’s web, why not give our high school principal here the same benefit of the doubt?
With the new season right around the corner, Heaven and Here, an excellent group blog about The Wire, is starting back up again. The latest two posts are about season two, the most underrated season IMO.
The NFL has caved and is going to simulcast the Patriots/Giants game on NBC and CBS instead of just showing it on NFL Network, a channel available to fewer than 40% of US households.
Radio interview with Felicia Pearson, who plays Snoop on The Wire. It’s apparent from the interview that she doesn’t so much act in The Wire as play herself. “I have patience.” (thx, adam)
The last episode of Ricky Gervais’ Extras has a message concerning celebrity and television:
“The Victorian freak show never went away,” Millman rails in a soliloquy that serves as a climax of the “Extras” final episode and a moment of redemption for the character, whose life and friendships have been corrupted by fame. “Now it’s called ‘Big Brother’ or ‘American Idol,’ where in the preliminary rounds we wheel out the bewildered to be sniggered at by multimillionaires.”
To the networks, he says: “You can’t wash your hands of this. You can’t keep going, ‘Oh, it’s exploitation, but it’s what the public wants.’ No.”
To the audience watching at home, he says: “Shame on you. And shame on me. I’m the worst of all. Cause I’m one of these people that goes, ‘I’m an entertainer, it’s in my blood.’ Yeah, it’s in my blood because a real job’s too hard.”
Wow, The Simpsons did a parody of Noah Kalina’s Everyday video. Noah, you just graduated summa cum laude from Pop Culture University.
Update: But apparently the background music was used without permission.
A few months back a producer from the Simpsons contacted Carly about using her song ‘everyday’ for an upcoming episode in which they were going to parody my video. She was negotiating a rate for the song, until they never got back to her. No fee was agreed on, no contracts signed.
Maybe they decided since it was parody they didn’t need permission? I don’t find that likely since what little I know about Hollywood/TV is that they’re really concerned about clearing rights. (thx, slava)
Update: The song rights mixup was an accidental oversight and is currently being corrected.
Internet pissed at Mythbusters for not showing airplane on a treadmill
According to their web site and TV Guide, last night’s episode of Mythbusters was supposed to address the airplane on a treadmill question. They didn’t and nerds everywhere are upset. According to an email from the executive producer of the show, the segment got rescheduled:
First up, for those concerned that this story has been cancelled, don’t worry, planes on a conveyer belt has been filmed, is spectacular, and will be part of what us Mythbusters refer to as ‘episode 97’. Currently that is due to air on January 30th.
Secondly, for those very aggrieved fans feeling “duped” into watching tonight’s show, I can only apologise. I’m not sure why the listings / internet advertised that tonight’s show contained POCB. I will endeavour to find out an answer but for those conspiracy theorists amongst you, I can assure you that it will have just been an honest mistake.
Not sure that’s going to quench the nerdfury, but I’m glad the piece will air in January.
Seeking Patriots game in NYC
The NFL, in their infinitesimal wisdom and utilizing their stupid scheduling/blackout policy, has ensured that the best game of the weekend (Steelers vs. Patriots) will not be shown on TV in the New York City area. We get the hapless Jets instead…a team that not even Jets fans care about at this point in their 3-9 season. Our cable provider doesn’t carry any NFL stations and we don’t really want to trek out to a sports bar with the kiddo. Are there any other options? An illicit online broadcast? Anything?
Update: We ended up watching the game online — poor quality, dropped frames, and all. Better than braving the rain and sports bar. (thx to everyone who wrote in, especially kunal)
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