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The 100 Best Indie Rock Albums of All Time. Includes albums by Death Cab for Cutie, Neko Case, Yeah Yeah Yeahs, Bon Iver, TV on the Radio, Arcade Fire, Broken Social Scene, Liz Phair, and Sonic Youth.

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Jason Kottke

I liked their attempt at defining indie rock:

A top summary of our definition of indie rock might read something like this: Indie rock is primarily an American musical art form that began in earnest around 1980, started to really take shape in 1988, and has since splintered into many forms. It started as a musical byproduct of punk rock and became a commercial product in pop culture. With rare exceptions, there should be guitars, drums, and a singer. With no exceptions, it should be released on an independent label. (Well, with one exception.) It should speak to and incorporate other genres without fully becoming another genre. It tends to be made by people who are apart (or set themselves apart) from mainstream culture, and therefore tends to be associated with losers and depression, or cool kids and art school. It should, by some estimation, rock.

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Rachel Anderson

Per any Top 100 lists, the comments are an integral amendment to the thing itself. These don't disappoint!

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Moijo Jojo

they excused themselves right out of the gate for any omissions that made anyone stabby but seriously no ween? afghan whigs? husker du? pixies? throwing muses ffs?? make it make sense

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AdrianB replying to Moijo Jojo

Not to mention nothing from The Smiths.

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Timothy C Truxell replying to Moijo Jojo

These also irked me. And what about Pylon? Murmur was also way too low on the list.

And they even broke their own rule a few times. I love Yankee Hotel Foxtrot, but Nonesuch was part of a major label.,

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S. Ben Melhuish replying to Moijo Jojo
Edited

I’ll use this thread as a recommendations bucket and suggest Cure for Pain by Morphine (Rykodisc, 1993). It’s an outlier by virtue of having [almost] no electric or acoustic guitar, but it would get the little saxophone icon among others.

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Wendy S replying to Moijo Jojo

It looks to me like they intentionally left off a lot of 80s stuff, particularly pre-1988, including releases from indie labels. Maybe because they fall more easily into another named scene (new wave, college rock, alternative rock, experimental rock etc). They only kept six 80s albums (and only 3 before 88). It's not super consistent: I can see an argument for Feelies as indie-influential above other impact, but once you have Murmur why not Surfer Rosa or Doolittle? I think they're a bit too inclusive after 2010ish but there's then stuff there I never heard so that's more useful to me than more of the same adulation of <whatever>. 

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Wendy S replying to Timothy C Truxell

Did you see another place where they broke the major label rule? I think YHF was the "one exception" called out in the pre-amble. Like I was surprised there was no Luna but Luna was on Elektra (owned by Warner.)

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Wendy S

I wish the little drawn tags were clickable - I'd like to see all the ones marked as "Underdogs" or "Surprisingly Horny" for examples.

Jason S

I echo the statements above. Seems like it has a bit too much of a recency bias. That said, I enjoyed looking, being reminded, being bewildered, and occasionally surprised. 

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