kottke.org posts about TV
Ten cool TV commercials done by movie directors. Ridley Scott’s 1984 Apple ad makes the list along with spots by Messrs. Jonze and (Wes) Anderson. BTW, Jonze’s Ikea commercial is superior to his Gap ad. (via self-employedsandwich)
More from the bounty of Wikipedia: a list of all of the problems solved by MacGyver.
MacGyver creates a bomb to open a door using a gelatin cold capsule containing sodium metal, which he then places in a glass container filled with water. When the gelatin dissolves in the water, the sodium reacts violently with the water and causes an explosion which blows a hole in the wall. (“MythBusters” questioned the size of the explosion but verified that pure sodium does cause an exothermic reaction when mixed with water, just not enough to destroy a concrete wall.) The amount of sodium required to destroy a concrete wall would greatly exceed the size of a cold pill.
Despite the length of the page, the text warns that “this list is not yet comprehensive”. (via gongblog)
An mp3 of the entirety of last month’s discussion of The Wire presented by the Museum of the Moving Picture is online. Participants included David Simon, Richard Price, Wendell Pierce (The Bunk), and Clark Johnson.
NBC has an extensive calendar of events on their fancy Olympics web site but it doesn’t look like they have the option of simply subscribing to a TV schedule calendar in iCal or on Google Calendar. I found a Google Calendar of the Olympic TV listings that looks to be accurate. I couldn’t find an iCal calendar; the closest I got was this schedule of competition calendar, which looks like it may or may not jibe with the broadcast schedule here in the US (many of the main sports will be broadcast on a tape delay). Has anyone found a Olympic TV sched iCal calendar?
In 1997, the BBC aired a three-hour documentary based on Stewart Brand’s book, How Buildings Learn. Brand has posted the whole program on YouTube in six 30-minute parts: part one, part two, part three, part four, part five, part six.
If you’re hesitant about whether to watch the series or not, check out this two-minute appetizer of perhaps the meatiest tidbit in the book: the oak beam replacement plan for the dining hall of New College, Oxford.
(via smashing telly)
Update: An old version of the New College web site says that the oaks were not planted specifically for the replacement of the ceiling beams even though they were used for that purpose. (thx, emily, david, and phil)
Update: Google Video is no more, so I updated the video links to YouTube. (via @atduskgreg)
Answers to frequently asked questions and questions that need not be asked: What Would Don Draper Do? (via fimoculous)
Update: What Would Joan Holloway Do? Never mind that, where are the pinup posters?
This is late notice and who knows if there are even tickets left, but David Simon and several cast members of The Wire (Carver, Daniels, Gus, Lester, and the Bunk) will be discussing the show in NYC tonight in a Museum of the Moving Image program.
Nice remembrance from Roger Ebert on the end of the long-running At the Movies show.
One thing we never did, apart from an occasional special show, was depart from the format: Two critics debating the week’s new movies. No “advance looks” at trailers for movies we hadn’t even seen. No celebrity interviews. No red carpet sound bites. Just two guys talking about the movies. At one point, our show and two clones were on the air simultaneously. Then we were left alone again: The only show on TV that would actually tell you if we thought a movie was bad.
Too Weird for The Wire, a story of a number of Baltimore drug dealers and their unusual “flesh-and-blood” defense in federal court. It’s a tactic used by white supremacists and other US isolationists groups in tax evasion cases and the like.
“I am not a defendant,” Mitchell declared. “I do not have attorneys.” The court “lacks territorial jurisdiction over me,” he argued, to the amazement of his lawyers. To support these contentions, he cited decades-old acts of Congress involving the abandonment of the gold standard and the creation of the Federal Reserve. Judge Davis, a Baltimore-born African American in his late fifties, tried to interrupt. “I object,” Mitchell repeated robotically. Shelly Martin and Shelton Harris followed Mitchell to the microphone, giving the same speech verbatim. Their attorneys tried to intervene, but when Harris’s lawyer leaned over to speak to him, Harris shoved him away.
David Simon, I believe you’ve got enough here for a sixth season of The Wire. Hop to.
On the heels of Michael Bierut’s rave for Mad Men comes William Drenttel’s admission: I Was A Mad Man.
Then the CEO [of Krystal Restaurants] turns to me, ignoring everyone else, and asks me to take out my wallet. He asks me how much money I have. I count about $150, and tell him so. He smiles, looks me squarely in the eye, and asks: “Would you spend your last $150 on this shit?”
The rest of the story involves me telling him to take out his own wallet and me swearing I’d spend not only my money but all of his. And we did. We spent all of Krystal’s money, millions of dollars. We made second-rate advertising, and they had second-rate stores with really second-rate hamburgers. We deserved each other.
An appreciation of Mad Men by designer Michael Bierut.
Jesus God in heaven! Not until I know I’m not wasting my time! From the minute Don launched his this-meeting-is-over bluff, I was on the edge of my seat, and my lovely wife Dorothy will tell you that I literally clapped my hands at that line. For me, this sequence is as close to pornography as I ever get to see on basic cable.
Alright, uncle, I give, I give. I will try and find some time in my schedule to watch this show.
Video of actors doing the voices for The Family Guy. High levels of dissonance may occur while watching Mike Henry doing the Cleveland voice at the end.
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