kottke.org posts about NPR
Somehow I’d never heard of this before: NPR produced and aired1 radio dramatizations of the films in the original Star Wars trilogy. The first program was particularly popular, garnering NPR hundreds of thousands of new listeners. The original versions are available in full on The Internet Archive:
Or get all three parts ripped from the CD.
All three programs contain elements of John Williams’ original soundtrack. Mark Hamill and Anthony Daniels reprised their movie roles for the first two radio programs2 and some other bold-faced names made appearances throughout: Billy Dee Williams as Lando Calrissian, John Lithgow as Yoda (??), Ed Begley Jr. as Boba Fett (???), David Alan Grier as a nameless X-wing fighter pilot, and Nia Vardalos.
The radio programs were based on the original film scripts with some added scenes; from Open Culture:
With science-fiction novelist Brian Daley brought on to add or restore scenes to the script of the original dialogue-light feature film, the story stretches out to thirteen episodes for a total runtime of six hours. The series thus stands as an early example of the expansion of the Star Wars universe that, in all kinds of media, has continued apace ever since.
And from Wikipedia:
Daley adapted the script partly using material from earlier drafts of Lucas’s scripts, and restored several scenes cut from the final edit of the film, as well as adding original new scenes created specially for the audio version. The narrative of the first two episodes takes place entirely before the opening scene of the 1977 film, and expands the background to events leading up to the capture of the Tantive IV spacecraft above the planet Tatooine. Episode 1, largely based on cut scenes from the original, explores the life of Luke Skywalker on Tatooine. During the story, Luke’s skyhopper (a vehicle seen in the background in Luke’s garage during the film) is damaged during a desert race; Luke sees the distant Star Destroyer battle in the sky; and he is reunited with his childhood friend, Biggs Darklighter. Episode 2, made up of material written entirely by Daley, provides backstory to Princess Leia’s acquisition of the Death Star plans from agents of the Rebel Alliance on the planet Toprawa. In scenes set on the planet Alderaan, Leia discusses the plans with her father, Prestor Organa, and determines to go in search of Obi-Wan Kenobi.
There are recut fan versions of the three programs as well, including Nigel’s Edits (Hope, Empire, Jedi); he added some of Ben Burtt’s sound effects into the mix:
These versions, boldly called The Definitive Editions (Hope, Empire, Jedi), include opening scrolls and images taken from Star Wars comic books and trading cards:
Yes, that’s a script turned into a movie turned into an audio drama turned into a, uh, quasi-cinematic Powerpoint? (via open culture)
{Ira Glass voice} On this week’s episode of This American Life, the story of middle schoolers too young for social media chatting in the comments section of NPR’s podcasts on Spotify. From the transcript:
And it was just, like, gibberish. There was a bunch of new comments, but I couldn’t make heads or tail of any of them. They’re just these clipped, weird, incoherent postings that I was just like— it screamed bots, just because anytime that I see just gibberish in a comment on the internet, I assume it’s a bot. But the fact that they were all from different accounts seemed very weird. And the fact that they also maybe seemed to be interacting in some way also seemed weird and not like typical bot behavior.
They tracked down one of the participants and interviewed her:
Ira Glass: And can I ask, why did you guys pick NPR shows to be the ones where you went to in the comments?
Ella: I think we just looked for podcasts that didn’t have many comments.
Ira Glass: I see. So you picked NPR because it didn’t seem very popular.
Ella: Yeah, so that we wouldn’t get caught up in other people’s comments.
Ira Glass: I tell you, buddy, I do a public radio show, and that hurts a little to hear it.
You can listen to the whole episode here (or wherever you get your podcasts) — it’s the very first segment — or watch a shorter version of it on Instagram or YouTube. (thx, alana)
Follow Architectural Digest as they head behind the scenes at the offices of NPR Music to see how the now-iconic Tiny Desk Concerts come together. My favorite bits are the callouts of all the stuff on the shelves behind the artists: Adele’s water bottle, Sabrina Carpenter’s bedazzled martini glass, a Green Bay Packers helmet signed by Harry Styles. And: “Chappell Roan’s wig is actually sitting on Cypress Hill’s skull.”
To celebrate their 50th anniversary, the Sesame Street gang dropped by NPR for one of their Tiny Desk Concerts. They sang the theme song, People In Your Neighborhood, and four other tunes.
See also this new six-part Jim Henson documentary. Oh and Philip Glass on Sesame Street.
From NPR, a searchable sortable archive of the best commencement speeches, from 1774 to the present. What a resource. Two of my favorites, by David Foster Wallace and Steve Jobs, are represented.
Each speech is tagged by “theme or take-home message”, basically a taxonomy of commencement speech messaging. The most popular themes are:
12. Be kind
11. Yolo
10. Make art
9. Balance
8. Dream
7. Remember history
6. Embrace failure
5. Work hard
4. Don’t give up
3. Inner voice
2. Tips
1. Change the world
Trite stuff perhaps, but delivered in the right way and by the right person, it makes people wanna run through walls. Let’s go! (via @tcarmody)
Ketzel Levine is a NPR senior correspondent who came up with the idea of doing a series about how Americans are handling the economic downturn…and then got laid off by NPR in the middle of her reporting. Here’s the series, American Moxie, How We Get By.
91-year-old NPR man Daniel Schorr has had it up to here with you kids and your internets. [Warning, print link to avoid stupid registration window.]
Q: In some commentaries, you touch on the latest journalistic trends, sometimes in not so complimentary a way. Such as blogs and citizen journalism. Is this a form of news gathering that you embrace?
A: I can’t embrace it. Not after what I’ve been through at the hands of the copy editors’ desks. I have suffered many, many arguments about what I’ve wanted to say — whether it was grammatically correct, factually correct and all of that — and I want everybody to have to experience what I experienced. But today, your blogger is totally free. He is his own reporter, his own editor, his own publisher, and he can do whatever he wants.
A person like me who believes in the tradition of a discipline in journalism can only rue the day we’ve arrived at where we don’t need discipline or anything. All you need is a keyboard.
He suffered, so you should too, you undisciplined mouthers-off! Update: A reader writes: “You are not giving the man the respect he deserves. He did not suffer—he honed his craft in an environment that expected professionalism, balance and honesty. What is unfortunate today is that today’s professional media are not held to the same standards. Most, if not all bloggers, do not rise to the quality of a Daniel Schorr. Unfortunately, neither do most of his younger colleagues.”
NPR report on The Elder Wisdom Circle, a group of seniors who use the combined wisdom of their ages to help people who write in with questions. What a nice idea. I love the response to the first letter…”if she really was serious about you, boy, oh boy, she would be running to the court to get a separation and divorce”. Here’s the EWC web site. (thx, jeff)
Established TV news stars are moving to NPR. “Network news is increasingly generating prospects for NPR in part because some broadcast journalists think the networks are veering away from serious, in-depth reports.”
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