Samuel L. Jackson: “Stay the Fuck at Home!”

On Jimmy Kimmel the other night, F-bomb maestro Samuel L. Jackson read a new short story/poem by Adam Mansbach (author of Go the Fuck to Sleep) called Stay the Fuck at Home to promote safe behavior during the pandemic. You can skip to about 6:00 to hear the story:

The book isn’t available for sale, so Jackson, Kimmel, and Mansbach are asking people to donate to Feeding America.

• Adam Mansbach
• Covid-19
• Jimmy Kimmel
• Samuel L. Jackson
• swearing
• TV
• video

Scientists: climate change isn’t a prank

Jimmy Kimmel had some scientists on his show recently to tell the American public that anthropogenic climate change is real, that’s it’s not a prank, and that the scientific community is “not fucking with you” about this. Trigger warning: the first minute of this video features Sarah Palin speaking.

• climate crisis
• Jimmy Kimmel
• science
• video

Exercises in unnecessary censorship

Building on yesterday’s “The dirty BLEEP,” here are a few more great moments in the artful use of censorship (or its illusion):

• Neven Mrgan and James Moore have an iOS game called “Blackbar” that involves playful use of blacked-out text. (If my last name were missing an expected vowel, I’d be interested in intentional omissions too.) It’s described as “serious,” “artsy,” and “texty,” all adjectives I hope I will one day earn.
• Jimmy Kimmel has gotten a lot of mileage out of “Unnecessary Censorship,” a recurring sketch that uses bleeps and blurs for comedic effect. A proprietor of a popular internet site named J—n K——e confided in me this week that “Kimmel’s… skit always makes me laugh until I pee my pants,” a pretty stirring endorsement if I’ve ever heard one.

Also, besides using the appearance of censorship to remix existing text, audio, and video like “Unnecessary Censorship” does or fully scripting the bleep ahead of time like Arrested Development or South Park do, there’s been a real rise in a mode that’s in between, something that’s deliberate but has the feel of being off-the-cuff. This is probably best exemplified by The Daily Show and The Colbert Report. Check out Ashton Kutcher’s “surprise” experience on Colbert:

Here the tension isn’t just between what you’ve heard and what you know was said, but also between the live experience and that of broadcast. It used to be that if you heard a bleep of an event that was recorded live, someone had gone off the rails, like Madonna on the David Letterman show.

Now, TV mostly just lets anything and everything rip for the people in the room, knowing it will amp up the energy in the crowd, but can be bleeped for broadcast later. Then sometimes (like with The Daily Show or Chappelle’s Show on DVD or Netflix), you can catch the uncensored cut at home.

So we get the live, the censored, and the edited-but-encensored experiences, and we’re always mentally bouncing between all three. We know it’s not really spontaneous, but knowing is part of what lets us in on the joke, even though we can’t be in the room.

• Blackbar
• censorship
• energy
• games
• Jason Kottke
• Jimmy Kimmel
• The Colbert Report
• The Daily Show
• TV