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Entries for September 2020
Scientists Detect Signs of Possible Life on Venus
A group of astronomers have announced that they’ve discovered evidence that there may be life in the atmosphere of Venus.
The astronomers, who reported the finding on Monday in a pair of papers, have not collected specimens of Venusian microbes, nor have they snapped any pictures of them. But with powerful telescopes, they have detected a chemical — phosphine — in the thick Venus atmosphere. After much analysis, the scientists assert that something now alive is the only explanation for the chemical’s source.
Some researchers question this hypothesis, and they suggest instead that the gas could result from unexplained atmospheric or geologic processes on a planet that remains mysterious. But the finding will also encourage some planetary scientists to ask whether humanity has overlooked a planet that may have once been more Earthlike than any other world in our solar system.
“This is an astonishing and ‘out of the blue’ finding,” said Sara Seager, a planetary scientist at the Massachusetts Institute of Technology and an author of the papers (one published in Nature Astronomy and another submitted to the journal Astrobiology). “It will definitely fuel more research into the possibilities for life in Venus’s atmosphere.”
It’s a Bird
In late May, Christian Cooper was birdwatching in Central Park when he was accosted and abused for the color of his skin by a white woman after he asked her to leash her dog. Cooper, who is both an avid birdwatcher (he’s on the board of directors for the NYC Audubon Society) and a pioneering comics writer (he was Marvel’s first openly gay writer and editor), has combined his experiences and interests into a new graphic novel for DC Comics called It’s a Bird.
From the NY Times:
The slim, 10-page story is impressionistic, without a real plot. It is the first in a series called “Represent!” that features works of writers “traditionally underrepresented in the mainstream comic book medium,” including people of color or those who are LGBTQ, Marie Javins, an executive editor at DC, said in a statement. It will be available online for free starting Wednesday, at several digital book and comic book retailers.
The main character of “It’s a Bird” is a teenage birder named Jules, who is Black. When Jules tries to peer through his binoculars at birds, he instead sees the faces of Black people who have been killed by the police.
It’s a Bird is available for free from DC Comics. You can read an interview with Cooper and the rest of the creative team (artist Alitha E. Martinez, inker Mark Morales, colorist Emilio Lopez, and letterer Rob Clark Jr.) on the company’s blog. (via open culture)
SARS-CoV-2 is mutating much more slowly than other RNA viruses – no major mutations have shown up so far. The virus infects humans so easily that there’s little evolutionary pressure to change.
Tiny World
Apple might be a $2+ trillion company, but in the TV world they are still relatively small potatoes. Perhaps it’s appropriate then that the company’s first entry into the nature documentary space dominated by BBC and Netflix is Tiny World, a series featuring some animals who have carved out lives in our massive world by going small. You know, spiders, toads, pygmy marmosets, insects, rodents, fish. The series is narrated by Paul Rudd (I love the ageless Rudd as much as anyone but would have loved to hear Ze Frank in this role) and premieres October 2nd on Apple+.
On the “gentrification font” (Neutraface and similar typefaces). “Sleek sans serif numbers are now the official look of neighborhood change.”
The Sturgis Biker Rally Did Not Cause 266,796 Cases of COVID-19. “While some underlying factors do predict spread, there is a high degree of randomness, and small disturbances (like winds) can cause huge variation across time and space.”
Your gentle reminder that @kottke has an official daily podcast now. “In just 15 minutes, the coolest stuff that happened in the world today.” Check it out here.
Your Phone Wasn’t Built for the Apocalypse. “Images and videos have never captured the world as it really is — they simply create a new understanding of that world from the light that emits from and reflects off of objects.”
Works of Fine Art (feat. The Simpsons)
These mashups of fine art with The Simpsons are entertaining, but this one featuring Bart Simpson’s iconic blackboard subtly replaced by Cy Twombly’s 1968 chalkboard drawing Untitled (New York City) — perhaps the ultimate “my kid could have done that” piece of modern art — is a little bit of genius.
The 2020 Fall Foliage Prediction Map
Once again this year, SmokyMountains.com has the best online foliage prediction map. And once again again, summer was far too short and trees here in VT have already been changing colors for weeks (although most have not really started yet). The onset of fall carries an extra wallop in this pandemic year: in many parts of the country, summer made it possible for people to comfortably meet up with family and friends in the lower-risk out-of-doors, an option that will be increasingly less comfy once the leaves fall and the weather crisps up. (via @legalnomads)
Blade Runner 2049: San Francisco
To go along with my earlier post on photos of the wildfire skies in the western states, Terry Tsai took drone footage of an orange-hued San Francisco and put the soundtrack to Blade Runner 2049 behind it and, yeah, that’s about right. (via daring fireball)
Oliver Burkeman’s Eight Secrets to a (Fairly) Fulfilled Life
For the past decade, Oliver Burkeman has written an advice column for The Guardian on how to change your life. In his final column, he shares eight things that he’s learned while on the job. I especially appreciated these two:
When stumped by a life choice, choose “enlargement” over happiness. I’m indebted to the Jungian therapist James Hollis for the insight that major personal decisions should be made not by asking, “Will this make me happy?”, but “Will this choice enlarge me or diminish me?” We’re terrible at predicting what will make us happy: the question swiftly gets bogged down in our narrow preferences for security and control. But the enlargement question elicits a deeper, intuitive response. You tend to just know whether, say, leaving or remaining in a relationship or a job, though it might bring short-term comfort, would mean cheating yourself of growth.
The future will never provide the reassurance you seek from it. As the ancient Greek and Roman Stoics understood, much of our suffering arises from attempting to control what is not in our control. And the main thing we try but fail to control — the seasoned worriers among us, anyway — is the future. We want to know, from our vantage point in the present, that things will be OK later on. But we never can. (This is why it’s wrong to say we live in especially uncertain times. The future is always uncertain; it’s just that we’re currently very aware of it.)
It’s freeing to grasp that no amount of fretting will ever alter this truth. It’s still useful to make plans. But do that with the awareness that a plan is only ever a present-moment statement of intent, not a lasso thrown around the future to bring it under control. The spiritual teacher Jiddu Krishnamurti said his secret was simple: “I don’t mind what happens.” That needn’t mean not trying to make life better, for yourself or others. It just means not living each day anxiously braced to see if things work out as you hoped.
(via @legalnomads)
Stop Motion Stone Loops
I love Benoît Leva’s simple stop motion animated loops made from rocks and stones. This bouncing one is my favorite:
You can check out more stone animations on his Instagram. (via colossal)
A trailer for a documentary called My Octopus Teacher. “A filmmaker forges an unusual friendship with an octopus living in a South African kelp forest.”
Imagined commercials from brands responding to increasingly dire circumstances. “As the US becomes a dictatorship, Subway is here for you. That’s right, we’re bringing back the $5 Footlong.”
The Apocalyptic Red Western Skies Caused by Climate Change-Fueled Wildfires
All day yesterday, my social media feeds were full of photos taken of the skies on the west coast, bloodied red and orange from the wildfires raging in California, Oregon, and other western states. Each fresh photo I saw shocked me anew. Friends told me: as weird as the photos look, they don’t do justice to what this actually looks like and feels like in real life. Automatic cameras (as on smartphones) had a tough time capturing the skies because the onboard software kept correcting the red and orange colors out — the phones know, even if climate change denying politicians and voters don’t, that our skies aren’t supposed to be that color.
I’ve compiled a few photos and photo collections taken of the western skies over the past few days:
- Christopher Michel’s The Day The Sun Didn’t Rise
- RavenRosie’s photo taken near Salem, OR at noon yesterday
- SFist’s 14 Photos Of San Francisco Landmarks Under a ‘Bladerunner 2020’ Orange Sky
- Wildfires Rage Across the American West from In Focus
- Shocking Photos Show The Hellish Scenes From The West Coast Wildfires from BuzzFeed
- Esquire’s Apocalyptic Photos of the Wildfires and Smoky Skies on the West Coast
- California skies glow orange as wildfires continue from The Guardian
Keep in mind that these photos were taking during the day — it only looks like night because the smoke so completely blocked out the sun.
And let me be clear (because others have not been): the frequency and intensity of the western wildfires over the past years are driven in part by climate change. These fires, along with the death, property damage, and poor health they’ve caused and will continue to cause, are just some of the debts coming due for decades of bad public policy, political inaction, and deliberate negligence by fossil fuel companies. The climate has changed and these are the consequences — the message in the sky is simply unmistakeable.
Congrats to @austinkleon for 15 years of blogging! “This is my home online. It’s where you can find me. If you want to know me, knock on the door, and I’ll let you in.”
Cory Doctorow is selling the DRM-free audiobook version of his new book directly to listeners, bypassing Audible and their DRM. “The idea that a company gets to decide how you use your property, after you buy it from them? Fuck that.”
I cannot get over all the photos of the orange & red skies on the west coast today. Apocalyptic is the only way to put it.
Trump Supporters Should Face Negative Consequences for Their Actions
Designer & writer Gabrielle Blair, creator of the popular Design Mom blog, on The Consequences of Your Actions.
It makes me sick to my stomach that you, a Trump supporter, ever read or watch or listen to anything I’ve created. This is true even if I know you in real life.
I see what you are trying to do. You want me to treat you like a decent human being. But you are not behaving like a decent human being.
A decent person doesn’t align themself with people who are proudly racist and who insist America doesn’t have a racism problem.
A decent person doesn’t align themself with people who believe viral right-wing stories on Facebook over trained journalists, who think Q is real, who think the pandemic is fake, who think the earth is flat.
Blair continues:
You want to vote for Trump and experience no negative consequences.
But that’s not an option.
One of the consequences of your actions? I do not respect you.
Leave them to their terrible art:
I want to see you shunned by every person and organization that doesn’t support Trump. No more access to their books, movies, products, music, events, artists & influencers — till you are left with nothing but Smashmouth concerts, and Ben Shapiro talking about his sex life.
(And just so I don’t get email about this, the boat image at the top of the page is photoshopped. It’s an example of what the kids today are calling a “meme”.)
The Trailer for Denis Villeneuve’s Dune
I’ve never read or seen any of the Dunes (Herbert’s book, David Lynch’s movie, or even Jodorowsky’s Dune) but I have very fond memories of the video game Dune II and will watch anything that Denis Villeneuve makes, so I’m definitely going to check this out when it’s released…let’s see….on December 18, 2020 in theaters? WTF?
Ok, so just watch the trailer if that’s what you’re here for, but I remain baffled that movie theaters are a) currently open (Tenet was showing in 2810 US theaters last weekend) and b) slated to still be open in December in a country trapped in a pandemic death spiral. Easy testing w/ quick results and contact tracing, the twin keys to controlling the virus, are still a mess. A safe & tested vaccine that’s distributed widely by the end of the year? I wouldn’t hold my breath. And you’re going to put a bunch of people who are laughing and gasping together in a room for two-plus hours with a virus that’s airborne1 and assume they’re going to stay properly masked up (except for when they are eating popcorn and nachos!) and properly distant from each other? (Have you met Americans?!) Even if you assume that movie theater screening rooms are huge & well-ventilated (some definitely are not) and capacity is restricted, I repeat: What The Fuck? And in terms of societal trade-offs, reopening places where people gather indoors for entertainment is more important than ensuring our kids can safely go to school? *extreme hair-tearing-out noise*
Update: Aaaaand the Dune release has been delayed until Oct 2021. Between the Trump debacle2 and the CDC acknowledging that the virus may spread through aerosols, I feel like people are coming around to the idea that indoor gatherings, entertainment, and dining are going to be problematic for several more months.
Along with the lack of testing and tracing, the evidence that the virus can be transmitted through aerosols is the important bit here. Most people and organizations are still acting as though it’s not airborne because the measures would be different if they were taking that into account. See this expert’s advice about movie-going for example — there’s not a single mention of aerosols in the entire piece, so it’s tough for me to take it seriously.↩
Just to clarify, I mean the outbreak of Covid-19 in the White House and not any other previous or future debacles.↩
Ultra Slow-Motion Video of Insects Taking Flight
Research biologist Adrian Smith, who specializes in insects, recently filmed a number of different types of flying insects taking off and flying away at 3200 frames/sec. Before watching, I figured I’d find this interesting — flying and slow motion together? sign me up! — but this video was straight-up mesmerizing with just the right amount of informative narration from Smith. There’s such an amazing diversity in wing shape and flight styles among even this small group of insects; I had to keep rewinding it to watch for details that I’d missed. Also, don’t miss the fishfly breaking the fourth wall by looking right at the camera while taking off at 6:07. I see you, my dude.
Smith has previously captured flying ants in slow motion and this globular springtail bug that spins through the air at more than 22,000 rpm. (via moss & fog)
We’re All Socially Awkward Now. Those of us who have limited our in-person social contact over the past months are “subtly but inexorably losing our facility and agility in social situations”.
“Another underappreciated part of the USPS? Its exceptional design.” The Post Office has a long legacy of getting top designers to produce great work.
The Best Self-Help Books of the 21st Century
I appreciated this list of 21 Books for a Better You in the 21st Century from Kelli María Korducki, filled with books that help the self without necessarily being quote-unquote self-help books. Here are a few selections I found interesting:
The Body Is Not an Apology by Sonya Renee Taylor. “Taylor argues that our personal bodily hang-ups — and the beauty standards that inform them — are manifestations of internalized inequality. By lending credence to unjust strictures, our self-hate inadvertently perpetuates oppression.”
Quiet by Susan Cain. “In a culture that rewards ‘being bold’ and ‘putting yourself out there,’ Quiet proposes that the most effective leaders aren’t necessarily the biggest personalities.”
How to Do Nothing by Jenny Odell. “Part love letter to the burnout generation, part anti-Capitalist manifesto, Odell proposes a mass reclamation of attention — our most precious, and precarious, resource — to soothe our existential overload.”
The Life-Changing Magic of Tidying Up by Marie Kondo. “In an age of accumulation fueled by one-click consumerism, Kondo’s ‘konmari’ offers a simple formula for relief from the burden of clutter — literally and, perhaps, existentially.”
I would like to put my vote in for an addition to the list: Oliver Burkeman’s The Antidote: Happiness for People Who Can’t Stand Positive Thinking (also, a self-help book for people skeptical of self-help books).
Looking both east and west, in bulletins from the past and from far afield, Oliver Burkeman introduces us to an unusual group of people who share a single, surprising way of thinking about life. Whether experimental psychologists, terrorism experts, Buddhists, hardheaded business consultants, Greek philosophers, or modern-day gurus, they argue that in our personal lives, and in society at large, it’s our constant effort to be happy that is making us miserable. And that there is an alternative path to happiness and success that involves embracing failure, pessimism, insecurity, and uncertainty — the very things we spend our lives trying to avoid. Thought-provoking, counterintuitive, and ultimately uplifting, The Antidote is the intelligent person’s guide to understanding the much-misunderstood idea of happiness.
I’ve read The Antidote twice; I’ve learned a lot from it and it inspired me to delve deeper into some of the people and philosophies he features. I think reading it, in a significant and long-term way, actually has made me happier.
No, The Government Did Not Break Up A Child Sex Trafficking Ring In Georgia. “Simple headlines obscure the complex realities of abuse, sex work and the real threats to American children.”
Cool Modular Signage for the National Library of Luxembourg
Sascha Lobe’s team at Pentagram has designed a functional and stylish modular signage system for the National Library of Luxembourg. The signs use cubes (inspired by LED clock displays?) that can be reconfigured into different words by library staff.
Numerical and alphabetical cubes are the foundation of the BnL’s modular signage system. In handling massive volumes of information and growing library collections, it is essential to free the library staff from rigid systems and equip them with the ability to easily make signage changes.
The flexible signage plan, consisting of 25,000 resin cubes, 6000 tableaus and 2,400 numerical shelving characters, enables staff to independently customize information as the library’s collection fluctuates. The resin cubes, constructed from a durable material, also translate the timelessness of the library and its long-standing presence throughout the years and into the future.
The only (but perhaps significant) downside to the signs is that they are not actually super legible when compared to a non-modular alternative. They sure do look great though.
Update: This post got shared on Twitter by a couple of librarian pals and Librarian Twitter was not impressed by this signage at all. Not legible, not accessible, and difficult/fiddly to maintain were the main complaints. As someone who believes that design is primarily about how something works and not how something looks, I’m a bit embarrassed that I didn’t hit that point harder in this post. I do love the aesthetics of the project, but from the photos, the legibility looks terrible. Maybe it’s different while navigating the space in person, but if not, you have to wonder how helpful hard-to-read signs are to patrons.
The Next Reconstruction?
In The Atlantic, Adam Serwer writes about the parallels between the present moment and Reconstruction, the post-Civil War period where the biggest strides toward racial justice in America were taken. In response to the protests happening in American streets this summer, Trump pulled out Nixon’s “law and order” playbook but that move backfired on Trump, much like the way that Andrew Johnson’s push for the US government to remain white during the early years of Reconstruction did.
The shift that’s occurred this time around “wasn’t by happenstance,” Brittany Packnett Cunningham, an activist and a writer, told me, nor is it only the product of video evidence. “It has been the work of generations of Black activists, Black thinkers, and Black scholars that has gotten us here” — people like Angela Davis, Kimberlé Crenshaw, Michelle Alexander, and others. “Six years ago, people were not using the phrase systemic racism beyond activist circles and academic circles. And now we are in a place where it is readily on people’s lips, where folks from CEOs to grandmothers up the street are talking about it, reading about it, researching on it, listening to conversations about it.”
All of that preparation met the moment: George Floyd’s killing, the pandemic’s unmistakable toll on Black Americans, and Trump’s callous and cynical response to both.
Still, like Andrew Johnson, Trump bet his political fortunes on his assumption that the majority of white Americans shared his fears and beliefs about Black Americans. Like Johnson, Trump did not anticipate how his own behavior, and the behavior he enabled and encouraged, would discredit the cause he backed. He did not anticipate that the activists might succeed in convincing so many white Americans to see the protests as righteous and justified, that so many white Americans would understand police violence as an extension of his own cruelty, that the pandemic would open their eyes to deep-seated racial inequities.
“I think this country is at a turning point and has been for a little while. We went from celebrating the election of the first Black president in history to bemoaning a white nationalist in the White House,” Alicia Garza told me. “People are grappling with the fact that we’re not actually in a post-racial society.”
If the reaction to eight years of Obama was a white nationalist President, then maybe the reaction to that is, finally, the beginning of true racial justice and equality in America. But here is the big question:
In the past, the dream of remaking society has faltered when white Americans have realized what they would have to sacrifice to deliver freedom. The question now is whether this time is different.
And further:
Believing in racial equality in the abstract and supporting policies that would make it a reality are two different things. Most white Americans have long professed the former, and pointedly declined to do the latter. This paradox has shown up so many times in American history that social scientists have a name for it: the principle-implementation gap. This gap is what ultimately doomed the Reconstruction project.
A research paper on the principle-implementation gap puts it plainly:
White Americans accept equality as an ideal yet reject interventions designed to achieve that ideal.
Serwer goes on to say that the sticking point is often economic justice — versus the easier-to-swallow civic justice. Ok, just go read the whole thing before I quote it all. (via @michaelharriot, who called the piece “spectacular”)
It’s Rain in Games
From Jez Burrows, 30 minutes of rain from video games like Uncharted, Batman: Arkham Knight, Donkey Kong Country, Spider-Man, and Animal Crossing.
A supercut of video game characters taking a break from solving crime or shooting people to enjoy a meditative minute of miserable weather.
(via @kellianderson)
Coronation, Ai Weiwei’s Documentary about the Pandemic Lockdown in Wuhan
Coronation is a feature-length documentary film by Ai Weiwei about the lockdown in Wuhan, China, during the initial Covid-19 outbreak in early 2020. The trailer is not super compelling tbh, but it’s Ai Weiwei and the description sounds interesting:
The film showcases the incredible speed and power of China’s state machinery with its construction of massive coronavirus hospitals, deployment of roving sanitation-fogging robots, implementation of an exhaustive testing and contact-tracing protocol, and punctiliously engineered protective measures for health workers.
On the other side of the scale is the crushing bureaucracy of that same machine, its totalitarian decision-making, clear deception of ordinary citizens, the absence of civic communication, and perhaps, worst of all, a cold-eyed lack of empathy for those suffering loss and kept away from home.
Ai Weiwei paints a moving and revelatory portrait not just of China’s response to the pandemic but also of ordinary people in Wuhan, showing how they personally cope with the disaster.
Hyperallergic’s Dan Schindel has a review of the film. You can watch Coronation on demand at Vimeo or Alamo. (via colossal)
Honoring Jacob Blake
To pass the time during the pandemic, artist and designer Sho Shibuya has been painting sunrise views from his apartment using the front page of the NY Times as a canvas and posting them to Instagram. But he’s also done special editions, like the one above honoring Jacob Blake, the seven holes in the paper representing the seven bullets fired at Blake’s back by a Kenosha police officer trying to murder him. The juxtaposition with that headline is… something.
Challenger: The Final Flight
From Netflix, Challenger: The Final Flight is a four-part documentary series about the 1986 Challenger Space Shuttle disaster.
Incorporating never-before-seen interviews and rare archival material, this series offers an in-depth look at one of the most diverse crews NASA assembled, including high school teacher Christa McAuliffe, who was selected to be the first private citizen in space.
The series debuts on Netflix on Sept 16.
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