Jónsi, Somers, and Corley’s Liminal soundbaths include solo work, remixes, film score excerpts, AI, and generative music, according to a press release. “Sigur Rós played live a lot during the last two years,” Jónsi said in a statement. “And inevitably you end up playing the rockier, more focussed songs, which means that loads of other stuff gets ignored. ‘Liminal’ tries to do something different. It’s just me, Paul, and Alex in a dark room manipulating and mucking around with recordings, FX and vocals. We play and sing sparsely and focus on the atmosphere coming together. There’s a sound-reactive light sculpture and everyone can sit or lie down. It’s all very cosy and people seem to like it.”
In addition, a 2009 EP by Jónsi and Alex Somers called All Animals was also recently added to streaming.
BTW, I am still waiting for one of the streaming services to offer an album-oriented playlist feature. I want to be able to add entire albums to playlists and then shuffle the playback not by song but by album. I listen to a lot of music (like Sigur Rós) that works much better as whole albums; having to dip back into Spotify after one album ends and hunt the next one down in my list of albums or in a regular playlist is a pain in the butt. Does anyone do this?
Update:The Liminal playlist was updated last month with more than a dozen new songs.
Icelandic band Sigur Rós is doing a live slow TV event: a broadcast of a drive around the entirety of Iceland with a soundtrack generated by software based on a new song of theirs.
driving anti-clockwise round the island, the journey will pass by many of the country’s most notable landmarks, including vatnajökull, europe’s largest ice-sheet; the glacial lagoon, jökulsárlón; as well as the east fjords and the desolate black sands of möðrudalur.
the soundtrack to the journey is being created moment-by-moment via generative music software. the individual musical elements of unreleased song, and current sigur rós festival set opener, óveður, are seeded through the evolving music app bronze, to create a unique ephemeral sonic experience. headphones, external speakers and full-screen viewing are recommended.
And why should Boards of Canada have all the fun? Sigur Ros has a new album coming out as well, to be released the week after on June 18. Two singles from Kveikur are already out:
the album title is translated into english as “with a buzz in our ears we play endlessly” with the english spelling of the icelandic album title being “med sud i eyrum vid spilum endalaust”
Sigur Ros played New York’s Beacon Theatre last night, and it was one of the oddest rock and roll shows I’ve been to. Not that I’ve been to a lot of shows, but still. It was like going to the symphony…everyone sat quietly in their seats, clapped politely at the conclusion of songs, and since the music was so quiet at times, people were shushed for talking too loudly (after awhile, most of the audience got clued in that you couldn’t just yak during the whole thing like at normal concerts). And then there was the 30 seconds of complete silence when the band paused in the middle of a song — not a peep from the audience — and then kept right on playing. Great show though…the visuals for the last two songs (final song + encore) were especially impressive. Makes me remember how much I like Sigur Ros. Even though I’ve heard their older albums a thousand times, I don’t get sick of them. I’m looking forward to listening to the new album on the train ride to Boston today.
Here’s some Flickr photos of the show…probably a mixture of stuff from last night’s show and the previous night’s.
Spin magazine’s recent list of the best albums from the last twenty years (as well as MSNBC’s alternate list) got me thinking about what my favorites list from that era might look like. Since I’m not Spin and my musical opinion doesn’t carry any weight, I felt free to list what I like, influenced me, continue to find enjoyable, and will still listen to in the future instead of what’s actually good…whatever good means.
In rough chronological order and briefly annotated:
Nevermind, Nirvana - As I’ve mentioned before, I was a late bloomer musically. Nothing outside of Casey Kasem and his Top 40 countdown existed for me when I was a kid. And when you’re listening to music like that, it’s hard to get excited about music in general…I was pretty much apathetic about the whole thing. My freshman year in college, a guy on my floor got a nice stereo system for Christmas and when he threw on Smells Like Teen Spirit, that was it. I’m sure the bands and songs that opened your mind to the possibilities of music and life were a lot better, but you can’t really choose how/why/when/where that happens.
Rave ‘Til Dawn, Various - This is the worst album on the list but may be the most influential in terms of my future listening habits. For a kid who grew up in the country and went to college in a small Iowa city, hearing rave music for the first time was a complete revelation for me. I had no idea people were making music like this, so fast, so joyous, so unlike anything that anyone I knew would enjoy listening to. I loved it immediately and have been a huge fan of electronica ever since.
The Chronic, Dr. Dre - Introducing Snoop Doggy Dogg, probably my favorite rapper. So smooth. And Dre’s beats are among the best in the business.
Siamese Dream, Smashing Pumpkins - College junior, couldn’t get laid…isn’t this what I was supposed to be listening to?
The Downward Spiral, Nine Inch Nails - I still tell anyone who will listen that Closer is one of the best pop songs ever made. Pretty Hate Machine was probably the better album, but I fell in like with this one first.
Entroducing…, DJ Shadow - One of the most solid debut albums in the past 20 years.
Orblivion, The Orb - Little Fluffy Clouds is my favorite song from The Orb, but Orblivion is the album I’ll never get tired of. Saw them spin/play live in Minneapolis once and when Toxygene came on, it was almost religion.
Homework, Daft Punk - Around the World is my answer to the question, “if you were stranded on a desert island and could only take one song with you, what would it be?” I’ve probably listened to it about a thousand times in the past 8 years and I’m still not sick of it.
OK Computer, Radiohead - Somehow it wasn’t until mid-2000 that I heard this album (old habits die hard), but it didn’t take long to become a favorite. Still their best…although I haven’t given their earlier stuff the attention everyone I know says it deserves. Radiohead = favorite band.
Bedrock, John Digweed - Cheesy trance music, but I love it. This album reminds me of my (then) new Jetta and fine times in Minneapolis.
Agaetis Byrjun, Sigur Ros - I found Sigur Ros while poking around on Napster looking for an advanced copy of Radiohead’s Amnesiac. Boy, I thought, this Amnesiac album is going to be fantastic, but what happened to the vocals? Oh, heh.
Boards of Canada, Geogaddi - I can’t remember how I found out about Boards of Canada. Online somewhere probably, downloading mp3s off of Limewire or something. After hearing a few songs, I immediately procured Geogaddi and Music Has The Right To Children from my nearest CD shop. Fantastic stuff…they make me wish I could make music.
Give Up, The Postal Service - Might be too early to tell, but I think this is a classic.
Conclusions: I seem to like all sorts of music, but the common thread is the mainstream-ness of these albums; they’re typically the most popular examples of a particular genre, style, or time period. Gangsta rap wasn’t that mainstream at the time, but The Chronic went multi-platinum. Nevermind was grunge for the mainstream, and The Downward Spiral was one of the few industrial albums to make it big. The same for Rave ‘Til Dawn, Daft Punk, DJ Shadow, Smashing Pumpkins, and Sigur Ros, if to a lesser extent.
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